Songs like Groove Holmes - Remastered 2009 by Beastie Boys
Based on a tempo of (+/- 10%) and a similar genre
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Grover Washington, Jr.
Knucklehead
174 bpm • G# Maj • 07:59 • -13.01db
40% Popularity • 42% Danceability • 43% Energy • 8% Liveness
34% Instrumentalness • 83% Positiveness
40% Popularity • 42% Danceability • 43% Energy • 8% Liveness
34% Instrumentalness • 83% Positiveness
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R.L. Burnside
Come on in, Pt. 2
174 bpm • A# Maj • 03:11 • -13db
19% Popularity • 76% Danceability • 52% Energy • 10% Liveness
91% Instrumentalness • 51% Positiveness
19% Popularity • 76% Danceability • 52% Energy • 10% Liveness
91% Instrumentalness • 51% Positiveness
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Dennis Coffey
Space Traveller
174 bpm • G# Maj • 04:17 • -6db
13% Popularity • 63% Danceability • 76% Energy • 15% Liveness
94% Instrumentalness • 62% Positiveness
13% Popularity • 63% Danceability • 76% Energy • 15% Liveness
94% Instrumentalness • 62% Positiveness
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Junior Kimbrough
Most Things Haven't Worked Out
174 bpm • F# Maj • 06:07 • -7.59db
32% Popularity • 34% Danceability • 57% Energy • 16% Liveness
76% Instrumentalness • 66% Positiveness
32% Popularity • 34% Danceability • 57% Energy • 16% Liveness
76% Instrumentalness • 66% Positiveness
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Beastie Boys
Groove Holmes - Remastered 2009
174 bpm • D Maj • 02:32 • -10db
43% Popularity • 69% Danceability • 68% Energy • 3% Liveness
85% Instrumentalness • 55% Positiveness
43% Popularity • 69% Danceability • 68% Energy • 3% Liveness
85% Instrumentalness • 55% Positiveness
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Tuatara
Saturday Night Church
173 bpm • E min • 04:26 • -6.82db
11% Popularity • 48% Danceability • 80% Energy • 10% Liveness
87% Instrumentalness • 57% Positiveness
11% Popularity • 48% Danceability • 80% Energy • 10% Liveness
87% Instrumentalness • 57% Positiveness
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The Soul Lifters
Hot Funky And Sweaty
173 bpm • C Maj • 02:51 • -5db
18% Popularity • 48% Danceability • 85% Energy • 9% Liveness
70% Instrumentalness • 96% Positiveness
18% Popularity • 48% Danceability • 85% Energy • 9% Liveness
70% Instrumentalness • 96% Positiveness
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Mix Master Mike
Fela Mentality - Intro
173 bpm • C# Maj • 01:09 • -8.77db
21% Popularity • 80% Danceability • 74% Energy • 30% Liveness
8% Instrumentalness • 78% Positiveness
21% Popularity • 80% Danceability • 74% Energy • 30% Liveness
8% Instrumentalness • 78% Positiveness
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Medeski, Martin & Wood
I Wanna Ride You
175 bpm • C Maj • 03:28 • -10db
39% Popularity • 50% Danceability • 71% Energy • 26% Liveness
90% Instrumentalness • 75% Positiveness
39% Popularity • 50% Danceability • 71% Energy • 26% Liveness
90% Instrumentalness • 75% Positiveness
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The Crusaders
The Well's Gone Dry
172 bpm • F Maj • 04:46 • -16db
27% Popularity • 58% Danceability • 57% Energy • 6% Liveness
71% Instrumentalness • 96% Positiveness
27% Popularity • 58% Danceability • 57% Energy • 6% Liveness
71% Instrumentalness • 96% Positiveness
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Ernest Ranglin
54-46 (Was My Number)
173 bpm • C Maj • 05:53 • -16db
37% Popularity • 65% Danceability • 18% Energy • 53% Liveness
72% Instrumentalness • 49% Positiveness
37% Popularity • 65% Danceability • 18% Energy • 53% Liveness
72% Instrumentalness • 49% Positiveness
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Us3
Different Rhythms, Different People
172 bpm • A# min • 01:16 • -18.77db
32% Popularity • 63% Danceability • 69% Energy • 20% Liveness
32% Instrumentalness • 97% Positiveness
32% Popularity • 63% Danceability • 69% Energy • 20% Liveness
32% Instrumentalness • 97% Positiveness
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Brooklyn Funk Essentials
Take The L Train
172 bpm • A min • 05:50 • -6.88db
35% Popularity • 50% Danceability • 95% Energy • 34% Liveness
86% Instrumentalness • 84% Positiveness
35% Popularity • 50% Danceability • 95% Energy • 34% Liveness
86% Instrumentalness • 84% Positiveness
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Chris Joss
Tea Age Sea
172 bpm • B Maj • 05:19 • -8.87db
15% Popularity • 74% Danceability • 79% Energy • 7% Liveness
44% Instrumentalness • 97% Positiveness
15% Popularity • 74% Danceability • 79% Energy • 7% Liveness
44% Instrumentalness • 97% Positiveness
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Medeski, Martin & Wood
Bubblehouse
177 bpm • C Maj • 04:31 • -12db
33% Popularity • 44% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 86% Positiveness
33% Popularity • 44% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 86% Positiveness
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The Herbaliser
Styles
177 bpm • A# min • 06:25 • -9.59db
15% Popularity • 60% Danceability • 73% Energy • 30% Liveness
31% Instrumentalness • 70% Positiveness
15% Popularity • 60% Danceability • 73% Energy • 30% Liveness
31% Instrumentalness • 70% Positiveness
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Clutchy Hopkins
3:02
171 bpm • G# min • 03:00 • -8.54db
35% Popularity • 71% Danceability • 82% Energy • 15% Liveness
85% Instrumentalness • 96% Positiveness
35% Popularity • 71% Danceability • 82% Energy • 15% Liveness
85% Instrumentalness • 96% Positiveness
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The Sugarman 3
Pure Cane
170 bpm • A# min • 04:00 • -5.89db
14% Popularity • 57% Danceability • 86% Energy • 7% Liveness
6% Instrumentalness • 62% Positiveness
14% Popularity • 57% Danceability • 86% Energy • 7% Liveness
6% Instrumentalness • 62% Positiveness
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Harlem Underground Band
Ain't No Sunshine
178 bpm • A min • 02:21 • -8.51db
29% Popularity • 34% Danceability • 40% Energy • 16% Liveness
86% Instrumentalness • 89% Positiveness
29% Popularity • 34% Danceability • 40% Energy • 16% Liveness
86% Instrumentalness • 89% Positiveness
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Menahan Street Band
The Crossing
178 bpm • C# Maj • 05:06 • -8.23db
39% Popularity • 44% Danceability • 75% Energy • 9% Liveness
86% Instrumentalness • 83% Positiveness
39% Popularity • 44% Danceability • 75% Energy • 9% Liveness
86% Instrumentalness • 83% Positiveness
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Kid Koala
11 bit Blues
179 bpm • C Maj • 03:14 • -10.29db
19% Popularity • 31% Danceability • 54% Energy • 45% Liveness
88% Instrumentalness • 24% Positiveness
19% Popularity • 31% Danceability • 54% Energy • 45% Liveness
88% Instrumentalness • 24% Positiveness
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Galt MacDermot
Duffer in F (Version 2)
169 bpm • F Maj • 03:21 • -9.98db
45% Popularity • 64% Danceability • 52% Energy • 12% Liveness
72% Instrumentalness • 75% Positiveness
45% Popularity • 64% Danceability • 52% Energy • 12% Liveness
72% Instrumentalness • 75% Positiveness
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David Axelrod
Holy Thursday
179 bpm • D min • 05:31 • -14db
36% Popularity • 36% Danceability • 36% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
36% Popularity • 36% Danceability • 36% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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The Sugarman 3
So Long Donkey
177 bpm • F min • 02:06 • -6.1db
15% Popularity • 41% Danceability • 77% Energy • 77% Liveness
82% Instrumentalness • 79% Positiveness
15% Popularity • 41% Danceability • 77% Energy • 77% Liveness
82% Instrumentalness • 79% Positiveness
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The Jon Spencer Blues Explosion
Very Rare
179 bpm • C min • 03:05 • -4.72db
30% Popularity • 46% Danceability • 71% Energy • 22% Liveness
88% Instrumentalness • 64% Positiveness
30% Popularity • 46% Danceability • 71% Energy • 22% Liveness
88% Instrumentalness • 64% Positiveness
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Quincy Jones
Hikky-Burr
169 bpm • B min • 05:56 • -11.62db
18% Popularity • 65% Danceability • 62% Energy • 35% Liveness
9% Instrumentalness • 89% Positiveness
18% Popularity • 65% Danceability • 62% Energy • 35% Liveness
9% Instrumentalness • 89% Positiveness
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Tommy Guerrero
Flux and Meter
179 bpm • A Maj • 02:50 • -7.24db
18% Popularity • 74% Danceability • 68% Energy • 5% Liveness
86% Instrumentalness • 95% Positiveness
18% Popularity • 74% Danceability • 68% Energy • 5% Liveness
86% Instrumentalness • 95% Positiveness
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The Poets Of Rhythm
Serengeti Stroke
179 bpm • A# Maj • 03:39 • -7.05db
29% Popularity • 64% Danceability • 82% Energy • 6% Liveness
86% Instrumentalness • 96% Positiveness
29% Popularity • 64% Danceability • 82% Energy • 6% Liveness
86% Instrumentalness • 96% Positiveness
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Beastie Boys
Beasley Is A Beast
168 bpm • E Maj • 03:49 • -12.5db
18% Popularity • 60% Danceability • 57% Energy • 11% Liveness
75% Instrumentalness • 30% Positiveness
18% Popularity • 60% Danceability • 57% Energy • 11% Liveness
75% Instrumentalness • 30% Positiveness
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Digable Planets
Pacifics
180 bpm • F min • 04:31 • -16.56db
51% Popularity • 74% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 85% Positiveness
51% Popularity • 74% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 85% Positiveness
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Menahan Street Band
Tired of Fighting
168 bpm • A min • 03:31 • -7.78db
45% Popularity • 59% Danceability • 73% Energy • 7% Liveness
95% Instrumentalness • 85% Positiveness
45% Popularity • 59% Danceability • 73% Energy • 7% Liveness
95% Instrumentalness • 85% Positiveness
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Shuggie Otis
Funky Thithee
167 bpm • A Maj • 03:12 • -13.07db
37% Popularity • 51% Danceability • 46% Energy • 10% Liveness
70% Instrumentalness • 79% Positiveness
37% Popularity • 51% Danceability • 46% Energy • 10% Liveness
70% Instrumentalness • 79% Positiveness
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Gábor Szabó
(Just A Little) Communication
167 bpm • B min • 07:50 • -8.77db
17% Popularity • 51% Danceability • 86% Energy • 8% Liveness
78% Instrumentalness • 93% Positiveness
17% Popularity • 51% Danceability • 86% Energy • 8% Liveness
78% Instrumentalness • 93% Positiveness
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Roy Ayers
Funk in the Hole
182 bpm • F Maj • 05:36 • -4.8db
34% Popularity • 49% Danceability • 98% Energy • 22% Liveness
48% Instrumentalness • 96% Positiveness
34% Popularity • 49% Danceability • 98% Energy • 22% Liveness
48% Instrumentalness • 96% Positiveness
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Beastie Boys
Dub The Mic - Instrumental
168 bpm • F# min • 04:27 • -12.27db
26% Popularity • 64% Danceability • 70% Energy • 78% Liveness
52% Instrumentalness • 78% Positiveness
26% Popularity • 64% Danceability • 70% Energy • 78% Liveness
52% Instrumentalness • 78% Positiveness
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Funkadelic
I'll Bet You
183 bpm • A# Maj • 06:11 • -11.59db
32% Popularity • 30% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 30% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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DJ Shadow
Skullfuckery
166 bpm • G# Maj • 04:52 • -4.93db
13% Popularity • 48% Danceability • 87% Energy • 10% Liveness
86% Instrumentalness • 96% Positiveness
13% Popularity • 48% Danceability • 87% Energy • 10% Liveness
86% Instrumentalness • 96% Positiveness
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The Grits
Ug Ug Ah
184 bpm • C Maj • 04:10 • -7.25db
19% Popularity • 61% Danceability • 60% Energy • 10% Liveness
69% Instrumentalness • 90% Positiveness
19% Popularity • 61% Danceability • 60% Energy • 10% Liveness
69% Instrumentalness • 90% Positiveness
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The Electric Peanut Butter Company
Big Tweed
164 bpm • E min • 03:34 • -5.83db
29% Popularity • 62% Danceability • 80% Energy • 8% Liveness
87% Instrumentalness • 90% Positiveness
29% Popularity • 62% Danceability • 80% Energy • 8% Liveness
87% Instrumentalness • 90% Positiveness
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WITCH
Home Town
164 bpm • C min • 04:21 • -13.25db
44% Popularity • 49% Danceability • 38% Energy • 11% Liveness
58% Instrumentalness • 51% Positiveness
44% Popularity • 49% Danceability • 38% Energy • 11% Liveness
58% Instrumentalness • 51% Positiveness
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True Loves
Shambling
164 bpm • A# min • 04:10 • -5.84db
31% Popularity • 54% Danceability • 75% Energy • 10% Liveness
75% Instrumentalness • 90% Positiveness
31% Popularity • 54% Danceability • 75% Energy • 10% Liveness
75% Instrumentalness • 90% Positiveness
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Billy Cobham
Stratus
163 bpm • F# min • 09:49 • -9db
37% Popularity • 38% Danceability • 80% Energy • 28% Liveness
78% Instrumentalness • 61% Positiveness
37% Popularity • 38% Danceability • 80% Energy • 28% Liveness
78% Instrumentalness • 61% Positiveness
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Ikebe Shakedown
Rio Grande
163 bpm • B min • 03:50 • -7.51db
43% Popularity • 44% Danceability • 60% Energy • 32% Liveness
76% Instrumentalness • 69% Positiveness
43% Popularity • 44% Danceability • 60% Energy • 32% Liveness
76% Instrumentalness • 69% Positiveness
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Beastie Boys
Drinkin' Wine
162 bpm • C# Maj • 04:43 • -14.09db
27% Popularity • 25% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 25% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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The Poets Of Rhythm
More Mess on My Thing
190 bpm • C Maj • 04:12 • -6.18db
53% Popularity • 54% Danceability • 87% Energy • 5% Liveness
89% Instrumentalness • 96% Positiveness
53% Popularity • 54% Danceability • 87% Energy • 5% Liveness
89% Instrumentalness • 96% Positiveness
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Menahan Street Band
Lights Out
190 bpm • D min • 02:37 • -4.69db
51% Popularity • 40% Danceability • 89% Energy • 9% Liveness
89% Instrumentalness • 70% Positiveness
51% Popularity • 40% Danceability • 89% Energy • 9% Liveness
89% Instrumentalness • 70% Positiveness
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Chris Joss
Keep on Digging
161 bpm • D min • 03:22 • -6.88db
27% Popularity • 61% Danceability • 86% Energy • 12% Liveness
73% Instrumentalness • 97% Positiveness
27% Popularity • 61% Danceability • 86% Energy • 12% Liveness
73% Instrumentalness • 97% Positiveness
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The Sugarman 3
Down to It
159 bpm • A# min • 04:13 • -6.25db
12% Popularity • 36% Danceability • 97% Energy • 5% Liveness
73% Instrumentalness • 60% Positiveness
12% Popularity • 36% Danceability • 97% Energy • 5% Liveness
73% Instrumentalness • 60% Positiveness
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Idris Muhammad
Loran's Dance
156 bpm • A# min • 10:39 • -9.27db
33% Popularity • 53% Danceability • 57% Energy • 11% Liveness
47% Instrumentalness • 51% Positiveness
33% Popularity • 53% Danceability • 57% Energy • 11% Liveness
47% Instrumentalness • 51% Positiveness
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Beastie Boys
Pow - Remastered 2009
160 bpm • A Maj • 02:13 • -12.26db
34% Popularity • 42% Danceability • 67% Energy • 10% Liveness
64% Instrumentalness • 80% Positiveness
34% Popularity • 42% Danceability • 67% Energy • 10% Liveness
64% Instrumentalness • 80% Positiveness
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Eddie Hazel
California Dreamin'
156 bpm • C# min • 06:17 • -9.36db
44% Popularity • 58% Danceability • 68% Energy • 5% Liveness
3% Instrumentalness • 91% Positiveness
44% Popularity • 58% Danceability • 68% Energy • 5% Liveness
3% Instrumentalness • 91% Positiveness
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The Mighty Imperials
The Matador
194 bpm • A Maj • 03:00 • -13.22db
24% Popularity • 44% Danceability • 83% Energy • 28% Liveness
95% Instrumentalness • 91% Positiveness
24% Popularity • 44% Danceability • 83% Energy • 28% Liveness
95% Instrumentalness • 91% Positiveness
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Rob Swift
Some Laid Back Cool Shit
156 bpm • B min • 02:29 • -6.1db
7% Popularity • 55% Danceability • 87% Energy • 5% Liveness
85% Instrumentalness • 69% Positiveness
7% Popularity • 55% Danceability • 87% Energy • 5% Liveness
85% Instrumentalness • 69% Positiveness
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DJ Shadow
Broken Levee Blues
155 bpm • A min • 02:07 • -10.54db
42% Popularity • 72% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 69% Positiveness
42% Popularity • 72% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 69% Positiveness
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Charlie Hunter
Baboon Strength
154 bpm • C Maj • 05:31 • -9.26db
12% Popularity • 28% Danceability • 72% Energy • 35% Liveness
68% Instrumentalness • 38% Positiveness
12% Popularity • 28% Danceability • 72% Energy • 35% Liveness
68% Instrumentalness • 38% Positiveness
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Beastie Boys
Sabrosa
159 bpm • D min • 03:29 • -13db
45% Popularity • 72% Danceability • 70% Energy • 8% Liveness
66% Instrumentalness • 87% Positiveness
45% Popularity • 72% Danceability • 70% Energy • 8% Liveness
66% Instrumentalness • 87% Positiveness
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Chris Joss
Danger Buds
154 bpm • A# min • 02:59 • -6.6db
33% Popularity • 72% Danceability • 56% Energy • 9% Liveness
96% Instrumentalness • 84% Positiveness
33% Popularity • 72% Danceability • 56% Energy • 9% Liveness
96% Instrumentalness • 84% Positiveness
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The Mighty Imperials
Jody's Walk
154 bpm • C Maj • 02:34 • -8.4db
43% Popularity • 67% Danceability • 97% Energy • 13% Liveness
87% Instrumentalness • 97% Positiveness
43% Popularity • 67% Danceability • 97% Energy • 13% Liveness
87% Instrumentalness • 97% Positiveness
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The Herbaliser
The Turnaround
197 bpm • A Maj • 03:16 • -4.13db
24% Popularity • 60% Danceability • 95% Energy • 33% Liveness
74% Instrumentalness • 94% Positiveness
24% Popularity • 60% Danceability • 95% Energy • 33% Liveness
74% Instrumentalness • 94% Positiveness
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Ikebe Shakedown
Dram
150 bpm • F# min • 04:03 • -8.63db
47% Popularity • 60% Danceability • 76% Energy • 17% Liveness
85% Instrumentalness • 74% Positiveness
47% Popularity • 60% Danceability • 76% Energy • 17% Liveness
85% Instrumentalness • 74% Positiveness
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David Holmes
Rodney Yates
150 bpm • F min • 06:24 • -11.83db
45% Popularity • 58% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
45% Popularity • 58% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
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Beastie Boys
The Panda Rat
154 bpm • G Maj • 03:40 • -12.46db
18% Popularity • 51% Danceability • 45% Energy • 12% Liveness
73% Instrumentalness • 40% Positiveness
18% Popularity • 51% Danceability • 45% Energy • 12% Liveness
73% Instrumentalness • 40% Positiveness
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Chris Joss
Tune Down
148 bpm • A# Maj • 04:40 • -12db
45% Popularity • 77% Danceability • 54% Energy • 11% Liveness
84% Instrumentalness • 53% Positiveness
45% Popularity • 77% Danceability • 54% Energy • 11% Liveness
84% Instrumentalness • 53% Positiveness
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Beastie Boys
Fibonacci Sequence
153 bpm • E min • 03:13 • -15.51db
19% Popularity • 61% Danceability • 60% Energy • 4% Liveness
62% Instrumentalness • 41% Positiveness
19% Popularity • 61% Danceability • 60% Energy • 4% Liveness
62% Instrumentalness • 41% Positiveness
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Beastie Boys
Off The Grid
152 bpm • F Maj • 04:45 • -11.45db
38% Popularity • 37% Danceability • 70% Energy • 36% Liveness
87% Instrumentalness • 32% Positiveness
38% Popularity • 37% Danceability • 70% Energy • 36% Liveness
87% Instrumentalness • 32% Positiveness
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Beastie Boys
Funky Boss - Remastered 2009
149 bpm • D Maj • 01:35 • -10.16db
41% Popularity • 74% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 74% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Beastie Boys
Auntie Jackie Poom Poom Delicious - Rema...
149 bpm • G min • 01:38 • -11.16db
24% Popularity • 79% Danceability • 45% Energy • 6% Liveness
10% Instrumentalness • 66% Positiveness
24% Popularity • 79% Danceability • 45% Energy • 6% Liveness
10% Instrumentalness • 66% Positiveness
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The Herbaliser
The Missing Suitcase
149 bpm • A# min • 05:33 • -9db
21% Popularity • 74% Danceability • 84% Energy • 11% Liveness
80% Instrumentalness • 96% Positiveness
21% Popularity • 74% Danceability • 84% Energy • 11% Liveness
80% Instrumentalness • 96% Positiveness
