Songs like Grow Little Tree by Andrea Ramsey
Based on a tempo of (+/- 10%) and a similar genre
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Andrea Ramsey
Over hill, over dale - Upper Voices
133 bpm • G min • 03:04 • -24.29db
0% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Eric Whitacre
What If
133 bpm • G Maj • 02:09 • -12.47db
9% Popularity • 45% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
9% Popularity • 45% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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arr. Andrea Ramsey
Hope Lingers On
133 bpm • C# Maj • 02:40 • -14.72db
13% Popularity • 36% Danceability • 82% Energy • 79% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 36% Danceability • 82% Energy • 79% Liveness
0% Instrumentalness • 15% Positiveness
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Andrew DeTeliga
Ancient City
133 bpm • B min • 04:51 • -20.63db
8% Popularity • 27% Danceability • 10% Energy • 7% Liveness
8% Instrumentalness • 11% Positiveness
8% Popularity • 27% Danceability • 10% Energy • 7% Liveness
8% Instrumentalness • 11% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Rosephanye Powell
To Sit and Dream
133 bpm • A min • 04:12 • -16.86db
11% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Andrea Ramsey
Imaginary Creatures
133 bpm • G Maj • 07:23 • -13.15db
2% Popularity • 25% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
2% Popularity • 25% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Shara Nova
The Last Light
134 bpm • A min • 03:10 • -19.07db
4% Popularity • 22% Danceability • 10% Energy • 27% Liveness
27% Instrumentalness • 4% Positiveness
4% Popularity • 22% Danceability • 10% Energy • 27% Liveness
27% Instrumentalness • 4% Positiveness
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Gay Men's Chorus of Washington, Dc
Make Them Hear You
134 bpm • G# Maj • 02:44 • -21.26db
7% Popularity • 32% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 32% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Octarium
Fa Una Canzona
132 bpm • A# Maj • 01:12 • -25.85db
10% Popularity • 29% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 29% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Jennifer Lucy Cook
They Are Mother
134 bpm • B Maj • 04:32 • -25.93db
13% Popularity • 22% Danceability • 9% Energy • 12% Liveness
48% Instrumentalness • 29% Positiveness
13% Popularity • 22% Danceability • 9% Energy • 12% Liveness
48% Instrumentalness • 29% Positiveness
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Jan Struther
Lord of All Hopefulness
132 bpm • D# Maj • 02:41 • -19db
24% Popularity • 28% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 28% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Andrea Ramsey
Grow Little Tree
133 bpm • F# Maj • 02:11 • -20.89db
11% Popularity • 26% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 8% Positiveness
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![Hine Ma Tov (Arr. Neil Ginsberg) [Live] cover art](https://i.scdn.co/image/ab67616d00001e02446f8933210eae997dc9efa2)
Neil Ginsberg
Hine Ma Tov (Arr. Neil Ginsberg) [Live]
134 bpm • E min • 02:40 • -20.14db
7% Popularity • 17% Danceability • 21% Energy • 74% Liveness
96% Instrumentalness • 15% Positiveness
7% Popularity • 17% Danceability • 21% Energy • 74% Liveness
96% Instrumentalness • 15% Positiveness
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Eric William Barnum
Afternoon on a Hill
132 bpm • D Maj • 04:41 • -16db
18% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
18% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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Emma Lou Diemer
Three Madrigals: II. Take, oh, take thos...
132 bpm • G min • 02:17 • -35.61db
12% Popularity • 16% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Jason Max Ferdinand Singers
He's Got the Whole World in His Hands
132 bpm • G# Maj • 04:54 • -18.56db
8% Popularity • 23% Danceability • 23% Energy • 24% Liveness
7% Instrumentalness • 15% Positiveness
8% Popularity • 23% Danceability • 23% Energy • 24% Liveness
7% Instrumentalness • 15% Positiveness
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William Mason High School Una Voce Green
Nine Hundred Miles (arr. P. Silvey)
134 bpm • C min • 03:34 • -19.19db
7% Popularity • 30% Danceability • 15% Energy • 72% Liveness
32% Instrumentalness • 20% Positiveness
7% Popularity • 30% Danceability • 15% Energy • 72% Liveness
32% Instrumentalness • 20% Positiveness
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Adam Schoenberg
Never Shall I Forget: No. 2, In the Camp...
134 bpm • A min • 03:29 • -15.64db
0% Popularity • 32% Danceability • 11% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
0% Popularity • 32% Danceability • 11% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Ily Matthew Yucoco Maniano
Padayon
134 bpm • C Maj • 05:28 • -19.78db
11% Popularity • 19% Danceability • 13% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
11% Popularity • 19% Danceability • 13% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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MALINDA
O Come, O Come Emmanuel
134 bpm • E min • 03:31 • -12.06db
26% Popularity • 24% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 24% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
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Rosephanye Powell
Non, Nobis Domine - Live
134 bpm • G min • 03:20 • -25.03db
11% Popularity • 26% Danceability • 16% Energy • 69% Liveness
1% Instrumentalness • 26% Positiveness
11% Popularity • 26% Danceability • 16% Energy • 69% Liveness
1% Instrumentalness • 26% Positiveness
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BUMC Sonshine Choir
Festival Sanctus - Live
134 bpm • D Maj • 02:53 • -13.98db
9% Popularity • 26% Danceability • 31% Energy • 69% Liveness
83% Instrumentalness • 29% Positiveness
9% Popularity • 26% Danceability • 31% Energy • 69% Liveness
83% Instrumentalness • 29% Positiveness
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The Concordia Choir
All My Trials
134 bpm • D Maj • 03:07 • -29.45db
8% Popularity • 16% Danceability • 3% Energy • 13% Liveness
38% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 13% Liveness
38% Instrumentalness • 4% Positiveness
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北京天使合唱團
黎族催眠歌
132 bpm • C min • 03:54 • -21.47db
9% Popularity • 42% Danceability • 11% Energy • 9% Liveness
7% Instrumentalness • 10% Positiveness
9% Popularity • 42% Danceability • 11% Energy • 9% Liveness
7% Instrumentalness • 10% Positiveness
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Shawn Kirchner
O! What a Beautiful City
132 bpm • D# Maj • 05:01 • -18.59db
8% Popularity • 20% Danceability • 28% Energy • 9% Liveness
17% Instrumentalness • 14% Positiveness
8% Popularity • 20% Danceability • 28% Energy • 9% Liveness
17% Instrumentalness • 14% Positiveness
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Ola Gjeilo
Tundra
135 bpm • A# Maj • 03:28 • -9.87db
10% Popularity • 16% Danceability • 27% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 27% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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Ottilia Cappella
Gott hat mir längst einen Engel gesandt
131 bpm • E Maj • 01:54 • -15.35db
12% Popularity • 25% Danceability • 19% Energy • 15% Liveness
79% Instrumentalness • 16% Positiveness
12% Popularity • 25% Danceability • 19% Energy • 15% Liveness
79% Instrumentalness • 16% Positiveness
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Andrea Ramsey
I Loved All Lovely Things
135 bpm • G Maj • 03:40 • -27.48db
0% Popularity • 23% Danceability • 7% Energy • 67% Liveness
6% Instrumentalness • 15% Positiveness
0% Popularity • 23% Danceability • 7% Energy • 67% Liveness
6% Instrumentalness • 15% Positiveness
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Eric Whitacre
Glow
132 bpm • B Maj • 03:08 • -16db
27% Popularity • 20% Danceability • 19% Energy • 9% Liveness
38% Instrumentalness • 6% Positiveness
27% Popularity • 20% Danceability • 19% Energy • 9% Liveness
38% Instrumentalness • 6% Positiveness
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Eleanor Daley
The Child with the Starry Crayon (Live)
131 bpm • E min • 04:19 • -23.06db
0% Popularity • 28% Danceability • 7% Energy • 86% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 28% Danceability • 7% Energy • 86% Liveness
0% Instrumentalness • 5% Positiveness
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Michael John Trotta
Trotta: Ubi Caritas
131 bpm • D Maj • 02:25 • -21db
14% Popularity • 39% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
14% Popularity • 39% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
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Jacob Narverud
Ad Astra - live
135 bpm • E Maj • 03:27 • -22.36db
17% Popularity • 22% Danceability • 14% Energy • 76% Liveness
2% Instrumentalness • 12% Positiveness
17% Popularity • 22% Danceability • 14% Energy • 76% Liveness
2% Instrumentalness • 12% Positiveness
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Stacey V. Gibbs
Somebody Talkin' 'Bout Jesus
131 bpm • G min • 02:53 • -13.43db
9% Popularity • 25% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 25% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Bob Chilcott
O Danny boy - SATB
135 bpm • D Maj • 03:04 • -26.47db
7% Popularity • 21% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
7% Popularity • 21% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Sydney Guillaume
Plakatap - Live
135 bpm • A# Maj • 02:39 • -18.92db
9% Popularity • 28% Danceability • 26% Energy • 75% Liveness
1% Instrumentalness • 17% Positiveness
9% Popularity • 28% Danceability • 26% Energy • 75% Liveness
1% Instrumentalness • 17% Positiveness
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Gabriel Jackson
Ubi Flumen Praesulis
135 bpm • C Maj • 04:48 • -16.58db
1% Popularity • 21% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
1% Popularity • 21% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Elaine Hagenberg
Measure Me, Sky!
135 bpm • A# Maj • 04:16 • -16db
22% Popularity • 20% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
22% Popularity • 20% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Andrea Ramsey
Sing to Me - Live
135 bpm • A# Maj • 02:34 • -16.29db
1% Popularity • 29% Danceability • 20% Energy • 12% Liveness
79% Instrumentalness • 12% Positiveness
1% Popularity • 29% Danceability • 20% Energy • 12% Liveness
79% Instrumentalness • 12% Positiveness
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BUMC Sonshine Choir
Draw the Circle Wide
136 bpm • D Maj • 04:11 • -6.08db
8% Popularity • 38% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 38% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Robert Schumann
Zigeunerleben
135 bpm • C Maj • 03:14 • -14.94db
12% Popularity • 47% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 47% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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The Wartburg Choir
I Will Not Leave You Comfortless
136 bpm • A Maj • 01:41 • -19db
11% Popularity • 20% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 28% Positiveness
11% Popularity • 20% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 28% Positiveness
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Phoenix Chamber Choir
Ballade to the Moon
130 bpm • E Maj • 05:25 • -30.67db
16% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
16% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
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Elaine Hagenberg
The Music of Stillness - SATB
130 bpm • F# Maj • 05:37 • -24db
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
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Jake Runestad
Please Stay
130 bpm • D Maj • 06:07 • -20db
12% Popularity • 28% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 28% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Don MacDonald
When the Earth Stands Still
130 bpm • B min • 03:00 • -27db
10% Popularity • 18% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
10% Popularity • 18% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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del Castro
Cantar
136 bpm • D min • 02:27 • -13.76db
8% Popularity • 72% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 72% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Arís Celebration Choir
Go the Distance
130 bpm • A# Maj • 03:53 • -11.24db
10% Popularity • 26% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 26% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Cecilia McDowall
The Girl from Aleppo: No. 2, Thousands M...
136 bpm • A min • 02:18 • -19.76db
8% Popularity • 38% Danceability • 24% Energy • 39% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 38% Danceability • 24% Energy • 39% Liveness
0% Instrumentalness • 18% Positiveness
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Bernadette Farrell
Christ, Be Our Light
130 bpm • G Maj • 02:32 • -14.03db
29% Popularity • 21% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 15% Positiveness
29% Popularity • 21% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 15% Positiveness
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Andrea Ramsey
That Which Remains - Live
130 bpm • D Maj • 02:53 • -18.65db
2% Popularity • 19% Danceability • 18% Energy • 12% Liveness
22% Instrumentalness • 7% Positiveness
2% Popularity • 19% Danceability • 18% Energy • 12% Liveness
22% Instrumentalness • 7% Positiveness
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Lady Cove Women's Choir
Maid on the Shore
136 bpm • E min • 03:55 • -18.68db
9% Popularity • 29% Danceability • 36% Energy • 35% Liveness
5% Instrumentalness • 19% Positiveness
9% Popularity • 29% Danceability • 36% Energy • 35% Liveness
5% Instrumentalness • 19% Positiveness
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The Philippine Madrigal Singers
As a Little Child
137 bpm • D# Maj • 04:35 • -16db
11% Popularity • 24% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Elaine Hagenberg
O Love
137 bpm • G Maj • 05:27 • -19db
28% Popularity • 16% Danceability • 9% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 9% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
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Susan LaBarr
Where The Light Begins
136 bpm • C Maj • 03:56 • -17.31db
13% Popularity • 23% Danceability • 16% Energy • 8% Liveness
4% Instrumentalness • 8% Positiveness
13% Popularity • 23% Danceability • 16% Energy • 8% Liveness
4% Instrumentalness • 8% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
137 bpm • G Maj • 02:32 • -15.56db
15% Popularity • 30% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 30% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Mark Miller & the New Haven Collective
I Believe
137 bpm • F# min • 02:41 • -12.36db
15% Popularity • 27% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 27% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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David N. Childs
Weep No more
129 bpm • D Maj • 04:02 • -28.23db
15% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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The Concordia Choir
My Soul's Been Anchored in the Lord
137 bpm • A Maj • 03:12 • -24.58db
19% Popularity • 26% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 26% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Dennis
What Friends Do We Have In Jesus
137 bpm • C# Maj • 05:55 • -8.21db
8% Popularity • 22% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 22% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Andrea Ramsey
Grow Little Tree - Live
137 bpm • F# Maj • 03:28 • -17.75db
0% Popularity • 24% Danceability • 25% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
0% Popularity • 24% Danceability • 25% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
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All Souls Choir
Spirit Of Life
137 bpm • D Maj • 01:51 • -23.37db
10% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Karen Linford
Here I Stand
129 bpm • G# Maj • 04:58 • -16.65db
0% Popularity • 23% Danceability • 30% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
0% Popularity • 23% Danceability • 30% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
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Rosephanye Powell
Still I Rise
129 bpm • D# Maj • 03:53 • -17.4db
11% Popularity • 31% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 31% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
8% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Sydney Guillaume
Twa Tanbou
129 bpm • A min • 03:50 • -19.49db
10% Popularity • 41% Danceability • 35% Energy • 72% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 41% Danceability • 35% Energy • 72% Liveness
0% Instrumentalness • 41% Positiveness
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Gwyneth Van Anden Walker
Crossing the Bar
137 bpm • C Maj • 05:22 • -22.03db
8% Popularity • 22% Danceability • 8% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 8% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Appalachian Folk Song
Black is the Color of My True Love's Hai...
137 bpm • E min • 03:07 • -15.71db
9% Popularity • 23% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
9% Popularity • 23% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
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Shawna Edwards
Paul Kept the Faith
128 bpm • C Maj • 02:58 • -12.17db
17% Popularity • 55% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 55% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Rollo Dilworth
Walk In Jerusalem
138 bpm • F Maj • 03:08 • -6.89db
8% Popularity • 65% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 65% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Shara Nova
Come 'Round the Evergreen
138 bpm • D# Maj • 02:53 • -16.1db
4% Popularity • 26% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 5% Positiveness
4% Popularity • 26% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 5% Positiveness
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Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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Church Music UK
Alleluia, Alleluia, Give Thanks to the R...
138 bpm • F Maj • 03:13 • -7.9db
8% Popularity • 26% Danceability • 28% Energy • 15% Liveness
88% Instrumentalness • 26% Positiveness
8% Popularity • 26% Danceability • 28% Energy • 15% Liveness
88% Instrumentalness • 26% Positiveness
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Salt Lake Vocal Artists
Lamentations of Jeremiah
138 bpm • D min • 04:04 • -16.05db
10% Popularity • 25% Danceability • 23% Energy • 7% Liveness
3% Instrumentalness • 12% Positiveness
10% Popularity • 25% Danceability • 23% Energy • 7% Liveness
3% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
Richte mich Gott (Psalm 43)
128 bpm • F Maj • 04:55 • -25.58db
21% Popularity • 24% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 24% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Sydney Guillaume
Tchaka (Live)
127 bpm • A min • 04:52 • -16db
4% Popularity • 31% Danceability • 39% Energy • 86% Liveness
0% Instrumentalness • 27% Positiveness
4% Popularity • 31% Danceability • 39% Energy • 86% Liveness
0% Instrumentalness • 27% Positiveness
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Eric Thiman
The Path To The Moon
139 bpm • G# Maj • 01:48 • -22.9db
12% Popularity • 27% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
12% Popularity • 27% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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The Wartburg Choir
Give Me Jesus
127 bpm • E Maj • 04:55 • -26.07db
10% Popularity • 17% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 3% Positiveness
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Andrea Ramsey
God Be in My Head
139 bpm • B Maj • 02:24 • -25.48db
0% Popularity • 26% Danceability • 11% Energy • 66% Liveness
13% Instrumentalness • 18% Positiveness
0% Popularity • 26% Danceability • 11% Energy • 66% Liveness
13% Instrumentalness • 18% Positiveness
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Emma Lou Diemer
Three Madrigals: III. Sigh no more, ladi...
139 bpm • G Maj • 01:22 • -23.55db
12% Popularity • 35% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 35% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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The Concordia Choir
Witness
140 bpm • D Maj • 02:53 • -20.99db
23% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Afterglow
I Heard Him Come
127 bpm • C Maj • 05:10 • -17.03db
24% Popularity • 28% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 28% Positiveness
24% Popularity • 28% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 28% Positiveness
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Philippine Madrigal Singers
With All My Life
126 bpm • C Maj • 04:24 • -19.28db
12% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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The Wartburg Choir
Ain't No Grave
127 bpm • A min • 03:54 • -17.49db
14% Popularity • 32% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
14% Popularity • 32% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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Andrea Ramsey
Letter from a Girl to the World (Live)
126 bpm • F min • 03:45 • -22.97db
2% Popularity • 41% Danceability • 12% Energy • 68% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 41% Danceability • 12% Energy • 68% Liveness
0% Instrumentalness • 34% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Vienna Teng
The Hymn of Acxiom
126 bpm • D Maj • 04:00 • -21.87db
12% Popularity • 18% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Drakensberg Boys Choir
Sing Alleluia, Clap Your Hands
126 bpm • C min • 02:58 • -10.78db
10% Popularity • 39% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 39% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Sydney Guillaume
Kalinda
126 bpm • F min • 03:37 • -12.59db
7% Popularity • 41% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 41% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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The Spiritual Singers
Ev'ry Time I Feel the Spirit
126 bpm • D# Maj • 01:54 • -25.3db
11% Popularity • 29% Danceability • 15% Energy • 22% Liveness
17% Instrumentalness • 31% Positiveness
11% Popularity • 29% Danceability • 15% Energy • 22% Liveness
17% Instrumentalness • 31% Positiveness
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Daniel Bondaczuk
Voice of Oceans
126 bpm • C Maj • 03:44 • -15.84db
9% Popularity • 25% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 25% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Andrea Ramsey
The Dream Keeper
140 bpm • D Maj • 03:49 • -22.05db
3% Popularity • 22% Danceability • 11% Energy • 70% Liveness
63% Instrumentalness • 4% Positiveness
3% Popularity • 22% Danceability • 11% Energy • 70% Liveness
63% Instrumentalness • 4% Positiveness
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Amy F. Bernon
She Sings...
126 bpm • A min • 01:57 • -14.71db
16% Popularity • 51% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
16% Popularity • 51% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
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Jonathan Larson
Seasons of Love
125 bpm • F Maj • 03:45 • -8.47db
10% Popularity • 33% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
10% Popularity • 33% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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One Voice Children's Choir
Show Yourself
125 bpm • F# Maj • 04:22 • -9.63db
23% Popularity • 29% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 29% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
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Tucson Chamber Artists & Eric Holtan
Erev Shel Shoshanim
141 bpm • C min • 03:31 • -21db
12% Popularity • 18% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
12% Popularity • 18% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Shawn Kirchner
Angel Band
125 bpm • G Maj • 05:53 • -19.62db
8% Popularity • 20% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
8% Popularity • 20% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
