Songs like Grass Is Greener by Emma Russack
Based on a tempo of (+/- 10%) and a similar genre
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Emma Russack
Grass Is Greener
79 bpm • D Maj • 01:39 • -11.85db
23% Popularity • 73% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 73% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Cousin Tony's Brand New Firebird
Aquarian
79 bpm • G Maj • 01:24 • -11.5db
37% Popularity • 54% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 54% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Indianna Hale
Hollow The Words
79 bpm • E min • 03:15 • -6.32db
10% Popularity • 48% Danceability • 76% Energy • 12% Liveness
34% Instrumentalness • 74% Positiveness
10% Popularity • 48% Danceability • 76% Energy • 12% Liveness
34% Instrumentalness • 74% Positiveness
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Shirley Hurt
Empty Hands
79 bpm • C Maj • 04:21 • -11.01db
13% Popularity • 62% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
13% Popularity • 62% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Florry
Drunk and High
80 bpm • G Maj • 02:19 • -7.82db
30% Popularity • 60% Danceability • 61% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
30% Popularity • 60% Danceability • 61% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
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Pasiflorez
Round The Twist
80 bpm • A# Maj • 02:05 • -10.96db
34% Popularity • 44% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 44% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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The Humble Cheaters
Pig Theme
78 bpm • E Maj • 01:48 • -10.68db
23% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Bures Band
Birds Nest
80 bpm • D Maj • 04:58 • -6.2db
31% Popularity • 55% Danceability • 77% Energy • 7% Liveness
19% Instrumentalness • 77% Positiveness
31% Popularity • 55% Danceability • 77% Energy • 7% Liveness
19% Instrumentalness • 77% Positiveness
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Anna St. Louis
Rest
78 bpm • G# Maj • 05:30 • -12.71db
18% Popularity • 59% Danceability • 38% Energy • 18% Liveness
4% Instrumentalness • 44% Positiveness
18% Popularity • 59% Danceability • 38% Energy • 18% Liveness
4% Instrumentalness • 44% Positiveness
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Quality Used Cars
If The Moon Were A Mirror
78 bpm • C Maj • 03:28 • -9.15db
18% Popularity • 46% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 46% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Emma Russack
Long Road
80 bpm • A Maj • 02:14 • -23.08db
2% Popularity • 40% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
2% Popularity • 40% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Mike Donovan
Lost Wot
80 bpm • E Maj • 02:10 • -8.18db
8% Popularity • 52% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 52% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Buck Meek
Candle
80 bpm • E Maj • 03:43 • -8.68db
36% Popularity • 62% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
36% Popularity • 62% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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The Slingers
Living in the Age of Loneliness
78 bpm • A Maj • 04:25 • -5.42db
34% Popularity • 38% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 38% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Floodlights
Human
77 bpm • E Maj • 02:41 • -7db
34% Popularity • 39% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 39% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Duff Thompson
Shapeshifter
81 bpm • C# min • 03:21 • -7.86db
25% Popularity • 43% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
25% Popularity • 43% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Emma Russack
Oh Alice
78 bpm • G# Maj • 03:02 • -15.22db
5% Popularity • 59% Danceability • 43% Energy • 31% Liveness
10% Instrumentalness • 27% Positiveness
5% Popularity • 59% Danceability • 43% Energy • 31% Liveness
10% Instrumentalness • 27% Positiveness
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The Uplifting Bell Ends
Dear Friend
81 bpm • C Maj • 03:25 • -8.75db
10% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Being Dead
Misery Lane
77 bpm • C# Maj • 04:16 • -12.13db
21% Popularity • 35% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
21% Popularity • 35% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Hether
Sad Song
77 bpm • D Maj • 03:26 • -14.72db
27% Popularity • 66% Danceability • 31% Energy • 15% Liveness
64% Instrumentalness • 40% Positiveness
27% Popularity • 66% Danceability • 31% Energy • 15% Liveness
64% Instrumentalness • 40% Positiveness
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Jeanines
That's Okay
81 bpm • F Maj • 01:21 • -4.74db
23% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Allegra Krieger
Living in the City is so Beautiful
81 bpm • B Maj • 04:10 • -14.8db
20% Popularity • 57% Danceability • 19% Energy • 11% Liveness
64% Instrumentalness • 30% Positiveness
20% Popularity • 57% Danceability • 19% Energy • 11% Liveness
64% Instrumentalness • 30% Positiveness
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Emma Russack
Done My Time
77 bpm • G# min • 03:14 • -15.68db
5% Popularity • 44% Danceability • 40% Energy • 22% Liveness
57% Instrumentalness • 40% Positiveness
5% Popularity • 44% Danceability • 40% Energy • 22% Liveness
57% Instrumentalness • 40% Positiveness
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Mad Anthony
Rina
77 bpm • G# Maj • 02:57 • -7.98db
34% Popularity • 42% Danceability • 40% Energy • 14% Liveness
73% Instrumentalness • 41% Positiveness
34% Popularity • 42% Danceability • 40% Energy • 14% Liveness
73% Instrumentalness • 41% Positiveness
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Caitlin Harnett & The Pony Boys
Pissing on Everything
81 bpm • C Maj • 05:06 • -11.75db
10% Popularity • 20% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 20% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Martin Frawley
Lo and Behold
82 bpm • B Maj • 02:01 • -13.49db
24% Popularity • 68% Danceability • 22% Energy • 17% Liveness
85% Instrumentalness • 39% Positiveness
24% Popularity • 68% Danceability • 22% Energy • 17% Liveness
85% Instrumentalness • 39% Positiveness
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Shana Cleveland
Night of the Worm Moon
76 bpm • C# Maj • 02:59 • -12db
35% Popularity • 44% Danceability • 38% Energy • 18% Liveness
16% Instrumentalness • 11% Positiveness
35% Popularity • 44% Danceability • 38% Energy • 18% Liveness
16% Instrumentalness • 11% Positiveness
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The Slingers
Little Conversations
83 bpm • E Maj • 04:16 • -19db
24% Popularity • 54% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 54% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Emma Russack
SIGTCTT
76 bpm • G Maj • 00:53 • -13.19db
3% Popularity • 69% Danceability • 58% Energy • 20% Liveness
90% Instrumentalness • 55% Positiveness
3% Popularity • 69% Danceability • 58% Energy • 20% Liveness
90% Instrumentalness • 55% Positiveness
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Hot Apple Band
One Day (I'll See)
75 bpm • F# min • 02:24 • -9.62db
11% Popularity • 50% Danceability • 49% Energy • 9% Liveness
4% Instrumentalness • 38% Positiveness
11% Popularity • 50% Danceability • 49% Energy • 9% Liveness
4% Instrumentalness • 38% Positiveness
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Why Bonnie
Lot's Wife
75 bpm • G Maj • 02:46 • -8.76db
23% Popularity • 48% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 48% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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David Kitt
Wexford Strawberries
75 bpm • C# min • 03:56 • -9.37db
9% Popularity • 86% Danceability • 58% Energy • 16% Liveness
10% Instrumentalness • 66% Positiveness
9% Popularity • 86% Danceability • 58% Energy • 16% Liveness
10% Instrumentalness • 66% Positiveness
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Marina Allen
Sleeper Train
83 bpm • E min • 02:36 • -11.87db
34% Popularity • 52% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 52% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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MJ Lenderman
You Have Bought Yourself A Boat
84 bpm • D# Maj • 02:51 • -10.89db
38% Popularity • 64% Danceability • 55% Energy • 30% Liveness
9% Instrumentalness • 75% Positiveness
38% Popularity • 64% Danceability • 55% Energy • 30% Liveness
9% Instrumentalness • 75% Positiveness
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Emma Russack
Catch
75 bpm • G Maj • 02:23 • -9.87db
4% Popularity • 53% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
4% Popularity • 53% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Bonny Doon
Take Me Away
74 bpm • G Maj • 02:31 • -11.63db
24% Popularity • 47% Danceability • 36% Energy • 11% Liveness
75% Instrumentalness • 38% Positiveness
24% Popularity • 47% Danceability • 36% Energy • 11% Liveness
75% Instrumentalness • 38% Positiveness
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Reverend Baron
Jackie
74 bpm • F# Maj • 03:28 • -11db
41% Popularity • 60% Danceability • 45% Energy • 9% Liveness
89% Instrumentalness • 48% Positiveness
41% Popularity • 60% Danceability • 45% Energy • 9% Liveness
89% Instrumentalness • 48% Positiveness
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Esther Rose
Always Changing
85 bpm • E Maj • 03:06 • -7.94db
34% Popularity • 61% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 61% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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BE/HOLD
The Emotion Knight
85 bpm • D Maj • 02:04 • -7.81db
37% Popularity • 54% Danceability • 66% Energy • 13% Liveness
93% Instrumentalness • 17% Positiveness
37% Popularity • 54% Danceability • 66% Energy • 13% Liveness
93% Instrumentalness • 17% Positiveness
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wished bone
pat
85 bpm • C# Maj • 02:24 • -10.66db
30% Popularity • 54% Danceability • 49% Energy • 12% Liveness
77% Instrumentalness • 47% Positiveness
30% Popularity • 54% Danceability • 49% Energy • 12% Liveness
77% Instrumentalness • 47% Positiveness
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Emma Russack
Plans
83 bpm • C Maj • 03:11 • -9.84db
1% Popularity • 59% Danceability • 48% Energy • 9% Liveness
43% Instrumentalness • 47% Positiveness
1% Popularity • 59% Danceability • 48% Energy • 9% Liveness
43% Instrumentalness • 47% Positiveness
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Lachlan Denton
Braeside
86 bpm • E Maj • 01:37 • -20.93db
1% Popularity • 68% Danceability • 14% Energy • 8% Liveness
6% Instrumentalness • 25% Positiveness
1% Popularity • 68% Danceability • 14% Energy • 8% Liveness
6% Instrumentalness • 25% Positiveness
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Las Los
All Through The Day
85 bpm • G Maj • 03:04 • -8.48db
12% Popularity • 58% Danceability • 43% Energy • 12% Liveness
36% Instrumentalness • 12% Positiveness
12% Popularity • 58% Danceability • 43% Energy • 12% Liveness
36% Instrumentalness • 12% Positiveness
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Esther Rose
Dream Girl
74 bpm • A# Maj • 03:17 • -9.73db
28% Popularity • 66% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 66% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Bonny Doon
San Francisco
86 bpm • B Maj • 04:43 • -10.45db
25% Popularity • 72% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
25% Popularity • 72% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
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Bnny
Blind
86 bpm • A Maj • 02:35 • -14.18db
42% Popularity • 64% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 53% Positiveness
42% Popularity • 64% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 53% Positiveness
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Dougie Poole
Nothing on This Earth Can Make Me Smile
87 bpm • D Maj • 03:10 • -13.41db
24% Popularity • 57% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 46% Positiveness
24% Popularity • 57% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 46% Positiveness
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Magic AL
Live Forever
87 bpm • C# Maj • 01:39 • -14db
46% Popularity • 53% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 56% Positiveness
46% Popularity • 53% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 56% Positiveness
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Floating Action
Bottomless Lake
87 bpm • E Maj • 04:11 • -7.71db
19% Popularity • 62% Danceability • 42% Energy • 11% Liveness
34% Instrumentalness • 43% Positiveness
19% Popularity • 62% Danceability • 42% Energy • 11% Liveness
34% Instrumentalness • 43% Positiveness
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Small Paul
Miner for a Dream
71 bpm • G Maj • 06:23 • -8.99db
13% Popularity • 30% Danceability • 56% Energy • 9% Liveness
38% Instrumentalness • 49% Positiveness
13% Popularity • 30% Danceability • 56% Energy • 9% Liveness
38% Instrumentalness • 49% Positiveness
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Kacy & Clayton
Devil's Daughter
71 bpm • D Maj • 02:13 • -10.23db
29% Popularity • 64% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 64% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Scott McMicken and THE EVER-EXPANDING
What About Now
88 bpm • E Maj • 03:21 • -7.32db
35% Popularity • 60% Danceability • 68% Energy • 28% Liveness
24% Instrumentalness • 86% Positiveness
35% Popularity • 60% Danceability • 68% Energy • 28% Liveness
24% Instrumentalness • 86% Positiveness
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Drug Cabin
Powdermoon
71 bpm • E Maj • 03:00 • -11.14db
26% Popularity • 60% Danceability • 31% Energy • 16% Liveness
93% Instrumentalness • 39% Positiveness
26% Popularity • 60% Danceability • 31% Energy • 16% Liveness
93% Instrumentalness • 39% Positiveness
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Floodlights
Ramblings Of A Passenger
89 bpm • C Maj • 04:58 • -9.15db
27% Popularity • 47% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 47% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Esther Rose
Spider
89 bpm • D Maj • 03:50 • -7.04db
26% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Emma Russack
Body Goals
89 bpm • A Maj • 03:09 • -9.59db
0% Popularity • 54% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
0% Popularity • 54% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Marina Allen
Superreality
70 bpm • A Maj • 02:42 • -15.18db
29% Popularity • 52% Danceability • 11% Energy • 19% Liveness
39% Instrumentalness • 38% Positiveness
29% Popularity • 52% Danceability • 11% Energy • 19% Liveness
39% Instrumentalness • 38% Positiveness
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Sam Evian
Rollin' In
89 bpm • F Maj • 04:44 • -9.02db
41% Popularity • 62% Danceability • 51% Energy • 36% Liveness
62% Instrumentalness • 43% Positiveness
41% Popularity • 62% Danceability • 51% Energy • 36% Liveness
62% Instrumentalness • 43% Positiveness
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Drug Cabin
California
88 bpm • D# Maj • 02:24 • -9.48db
43% Popularity • 71% Danceability • 46% Energy • 14% Liveness
46% Instrumentalness • 79% Positiveness
43% Popularity • 71% Danceability • 46% Energy • 14% Liveness
46% Instrumentalness • 79% Positiveness
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A. Savage
Indian Style
89 bpm • G Maj • 04:11 • -11.47db
32% Popularity • 62% Danceability • 37% Energy • 10% Liveness
6% Instrumentalness • 18% Positiveness
32% Popularity • 62% Danceability • 37% Energy • 10% Liveness
6% Instrumentalness • 18% Positiveness
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Steve Gunn
Dust Filled Room
90 bpm • F# Maj • 02:02 • -9.96db
30% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Emma Russack
The Way
70 bpm • A min • 03:38 • -12.24db
0% Popularity • 39% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
0% Popularity • 39% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Florry
Cowgirl Giving
90 bpm • C Maj • 05:05 • -10.03db
24% Popularity • 46% Danceability • 37% Energy • 18% Liveness
12% Instrumentalness • 39% Positiveness
24% Popularity • 46% Danceability • 37% Energy • 18% Liveness
12% Instrumentalness • 39% Positiveness
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Magic AL
Hello
90 bpm • G# Maj • 02:53 • -7.61db
36% Popularity • 66% Danceability • 55% Energy • 12% Liveness
34% Instrumentalness • 41% Positiveness
36% Popularity • 66% Danceability • 55% Energy • 12% Liveness
34% Instrumentalness • 41% Positiveness
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Drug Cabin
Baywatch
89 bpm • B Maj • 03:19 • -10.34db
37% Popularity • 59% Danceability • 43% Energy • 8% Liveness
85% Instrumentalness • 56% Positiveness
37% Popularity • 59% Danceability • 43% Energy • 8% Liveness
85% Instrumentalness • 56% Positiveness
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MJ Lenderman
TV Dinners
90 bpm • A Maj • 03:52 • -13.18db
42% Popularity • 65% Danceability • 51% Energy • 42% Liveness
2% Instrumentalness • 89% Positiveness
42% Popularity • 65% Danceability • 51% Energy • 42% Liveness
2% Instrumentalness • 89% Positiveness
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Sam Evian
Golden Skull
91 bpm • F min • 02:39 • -11.26db
41% Popularity • 58% Danceability • 32% Energy • 13% Liveness
28% Instrumentalness • 39% Positiveness
41% Popularity • 58% Danceability • 32% Energy • 13% Liveness
28% Instrumentalness • 39% Positiveness
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Folk Bitch Trio
Analogue
91 bpm • C# Maj • 03:46 • -6.72db
38% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Allah-Las
Pattern
92 bpm • D Maj • 03:37 • -8.76db
33% Popularity • 52% Danceability • 67% Energy • 23% Liveness
84% Instrumentalness • 59% Positiveness
33% Popularity • 52% Danceability • 67% Energy • 23% Liveness
84% Instrumentalness • 59% Positiveness
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Jon McKiel
Management
92 bpm • G Maj • 02:29 • -9.97db
30% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Drug Cabin
Noche
92 bpm • G Maj • 03:19 • -10.63db
26% Popularity • 54% Danceability • 43% Energy • 13% Liveness
82% Instrumentalness • 46% Positiveness
26% Popularity • 54% Danceability • 43% Energy • 13% Liveness
82% Instrumentalness • 46% Positiveness
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Bria Salmena
Green Rocky Road
68 bpm • G Maj • 03:21 • -6.81db
27% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 57% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Sweet Whirl
Weirdo
92 bpm • F Maj • 03:00 • -9.42db
29% Popularity • 73% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 73% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Why Bonnie
90 In November
93 bpm • A Maj • 03:51 • -10db
31% Popularity • 60% Danceability • 42% Energy • 9% Liveness
12% Instrumentalness • 78% Positiveness
31% Popularity • 60% Danceability • 42% Energy • 9% Liveness
12% Instrumentalness • 78% Positiveness
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Shirley Hurt
Let Me Down Easy
67 bpm • D Maj • 03:39 • -11.64db
16% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Emma Russack
I'll Never Hurt You
93 bpm • G# Maj • 04:14 • -23.2db
0% Popularity • 34% Danceability • 2% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 34% Danceability • 2% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
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Allah-Las
The Fall
93 bpm • F Maj • 04:14 • -10.26db
27% Popularity • 44% Danceability • 49% Energy • 10% Liveness
70% Instrumentalness • 31% Positiveness
27% Popularity • 44% Danceability • 49% Energy • 10% Liveness
70% Instrumentalness • 31% Positiveness
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Drug Cabin
Turkey Time
94 bpm • G Maj • 02:33 • -7.82db
40% Popularity • 72% Danceability • 62% Energy • 27% Liveness
38% Instrumentalness • 94% Positiveness
40% Popularity • 72% Danceability • 62% Energy • 27% Liveness
38% Instrumentalness • 94% Positiveness
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Quality Used Cars
Me and Damon Drinking Beers at the Grand...
94 bpm • C Maj • 05:07 • -8.4db
16% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Jack Davies and The Bush Chooks
The Colours
94 bpm • F Maj • 03:52 • -8.51db
22% Popularity • 54% Danceability • 35% Energy • 11% Liveness
4% Instrumentalness • 32% Positiveness
22% Popularity • 54% Danceability • 35% Energy • 11% Liveness
4% Instrumentalness • 32% Positiveness
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Langkamer
Hatchet
95 bpm • B min • 02:07 • -9.98db
32% Popularity • 78% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 78% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Andre Ethier
Doodah Man
95 bpm • C# Maj • 02:06 • -18.09db
34% Popularity • 71% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 71% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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The Slingers
24 Hour News
95 bpm • D Maj • 05:21 • -10.11db
22% Popularity • 53% Danceability • 55% Energy • 14% Liveness
49% Instrumentalness • 14% Positiveness
22% Popularity • 53% Danceability • 55% Energy • 14% Liveness
49% Instrumentalness • 14% Positiveness
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Sam Evian
Stay
95 bpm • D# min • 03:17 • -6.18db
37% Popularity • 32% Danceability • 65% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
37% Popularity • 32% Danceability • 65% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
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Emma Russack
An Adult Now
96 bpm • D Maj • 01:39 • -9.81db
2% Popularity • 80% Danceability • 56% Energy • 20% Liveness
51% Instrumentalness • 86% Positiveness
2% Popularity • 80% Danceability • 56% Energy • 20% Liveness
51% Instrumentalness • 86% Positiveness
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Ora Cogan
Cowgirl
96 bpm • G Maj • 02:49 • -13.43db
46% Popularity • 73% Danceability • 41% Energy • 12% Liveness
44% Instrumentalness • 75% Positiveness
46% Popularity • 73% Danceability • 41% Energy • 12% Liveness
44% Instrumentalness • 75% Positiveness
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The Bures Band
Drifting
96 bpm • G Maj • 03:11 • -12.5db
16% Popularity • 55% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 55% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Long Island Railroad
Field 4
96 bpm • G min • 02:09 • -7.45db
29% Popularity • 79% Danceability • 78% Energy • 24% Liveness
16% Instrumentalness • 63% Positiveness
29% Popularity • 79% Danceability • 78% Energy • 24% Liveness
16% Instrumentalness • 63% Positiveness
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Lutalo
PLPH
96 bpm • G Maj • 03:38 • -7.36db
32% Popularity • 58% Danceability • 73% Energy • 12% Liveness
2% Instrumentalness • 72% Positiveness
32% Popularity • 58% Danceability • 73% Energy • 12% Liveness
2% Instrumentalness • 72% Positiveness
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Yves Jarvis
Prism Through Which I Perceive
96 bpm • G# Maj • 01:00 • -7.31db
16% Popularity • 40% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 40% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Twerps
Bring Me Down
97 bpm • E Maj • 02:18 • -14.05db
32% Popularity • 51% Danceability • 28% Energy • 25% Liveness
93% Instrumentalness • 37% Positiveness
32% Popularity • 51% Danceability • 28% Energy • 25% Liveness
93% Instrumentalness • 37% Positiveness
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Oracle Sisters
Hot Summer
97 bpm • D Maj • 02:22 • -10.82db
38% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Greg Freeman
Colorado
97 bpm • A Maj • 04:16 • -5.7db
34% Popularity • 40% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 40% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
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Drug Cabin
Wiggle Room
97 bpm • A min • 02:33 • -7.17db
50% Popularity • 70% Danceability • 66% Energy • 16% Liveness
77% Instrumentalness • 67% Positiveness
50% Popularity • 70% Danceability • 66% Energy • 16% Liveness
77% Instrumentalness • 67% Positiveness
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Glyders
Can't Beat the Heat
97 bpm • E Maj • 02:58 • -11.47db
23% Popularity • 66% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 62% Positiveness
23% Popularity • 66% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 62% Positiveness
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Lachlan Denton
Dad
98 bpm • A min • 02:50 • -11.45db
1% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
1% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Anna St. Louis
Trace
98 bpm • A# Maj • 04:33 • -11.01db
21% Popularity • 70% Danceability • 36% Energy • 9% Liveness
12% Instrumentalness • 53% Positiveness
21% Popularity • 70% Danceability • 36% Energy • 9% Liveness
12% Instrumentalness • 53% Positiveness
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The Slingers
Our Last Day in the Sun
98 bpm • C Maj • 03:38 • -6.54db
26% Popularity • 56% Danceability • 74% Energy • 22% Liveness
5% Instrumentalness • 62% Positiveness
26% Popularity • 56% Danceability • 74% Energy • 22% Liveness
5% Instrumentalness • 62% Positiveness