Songs like Greensleeves (arr. Gamley) by Kiri Te Kanawa
Based on a tempo of (+/- 10%) and a similar genre
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
82 bpm • F Maj • 09:43 • -23.25db
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Tahiwi
Aue E Te Iwi E (The Pride of Our Maori P...
82 bpm • A Maj • 02:23 • -16.73db
5% Popularity • 24% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
5% Popularity • 24% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Cole Porter
Seven Lively Arts: Ev'ry time we say goo...
82 bpm • D Maj • 03:37 • -22.88db
9% Popularity • 20% Danceability • 9% Energy • 13% Liveness
8% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 9% Energy • 13% Liveness
8% Instrumentalness • 6% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
19% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore in C, K....
82 bpm • F Maj • 05:11 • -28db
24% Popularity • 10% Danceability • 6% Energy • 9% Liveness
50% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 6% Energy • 9% Liveness
50% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Traditional
Awe Maria (Hail Mary)
82 bpm • G Maj • 02:48 • -15.25db
4% Popularity • 16% Danceability • 28% Energy • 19% Liveness
59% Instrumentalness • 17% Positiveness
4% Popularity • 16% Danceability • 28% Energy • 19% Liveness
59% Instrumentalness • 17% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
26% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
35% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
35% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
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Giacomo Puccini
Madame Butterfly, 1. Akt: Vogliatemi ben...
83 bpm • A# Maj • 02:54 • -50.14db
40% Popularity • 14% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Speaking Unto Nations (Beethoven Symphon...
83 bpm • E min • 05:02 • -20.74db
44% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
44% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Traditional
Tama Ngakau Marie (Son of a Peaceful Hea...
83 bpm • A Maj • 03:13 • -18.16db
6% Popularity • 20% Danceability • 22% Energy • 9% Liveness
27% Instrumentalness • 5% Positiveness
6% Popularity • 20% Danceability • 22% Energy • 9% Liveness
27% Instrumentalness • 5% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
83 bpm • E Maj • 04:22 • -16.47db
39% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
39% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
83 bpm • A# Maj • 02:07 • -20db
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
31% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
31% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Otello / Act 4: "Chi e là? Otello?
83 bpm • E Maj • 02:32 • -30.58db
7% Popularity • 14% Danceability • 2% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
7% Popularity • 14% Danceability • 2% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
83 bpm • C# min • 07:59 • -16db
18% Popularity • 18% Danceability • 22% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 22% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Traditional
Traditional: Po karekare Ana
81 bpm • C Maj • 03:05 • -12.28db
15% Popularity • 25% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 4 ...
83 bpm • D# Maj • 01:57 • -25db
59% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Tosca / Act 3: "E lucevan le stelle" - R...
84 bpm • B min • 02:40 • -12.82db
28% Popularity • 17% Danceability • 38% Energy • 66% Liveness
4% Instrumentalness • 11% Positiveness
28% Popularity • 17% Danceability • 38% Energy • 66% Liveness
4% Instrumentalness • 11% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 3: "Di quella pira"
80 bpm • C Maj • 03:23 • -11.64db
38% Popularity • 36% Danceability • 37% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 36% Danceability • 37% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Traditional
He Wawata (The Days of Yearning)
83 bpm • C Maj • 04:11 • -13.34db
3% Popularity • 12% Danceability • 29% Energy • 9% Liveness
18% Instrumentalness • 5% Positiveness
3% Popularity • 12% Danceability • 29% Energy • 9% Liveness
18% Instrumentalness • 5% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben, ne an...
84 bpm • E Maj • 03:43 • -18db
19% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
19% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Baïlèro
84 bpm • A# Maj • 07:06 • -16db
19% Popularity • 19% Danceability • 12% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 12% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • E min • 02:27 • -36db
33% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: IV. Cum dederit
80 bpm • G min • 05:10 • -30.22db
45% Popularity • 13% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
45% Popularity • 13% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Traditional
Haere E Hine (Farewell My Lady Fair)
81 bpm • G Maj • 03:21 • -15.3db
3% Popularity • 15% Danceability • 25% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
3% Popularity • 15% Danceability • 25% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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John Barry
Mozart: Clarinet Concerto In A major, K6...
80 bpm • D Maj • 07:42 • -25.13db
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
39% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Rodgers
It might as well be spring
80 bpm • D Maj • 04:36 • -18.65db
2% Popularity • 18% Danceability • 9% Energy • 15% Liveness
6% Instrumentalness • 9% Positiveness
2% Popularity • 18% Danceability • 9% Energy • 15% Liveness
6% Instrumentalness • 9% Positiveness
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Gustav Mahler
Symphony No. 4 in G Major: 4. Sehr behag...
84 bpm • E min • 08:24 • -24.72db
7% Popularity • 21% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
7% Popularity • 21% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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George Gershwin
Gershwin / Orch. Warner: By Strauss
84 bpm • F Maj • 02:50 • -18.42db
2% Popularity • 33% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 33% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
80 bpm • F# min • 03:54 • -22.6db
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Canteloube: Chants d'Auvergne, Vol. 1: N...
80 bpm • C min • 05:37 • -16.35db
16% Popularity • 15% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
16% Popularity • 15% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Plácido Domingo
Nessun dorma! from Turandot
80 bpm • D Maj • 02:59 • -12db
32% Popularity • 14% Danceability • 41% Energy • 16% Liveness
7% Instrumentalness • 13% Positiveness
32% Popularity • 14% Danceability • 41% Energy • 16% Liveness
7% Instrumentalness • 13% Positiveness
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Traditional
Traditional: Tahi nei taro kino
80 bpm • G# Maj • 03:24 • -11.29db
6% Popularity • 70% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
6% Popularity • 70% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: I. Stabat Mater dol...
80 bpm • F min • 04:38 • -28.71db
43% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
43% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue in D Major: C...
84 bpm • D Maj • 05:00 • -16.65db
64% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
64% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Samuel Barber
Barber: Adagio for Strings, Op. 11
80 bpm • A# min • 06:21 • -21.58db
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore, Act II: Una furtiva la...
80 bpm • A# min • 04:52 • -19db
26% Popularity • 24% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 24% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Sigmund Romberg
When I grow too old to dream (From "The ...
84 bpm • A Maj • 03:03 • -20.46db
2% Popularity • 26% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 26% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Edward Elgar
Elgar: Introduction and Allegro, Op. 47:...
80 bpm • C min • 03:14 • -18db
21% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
21% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
84 bpm • F# min • 05:20 • -16db
28% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Franz Lehár
The Merry Widow, Act II: Vilja-Lied
80 bpm • G Maj • 04:55 • -19db
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Paul McCartney
Movement VII - Crises 'Ghosts Of The Pas...
80 bpm • G# Maj • 03:08 • -21.38db
6% Popularity • 17% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 17% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
La traviata / Act I: "Dell'invito trasco...
85 bpm • A Maj • 04:34 • -18.74db
36% Popularity • 48% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 48% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Traditional
E Te Ariki (Our Lord - Watch over Us)
85 bpm • C Maj • 03:38 • -13.77db
4% Popularity • 29% Danceability • 18% Energy • 9% Liveness
18% Instrumentalness • 14% Positiveness
4% Popularity • 29% Danceability • 18% Energy • 9% Liveness
18% Instrumentalness • 14% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
4 Letzte Lieder, TrV 296: No. 4, Im Aben...
85 bpm • A# Maj • 07:47 • -19.43db
0% Popularity • 13% Danceability • 14% Energy • 28% Liveness
76% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 14% Energy • 28% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Chor der Staatsoper Wien
Giacomo Puccini: Madame Butterfly - Summ...
85 bpm • A# Maj • 02:35 • -31db
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Katia Ricciarelli
Gianni Schicchi (O mio bambino caro)
79 bpm • G# Maj • 02:55 • -14db
34% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
34% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
52% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
52% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann: Barcarolle
79 bpm • D Maj • 04:36 • -30.03db
37% Popularity • 19% Danceability • 3% Energy • 36% Liveness
59% Instrumentalness • 8% Positiveness
37% Popularity • 19% Danceability • 3% Energy • 36% Liveness
59% Instrumentalness • 8% Positiveness
► Preview
Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "L'amo...
79 bpm • G min • 01:00 • -18.56db
34% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: V. Pie Jesu
85 bpm • A# Maj • 03:44 • -25db
37% Popularity • 23% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Traditional
Traditional: Akoako o te rangi
85 bpm • D Maj • 03:29 • -15.13db
6% Popularity • 14% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
6% Popularity • 14% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Erich Wolfgang Korngold
Die tote Stadt / Act 1: Glück, das mir ...
85 bpm • A# Maj • 05:09 • -20.06db
3% Popularity • 23% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
3% Popularity • 23% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Johann Strauss II
Die Fledermaus / Act 1: "Nein, nein, ich...
85 bpm • C Maj • 03:39 • -18.09db
6% Popularity • 37% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
6% Popularity • 37% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Giuseppe Verdi
Otello / Act 2: "D'un uom che geme sotto...
85 bpm • E min • 01:47 • -20.08db
7% Popularity • 37% Danceability • 15% Energy • 67% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 37% Danceability • 15% Energy • 67% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
► Preview
Gabriel Fauré
Fauré: Cantique de Jean Racine, Op. 11
79 bpm • C# Maj • 04:53 • -22.46db
30% Popularity • 13% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
George Gershwin
Gershwin: But Not for Me [Orch. Russell...
79 bpm • C Maj • 02:56 • -12.69db
3% Popularity • 24% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
3% Popularity • 24% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Reynaldo Hahn
L'Heure exquise
79 bpm • C# Maj • 02:28 • -33.12db
26% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
26% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann: Les oiseaux dans ...
86 bpm • G# Maj • 06:34 • -18.4db
22% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
22% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
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Richard Strauss
4 Lieder, Op. 27, TrV 170: 4. Morgen!
86 bpm • G Maj • 03:06 • -31.53db
9% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
78 bpm • C min • 07:42 • -38.86db
50% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
50% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
78 bpm • C min • 04:35 • -30.86db
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
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Paul McCartney
Movement II - School 'I'll Always Be Her...
86 bpm • A Maj • 01:35 • -25.07db
5% Popularity • 21% Danceability • 6% Energy • 60% Liveness
3% Instrumentalness • 10% Positiveness
5% Popularity • 21% Danceability • 6% Energy • 60% Liveness
3% Instrumentalness • 10% Positiveness
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Heitor Villa-Lobos
Aria (Cantilena)
86 bpm • A min • 07:02 • -18.54db
8% Popularity • 16% Danceability • 17% Energy • 14% Liveness
44% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 17% Energy • 14% Liveness
44% Instrumentalness • 4% Positiveness
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George Gershwin
Gershwin: Nice Work If You Can Get It [...
78 bpm • G Maj • 02:43 • -9.56db
2% Popularity • 40% Danceability • 41% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 40% Danceability • 41% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
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Aram Khachaturian
Adagio from Spartacus: Onedin Line theme
86 bpm • C# Maj • 02:51 • -26.26db
24% Popularity • 10% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 3% Positiveness
24% Popularity • 10% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 3% Positiveness
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John Gay
The Beggar's Opera / Act 2: Cease your f...
86 bpm • G Maj • 01:27 • -18.99db
1% Popularity • 28% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
1% Popularity • 28% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
78 bpm • D Maj • 03:22 • -13db
33% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
33% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
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Karaitiana
Kohu-Auahi (Blue Smoke)
86 bpm • G Maj • 03:20 • -17db
2% Popularity • 23% Danceability • 23% Energy • 33% Liveness
70% Instrumentalness • 10% Positiveness
2% Popularity • 23% Danceability • 23% Energy • 33% Liveness
70% Instrumentalness • 10% Positiveness
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Giuseppe Verdi
Rigoletto / Act 1: "Gualtier Maldè...Ca...
86 bpm • E Maj • 06:18 • -27db
29% Popularity • 26% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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George Gershwin
Gershwin: Meadow Serenade [Orch. Peress...
78 bpm • F Maj • 02:47 • -17.31db
2% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
2% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Gabriel Fauré
Cantique de J.Racine, Op. 11
78 bpm • C# Maj • 04:47 • -26.55db
21% Popularity • 14% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Rodgers
Carousel: You'll Never Walk Alone
86 bpm • D# Maj • 03:35 • -17.68db
7% Popularity • 16% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
7% Popularity • 16% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Traditional
Whakaaria Mai (How Great Thou Art)
86 bpm • C Maj • 03:53 • -16.03db
7% Popularity • 21% Danceability • 24% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 24% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
27% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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George Gershwin
Gershwin Love Walked In [Orch. Powell]
86 bpm • E Maj • 03:07 • -15.53db
16% Popularity • 22% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 22% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Erich Wolfgang Korngold
Act I: Glück, das mir verblieb (Mariett...
78 bpm • A# Maj • 06:08 • -16.28db
13% Popularity • 19% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninoff: Rachmaninov: 12 Songs, Op....
78 bpm • A Maj • 02:27 • -21db
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Erik Satie
Je te veux
78 bpm • C Maj • 04:19 • -16.82db
19% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Andrew Lloyd Webber
Pie Jesu
78 bpm • G# Maj • 03:41 • -24.4db
38% Popularity • 9% Danceability • 5% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
38% Popularity • 9% Danceability • 5% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
