Songs like Grass Is Greener by St. Paul & The Broken Bones
Based on a tempo of (+/- 10%) and a similar genre
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Motenko
On Your Level
176 bpm • C Maj • 02:43 • -6.39db
19% Popularity • 44% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 44% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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St. Paul & The Broken Bones
Grass Is Greener
176 bpm • G Maj • 04:14 • -7db
46% Popularity • 34% Danceability • 49% Energy • 23% Liveness
4% Instrumentalness • 25% Positiveness
46% Popularity • 34% Danceability • 49% Energy • 23% Liveness
4% Instrumentalness • 25% Positiveness
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Sex on Toast
Oh, Loretta!
176 bpm • G Maj • 04:29 • -6.9db
42% Popularity • 66% Danceability • 55% Energy • 12% Liveness
10% Instrumentalness • 70% Positiveness
42% Popularity • 66% Danceability • 55% Energy • 12% Liveness
10% Instrumentalness • 70% Positiveness
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Durand Jones & The Indications
Long Way Home
175 bpm • G Maj • 03:21 • -4.43db
48% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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The Teskey Brothers
Forever You and Me
175 bpm • G# Maj • 02:55 • -4.94db
72% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
72% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Bahamas
Trick To Happy
178 bpm • D Maj • 03:24 • -9.66db
55% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Dustbowl Revival
Honey I Love You
178 bpm • C Maj • 03:33 • -6.2db
36% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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St. Paul & The Broken Bones
Crumbling Light Posts, Pt. 1
177 bpm • D Maj • 01:31 • -13.03db
27% Popularity • 11% Danceability • 28% Energy • 25% Liveness
18% Instrumentalness • 11% Positiveness
27% Popularity • 11% Danceability • 28% Energy • 25% Liveness
18% Instrumentalness • 11% Positiveness
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Them Vibes
Electric Fever
178 bpm • D Maj • 03:47 • -6.04db
32% Popularity • 65% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 65% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Phosphorescent
Sugaree
174 bpm • E Maj • 04:59 • -7db
43% Popularity • 27% Danceability • 86% Energy • 19% Liveness
16% Instrumentalness • 74% Positiveness
43% Popularity • 27% Danceability • 86% Energy • 19% Liveness
16% Instrumentalness • 74% Positiveness
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Earl St. Clair
Ain't Got It Like That
173 bpm • G Maj • 04:57 • -5db
29% Popularity • 67% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 67% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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The Dip
Slow Sipper
174 bpm • D# Maj • 03:00 • -8db
54% Popularity • 56% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 56% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Lettuce
Everybody Wants to Rule the World
180 bpm • B min • 04:51 • -6.84db
39% Popularity • 46% Danceability • 74% Energy • 12% Liveness
25% Instrumentalness • 39% Positiveness
39% Popularity • 46% Danceability • 74% Energy • 12% Liveness
25% Instrumentalness • 39% Positiveness
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St. Paul & The Broken Bones
Don't Mean a Thing
177 bpm • A min • 03:06 • -6db
32% Popularity • 34% Danceability • 62% Energy • 32% Liveness
75% Instrumentalness • 58% Positiveness
32% Popularity • 34% Danceability • 62% Energy • 32% Liveness
75% Instrumentalness • 58% Positiveness
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Mingo Fishtrap
Mason Jar
180 bpm • G# Maj • 03:08 • -8.65db
29% Popularity • 51% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 51% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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The California Honeydrops
Live Learn
172 bpm • B Maj • 04:35 • -6.62db
50% Popularity • 60% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 60% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Vulfpeck
1612
171 bpm • C Maj • 03:19 • -11.33db
58% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Leon Bridges
That Was Yesterday
181 bpm • A Maj • 03:50 • -6.18db
54% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Ray LaMontagne
You Are the Best Thing
171 bpm • A# Maj • 03:51 • -4.87db
68% Popularity • 58% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
68% Popularity • 58% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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St. Paul & The Broken Bones
Don’t Mean A Thing - Live at SXSW 2013
178 bpm • A min • 03:05 • -5.53db
16% Popularity • 24% Danceability • 80% Energy • 87% Liveness
57% Instrumentalness • 38% Positiveness
16% Popularity • 24% Danceability • 80% Energy • 87% Liveness
57% Instrumentalness • 38% Positiveness
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The Meltdown
Side By Side
170 bpm • E Maj • 04:16 • -7.68db
55% Popularity • 70% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
55% Popularity • 70% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
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Kat Wright
By My Side
170 bpm • C# Maj • 03:51 • -5.97db
39% Popularity • 60% Danceability • 59% Energy • 17% Liveness
1% Instrumentalness • 80% Positiveness
39% Popularity • 60% Danceability • 59% Energy • 17% Liveness
1% Instrumentalness • 80% Positiveness
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Dojo Cuts
I Don't Want to Wait
182 bpm • A Maj • 03:34 • -9db
40% Popularity • 43% Danceability • 34% Energy • 12% Liveness
72% Instrumentalness • 68% Positiveness
40% Popularity • 43% Danceability • 34% Energy • 12% Liveness
72% Instrumentalness • 68% Positiveness
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Mt. Joy
Astrovan
170 bpm • D# Maj • 03:06 • -9.4db
69% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
69% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Ryan Montbleau
Heartbreak Road
170 bpm • C Maj • 03:38 • -9.02db
34% Popularity • 75% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
34% Popularity • 75% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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St. Paul & The Broken Bones
Half the City
179 bpm • G min • 03:17 • -6db
50% Popularity • 55% Danceability • 68% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
50% Popularity • 55% Danceability • 68% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
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Galactic
Going Straight Crazy
170 bpm • C# min • 03:27 • -4.76db
35% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Son Little
about her. again.
170 bpm • B Maj • 03:46 • -10.22db
43% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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T Bird and the Breaks
Livin' with Love
170 bpm • C min • 04:02 • -4.92db
28% Popularity • 63% Danceability • 90% Energy • 61% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 63% Danceability • 90% Energy • 61% Liveness
0% Instrumentalness • 64% Positiveness
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Marcus King
Love Song
169 bpm • E Maj • 02:30 • -5.87db
49% Popularity • 42% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 42% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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The Dip
O.P. Jebediah
169 bpm • G Maj • 04:02 • -6.57db
54% Popularity • 45% Danceability • 61% Energy • 66% Liveness
2% Instrumentalness • 70% Positiveness
54% Popularity • 45% Danceability • 61% Energy • 66% Liveness
2% Instrumentalness • 70% Positiveness
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St. Paul & The Broken Bones
Broken Bones and Pocket Change
179 bpm • A min • 03:47 • -6.24db
40% Popularity • 30% Danceability • 66% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
40% Popularity • 30% Danceability • 66% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
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Neal Francis
How Have I Lived
169 bpm • B Maj • 04:06 • -6.46db
29% Popularity • 61% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
29% Popularity • 61% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
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Tedeschi Trucks Band
Hear My Dear
184 bpm • E min • 05:34 • -7.58db
41% Popularity • 22% Danceability • 58% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
41% Popularity • 22% Danceability • 58% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
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Sonny Cleveland
If It Ain't Broke
168 bpm • C Maj • 03:27 • -6.23db
44% Popularity • 75% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 75% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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The Meters
Love Is for Me
168 bpm • G# Maj • 03:55 • -12.41db
37% Popularity • 53% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 53% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Houndmouth
My Cousin Greg
167 bpm • B Maj • 03:56 • -6.96db
28% Popularity • 27% Danceability • 56% Energy • 85% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 27% Danceability • 56% Energy • 85% Liveness
0% Instrumentalness • 57% Positiveness
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St. Paul & The Broken Bones
La bruit
171 bpm • A# min • 03:04 • -5.05db
22% Popularity • 30% Danceability • 79% Energy • 26% Liveness
5% Instrumentalness • 72% Positiveness
22% Popularity • 30% Danceability • 79% Energy • 26% Liveness
5% Instrumentalness • 72% Positiveness
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Rayland Baxter
Willy's Song
167 bpm • C# min • 03:43 • -8.2db
51% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Neal Francis
This Time
186 bpm • C Maj • 04:54 • -7.43db
35% Popularity • 31% Danceability • 91% Energy • 10% Liveness
16% Instrumentalness • 86% Positiveness
35% Popularity • 31% Danceability • 91% Energy • 10% Liveness
16% Instrumentalness • 86% Positiveness
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The Marcus King Band
Slip Back
166 bpm • C Maj • 06:05 • -6db
40% Popularity • 44% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 44% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Devon Gilfillian
Get Out And Get It
187 bpm • F# min • 02:56 • -5db
25% Popularity • 48% Danceability • 88% Energy • 34% Liveness
1% Instrumentalness • 66% Positiveness
25% Popularity • 48% Danceability • 88% Energy • 34% Liveness
1% Instrumentalness • 66% Positiveness
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Jamestown Revival
Revival
165 bpm • G Maj • 03:33 • -7db
45% Popularity • 42% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 42% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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St. Paul & The Broken Bones
Dixie Rothko
183 bpm • A Maj • 03:32 • -6.82db
29% Popularity • 31% Danceability • 50% Energy • 19% Liveness
27% Instrumentalness • 19% Positiveness
29% Popularity • 31% Danceability • 50% Energy • 19% Liveness
27% Instrumentalness • 19% Positiveness
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The Wood Brothers
Honey Jar
165 bpm • C Maj • 03:58 • -8db
34% Popularity • 40% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 40% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Neal Francis
Can't Stop the Rain
166 bpm • F Maj • 04:06 • -3.26db
22% Popularity • 39% Danceability • 93% Energy • 45% Liveness
29% Instrumentalness • 54% Positiveness
22% Popularity • 39% Danceability • 93% Energy • 45% Liveness
29% Instrumentalness • 54% Positiveness
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The Marcus King Band
Sorry ‘Bout Your Lover
166 bpm • C Maj • 03:26 • -8db
48% Popularity • 48% Danceability • 60% Energy • 34% Liveness
45% Instrumentalness • 59% Positiveness
48% Popularity • 48% Danceability • 60% Energy • 34% Liveness
45% Instrumentalness • 59% Positiveness
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Wild Child
1996
188 bpm • B min • 03:06 • -6.56db
45% Popularity • 63% Danceability • 56% Energy • 54% Liveness
9% Instrumentalness • 72% Positiveness
45% Popularity • 63% Danceability • 56% Energy • 54% Liveness
9% Instrumentalness • 72% Positiveness
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The Revivalists
Stand Up
188 bpm • F Maj • 03:51 • -5.12db
48% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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St. Paul & The Broken Bones
It's Midnight
168 bpm • B min • 02:31 • -8.17db
28% Popularity • 36% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
28% Popularity • 36% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Leon Bridges
Better Man
188 bpm • G Maj • 02:20 • -4.94db
63% Popularity • 40% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 40% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Nigel Hall
Don't Change for Me
164 bpm • G Maj • 03:45 • -6.98db
33% Popularity • 61% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 61% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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The Marcus King Band
Where I'm Headed
187 bpm • A Maj • 04:53 • -6.76db
47% Popularity • 24% Danceability • 78% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
47% Popularity • 24% Danceability • 78% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
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Devon Gilfillian
All I Really Wanna Do
164 bpm • F min • 03:42 • -7.02db
43% Popularity • 69% Danceability • 71% Energy • 8% Liveness
6% Instrumentalness • 76% Positiveness
43% Popularity • 69% Danceability • 71% Energy • 8% Liveness
6% Instrumentalness • 76% Positiveness
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Shinyribs
Who Built the Moon
164 bpm • F# min • 05:09 • -7.37db
45% Popularity • 66% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 66% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Próxima Parada
Good News Bad News Blues
190 bpm • C Maj • 03:09 • -5.11db
23% Popularity • 44% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 44% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Dip
Atlas
162 bpm • A# Maj • 03:47 • -7db
51% Popularity • 44% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 92% Positiveness
51% Popularity • 44% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 92% Positiveness
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Neal Francis
Can't Live Without Your Love
161 bpm • C Maj • 04:04 • -6.83db
21% Popularity • 46% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 67% Positiveness
21% Popularity • 46% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 67% Positiveness
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Durand Jones & The Indications
Make a Change
161 bpm • G Maj • 03:29 • -9.31db
41% Popularity • 66% Danceability • 67% Energy • 13% Liveness
44% Instrumentalness • 84% Positiveness
41% Popularity • 66% Danceability • 67% Energy • 13% Liveness
44% Instrumentalness • 84% Positiveness
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Diggin' Dirt
Leather Tramp
158 bpm • G# Maj • 05:51 • -3.75db
30% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Lukas Nelson and Promise of the Real
Pali Gap / Hey Baby (New Rising Sun)
160 bpm • B min • 05:18 • -4.85db
41% Popularity • 50% Danceability • 86% Energy • 11% Liveness
16% Instrumentalness • 72% Positiveness
41% Popularity • 50% Danceability • 86% Energy • 11% Liveness
16% Instrumentalness • 72% Positiveness
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Próxima Parada
Desert Bloom II
157 bpm • B Maj • 03:30 • -9.48db
43% Popularity • 57% Danceability • 48% Energy • 10% Liveness
17% Instrumentalness • 72% Positiveness
43% Popularity • 57% Danceability • 48% Energy • 10% Liveness
17% Instrumentalness • 72% Positiveness
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Charles Bradley
Nobody But You
157 bpm • G Maj • 03:57 • -6.33db
46% Popularity • 44% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 44% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Marcus King
Wildflowers & Wine
157 bpm • C Maj • 04:48 • -8.64db
62% Popularity • 45% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
62% Popularity • 45% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Durand Jones & The Indications
Young Americans
160 bpm • C Maj • 05:37 • -6.29db
40% Popularity • 34% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 34% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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The Flying Stars Of Brooklyn NY
My God Has A Telephone
198 bpm • B Maj • 02:55 • -8.6db
69% Popularity • 58% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
69% Popularity • 58% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Curtis Harding
Wednesday Morning Atonement
156 bpm • F Maj • 04:28 • -5.85db
36% Popularity • 40% Danceability • 61% Energy • 12% Liveness
2% Instrumentalness • 23% Positiveness
36% Popularity • 40% Danceability • 61% Energy • 12% Liveness
2% Instrumentalness • 23% Positiveness
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St. Paul & The Broken Bones
Convex
158 bpm • F min • 05:21 • -5.24db
33% Popularity • 54% Danceability • 69% Energy • 16% Liveness
66% Instrumentalness • 44% Positiveness
33% Popularity • 54% Danceability • 69% Energy • 16% Liveness
66% Instrumentalness • 44% Positiveness
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Black Pumas
OCT 33
156 bpm • A min • 04:49 • -7.77db
46% Popularity • 62% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 62% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Fruit Bats
The Bottom of It
156 bpm • C Maj • 03:01 • -10.73db
64% Popularity • 63% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
64% Popularity • 63% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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Dawes
When The Tequila Runs Out
156 bpm • C Maj • 04:44 • -6db
20% Popularity • 68% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 68% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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The Revivalists
It Was A Sin
156 bpm • G Maj • 04:54 • -6.97db
54% Popularity • 43% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
54% Popularity • 43% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Busty and the Bass
The Real
156 bpm • D Maj • 04:51 • -5.46db
43% Popularity • 48% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 48% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Son Little
Doctor's In
156 bpm • F min • 02:56 • -10db
40% Popularity • 69% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 75% Positiveness
40% Popularity • 69% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 75% Positiveness
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Matt Duncan
Soft Times
155 bpm • C Maj • 03:37 • -11.38db
34% Popularity • 78% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 91% Positiveness
34% Popularity • 78% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 91% Positiveness
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Bill Withers
Use Me
155 bpm • B min • 03:48 • -13.46db
67% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
67% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Dojo Cuts
Rome
154 bpm • B Maj • 03:38 • -8.47db
60% Popularity • 78% Danceability • 50% Energy • 16% Liveness
6% Instrumentalness • 86% Positiveness
60% Popularity • 78% Danceability • 50% Energy • 16% Liveness
6% Instrumentalness • 86% Positiveness
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St. Paul & The Broken Bones
Tears in the Diamond
202 bpm • B Maj • 03:46 • -5.19db
27% Popularity • 48% Danceability • 69% Energy • 12% Liveness
5% Instrumentalness • 76% Positiveness
27% Popularity • 48% Danceability • 69% Energy • 12% Liveness
5% Instrumentalness • 76% Positiveness
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Rayland Baxter
Yellow Eyes
154 bpm • A# Maj • 03:50 • -7.9db
58% Popularity • 50% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 50% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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T Bird and the Breaks
GTFUOMB
202 bpm • C min • 04:47 • -7.15db
7% Popularity • 39% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 39% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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The Electric Peanut Butter Company
Dreams
152 bpm • A min • 03:01 • -4.69db
43% Popularity • 60% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 60% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Scoundrels
No Soul
151 bpm • G# min • 03:21 • -4.21db
33% Popularity • 51% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 51% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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The War And Treaty
Down to the River
152 bpm • F# Maj • 03:51 • -7db
38% Popularity • 46% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 46% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Early James
Blue Pill Blues
206 bpm • C Maj • 03:07 • -8.77db
34% Popularity • 44% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 44% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Durand Jones & The Indications
Circles
206 bpm • E min • 03:18 • -5.16db
50% Popularity • 53% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
50% Popularity • 53% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Black Joe Lewis & The Honeybears
Booty City
150 bpm • C Maj • 02:41 • -5.09db
39% Popularity • 70% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
39% Popularity • 70% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
