Songs like Great Balls Of Fire by Linda Gail Lewis
Based on a tempo of (+/- 10%) and a similar genre
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Two Tons Of Steel
Not That Lucky
170 bpm • D Maj • 03:03 • -5.2db
11% Popularity • 57% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 57% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Rebels Revenge
Ripper Jack
170 bpm • A Maj • 01:46 • -12.37db
12% Popularity • 46% Danceability • 71% Energy • 38% Liveness
1% Instrumentalness • 96% Positiveness
12% Popularity • 46% Danceability • 71% Energy • 38% Liveness
1% Instrumentalness • 96% Positiveness
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T.Ford & The Boneshakers
Good Rocking Tonight
170 bpm • B Maj • 02:41 • -10db
10% Popularity • 60% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 60% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Linus Zander
I'm Ready
170 bpm • F min • 02:44 • -6.18db
9% Popularity • 57% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 57% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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The Bellfuries
Rebound
170 bpm • E Maj • 02:03 • -4db
30% Popularity • 46% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 46% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Linda Gail Lewis
Old Black Joe
170 bpm • G Maj • 03:30 • -5.69db
0% Popularity • 41% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 41% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Lee Rocker
Honey Don't
170 bpm • B Maj • 02:35 • -3.45db
20% Popularity • 50% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 50% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Ruby Ann
Half Past Crazy
171 bpm • C Maj • 02:53 • -6db
11% Popularity • 70% Danceability • 62% Energy • 15% Liveness
1% Instrumentalness • 88% Positiveness
11% Popularity • 70% Danceability • 62% Energy • 15% Liveness
1% Instrumentalness • 88% Positiveness
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Buzz Campbell
Rockabilly Heart
170 bpm • F# Maj • 03:38 • -4db
20% Popularity • 45% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 45% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmy Dale Richardson
'58 Buick
169 bpm • C Maj • 03:04 • -4.12db
10% Popularity • 45% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 45% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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The Domestic Bumblebees
Rock Awhile
171 bpm • C# min • 02:41 • -5.67db
9% Popularity • 35% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 35% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Linda Gail Lewis
Great Balls of Fire
171 bpm • F Maj • 02:38 • -5.74db
10% Popularity • 57% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 57% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Nightdrivers
I'm Ready
171 bpm • A Maj • 03:02 • -6db
16% Popularity • 48% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 48% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Johnny Nicholas
Boogie Back To Texas
169 bpm • A Maj • 03:07 • -5db
15% Popularity • 51% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 51% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Linus Zander
Promised Land
169 bpm • A Maj • 03:03 • -8.79db
13% Popularity • 52% Danceability • 90% Energy • 19% Liveness
10% Instrumentalness • 88% Positiveness
13% Popularity • 52% Danceability • 90% Energy • 19% Liveness
10% Instrumentalness • 88% Positiveness
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The Buckaroos
Christine
169 bpm • A Maj • 02:36 • -9.32db
15% Popularity • 57% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 57% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Joel Beaver
Let's Do That Dance Again
171 bpm • C Maj • 02:27 • -11.28db
18% Popularity • 67% Danceability • 66% Energy • 21% Liveness
1% Instrumentalness • 85% Positiveness
18% Popularity • 67% Danceability • 66% Energy • 21% Liveness
1% Instrumentalness • 85% Positiveness
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Linda Gail Lewis
Cadillac Rock
169 bpm • C Maj • 02:57 • -4.29db
2% Popularity • 40% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
2% Popularity • 40% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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The Unkool Hillbillies
Dangling On A String
171 bpm • G Maj • 03:02 • -2.34db
7% Popularity • 32% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 32% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Bo Walton
This Little Car of Mine
169 bpm • G Maj • 03:35 • -4db
12% Popularity • 43% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 43% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Hayden Thompson
Pretty Lou
168 bpm • C# min • 03:42 • -8db
21% Popularity • 50% Danceability • 90% Energy • 15% Liveness
2% Instrumentalness • 90% Positiveness
21% Popularity • 50% Danceability • 90% Energy • 15% Liveness
2% Instrumentalness • 90% Positiveness
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The Buckaroos
Que Sera
171 bpm • F Maj • 04:21 • -6.16db
12% Popularity • 35% Danceability • 97% Energy • 41% Liveness
70% Instrumentalness • 82% Positiveness
12% Popularity • 35% Danceability • 97% Energy • 41% Liveness
70% Instrumentalness • 82% Positiveness
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Rosie Flores
I Want to Do More
172 bpm • C Maj • 03:35 • -7.65db
18% Popularity • 52% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 52% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Linda Gail Lewis
Rocking My Life Away
172 bpm • C Maj • 02:32 • -5.35db
7% Popularity • 53% Danceability • 96% Energy • 20% Liveness
9% Instrumentalness • 96% Positiveness
7% Popularity • 53% Danceability • 96% Energy • 20% Liveness
9% Instrumentalness • 96% Positiveness
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Kingcats
Lucky Night
172 bpm • C# min • 04:01 • -5.97db
10% Popularity • 58% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 58% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Big Sandy & His Fly-Rite Boys
Love That Man
172 bpm • A Maj • 02:46 • -5.67db
15% Popularity • 55% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 55% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Andy Lee Lang
We Wanna Boogie
172 bpm • C Maj • 02:41 • -5db
28% Popularity • 53% Danceability • 77% Energy • 16% Liveness
7% Instrumentalness • 96% Positiveness
28% Popularity • 53% Danceability • 77% Energy • 16% Liveness
7% Instrumentalness • 96% Positiveness
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Joakim Tinderholt & His Band
Hold on to Me
168 bpm • C Maj • 02:02 • -6.15db
10% Popularity • 57% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
10% Popularity • 57% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
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Jeff Daniels Backing Tracks
Boogie Woogie Twist (G)
168 bpm • G Maj • 02:27 • -8.7db
12% Popularity • 53% Danceability • 85% Energy • 13% Liveness
59% Instrumentalness • 97% Positiveness
12% Popularity • 53% Danceability • 85% Energy • 13% Liveness
59% Instrumentalness • 97% Positiveness
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Linda Gail Lewis
I'm on Fire
168 bpm • C Maj • 03:30 • -5.43db
9% Popularity • 55% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 55% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Mickey Jupp
I'd Love to Boogie
172 bpm • B Maj • 02:06 • -7.12db
17% Popularity • 62% Danceability • 77% Energy • 21% Liveness
3% Instrumentalness • 92% Positiveness
17% Popularity • 62% Danceability • 77% Energy • 21% Liveness
3% Instrumentalness • 92% Positiveness
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The Buckaroos
Once More
168 bpm • B min • 02:19 • -7db
31% Popularity • 60% Danceability • 85% Energy • 12% Liveness
26% Instrumentalness • 95% Positiveness
31% Popularity • 60% Danceability • 85% Energy • 12% Liveness
26% Instrumentalness • 95% Positiveness
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Johnny & The Jailbirds
Pretending
172 bpm • A Maj • 02:56 • -6.08db
12% Popularity • 57% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 57% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Gavin Povey
Glory Bound
172 bpm • F Maj • 03:51 • -8.15db
10% Popularity • 53% Danceability • 79% Energy • 41% Liveness
4% Instrumentalness • 70% Positiveness
10% Popularity • 53% Danceability • 79% Energy • 41% Liveness
4% Instrumentalness • 70% Positiveness
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Tupelo Highshots
Lonesome Tears in My Eyes
172 bpm • E Maj • 02:04 • -4.17db
11% Popularity • 57% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 57% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Lawson Vallery Band
Back To The Dance Halls
168 bpm • C Maj • 03:44 • -7.35db
1% Popularity • 56% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
1% Popularity • 56% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Robert Gordon
When I Found You
172 bpm • D Maj • 02:30 • -5.45db
13% Popularity • 48% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 48% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Fastback
Pretending
172 bpm • D Maj • 02:59 • -8db
13% Popularity • 53% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 53% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Tammi Savoy
As Long As I'm Movin'
172 bpm • A# min • 02:42 • -3.95db
10% Popularity • 45% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 45% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Linda Gail Lewis
Sure Does Help
168 bpm • C Maj • 02:09 • -6.9db
1% Popularity • 49% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
1% Popularity • 49% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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The Buckaroos
Oldie Goldie Days of Old
173 bpm • C# min • 03:03 • -4.87db
10% Popularity • 56% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 56% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Runaway Boys
Whole Lotta Lovin
173 bpm • C# min • 02:43 • -5.35db
12% Popularity • 45% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 45% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Deke Dickerson & The Ecco-Fonics
Mexicali Rose
173 bpm • C Maj • 02:24 • -6.64db
12% Popularity • 50% Danceability • 95% Energy • 22% Liveness
11% Instrumentalness • 90% Positiveness
12% Popularity • 50% Danceability • 95% Energy • 22% Liveness
11% Instrumentalness • 90% Positiveness
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The Unkool Hillbillies
Rooster Shakin' Boogie
167 bpm • C Maj • 01:53 • -8.17db
15% Popularity • 36% Danceability • 75% Energy • 16% Liveness
96% Instrumentalness • 95% Positiveness
15% Popularity • 36% Danceability • 75% Energy • 16% Liveness
96% Instrumentalness • 95% Positiveness
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Cherry Tess & Her Rhythm Sparks
Mac Attack
173 bpm • E Maj • 02:46 • -5.24db
21% Popularity • 47% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 47% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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The Bellfuries
Under the Light of the Moon
167 bpm • E Maj • 02:55 • -5.33db
15% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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The Buckaroos
Com Yen
167 bpm • A Maj • 02:26 • -3.92db
11% Popularity • 60% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 60% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Chris O'Leary
Need For Speed
167 bpm • C Maj • 03:37 • -5.23db
11% Popularity • 36% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 36% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Harmonica Sam
Honey Hush
167 bpm • C Maj • 03:13 • -2db
17% Popularity • 39% Danceability • 96% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 39% Danceability • 96% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
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Bo Walton
Back In the Real World
167 bpm • E Maj • 02:56 • -4db
10% Popularity • 42% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 42% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Tupelo Highshots
I'll Keep on Loving You
173 bpm • E Maj • 02:40 • -6.14db
15% Popularity • 37% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 37% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
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Janis Martin
As Long As I'm Movin'
173 bpm • A Maj • 03:18 • -5.37db
17% Popularity • 55% Danceability • 80% Energy • 34% Liveness
1% Instrumentalness • 96% Positiveness
17% Popularity • 55% Danceability • 80% Energy • 34% Liveness
1% Instrumentalness • 96% Positiveness
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The Buckaroos
Bonnie
173 bpm • G Maj • 03:16 • -9.38db
9% Popularity • 41% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 41% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Andy Lee Lang
Roberta
173 bpm • G# Maj • 03:03 • -4.54db
17% Popularity • 41% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 41% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Heidi Newfield
I Could Fall for U
173 bpm • A Maj • 02:34 • -5.07db
11% Popularity • 23% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 23% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Nico Duportal & His Rhythm Dudes
Skippy Is a Sissy
167 bpm • F min • 02:14 • -4.1db
17% Popularity • 36% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 36% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Hicksville Bombers
Checkin' Up On My Baby
166 bpm • D min • 03:18 • -6.89db
11% Popularity • 49% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 49% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Rose Maddox
Move It On Over
166 bpm • C min • 02:16 • -10db
17% Popularity • 55% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 55% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Ronnie Dawson
Good at Being Bad
174 bpm • C Maj • 02:25 • -6.69db
21% Popularity • 47% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 47% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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Julian Nehemiah
Guitar and Cadillac
166 bpm • B Maj • 03:17 • -7.76db
7% Popularity • 55% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 55% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Rockin' Bonnie and the Rot Gut Shots
I Wanna Make Love
174 bpm • C Maj • 02:33 • -8db
11% Popularity • 56% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 81% Positiveness
11% Popularity • 56% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 81% Positiveness
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Linda Gail Lewis
Never Wear Mascara (When You Love a Marr...
166 bpm • D Maj • 03:05 • -7.28db
1% Popularity • 62% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 62% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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The Nightdrivers
My Ancient Car
174 bpm • C# min • 03:22 • -7.87db
17% Popularity • 40% Danceability • 89% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 40% Danceability • 89% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
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Esa Pulliainen
Teddy Boy Flick Knife Rock'n'Roll
174 bpm • C Maj • 02:21 • -7.16db
33% Popularity • 37% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 37% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Eva Eastwood
You Changed Your Mind
175 bpm • E Maj • 02:30 • -6.22db
13% Popularity • 41% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 41% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Simon Crashly & The Roadmasters
Tribute to Rockpile
175 bpm • E min • 02:43 • -6db
11% Popularity • 46% Danceability • 89% Energy • 33% Liveness
3% Instrumentalness • 73% Positiveness
11% Popularity • 46% Danceability • 89% Energy • 33% Liveness
3% Instrumentalness • 73% Positiveness
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The Kokomo Kings
Beauty Clinic Frankenstein
175 bpm • A min • 03:03 • -6.76db
22% Popularity • 48% Danceability • 82% Energy • 23% Liveness
3% Instrumentalness • 93% Positiveness
22% Popularity • 48% Danceability • 82% Energy • 23% Liveness
3% Instrumentalness • 93% Positiveness
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Linda Gail Lewis
Ready to Fall in Love
166 bpm • C Maj • 02:47 • -5.06db
3% Popularity • 62% Danceability • 84% Energy • 7% Liveness
35% Instrumentalness • 97% Positiveness
3% Popularity • 62% Danceability • 84% Energy • 7% Liveness
35% Instrumentalness • 97% Positiveness
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The Pauly Boogie Band
Little Debi
175 bpm • C# min • 02:13 • -3.84db
7% Popularity • 57% Danceability • 89% Energy • 24% Liveness
2% Instrumentalness • 76% Positiveness
7% Popularity • 57% Danceability • 89% Energy • 24% Liveness
2% Instrumentalness • 76% Positiveness
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Kenny Vaughan
Hot Like That
175 bpm • C Maj • 02:26 • -9.06db
23% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Unkool Hillbillies
Another Day Another Lie
165 bpm • A Maj • 02:09 • -2.92db
10% Popularity • 22% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 22% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Harmonica Sam
This Train
165 bpm • E Maj • 02:59 • -3.38db
15% Popularity • 49% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 49% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Lincolns
Marie Marie
175 bpm • E Maj • 02:33 • -3.98db
11% Popularity • 49% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 49% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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The Hi-Jivers
Knee High & Risin'
165 bpm • F Maj • 03:01 • -4.98db
22% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The Troubled Three
Do You Know What I Want
165 bpm • B min • 02:00 • -4.94db
14% Popularity • 55% Danceability • 88% Energy • 7% Liveness
24% Instrumentalness • 90% Positiveness
14% Popularity • 55% Danceability • 88% Energy • 7% Liveness
24% Instrumentalness • 90% Positiveness
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Bill Kirchen
Heart of Gold
165 bpm • F Maj • 03:46 • -8.99db
13% Popularity • 45% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 45% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Rosie Flores
You Tear Me Up
175 bpm • G Maj • 02:12 • -5.89db
12% Popularity • 45% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
12% Popularity • 45% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
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The Nightdrivers
You're My Queen Bee
165 bpm • D Maj • 02:11 • -4.53db
22% Popularity • 55% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
22% Popularity • 55% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
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Janis Martin
Wham Bam Jam
175 bpm • F min • 02:26 • -4.59db
15% Popularity • 44% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 44% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Simon Crashly & The Roadmasters
Sussane
165 bpm • A Maj • 03:00 • -7.25db
17% Popularity • 58% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 58% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Mickey Jupp
Ring Damn You Ring
165 bpm • A# Maj • 02:47 • -6.7db
22% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Linda Gail Lewis
Love Keeps Callin'
176 bpm • C Maj • 02:56 • -4.44db
0% Popularity • 34% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 34% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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The Lincolns
One Hand Loose
176 bpm • E Maj • 02:40 • -7.17db
10% Popularity • 46% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 46% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Toini & The Tomcats
Turtle Dove
164 bpm • G Maj • 02:02 • -6.13db
25% Popularity • 50% Danceability • 93% Energy • 20% Liveness
8% Instrumentalness • 97% Positiveness
25% Popularity • 50% Danceability • 93% Energy • 20% Liveness
8% Instrumentalness • 97% Positiveness
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Tupelo Highshots
Tupelo
164 bpm • G Maj • 02:18 • -5.12db
12% Popularity • 53% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 53% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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The Unkool Hillbillies
Call Me Up
176 bpm • G Maj • 02:59 • -5db
11% Popularity • 45% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 45% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Bluesanovas
Solitude Blues
164 bpm • G min • 02:30 • -9.38db
25% Popularity • 60% Danceability • 57% Energy • 7% Liveness
4% Instrumentalness • 82% Positiveness
25% Popularity • 60% Danceability • 57% Energy • 7% Liveness
4% Instrumentalness • 82% Positiveness
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Cherry Tess & Her Rhythm Sparks
Work What You Got
164 bpm • F Maj • 02:42 • -6.08db
9% Popularity • 50% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 50% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Rosie Flores
Till the Well Runs Dry
164 bpm • C Maj • 02:52 • -6.34db
15% Popularity • 48% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 48% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Billy Burnette
Believe What You Say
164 bpm • B Maj • 02:24 • -5.22db
10% Popularity • 55% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 55% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Mike Teardrop Trio
Twenty-One
176 bpm • D Maj • 02:40 • -6.4db
12% Popularity • 43% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 43% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Pat Capocci
Coast to Coast
163 bpm • B min • 02:37 • -7.58db
26% Popularity • 54% Danceability • 89% Energy • 32% Liveness
43% Instrumentalness • 87% Positiveness
26% Popularity • 54% Danceability • 89% Energy • 32% Liveness
43% Instrumentalness • 87% Positiveness
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Ruby Ann
Mad Mama
164 bpm • G Maj • 02:07 • -7.53db
15% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Sleepy LaBeef
Good Rockin' Boogie
178 bpm • A Maj • 01:52 • -8.08db
30% Popularity • 52% Danceability • 86% Energy • 26% Liveness
82% Instrumentalness • 97% Positiveness
30% Popularity • 52% Danceability • 86% Energy • 26% Liveness
82% Instrumentalness • 97% Positiveness
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Robert Gordon
Drivin' Wheel
177 bpm • B Maj • 02:31 • -5.09db
18% Popularity • 45% Danceability • 91% Energy • 35% Liveness
19% Instrumentalness • 82% Positiveness
18% Popularity • 45% Danceability • 91% Energy • 35% Liveness
19% Instrumentalness • 82% Positiveness
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Rebel Dean
Burning the Candle ( Both Ends )
178 bpm • E Maj • 03:04 • -4.81db
7% Popularity • 42% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 42% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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The Kingcats
Coast to Coast
162 bpm • B min • 04:14 • -3.42db
7% Popularity • 51% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 51% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Delbert McClinton & Glen Clark
Peace in the Valley
162 bpm • A Maj • 02:50 • -8.63db
29% Popularity • 56% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 56% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
