Songs like Ground in G Minor for two Recorders by John Blow
Based on a tempo of (+/- 10%) and a similar genre
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Georg Philipp Telemann
Overture in D Major, TWV 55:D21: Overtur...
117 bpm • C# min • 01:30 • -30.32db
16% Popularity • 38% Danceability • 1% Energy • 12% Liveness
10% Instrumentalness • 41% Positiveness
16% Popularity • 38% Danceability • 1% Energy • 12% Liveness
10% Instrumentalness • 41% Positiveness
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John Blow
Aire, KL.41
117 bpm • E Maj • 00:59 • -20.65db
0% Popularity • 38% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 38% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Jan Dismas Zelenka
Litaniae Omnium Sanctorum, ZWV 153: Pate...
117 bpm • C# min • 06:24 • -23.17db
7% Popularity • 38% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 21% Positiveness
7% Popularity • 38% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 21% Positiveness
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Marin Marais
Pièces de viole, Livre 3 - Suite No. 7 ...
117 bpm • F# Maj • 01:45 • -21.75db
8% Popularity • 42% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 38% Positiveness
8% Popularity • 42% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 38% Positiveness
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Giovanni Battista Bassani
Sonata a tre in re maggiore: I. Allegro ...
117 bpm • C# Maj • 02:19 • -19db
9% Popularity • 37% Danceability • 28% Energy • 9% Liveness
11% Instrumentalness • 86% Positiveness
9% Popularity • 37% Danceability • 28% Energy • 9% Liveness
11% Instrumentalness • 86% Positiveness
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Green Nature
Alegria
117 bpm • G# Maj • 03:50 • -27db
8% Popularity • 17% Danceability • 7% Energy • 38% Liveness
94% Instrumentalness • 14% Positiveness
8% Popularity • 17% Danceability • 7% Energy • 38% Liveness
94% Instrumentalness • 14% Positiveness
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Georg Philipp Telemann
Concerto for 2 Flutes & Bassoon in G Maj...
117 bpm • C# Maj • 02:25 • -30.91db
21% Popularity • 33% Danceability • 2% Energy • 18% Liveness
83% Instrumentalness • 11% Positiveness
21% Popularity • 33% Danceability • 2% Energy • 18% Liveness
83% Instrumentalness • 11% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
116 bpm • B min • 01:20 • -18.99db
10% Popularity • 27% Danceability • 13% Energy • 23% Liveness
17% Instrumentalness • 19% Positiveness
10% Popularity • 27% Danceability • 13% Energy • 23% Liveness
17% Instrumentalness • 19% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Sicut erat in pri...
117 bpm • F# Maj • 02:04 • -16.12db
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
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James Oswald
Airs for the Winter: Golden Rod: I. Past...
116 bpm • A Maj • 01:28 • -13.32db
15% Popularity • 28% Danceability • 16% Energy • 10% Liveness
81% Instrumentalness • 34% Positiveness
15% Popularity • 28% Danceability • 16% Energy • 10% Liveness
81% Instrumentalness • 34% Positiveness
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Johann Adam Reincken
Hortus Musicus "Sonata Prima" in A Minor...
116 bpm • A min • 01:22 • -21.54db
17% Popularity • 43% Danceability • 19% Energy • 12% Liveness
8% Instrumentalness • 76% Positiveness
17% Popularity • 43% Danceability • 19% Energy • 12% Liveness
8% Instrumentalness • 76% Positiveness
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Marin Marais
Marais: Pièces en trio: Suite No. 5 en ...
118 bpm • D# min • 03:27 • -18.4db
7% Popularity • 27% Danceability • 17% Energy • 22% Liveness
79% Instrumentalness • 33% Positiveness
7% Popularity • 27% Danceability • 17% Energy • 22% Liveness
79% Instrumentalness • 33% Positiveness
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Michel Corrette
Noel Symphony No. 4 in D Minor: II. Alle...
118 bpm • C# min • 01:16 • -22db
19% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Georg Philipp Telemann
Concerto for 3 Trumpets and Timpani in D...
116 bpm • G# Maj • 02:10 • -16.73db
9% Popularity • 58% Danceability • 12% Energy • 9% Liveness
39% Instrumentalness • 23% Positiveness
9% Popularity • 58% Danceability • 12% Energy • 9% Liveness
39% Instrumentalness • 23% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48
118 bpm • E Maj • 01:10 • -19.12db
18% Popularity • 29% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
18% Popularity • 29% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
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John Blow
Prologue: Welcome, Welcome
116 bpm • F# Maj • 04:52 • -20.21db
0% Popularity • 39% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 39% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Marc-Antoine Charpentier
Les plaisirs de Versailles, H. 480: Over...
116 bpm • F# min • 01:52 • -20.46db
10% Popularity • 34% Danceability • 11% Energy • 19% Liveness
50% Instrumentalness • 27% Positiveness
10% Popularity • 34% Danceability • 11% Energy • 19% Liveness
50% Instrumentalness • 27% Positiveness
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Dietrich Buxtehude
Jesu, meines Lebens Leben in D Minor, Bu...
118 bpm • D min • 05:57 • -21.35db
13% Popularity • 28% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 28% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Air pour le Vieillard et s...
118 bpm • C# Maj • 02:22 • -26db
16% Popularity • 42% Danceability • 4% Energy • 8% Liveness
8% Instrumentalness • 56% Positiveness
16% Popularity • 42% Danceability • 4% Energy • 8% Liveness
8% Instrumentalness • 56% Positiveness
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Domenico Zipoli
Beatus vir: VI. Sicut erat
115 bpm • E Maj • 01:38 • -16.8db
9% Popularity • 59% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 59% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Jan Dismas Zelenka
Missa Sancti Spiritus, ZWV 4: Kyrie elei...
116 bpm • C# Maj • 01:21 • -13.32db
18% Popularity • 28% Danceability • 35% Energy • 9% Liveness
64% Instrumentalness • 33% Positiveness
18% Popularity • 28% Danceability • 35% Energy • 9% Liveness
64% Instrumentalness • 33% Positiveness
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![Ground in G Minor [17th Century, discovered at Bodleian Library by Elizabeth Hirst] cover art](https://i.scdn.co/image/ab67616d00001e0295ca298106e6012d8f8fba6e)
John Blow
Ground in G Minor [17th Century, discove...
119 bpm • F# min • 03:56 • -19.12db
6% Popularity • 31% Danceability • 20% Energy • 33% Liveness
1% Instrumentalness • 21% Positiveness
6% Popularity • 31% Danceability • 20% Energy • 33% Liveness
1% Instrumentalness • 21% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308: Sinfo...
115 bpm • C Maj • 01:34 • -18db
14% Popularity • 26% Danceability • 13% Energy • 18% Liveness
27% Instrumentalness • 40% Positiveness
14% Popularity • 26% Danceability • 13% Energy • 18% Liveness
27% Instrumentalness • 40% Positiveness
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Anónimo
Pasión: Vere Languóres. Alto Solo.
119 bpm • A Maj • 03:21 • -14.78db
16% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Jean-Baptiste Lully
Te Deum: In Te, Domine, speravi
119 bpm • B Maj • 01:52 • -19db
17% Popularity • 62% Danceability • 27% Energy • 13% Liveness
29% Instrumentalness • 68% Positiveness
17% Popularity • 62% Danceability • 27% Energy • 13% Liveness
29% Instrumentalness • 68% Positiveness
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Francisco Correa de Arauxo
Très glosas sobre el canto de la Inmacu...
120 bpm • B Maj • 03:51 • -17.07db
14% Popularity • 36% Danceability • 13% Energy • 26% Liveness
12% Instrumentalness • 23% Positiveness
14% Popularity • 36% Danceability • 13% Energy • 26% Liveness
12% Instrumentalness • 23% Positiveness
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James Oswald
Airs for the Spring: Ranunculus: III. Te...
120 bpm • A Maj • 01:24 • -13.55db
24% Popularity • 24% Danceability • 17% Energy • 12% Liveness
39% Instrumentalness • 27% Positiveness
24% Popularity • 24% Danceability • 17% Energy • 12% Liveness
39% Instrumentalness • 27% Positiveness
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Matthew Locke
Psyche, Act V Scene 3: Rustick musick of...
120 bpm • G# Maj • 01:06 • -17.53db
24% Popularity • 43% Danceability • 29% Energy • 28% Liveness
97% Instrumentalness • 90% Positiveness
24% Popularity • 43% Danceability • 29% Energy • 28% Liveness
97% Instrumentalness • 90% Positiveness
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Antonio Bertali
XII sonate a tre o quattro strumenti e b...
114 bpm • G# min • 08:05 • -20.25db
8% Popularity • 23% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
8% Popularity • 23% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Johann Sebastian Bach
Tilge, Höchster, meine Sünden, BWV 108...
114 bpm • F# min • 02:02 • -15.89db
8% Popularity • 27% Danceability • 12% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 27% Danceability • 12% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Alessandro Stradella
Sinfonia
120 bpm • C# Maj • 02:01 • -20.19db
23% Popularity • 33% Danceability • 19% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
23% Popularity • 33% Danceability • 19% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
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Johann Bernhard Bach
Ouverture in E Minor: II. Les plaisirs
114 bpm • D min • 01:52 • -19.61db
22% Popularity • 26% Danceability • 20% Energy • 34% Liveness
92% Instrumentalness • 35% Positiveness
22% Popularity • 26% Danceability • 20% Energy • 34% Liveness
92% Instrumentalness • 35% Positiveness
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Claudio Monteverdi
Confitebor tibi I
114 bpm • C Maj • 07:29 • -21.06db
8% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Matthew Locke
The Flat Consort for My Cousin Kemble, S...
115 bpm • D# Maj • 01:13 • -22.58db
20% Popularity • 33% Danceability • 6% Energy • 12% Liveness
26% Instrumentalness • 39% Positiveness
20% Popularity • 33% Danceability • 6% Energy • 12% Liveness
26% Instrumentalness • 39% Positiveness
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Heinrich Ignaz Franz von Biber
Mensa sonora / PARS III (In A Minor): 4....
114 bpm • G# min • 04:22 • -21.06db
2% Popularity • 22% Danceability • 4% Energy • 11% Liveness
17% Instrumentalness • 6% Positiveness
2% Popularity • 22% Danceability • 4% Energy • 11% Liveness
17% Instrumentalness • 6% Positiveness
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John Blow
Venus & Adonis, Act I: "Venus! Adonis!" ...
114 bpm • B Maj • 02:06 • -25.7db
3% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
3% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Anónimo
Pasión: O Vos Omnes. Coro.
114 bpm • F# Maj • 02:04 • -14.8db
9% Popularity • 22% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
9% Popularity • 22% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
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Dietrich Buxtehude
Jesu meines Lebens Leben, BuxWV 62
121 bpm • D min • 06:31 • -21.62db
14% Popularity • 31% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 31% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Stabat Mater in F Minor, RV 621: No. 2.,...
113 bpm • B min • 01:55 • -21.11db
22% Popularity • 26% Danceability • 6% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 6% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
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Luigi Rossi
Rossi: L'Orfeo, Act 2: "A l'imperio d'Am...
113 bpm • B Maj • 01:18 • -14db
8% Popularity • 53% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 53% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: IV. Pre...
121 bpm • F# min • 01:22 • -16.4db
23% Popularity • 49% Danceability • 24% Energy • 17% Liveness
93% Instrumentalness • 57% Positiveness
23% Popularity • 49% Danceability • 24% Energy • 17% Liveness
93% Instrumentalness • 57% Positiveness
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John Blow
Sonata in A Major: I. Largo
120 bpm • D# Maj • 02:29 • -18.55db
2% Popularity • 20% Danceability • 11% Energy • 7% Liveness
34% Instrumentalness • 19% Positiveness
2% Popularity • 20% Danceability • 11% Energy • 7% Liveness
34% Instrumentalness • 19% Positiveness
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Georg Philipp Telemann
Die Donnerode, TWV 6:3, Pt. 1: No. 1, Wi...
113 bpm • C# Maj • 05:26 • -19.5db
7% Popularity • 33% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 33% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: III. Ad ma...
113 bpm • G min • 08:20 • -22.32db
7% Popularity • 25% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 25% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Nicola Matteis
Suite in G Major: I. Preludio
113 bpm • F# Maj • 01:27 • -21.59db
12% Popularity • 36% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 36% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Kyrie ele...
121 bpm • C# Maj • 02:52 • -16db
12% Popularity • 27% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
12% Popularity • 27% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Cre...
113 bpm • C# min • 01:12 • -19.45db
29% Popularity • 47% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 47% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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John Blow
Chacony in G
120 bpm • F# Maj • 04:35 • -18db
9% Popularity • 34% Danceability • 18% Energy • 12% Liveness
10% Instrumentalness • 36% Positiveness
9% Popularity • 34% Danceability • 18% Energy • 12% Liveness
10% Instrumentalness • 36% Positiveness
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Petronio Franceschini
Sonata a 7 for 2 Trumpets in D Major: I....
113 bpm • C# Maj • 00:58 • -15.35db
11% Popularity • 22% Danceability • 10% Energy • 12% Liveness
66% Instrumentalness • 49% Positiveness
11% Popularity • 22% Danceability • 10% Energy • 12% Liveness
66% Instrumentalness • 49% Positiveness
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Marin Marais
Première suite à 3 violes in D Major: ...
113 bpm • C# Maj • 04:53 • -15.5db
14% Popularity • 22% Danceability • 22% Energy • 14% Liveness
92% Instrumentalness • 19% Positiveness
14% Popularity • 22% Danceability • 22% Energy • 14% Liveness
92% Instrumentalness • 19% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
17% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
17% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
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Herman Finkers
Missa Sancti Georgii: VI. Agnus Dei
112 bpm • G# min • 02:55 • -28.68db
12% Popularity • 17% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Baldassare Galuppi
Concerto primo in G Major: I. Andante - ...
122 bpm • G Maj • 02:08 • -17db
14% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
14% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
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John Blow
Venus & Adonis, Act I: "Adonis Will Not ...
121 bpm • G# min • 02:27 • -23.32db
3% Popularity • 39% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
3% Popularity • 39% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
112 bpm • F# min • 01:04 • -19.15db
22% Popularity • 23% Danceability • 8% Energy • 20% Liveness
1% Instrumentalness • 8% Positiveness
22% Popularity • 23% Danceability • 8% Energy • 20% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: V. Quis est homo
122 bpm • B min • 02:28 • -20.39db
12% Popularity • 30% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 30% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Georg Philipp Telemann
Dich rühmen die Welten, TWV 1:329: No. ...
112 bpm • C# Maj • 04:14 • -16.49db
10% Popularity • 41% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
10% Popularity • 41% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
► Preview
Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Credo. Et resurr...
112 bpm • G# Maj • 01:38 • -16.69db
9% Popularity • 44% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 62% Positiveness
9% Popularity • 44% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 62% Positiveness
► Preview
Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, BWV...
112 bpm • E Maj • 02:32 • -24.45db
18% Popularity • 18% Danceability • 5% Energy • 10% Liveness
63% Instrumentalness • 7% Positiveness
18% Popularity • 18% Danceability • 5% Energy • 10% Liveness
63% Instrumentalness • 7% Positiveness
► Preview
John Blow
Mr Mountfort's Delight, KL.40
121 bpm • C# min • 01:09 • -20.81db
0% Popularity • 54% Danceability • 17% Energy • 7% Liveness
8% Instrumentalness • 96% Positiveness
0% Popularity • 54% Danceability • 17% Energy • 7% Liveness
8% Instrumentalness • 96% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BUXWV 75, cantata V ...
112 bpm • G# min • 01:25 • -25.8db
12% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Johann Pachelbel
Hexachordum Apollinis: No. 3 in F Major,...
112 bpm • E Maj • 07:28 • -15.84db
17% Popularity • 37% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 37% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
George Frideric Handel
Concerto Grosso in G Minor, Op. 6, No. 6...
123 bpm • F# min • 01:42 • -23.84db
11% Popularity • 43% Danceability • 9% Energy • 18% Liveness
36% Instrumentalness • 34% Positiveness
11% Popularity • 43% Danceability • 9% Energy • 18% Liveness
36% Instrumentalness • 34% Positiveness
► Preview
Joseph Bodin de Boismortier
Sonata No.6 in D Major, Op. 50: II. Alle...
111 bpm • C# Maj • 03:10 • -17.15db
9% Popularity • 46% Danceability • 27% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
9% Popularity • 46% Danceability • 27% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
► Preview
André Campra
Messe de requiem: II. Kyrie
111 bpm • D# min • 03:58 • -19db
12% Popularity • 22% Danceability • 18% Energy • 9% Liveness
11% Instrumentalness • 5% Positiveness
12% Popularity • 22% Danceability • 18% Energy • 9% Liveness
11% Instrumentalness • 5% Positiveness
► Preview
John Blow
Venus & Adonis, Act II: "Mortals Below, ...
121 bpm • C# min • 01:26 • -24.1db
2% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
2% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
111 bpm • D Maj • 01:04 • -15db
16% Popularity • 27% Danceability • 22% Energy • 10% Liveness
45% Instrumentalness • 23% Positiveness
16% Popularity • 27% Danceability • 22% Energy • 10% Liveness
45% Instrumentalness • 23% Positiveness
► Preview
Jan Dismas Zelenka
Missa Sancti Spiritus, ZWV 4: Sanctus
111 bpm • C# Maj • 01:14 • -15.73db
14% Popularity • 35% Danceability • 29% Energy • 53% Liveness
66% Instrumentalness • 22% Positiveness
14% Popularity • 35% Danceability • 29% Energy • 53% Liveness
66% Instrumentalness • 22% Positiveness
► Preview
Claudio Monteverdi
Madrigali guerrieri: No. 1, Sonnet by an...
123 bpm • G Maj • 09:54 • -18.68db
12% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: X. Fac, ut portem
111 bpm • F# min • 03:37 • -22.34db
10% Popularity • 29% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 29% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Carl Philipp Emanuel Bach
Magnificat in D Major, Wq. 215: No. 2, Q...
111 bpm • A# min • 04:55 • -22.61db
7% Popularity • 30% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 30% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Giovanni Maria Bononcini
Sonata a tre in sol minore: II. Adagio
111 bpm • F# min • 01:01 • -22.04db
13% Popularity • 23% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 23% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
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Andreas Oswald
Sonate für 2 Violinen, Viola da gamba u...
124 bpm • F# Maj • 04:21 • -17.65db
17% Popularity • 31% Danceability • 23% Energy • 17% Liveness
50% Instrumentalness • 23% Positiveness
17% Popularity • 31% Danceability • 23% Energy • 17% Liveness
50% Instrumentalness • 23% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Christe e...
124 bpm • G# Maj • 02:31 • -27.67db
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Arcangelo Corelli
Concerto in D Major, Op. 6 No. 1: IV. Al...
124 bpm • C Maj • 01:52 • -18.98db
9% Popularity • 21% Danceability • 15% Energy • 21% Liveness
5% Instrumentalness • 42% Positiveness
9% Popularity • 21% Danceability • 15% Energy • 21% Liveness
5% Instrumentalness • 42% Positiveness
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Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
28% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: V. "Tu devicto mortis a...
124 bpm • C# Maj • 01:52 • -17.21db
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata: No. 5 in A Majo...
124 bpm • G# Maj • 01:25 • -15.49db
7% Popularity • 44% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 44% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: I. Adagi...
125 bpm • C# min • 02:51 • -18.24db
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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John Blow
Minuet, KL.77
110 bpm • D# min • 01:25 • -20.81db
0% Popularity • 42% Danceability • 20% Energy • 9% Liveness
5% Instrumentalness • 64% Positiveness
0% Popularity • 42% Danceability • 20% Energy • 9% Liveness
5% Instrumentalness • 64% Positiveness
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Jean-Marie Leclair
Violin Sonata in G Major, Op. 5, No. 12:...
110 bpm • D min • 03:28 • -18.72db
16% Popularity • 19% Danceability • 10% Energy • 50% Liveness
27% Instrumentalness • 11% Positiveness
16% Popularity • 19% Danceability • 10% Energy • 50% Liveness
27% Instrumentalness • 11% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Air pour la suit...
125 bpm • A# Maj • 01:18 • -13.62db
13% Popularity • 41% Danceability • 23% Energy • 15% Liveness
51% Instrumentalness • 52% Positiveness
13% Popularity • 41% Danceability • 23% Energy • 15% Liveness
51% Instrumentalness • 52% Positiveness
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Marin Marais
Quatrième suite in A Minor: No. 2, Alle...
109 bpm • G# min • 03:10 • -19.86db
13% Popularity • 30% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 30% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
109 bpm • A# min • 01:17 • -17.96db
18% Popularity • 31% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 31% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Élisabeth Jacquet de La Guerre
Céphale et Procris, Prologue: Marche po...
110 bpm • F min • 01:15 • -20.82db
8% Popularity • 38% Danceability • 27% Energy • 67% Liveness
74% Instrumentalness • 79% Positiveness
8% Popularity • 38% Danceability • 27% Energy • 67% Liveness
74% Instrumentalness • 79% Positiveness
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Francesco Maria Veracini
Concerto à otto stromenti in D Major: I...
109 bpm • B min • 04:11 • -24.34db
14% Popularity • 23% Danceability • 5% Energy • 22% Liveness
6% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 5% Energy • 22% Liveness
6% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Madrigals, Book 9: Entri pur nel nostro ...
125 bpm • G Maj • 00:56 • -20.69db
9% Popularity • 27% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 27% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Jean-Baptiste Lully
Le triomphe de l'amour, LWV 59: Air d'Ap...
125 bpm • F min • 02:40 • -19db
12% Popularity • 27% Danceability • 9% Energy • 13% Liveness
14% Instrumentalness • 15% Positiveness
12% Popularity • 27% Danceability • 9% Energy • 13% Liveness
14% Instrumentalness • 15% Positiveness
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Johann David Heinichen
Trio Sonata in F Major, S. 256: IV. Alle...
109 bpm • B Maj • 01:41 • -15.82db
9% Popularity • 55% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 55% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
109 bpm • C min • 01:39 • -20db
19% Popularity • 27% Danceability • 12% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
19% Popularity • 27% Danceability • 12% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
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Pasquale Anfossi
Salve Regina: No. 3., Ad te suspiramus
108 bpm • G Maj • 02:37 • -22.94db
16% Popularity • 29% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
16% Popularity • 29% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Arcangelo Corelli
Violin Sonata in F Major, Op. 5 No. 4: I...
109 bpm • F# Maj • 02:34 • -20.13db
24% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
24% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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António Pereira da Costa
Concerto IX in A Major: I. Grave
108 bpm • A Maj • 01:24 • -16.31db
11% Popularity • 20% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 25% Positiveness
11% Popularity • 20% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 25% Positiveness
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Johann Sebastian Bach
Christ lag in Todesbanden, BWV 4: I. Sin...
108 bpm • E min • 01:08 • -23.89db
24% Popularity • 21% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Girolamo Frescobaldi
Canzona ottava a basso solo "detta l’a...
127 bpm • G min • 03:07 • -22.14db
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
126 bpm • C min • 01:33 • -20.73db
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Johann Kuhnau
Kuhnau: Magnificat in C Major: I. Chorus...
108 bpm • B Maj • 01:41 • -20db
12% Popularity • 58% Danceability • 19% Energy • 27% Liveness
92% Instrumentalness • 52% Positiveness
12% Popularity • 58% Danceability • 19% Energy • 27% Liveness
92% Instrumentalness • 52% Positiveness
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Michel Richard Delalande
Dies iræ, S. 31: Tuba mirum spargens so...
127 bpm • B min • 01:15 • -16.99db
11% Popularity • 28% Danceability • 22% Energy • 21% Liveness
13% Instrumentalness • 50% Positiveness
11% Popularity • 28% Danceability • 22% Energy • 21% Liveness
13% Instrumentalness • 50% Positiveness
