Songs like Gratitude by Roberto Cacciapaglia
Based on a tempo of (+/- 10%) and a similar genre
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Roberto Cacciapaglia
Gratitude (Piano Solo Version)
68 bpm • D# Maj • 03:01 • -21.56db
23% Popularity • 79% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
23% Popularity • 79% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Christoph Pagel
Die Spree
68 bpm • G Maj • 02:54 • -11.16db
30% Popularity • 24% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
30% Popularity • 24% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Rachel Portman
a gift
68 bpm • C min • 02:59 • -20.3db
40% Popularity • 28% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
40% Popularity • 28% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Roberto Jonata
Sur Le Fil
68 bpm • E min • 04:40 • -24.73db
12% Popularity • 31% Danceability • 2% Energy • 17% Liveness
89% Instrumentalness • 10% Positiveness
12% Popularity • 31% Danceability • 2% Energy • 17% Liveness
89% Instrumentalness • 10% Positiveness
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Kai Engel
Idea
69 bpm • D Maj • 02:54 • -34db
26% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
26% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
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Luke Howard
Bear Story II
67 bpm • A# min • 04:03 • -12.34db
34% Popularity • 6% Danceability • 30% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
34% Popularity • 6% Danceability • 30% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Roberto Cacciapaglia
Incipit / Moz-Art K.488 ReComposed
68 bpm • G Maj • 04:33 • -22.76db
25% Popularity • 28% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
25% Popularity • 28% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Mikael Sapin
The Rain
69 bpm • A min • 02:30 • -20.41db
22% Popularity • 53% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 53% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Nico Cartosio
Adagio For Strings And Storm
69 bpm • E min • 03:51 • -15.55db
27% Popularity • 6% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
27% Popularity • 6% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Niall Byrne
Nocturne in G
66 bpm • G min • 03:00 • -17.87db
23% Popularity • 42% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 38% Positiveness
23% Popularity • 42% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 38% Positiveness
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Noel Aspensen
Time Machine
70 bpm • C Maj • 03:48 • -21.59db
32% Popularity • 39% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
32% Popularity • 39% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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James Heather
Blueprint
70 bpm • C min • 04:32 • -26db
42% Popularity • 22% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
42% Popularity • 22% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Roberto Cacciapaglia
Farthest Star (Piano Solo Version)
67 bpm • D Maj • 03:23 • -19.48db
24% Popularity • 28% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 28% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Andrew James Johnson
Echoes of Love
66 bpm • F min • 04:37 • -16.34db
10% Popularity • 18% Danceability • 25% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
10% Popularity • 18% Danceability • 25% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Philip Glass
Metamorphosis II
66 bpm • A min • 07:17 • -25db
37% Popularity • 18% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Christopher Ferreira
The Dancer
66 bpm • A# min • 02:13 • -29.48db
46% Popularity • 47% Danceability • 1% Energy • 16% Liveness
90% Instrumentalness • 9% Positiveness
46% Popularity • 47% Danceability • 1% Energy • 16% Liveness
90% Instrumentalness • 9% Positiveness
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James Spiteri
Alone
66 bpm • E Maj • 05:25 • -22db
37% Popularity • 20% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 5% Positiveness
37% Popularity • 20% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 5% Positiveness
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William Joseph
Within
70 bpm • D min • 03:00 • -13db
29% Popularity • 23% Danceability • 52% Energy • 7% Liveness
96% Instrumentalness • 12% Positiveness
29% Popularity • 23% Danceability • 52% Energy • 7% Liveness
96% Instrumentalness • 12% Positiveness
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Roberto Cacciapaglia
Floating (Piano Solo Version)
67 bpm • A min • 03:21 • -20db
18% Popularity • 40% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
18% Popularity • 40% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Franco Robert
Secrets
70 bpm • F# min • 03:13 • -22.43db
34% Popularity • 44% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
34% Popularity • 44% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Ralf Kemper
Lexus - The pursuit of perfection
70 bpm • B min • 05:40 • -15.7db
24% Popularity • 40% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 40% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Ezio Bosso
Rain, in Your Black Eyes
70 bpm • D Maj • 11:04 • -16.86db
43% Popularity • 24% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
43% Popularity • 24% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Peter Sandberg
Borrowed Peace
71 bpm • G# Maj • 01:45 • -24.33db
46% Popularity • 23% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
46% Popularity • 23% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Paolo Vivaldi
Childhood Memories
66 bpm • C min • 01:48 • -14db
48% Popularity • 31% Danceability • 32% Energy • 8% Liveness
6% Instrumentalness • 8% Positiveness
48% Popularity • 31% Danceability • 32% Energy • 8% Liveness
6% Instrumentalness • 8% Positiveness
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Michael Nyman
The Scent Of Love
64 bpm • D Maj • 04:18 • -19.99db
37% Popularity • 26% Danceability • 6% Energy • 6% Liveness
76% Instrumentalness • 12% Positiveness
37% Popularity • 26% Danceability • 6% Energy • 6% Liveness
76% Instrumentalness • 12% Positiveness
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Philip Glass
String Quartet No. 3, "Mishima": VI. Mis...
72 bpm • C min • 02:56 • -12.34db
29% Popularity • 26% Danceability • 33% Energy • 37% Liveness
92% Instrumentalness • 19% Positiveness
29% Popularity • 26% Danceability • 33% Energy • 37% Liveness
92% Instrumentalness • 19% Positiveness
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Bruno Bavota
La Luce Nel Cuore
72 bpm • D# min • 02:57 • -18.79db
41% Popularity • 31% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
41% Popularity • 31% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Roberto Cacciapaglia
Universal Dance
72 bpm • D min • 03:17 • -14db
21% Popularity • 40% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
21% Popularity • 40% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Vicente Avella
Yours
72 bpm • C Maj • 03:45 • -13.79db
31% Popularity • 11% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
31% Popularity • 11% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
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Judson Hurd
Dream
72 bpm • G Maj • 02:45 • -18.95db
34% Popularity • 13% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 5% Positiveness
34% Popularity • 13% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 5% Positiveness
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Martin Herzberg
Everything And All Of It
64 bpm • F# min • 05:26 • -16.94db
14% Popularity • 23% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
14% Popularity • 23% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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James Spiteri
Staring into Space
72 bpm • D# min • 01:36 • -22.43db
47% Popularity • 38% Danceability • 2% Energy • 12% Liveness
70% Instrumentalness • 14% Positiveness
47% Popularity • 38% Danceability • 2% Energy • 12% Liveness
70% Instrumentalness • 14% Positiveness
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Michael Nyman
The Heart Asks Pleasure First
64 bpm • A min • 03:10 • -25db
30% Popularity • 12% Danceability • 10% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 10% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Roberto Cacciapaglia
Danza in Re minore
72 bpm • D min • 04:07 • -13.7db
23% Popularity • 25% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
23% Popularity • 25% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
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Craig Armstrong
Journey To Dignitas
64 bpm • C min • 01:40 • -22.72db
43% Popularity • 29% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
43% Popularity • 29% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Philip Wesley
Less Traveled
73 bpm • D min • 02:05 • -18.23db
32% Popularity • 24% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
32% Popularity • 24% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Laurent Aknin
Constance et Henri
73 bpm • A min • 00:56 • -15.77db
47% Popularity • 46% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
47% Popularity • 46% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
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Paolo Vivaldi
Winter of Sun
73 bpm • D# Maj • 02:27 • -18.79db
29% Popularity • 34% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
29% Popularity • 34% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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James Spiteri
Forget Me Nots
73 bpm • A min • 03:39 • -18.73db
32% Popularity • 45% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
32% Popularity • 45% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Roberto Cacciapaglia
Days of Experience
73 bpm • C min • 03:28 • -18.89db
34% Popularity • 30% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
34% Popularity • 30% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
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Craig Armstrong
Me Before You Orchestral
73 bpm • C Maj • 07:13 • -16db
47% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Philip Wesley
Light and Shadow
73 bpm • G# Maj • 05:46 • -22db
28% Popularity • 21% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
28% Popularity • 21% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Alessandro Moro
Attimi
73 bpm • E min • 02:32 • -18db
42% Popularity • 20% Danceability • 10% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 20% Danceability • 10% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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William Joseph
Safe & Sound
73 bpm • G Maj • 04:01 • -14.05db
45% Popularity • 44% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
45% Popularity • 44% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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Bruno Bavota
Arrivederci Signora Luna
73 bpm • D Maj • 02:55 • -20.8db
21% Popularity • 52% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
21% Popularity • 52% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
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Amelia Warner
My Sanctuary
63 bpm • F Maj • 03:01 • -17.37db
40% Popularity • 8% Danceability • 14% Energy • 24% Liveness
19% Instrumentalness • 7% Positiveness
40% Popularity • 8% Danceability • 14% Energy • 24% Liveness
19% Instrumentalness • 7% Positiveness
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Greg Maroney
Secrets of the Sea
73 bpm • D# min • 06:01 • -19.98db
15% Popularity • 28% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 7% Positiveness
15% Popularity • 28% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 7% Positiveness
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Piano Novel
La Clairière
63 bpm • D# Maj • 02:21 • -23db
41% Popularity • 40% Danceability • 7% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
41% Popularity • 40% Danceability • 7% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
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Roberto Jonata
Sunlight
63 bpm • A min • 07:45 • -23db
24% Popularity • 12% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Maryna Aksenov
Hesitation
74 bpm • E min • 01:33 • -22db
49% Popularity • 36% Danceability • 10% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
49% Popularity • 36% Danceability • 10% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Abel Korzeniowski
Six Hours
62 bpm • A min • 03:30 • -16.75db
34% Popularity • 22% Danceability • 24% Energy • 18% Liveness
73% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 24% Energy • 18% Liveness
73% Instrumentalness • 4% Positiveness
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Alex Baranowski
Musica Universalis
74 bpm • A Maj • 02:33 • -24.59db
34% Popularity • 19% Danceability • 5% Energy • 14% Liveness
3% Instrumentalness • 6% Positiveness
34% Popularity • 19% Danceability • 5% Energy • 14% Liveness
3% Instrumentalness • 6% Positiveness
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Andy Gbormittah
Solo
62 bpm • C min • 01:46 • -27.74db
32% Popularity • 34% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
32% Popularity • 34% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Roberto Cacciapaglia
The Future
62 bpm • D# Maj • 02:24 • -10.16db
17% Popularity • 16% Danceability • 41% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 41% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Roberto Jonata
Risvegli
74 bpm • F Maj • 01:44 • -26.9db
49% Popularity • 32% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
49% Popularity • 32% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
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Yann Tiersen
Atlantique Nord
62 bpm • E min • 02:38 • -16db
39% Popularity • 18% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
39% Popularity • 18% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Noah Vanden Abeele
Clear Water
62 bpm • G# Maj • 04:55 • -17.1db
18% Popularity • 14% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Samuel Lindon
La Tour - Orchestral Version
75 bpm • D min • 02:19 • -18.99db
38% Popularity • 18% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
38% Popularity • 18% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Kris Baines
All She Left Behind
75 bpm • D min • 02:50 • -20.36db
33% Popularity • 43% Danceability • 7% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
33% Popularity • 43% Danceability • 7% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Roberto Cacciapaglia
Vita nuova
75 bpm • C min • 03:30 • -15.29db
25% Popularity • 24% Danceability • 28% Energy • 15% Liveness
92% Instrumentalness • 10% Positiveness
25% Popularity • 24% Danceability • 28% Energy • 15% Liveness
92% Instrumentalness • 10% Positiveness
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The Daydream Club
Improv #10 - One Last Thought
75 bpm • A min • 02:47 • -19.45db
43% Popularity • 45% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
43% Popularity • 45% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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MDJ Matthias De Jaeger
Living Dream
75 bpm • E Maj • 04:22 • -23.55db
29% Popularity • 20% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
29% Popularity • 20% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Piano Novel
Connected Colors - Solo Piano Version
62 bpm • D# min • 02:48 • -25.44db
38% Popularity • 22% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
38% Popularity • 22% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Philip Wesley
Distant Memory
75 bpm • C Maj • 03:49 • -16.24db
30% Popularity • 27% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 27% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Justus Rümenapp
Nebula
75 bpm • G min • 02:30 • -18db
28% Popularity • 36% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
28% Popularity • 36% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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Oskar Schuster
Singur
75 bpm • B min • 02:54 • -18.01db
16% Popularity • 38% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 63% Positiveness
16% Popularity • 38% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 63% Positiveness
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Abel Korzeniowski
Abdication
75 bpm • G min • 05:21 • -17db
32% Popularity • 21% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Gabriela Parra
Olopte's Lullaby
76 bpm • F min • 02:47 • -22.13db
33% Popularity • 37% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
33% Popularity • 37% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Roberto Cacciapaglia
Figlia del cielo
76 bpm • D Maj • 04:13 • -9.82db
28% Popularity • 17% Danceability • 36% Energy • 7% Liveness
26% Instrumentalness • 6% Positiveness
28% Popularity • 17% Danceability • 36% Energy • 7% Liveness
26% Instrumentalness • 6% Positiveness
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Yann Tiersen
Le Matin
61 bpm • D# Maj • 01:58 • -27.09db
51% Popularity • 53% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
51% Popularity • 53% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Lo Mimieux
Il Reste Du Temps
76 bpm • F# min • 03:13 • -21.26db
40% Popularity • 29% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
40% Popularity • 29% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Oskar Schuster
Singur
76 bpm • E min • 02:53 • -21db
37% Popularity • 36% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
37% Popularity • 36% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
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Abel Korzeniowski
Revolving Door
76 bpm • D# Maj • 04:19 • -19db
34% Popularity • 20% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
34% Popularity • 20% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
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Clint Mansell
Together We Will Live Forever
76 bpm • G min • 05:01 • -25.5db
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Roberto Cacciapaglia
Atlantico (Piano Solo Version)
76 bpm • G Maj • 03:49 • -19.18db
15% Popularity • 30% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
15% Popularity • 30% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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Mari Samuelsen
Divenire
61 bpm • G Maj • 04:17 • -17.61db
33% Popularity • 12% Danceability • 16% Energy • 8% Liveness
58% Instrumentalness • 13% Positiveness
33% Popularity • 12% Danceability • 16% Energy • 8% Liveness
58% Instrumentalness • 13% Positiveness
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Greg Maroney
Grandmother's Quilt
76 bpm • C# Maj • 05:41 • -21.7db
27% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
27% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Oskar Schuster
Záhada
76 bpm • A min • 03:11 • -15.18db
30% Popularity • 45% Danceability • 24% Energy • 8% Liveness
75% Instrumentalness • 63% Positiveness
30% Popularity • 45% Danceability • 24% Energy • 8% Liveness
75% Instrumentalness • 63% Positiveness
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Abel Korzeniowski
Letters
61 bpm • G min • 04:19 • -16.09db
33% Popularity • 9% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
33% Popularity • 9% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
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La Brea String Section
A Time for us
77 bpm • A# min • 03:35 • -13.92db
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Brique a Braq
Rouault
77 bpm • C Maj • 01:41 • -34db
44% Popularity • 30% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 30% Positiveness
44% Popularity • 30% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 30% Positiveness
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Philippe Paquet
Révérence: I
77 bpm • F# Maj • 03:28 • -14.91db
28% Popularity • 10% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Rachel Currea
Passions
77 bpm • C# Maj • 02:33 • -21db
30% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
30% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Mark Fowler
Cloud Atlas - Main Theme
60 bpm • C Maj • 05:49 • -22.39db
25% Popularity • 31% Danceability • 2% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 31% Danceability • 2% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Yiruma
Dance
77 bpm • G Maj • 04:05 • -24.5db
43% Popularity • 25% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 25% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Piano Novel
Sand Shelter
77 bpm • B min • 02:17 • -25.48db
36% Popularity • 24% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
36% Popularity • 24% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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James Spiteri
Hope
77 bpm • F# Maj • 06:17 • -20.34db
23% Popularity • 15% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
23% Popularity • 15% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
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Roberto Cacciapaglia
Prelude
77 bpm • A min • 02:45 • -20.71db
20% Popularity • 33% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 33% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Ashram
Elizabeth
78 bpm • A min • 02:34 • -11db
26% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
37% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
37% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Philip Wesley
Lamentations of the Heart
78 bpm • E min • 04:08 • -20.44db
38% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
38% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Matt Stewart-Evans
Anonymous Waltz
78 bpm • F min • 02:55 • -21db
39% Popularity • 33% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
39% Popularity • 33% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Evalian Massey
Petrichor
78 bpm • C Maj • 01:19 • -26.64db
57% Popularity • 24% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
57% Popularity • 24% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
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Roberto Cacciapaglia
Luminous Night
78 bpm • B min • 03:50 • -16db
20% Popularity • 36% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
20% Popularity • 36% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Ashram
Rose and Air
59 bpm • A min • 02:32 • -9.85db
23% Popularity • 9% Danceability • 16% Energy • 12% Liveness
8% Instrumentalness • 6% Positiveness
23% Popularity • 9% Danceability • 16% Energy • 12% Liveness
8% Instrumentalness • 6% Positiveness
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Ilya Beshevli
Morning Again
79 bpm • A# min • 02:37 • -16.18db
18% Popularity • 21% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
18% Popularity • 21% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
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Philippe Paquet
Révérence: II
79 bpm • D min • 06:21 • -12.84db
31% Popularity • 12% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
31% Popularity • 12% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
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Volker Bertelmann
Salvation
78 bpm • F Maj • 05:25 • -17db
28% Popularity • 8% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
