Songs like Groove Me by Maximum Balloon
Based on a tempo of (+/- 10%) and a similar genre
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St. Lucia
September
120 bpm • D Maj • 05:46 • -7.91db
31% Popularity • 75% Danceability • 56% Energy • 19% Liveness
14% Instrumentalness • 39% Positiveness
31% Popularity • 75% Danceability • 56% Energy • 19% Liveness
14% Instrumentalness • 39% Positiveness
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YACHT
Second Summer - RAC Remix
120 bpm • F# Maj • 04:34 • -6.79db
33% Popularity • 69% Danceability • 76% Energy • 12% Liveness
56% Instrumentalness • 36% Positiveness
33% Popularity • 69% Danceability • 76% Energy • 12% Liveness
56% Instrumentalness • 36% Positiveness
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Yuksek
The Edge
120 bpm • C min • 05:52 • -6.46db
12% Popularity • 71% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 71% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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Phoenix
Armistice - Yacht Remix
120 bpm • C Maj • 04:38 • -8.73db
14% Popularity • 80% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 80% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Rad Omen
Rad Anthem
120 bpm • E min • 04:18 • -6.71db
25% Popularity • 69% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 69% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Ghostland Observatory
Paparazzi Lightning
120 bpm • G# min • 04:26 • -7.33db
21% Popularity • 74% Danceability • 79% Energy • 10% Liveness
11% Instrumentalness • 60% Positiveness
21% Popularity • 74% Danceability • 79% Energy • 10% Liveness
11% Instrumentalness • 60% Positiveness
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Shakes
Sister Self Doubt
120 bpm • A# min • 04:25 • -5.73db
4% Popularity • 76% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
4% Popularity • 76% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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YACHT
Tripped and Fell in Love
120 bpm • C Maj • 07:14 • -7db
15% Popularity • 88% Danceability • 63% Energy • 8% Liveness
10% Instrumentalness • 86% Positiveness
15% Popularity • 88% Danceability • 63% Energy • 8% Liveness
10% Instrumentalness • 86% Positiveness
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The Juan Maclean
No Time
120 bpm • A Maj • 03:55 • -5.63db
9% Popularity • 82% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
9% Popularity • 82% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Javelin
Airfield
120 bpm • F Maj • 04:35 • -6db
13% Popularity • 67% Danceability • 78% Energy • 8% Liveness
11% Instrumentalness • 94% Positiveness
13% Popularity • 67% Danceability • 78% Energy • 8% Liveness
11% Instrumentalness • 94% Positiveness
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Love Grenades
Tigers in the Fire - Radio Mix
120 bpm • B min • 03:57 • -4.95db
14% Popularity • 74% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 74% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Maximum Balloon
If You Return
120 bpm • G Maj • 04:24 • -4db
17% Popularity • 69% Danceability • 90% Energy • 10% Liveness
2% Instrumentalness • 88% Positiveness
17% Popularity • 69% Danceability • 90% Energy • 10% Liveness
2% Instrumentalness • 88% Positiveness
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Heartsrevolution
Teenage Teardrops - Pyramid Remix
120 bpm • G min • 04:36 • -9db
0% Popularity • 60% Danceability • 75% Energy • 16% Liveness
19% Instrumentalness • 52% Positiveness
0% Popularity • 60% Danceability • 75% Energy • 16% Liveness
19% Instrumentalness • 52% Positiveness
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YACHT
Second Summer
120 bpm • B Maj • 04:52 • -5.21db
15% Popularity • 84% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 84% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Dragonette
I Get Around - Midnight Juggernauts Remi...
120 bpm • C min • 05:53 • -6db
19% Popularity • 77% Danceability • 52% Energy • 3% Liveness
79% Instrumentalness • 96% Positiveness
19% Popularity • 77% Danceability • 52% Energy • 3% Liveness
79% Instrumentalness • 96% Positiveness
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David E. Sugar
Party Killer
120 bpm • C Maj • 04:19 • -7.45db
8% Popularity • 89% Danceability • 81% Energy • 13% Liveness
32% Instrumentalness • 85% Positiveness
8% Popularity • 89% Danceability • 81% Energy • 13% Liveness
32% Instrumentalness • 85% Positiveness
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The Whip
Blackout
120 bpm • A min • 06:13 • -7db
15% Popularity • 70% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
15% Popularity • 70% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
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Bag Raiders
Gone Away
120 bpm • A# min • 02:46 • -4.88db
26% Popularity • 78% Danceability • 89% Energy • 13% Liveness
21% Instrumentalness • 97% Positiveness
26% Popularity • 78% Danceability • 89% Energy • 13% Liveness
21% Instrumentalness • 97% Positiveness
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Miike Snow
Bavarian #1 (Say You Will)
120 bpm • C# min • 04:02 • -5.23db
26% Popularity • 61% Danceability • 76% Energy • 4% Liveness
11% Instrumentalness • 75% Positiveness
26% Popularity • 61% Danceability • 76% Energy • 4% Liveness
11% Instrumentalness • 75% Positiveness
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!!!
The Most Certain Sure
120 bpm • F Maj • 05:39 • -5.72db
13% Popularity • 64% Danceability • 89% Energy • 8% Liveness
26% Instrumentalness • 92% Positiveness
13% Popularity • 64% Danceability • 89% Energy • 8% Liveness
26% Instrumentalness • 92% Positiveness
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Santigold
The Keepers
120 bpm • G# Maj • 03:32 • -6.27db
32% Popularity • 72% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 72% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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New Young Pony Club
Talking, Talking
120 bpm • A min • 03:59 • -10.06db
17% Popularity • 90% Danceability • 53% Energy • 34% Liveness
49% Instrumentalness • 93% Positiveness
17% Popularity • 90% Danceability • 53% Energy • 34% Liveness
49% Instrumentalness • 93% Positiveness
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Penguin Prison
Golden Train - Radio Edit
120 bpm • D Maj • 03:42 • -6.9db
10% Popularity • 82% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 82% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Phoenix
The Real Thing
120 bpm • F# Maj • 03:22 • -4.54db
35% Popularity • 45% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 45% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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YACHT
I Walked Alone
120 bpm • E min • 04:51 • -5.98db
11% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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!!!
Must Be The Moon
120 bpm • G Maj • 05:57 • -5db
27% Popularity • 77% Danceability • 88% Energy • 34% Liveness
4% Instrumentalness • 95% Positiveness
27% Popularity • 77% Danceability • 88% Energy • 34% Liveness
4% Instrumentalness • 95% Positiveness
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Ghostland Observatory
Robotique Majestique
120 bpm • G# min • 05:01 • -4.59db
16% Popularity • 36% Danceability • 93% Energy • 21% Liveness
62% Instrumentalness • 27% Positiveness
16% Popularity • 36% Danceability • 93% Energy • 21% Liveness
62% Instrumentalness • 27% Positiveness
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Natalie Walker
Cool Kids - RAC Remix
120 bpm • B Maj • 04:58 • -7.07db
13% Popularity • 62% Danceability • 66% Energy • 5% Liveness
6% Instrumentalness • 68% Positiveness
13% Popularity • 62% Danceability • 66% Energy • 5% Liveness
6% Instrumentalness • 68% Positiveness
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Humans
avec mes mecs
120 bpm • A min • 04:16 • -7.83db
21% Popularity • 72% Danceability • 63% Energy • 22% Liveness
28% Instrumentalness • 10% Positiveness
21% Popularity • 72% Danceability • 63% Energy • 22% Liveness
28% Instrumentalness • 10% Positiveness
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Painted Palms
Too High
120 bpm • G Maj • 03:28 • -6.05db
11% Popularity • 59% Danceability • 99% Energy • 56% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 59% Danceability • 99% Energy • 56% Liveness
0% Instrumentalness • 59% Positiveness
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Tanlines
Not The Same
120 bpm • G Maj • 04:29 • -6db
6% Popularity • 42% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
6% Popularity • 42% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Ben Browning
I Can't Stay
120 bpm • B min • 03:05 • -6.39db
9% Popularity • 74% Danceability • 59% Energy • 13% Liveness
15% Instrumentalness • 79% Positiveness
9% Popularity • 74% Danceability • 59% Energy • 13% Liveness
15% Instrumentalness • 79% Positiveness
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The Whip
Riot
120 bpm • D Maj • 04:39 • -5.92db
8% Popularity • 55% Danceability • 80% Energy • 8% Liveness
19% Instrumentalness • 10% Positiveness
8% Popularity • 55% Danceability • 80% Energy • 8% Liveness
19% Instrumentalness • 10% Positiveness
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Strange Talk
Eskimo Boy
120 bpm • G Maj • 03:52 • -2.81db
8% Popularity • 65% Danceability • 87% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
8% Popularity • 65% Danceability • 87% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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David E. Sugar
Keep It Simple
120 bpm • C Maj • 03:55 • -6.54db
8% Popularity • 83% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 75% Positiveness
8% Popularity • 83% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 75% Positiveness
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Maximum Balloon
Groove Me
120 bpm • A min • 03:44 • -4.48db
27% Popularity • 69% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 69% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Does It Offend You, Yeah?
Wrong Time Wrong Planet
120 bpm • D min • 03:59 • -6.99db
15% Popularity • 76% Danceability • 57% Energy • 11% Liveness
81% Instrumentalness • 51% Positiveness
15% Popularity • 76% Danceability • 57% Energy • 11% Liveness
81% Instrumentalness • 51% Positiveness
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Midnight Juggernauts
Ending Of An Era
120 bpm • C Maj • 04:51 • -5.01db
19% Popularity • 49% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 49% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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The Rapture
The Devil
120 bpm • C# Maj • 04:32 • -6.37db
18% Popularity • 63% Danceability • 82% Energy • 8% Liveness
8% Instrumentalness • 41% Positiveness
18% Popularity • 63% Danceability • 82% Energy • 8% Liveness
8% Instrumentalness • 41% Positiveness
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Architecture In Helsinki
I Might Survive
120 bpm • F# Maj • 04:06 • -4.96db
30% Popularity • 81% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
30% Popularity • 81% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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!!!
Heart Of Hearts
119 bpm • F# min • 06:02 • -6.57db
25% Popularity • 63% Danceability • 93% Energy • 12% Liveness
10% Instrumentalness • 40% Positiveness
25% Popularity • 63% Danceability • 93% Energy • 12% Liveness
10% Instrumentalness • 40% Positiveness
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We Have Band
Watertight
121 bpm • B Maj • 03:59 • -7.87db
14% Popularity • 61% Danceability • 82% Energy • 11% Liveness
8% Instrumentalness • 42% Positiveness
14% Popularity • 61% Danceability • 82% Energy • 11% Liveness
8% Instrumentalness • 42% Positiveness
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Grafton Primary
We Are The Music
121 bpm • B Maj • 03:49 • -4.62db
13% Popularity • 81% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 81% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Theophilus London
Girls Girls $
118 bpm • F min • 03:10 • -7.22db
13% Popularity • 72% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 72% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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New Young Pony Club
Ice Cream
122 bpm • A min • 03:08 • -5.79db
46% Popularity • 83% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
46% Popularity • 83% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Midnight Juggernauts
Road to Recovery
122 bpm • G Maj • 03:57 • -6.18db
21% Popularity • 55% Danceability • 82% Energy • 28% Liveness
12% Instrumentalness • 58% Positiveness
21% Popularity • 55% Danceability • 82% Energy • 28% Liveness
12% Instrumentalness • 58% Positiveness
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Lemaitre
Excuse Me
122 bpm • G# min • 03:42 • -5.48db
0% Popularity • 76% Danceability • 86% Energy • 11% Liveness
24% Instrumentalness • 57% Positiveness
0% Popularity • 76% Danceability • 86% Energy • 11% Liveness
24% Instrumentalness • 57% Positiveness
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The Bloody Beetroots
All The Girls (Around The World) - No Ar...
122 bpm • A Maj • 06:10 • -8.16db
0% Popularity • 81% Danceability • 94% Energy • 36% Liveness
83% Instrumentalness • 70% Positiveness
0% Popularity • 81% Danceability • 94% Energy • 36% Liveness
83% Instrumentalness • 70% Positiveness
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Tanlines
Real Life
122 bpm • D Maj • 04:39 • -5.29db
10% Popularity • 71% Danceability • 79% Energy • 7% Liveness
3% Instrumentalness • 67% Positiveness
10% Popularity • 71% Danceability • 79% Energy • 7% Liveness
3% Instrumentalness • 67% Positiveness
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Architecture In Helsinki
In the Future
122 bpm • B Maj • 03:00 • -5.27db
23% Popularity • 92% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 92% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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New Young Pony Club
Tight Fit
122 bpm • D min • 03:55 • -5.9db
19% Popularity • 74% Danceability • 65% Energy • 12% Liveness
3% Instrumentalness • 58% Positiveness
19% Popularity • 74% Danceability • 65% Energy • 12% Liveness
3% Instrumentalness • 58% Positiveness
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Midnight Juggernauts
Road to Recovery
122 bpm • G Maj • 06:21 • -4.68db
23% Popularity • 52% Danceability • 85% Energy • 6% Liveness
8% Instrumentalness • 33% Positiveness
23% Popularity • 52% Danceability • 85% Energy • 6% Liveness
8% Instrumentalness • 33% Positiveness
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Miike Snow
The Wave
122 bpm • C# min • 03:43 • -5db
35% Popularity • 67% Danceability • 88% Energy • 6% Liveness
9% Instrumentalness • 66% Positiveness
35% Popularity • 67% Danceability • 88% Energy • 6% Liveness
9% Instrumentalness • 66% Positiveness
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The Juan Maclean
Give Me Every Little Thing
118 bpm • G# Maj • 05:25 • -6.43db
21% Popularity • 67% Danceability • 79% Energy • 9% Liveness
27% Instrumentalness • 75% Positiveness
21% Popularity • 67% Danceability • 79% Energy • 9% Liveness
27% Instrumentalness • 75% Positiveness
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Theophilus London
Love Is Real
118 bpm • A# min • 03:43 • -4.33db
16% Popularity • 68% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 68% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Phoenix
Fences - Boombass Remix
122 bpm • A# Maj • 06:54 • -8.64db
17% Popularity • 64% Danceability • 62% Energy • 7% Liveness
31% Instrumentalness • 16% Positiveness
17% Popularity • 64% Danceability • 62% Energy • 7% Liveness
31% Instrumentalness • 16% Positiveness
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Sneaky Sound System
I Want Everything
118 bpm • F# min • 03:50 • -4.43db
19% Popularity • 74% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 74% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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We Have Band
Someone
118 bpm • F# Maj • 03:50 • -6.66db
26% Popularity • 62% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 62% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Mark Ronson
Record Collection
118 bpm • A# min • 03:49 • -4.55db
34% Popularity • 76% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 76% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Groove Armada
Warsaw
122 bpm • G Maj • 04:03 • -4.45db
7% Popularity • 41% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 41% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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!!!
All My Heroes Are Weirdos
122 bpm • A Maj • 03:04 • -5.89db
24% Popularity • 50% Danceability • 99% Energy • 8% Liveness
5% Instrumentalness • 61% Positiveness
24% Popularity • 50% Danceability • 99% Energy • 8% Liveness
5% Instrumentalness • 61% Positiveness
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Holy Fuck
Red Lights
122 bpm • C Maj • 03:48 • -5db
21% Popularity • 72% Danceability • 94% Energy • 16% Liveness
74% Instrumentalness • 90% Positiveness
21% Popularity • 72% Danceability • 94% Energy • 16% Liveness
74% Instrumentalness • 90% Positiveness
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Painted Palms
All Of Us
117 bpm • A# Maj • 03:04 • -3db
18% Popularity • 38% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 38% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Teenage Bad Girl
X Girl - Alan Braxe Remix
122 bpm • G# Maj • 03:50 • -7.08db
8% Popularity • 87% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 87% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Mark Ronson
Record Collection 2012
118 bpm • B min • 04:01 • -3.6db
18% Popularity • 81% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 81% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Yuksek
Supermenz (We're Not)
123 bpm • C min • 03:26 • -3db
13% Popularity • 62% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 62% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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!!!
Jump Back
122 bpm • C Maj • 03:20 • -6.04db
8% Popularity • 81% Danceability • 80% Energy • 56% Liveness
1% Instrumentalness • 92% Positiveness
8% Popularity • 81% Danceability • 80% Energy • 56% Liveness
1% Instrumentalness • 92% Positiveness
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Datarock
Sex Me Up
123 bpm • C min • 03:08 • -5.75db
0% Popularity • 66% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 66% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ladyhawke
Paris Is Burning - Cut Copy Remix
123 bpm • C Maj • 05:22 • -4.37db
8% Popularity • 66% Danceability • 94% Energy • 6% Liveness
60% Instrumentalness • 78% Positiveness
8% Popularity • 66% Danceability • 94% Energy • 6% Liveness
60% Instrumentalness • 78% Positiveness
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Groove Armada
Paper Romance
123 bpm • E Maj • 06:19 • -6.28db
42% Popularity • 57% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 57% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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Black Strobe
Boogie in Zero Gravity - Extended Versio...
123 bpm • B min • 06:46 • -7db
34% Popularity • 78% Danceability • 70% Energy • 8% Liveness
74% Instrumentalness • 98% Positiveness
34% Popularity • 78% Danceability • 70% Energy • 8% Liveness
74% Instrumentalness • 98% Positiveness
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Masters In France
Playin' with My Friends
123 bpm • B min • 02:49 • -8.03db
20% Popularity • 95% Danceability • 50% Energy • 11% Liveness
18% Instrumentalness • 78% Positiveness
20% Popularity • 95% Danceability • 50% Energy • 11% Liveness
18% Instrumentalness • 78% Positiveness
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!!!
Wannagain Wannagain
123 bpm • E min • 03:49 • -7.39db
9% Popularity • 70% Danceability • 83% Energy • 46% Liveness
22% Instrumentalness • 80% Positiveness
9% Popularity • 70% Danceability • 83% Energy • 46% Liveness
22% Instrumentalness • 80% Positiveness
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Midnight Juggernauts
Systematic
123 bpm • C# min • 03:55 • -3.2db
30% Popularity • 63% Danceability • 96% Energy • 15% Liveness
28% Instrumentalness • 88% Positiveness
30% Popularity • 63% Danceability • 96% Energy • 15% Liveness
28% Instrumentalness • 88% Positiveness
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Memory Tapes
Bicycle
123 bpm • G min • 05:17 • -7db
33% Popularity • 64% Danceability • 82% Energy • 17% Liveness
58% Instrumentalness • 76% Positiveness
33% Popularity • 64% Danceability • 82% Energy • 17% Liveness
58% Instrumentalness • 76% Positiveness
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Death From Above 1979
Black History Month (Alan Braxe And Fred...
123 bpm • F min • 05:21 • -5.58db
11% Popularity • 65% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 65% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Chain Gang Of 1974
Devil Is a Lady
117 bpm • E min • 05:49 • -6.32db
22% Popularity • 74% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 74% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Groove Armada
Paper Romance
123 bpm • E Maj • 06:58 • -5.39db
2% Popularity • 46% Danceability • 80% Energy • 22% Liveness
20% Instrumentalness • 12% Positiveness
2% Popularity • 46% Danceability • 80% Energy • 22% Liveness
20% Instrumentalness • 12% Positiveness
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!!!
Jamie, My Intentions Are Bass
117 bpm • A Maj • 05:06 • -7.1db
20% Popularity • 73% Danceability • 83% Energy • 10% Liveness
32% Instrumentalness • 67% Positiveness
20% Popularity • 73% Danceability • 83% Energy • 10% Liveness
32% Instrumentalness • 67% Positiveness
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Django Django
Hail Bop
124 bpm • A# min • 04:03 • -7db
39% Popularity • 62% Danceability • 75% Energy • 24% Liveness
59% Instrumentalness • 53% Positiveness
39% Popularity • 62% Danceability • 75% Energy • 24% Liveness
59% Instrumentalness • 53% Positiveness
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Thieves Like Us
Drugs in My Body
117 bpm • D min • 03:29 • -5.94db
14% Popularity • 75% Danceability • 81% Energy • 13% Liveness
49% Instrumentalness • 55% Positiveness
14% Popularity • 75% Danceability • 81% Energy • 13% Liveness
49% Instrumentalness • 55% Positiveness
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Klaxons
Echoes
124 bpm • A Maj • 03:48 • -4db
42% Popularity • 20% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 20% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Royal Bangs
My Car Is Haunted
124 bpm • C# min • 04:44 • -6.51db
9% Popularity • 58% Danceability • 94% Energy • 70% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 58% Danceability • 94% Energy • 70% Liveness
0% Instrumentalness • 54% Positiveness
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Justice
DVNO - Radio Edit
124 bpm • G# min • 03:11 • -3.06db
33% Popularity • 61% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 61% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Amadou & Mariam
Sabali - Grey X Sage Remix
124 bpm • C Maj • 02:53 • -6db
39% Popularity • 74% Danceability • 75% Energy • 19% Liveness
11% Instrumentalness • 55% Positiveness
39% Popularity • 74% Danceability • 75% Energy • 19% Liveness
11% Instrumentalness • 55% Positiveness
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Django Django
Waveforms
124 bpm • C Maj • 04:26 • -5db
32% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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M83
Reunion - Mylo Remix
124 bpm • G Maj • 06:02 • -6.95db
20% Popularity • 61% Danceability • 74% Energy • 17% Liveness
82% Instrumentalness • 61% Positiveness
20% Popularity • 61% Danceability • 74% Energy • 17% Liveness
82% Instrumentalness • 61% Positiveness
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NZCA LINES
Compass Points
124 bpm • F# Maj • 04:11 • -10.48db
13% Popularity • 79% Danceability • 50% Energy • 6% Liveness
16% Instrumentalness • 83% Positiveness
13% Popularity • 79% Danceability • 50% Energy • 6% Liveness
16% Instrumentalness • 83% Positiveness
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Jamie xx
Baddy On The Floor
124 bpm • F# min • 03:42 • -6.28db
45% Popularity • 65% Danceability • 88% Energy • 19% Liveness
70% Instrumentalness • 56% Positiveness
45% Popularity • 65% Danceability • 88% Energy • 19% Liveness
70% Instrumentalness • 56% Positiveness
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We Have Band
Honeytrap
124 bpm • E Maj • 03:45 • -7.16db
18% Popularity • 74% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 74% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Shoes
Cover Your Eyes
116 bpm • G Maj • 03:54 • -7.77db
13% Popularity • 79% Danceability • 66% Energy • 7% Liveness
3% Instrumentalness • 58% Positiveness
13% Popularity • 79% Danceability • 66% Energy • 7% Liveness
3% Instrumentalness • 58% Positiveness
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Django Django
Zumm Zumm
124 bpm • G Maj • 05:19 • -7.6db
23% Popularity • 74% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 46% Positiveness
23% Popularity • 74% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 46% Positiveness
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Twin Shadow
Old Love / New Love
116 bpm • C# Maj • 03:53 • -6db
45% Popularity • 61% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 61% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Franz Ferdinand
The Fallen - Ruined by Justice
116 bpm • D Maj • 03:56 • -8.15db
21% Popularity • 74% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
21% Popularity • 74% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
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Theophilus London
Wine and Chocolates
116 bpm • C Maj • 03:42 • -4.47db
33% Popularity • 83% Danceability • 73% Energy • 21% Liveness
3% Instrumentalness • 63% Positiveness
33% Popularity • 83% Danceability • 73% Energy • 21% Liveness
3% Instrumentalness • 63% Positiveness
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MGMT
Congratulations - Erol Alkan Remix
116 bpm • D Maj • 06:37 • -5db
12% Popularity • 74% Danceability • 86% Energy • 88% Liveness
20% Instrumentalness • 79% Positiveness
12% Popularity • 74% Danceability • 86% Energy • 88% Liveness
20% Instrumentalness • 79% Positiveness
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Architecture In Helsinki
Contact High
116 bpm • B Maj • 03:38 • -4.33db
38% Popularity • 83% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 83% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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XV
High Five
125 bpm • A min • 02:37 • -8.89db
0% Popularity • 66% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 66% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
