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Grundlos werden Mütter gefickt
Songs like
Grundlos werden Mütter gefickt
by
Reduction
Based on a tempo of (+/- 10%) and a similar genre
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Excrementory Grindfuckers
Philosophotze
136 bpm • E Maj • 02:23 • -6.47db
16% Popularity • 73% Danceability • 97% Energy • 62% Liveness
0% Instrumentalness • 89% Positiveness
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Hood Brawl
Violent Vibes
136 bpm • C# min • 03:19 • -5.59db
13% Popularity • 35% Danceability • 68% Energy • 13% Liveness
15% Instrumentalness • 25% Positiveness
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Chamber Of Malice
Non Profit Society
136 bpm • D# Maj • 03:04 • -3.24db
13% Popularity • 36% Danceability • 94% Energy • 13% Liveness
2% Instrumentalness • 20% Positiveness
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Carbine
Intro (I Am True)
136 bpm • D Maj • 01:13 • -4.88db
10% Popularity • 32% Danceability • 86% Energy • 18% Liveness
81% Instrumentalness • 23% Positiveness
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Brutality Will Prevail
Forever Restless
136 bpm • D# Maj • 04:51 • -6.01db
19% Popularity • 31% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Reduction
Grundlos werden Mütter gefickt
136 bpm • B min • 02:52 • -4.45db
15% Popularity • 33% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Ghetto Justice
Don't Believe the Hype
136 bpm • G Maj • 03:27 • -4.89db
8% Popularity • 36% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Heaven Shall Burn
Straßenkampf - Too Good to Steal from E...
135 bpm • C# Maj • 02:02 • -4.03db
19% Popularity • 39% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Desolated
Year of the Snake
135 bpm • C min • 02:13 • -6.91db
22% Popularity • 29% Danceability • 91% Energy • 15% Liveness
11% Instrumentalness • 6% Positiveness
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Alea Jacta Est
No Pain No Gain
135 bpm • G Maj • 01:52 • -4.46db
15% Popularity • 57% Danceability • 87% Energy • 31% Liveness
82% Instrumentalness • 4% Positiveness
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Recount
3 0 7 Me
137 bpm • F# Maj • 03:52 • -3.4db
16% Popularity • 38% Danceability • 97% Energy • 32% Liveness
8% Instrumentalness • 40% Positiveness
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Reduction
#Kingsofuntenrum
135 bpm • A Maj • 03:28 • -4.68db
16% Popularity • 39% Danceability • 75% Energy • 55% Liveness
0% Instrumentalness • 38% Positiveness
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Consvmer
Selbstjustiz
137 bpm • D Maj • 02:25 • -5.54db
31% Popularity • 30% Danceability • 94% Energy • 37% Liveness
2% Instrumentalness • 10% Positiveness
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Parjure
The Uncrowned King
135 bpm • D# min • 01:23 • -5db
15% Popularity • 56% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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We Butter The Bread With Butter
Metal
135 bpm • C Maj • 03:24 • -6.46db
29% Popularity • 45% Danceability • 96% Energy • 9% Liveness
71% Instrumentalness • 23% Positiveness
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Alea Jacta Est
From Silence I Rise
135 bpm • C Maj • 02:21 • -3.36db
30% Popularity • 56% Danceability • 98% Energy • 74% Liveness
56% Instrumentalness • 24% Positiveness
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Words of Concrete
Five Times
135 bpm • F# Maj • 04:20 • -5.64db
18% Popularity • 40% Danceability • 89% Energy • 10% Liveness
13% Instrumentalness • 13% Positiveness
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Reduction
Love Music Hate Kids
135 bpm • C Maj • 02:23 • -2.87db
9% Popularity • 45% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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The Butcher Sisters
Banana
135 bpm • C Maj • 03:22 • -3.58db
35% Popularity • 52% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Deez Nuts
Words Is Bond
135 bpm • C# Maj • 03:45 • -4.56db
6% Popularity • 40% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Gassed Up
Gas in the Attic
135 bpm • F# Maj • 02:42 • -7.46db
9% Popularity • 47% Danceability • 98% Energy • 18% Liveness
1% Instrumentalness • 21% Positiveness
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Alea Jacta Est
A Sword Called Revenge
135 bpm • F min • 01:23 • -4.63db
21% Popularity • 47% Danceability • 94% Energy • 61% Liveness
15% Instrumentalness • 30% Positiveness
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Words of Concrete
Ghettobeat 2.0
134 bpm • G Maj • 03:47 • -6.59db
21% Popularity • 47% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Reduction
PRST
137 bpm • A Maj • 01:48 • -3.2db
4% Popularity • 33% Danceability • 99% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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Excrementory Grindfuckers
Und jetzt schön Crack
138 bpm • E min • 02:15 • -4.02db
9% Popularity • 69% Danceability • 96% Energy • 7% Liveness
13% Instrumentalness • 85% Positiveness
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Rise Of The Northstar
Protect Ya Chest
133 bpm • G Maj • 04:30 • -7.21db
28% Popularity • 34% Danceability • 81% Energy • 34% Liveness
40% Instrumentalness • 15% Positiveness
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In Other Climes
Ruthless
139 bpm • C Maj • 02:31 • -3.75db
14% Popularity • 23% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
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World Of Tomorrow
Ex Inferis
139 bpm • B min • 01:56 • -4.73db
15% Popularity • 41% Danceability • 96% Energy • 59% Liveness
5% Instrumentalness • 50% Positiveness
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Words of Concrete
This Is Ghetto Beat!
138 bpm • G Maj • 01:44 • -4.66db
20% Popularity • 39% Danceability • 82% Energy • 12% Liveness
60% Instrumentalness • 8% Positiveness
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Recount
Twisted
140 bpm • G Maj • 02:40 • -5.37db
11% Popularity • 38% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Deez Nuts
Purgatory
132 bpm • C Maj • 02:21 • -4.81db
29% Popularity • 52% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Hawser
In Harmony
140 bpm • C# Maj • 02:44 • -4.39db
24% Popularity • 35% Danceability • 93% Energy • 33% Liveness
9% Instrumentalness • 59% Positiveness
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DROWNING
Dead End
140 bpm • C Maj • 02:58 • -8.12db
13% Popularity • 46% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 62% Positiveness
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Finalizer
Cut Me Loose
140 bpm • A# min • 02:01 • -8.77db
14% Popularity • 34% Danceability • 71% Energy • 24% Liveness
1% Instrumentalness • 55% Positiveness
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Parjure
Créature
140 bpm • D Maj • 02:48 • -3.9db
14% Popularity • 56% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Carbine
Violation
140 bpm • A Maj • 03:17 • -4.31db
15% Popularity • 30% Danceability • 93% Energy • 5% Liveness
70% Instrumentalness • 22% Positiveness
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Deez Nuts
Yesterday
140 bpm • C# Maj • 03:39 • -4.67db
8% Popularity • 40% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Blood By Days
Steel City Kids
140 bpm • G Maj • 03:17 • -3.8db
8% Popularity • 52% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 37% Positiveness
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Spawn Of Disgust
The Harm
140 bpm • C# min • 01:19 • -4.92db
34% Popularity • 73% Danceability • 99% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Cunthunt 777
spirit in the shell
140 bpm • B min • 03:20 • -6.47db
12% Popularity • 47% Danceability • 85% Energy • 41% Liveness
61% Instrumentalness • 33% Positiveness
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Harm/Shelter
Mindcontrol
140 bpm • F# Maj • 03:33 • -4.35db
9% Popularity • 36% Danceability • 93% Energy • 13% Liveness
1% Instrumentalness • 31% Positiveness
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Gassed Up
Shell Down, Pt. 2
140 bpm • G Maj • 02:45 • -2.48db
8% Popularity • 50% Danceability • 99% Energy • 23% Liveness
11% Instrumentalness • 38% Positiveness
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Reduction
Welcome to Germany II
140 bpm • A min • 04:28 • -5db
6% Popularity • 33% Danceability • 96% Energy • 45% Liveness
0% Instrumentalness • 31% Positiveness
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Recount
Get It On
140 bpm • B Maj • 04:27 • -3db
8% Popularity • 46% Danceability • 98% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Spawn Of Disgust
On Sight
140 bpm • A Maj • 01:28 • -3.92db
25% Popularity • 65% Danceability • 97% Energy • 8% Liveness
18% Instrumentalness • 26% Positiveness
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Dagger Threat
Reformed
140 bpm • C Maj • 02:58 • -5.14db
11% Popularity • 49% Danceability • 88% Energy • 6% Liveness
3% Instrumentalness • 44% Positiveness
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Final Prayer
All of Us
140 bpm • F# Maj • 03:26 • -3.51db
18% Popularity • 43% Danceability • 99% Energy • 70% Liveness
0% Instrumentalness • 34% Positiveness
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Gassed Up
Conflict
140 bpm • E min • 04:07 • -7.95db
15% Popularity • 35% Danceability • 94% Energy • 71% Liveness
2% Instrumentalness • 34% Positiveness
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Words of Concrete
Another War
132 bpm • F# Maj • 03:17 • -5.25db
8% Popularity • 44% Danceability • 73% Energy • 10% Liveness
16% Instrumentalness • 19% Positiveness
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World Of Tomorrow
World of Tomorrow
140 bpm • C# min • 03:17 • -3db
15% Popularity • 37% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Spawn Of Disgust
Messerstecherei
140 bpm • G Maj • 01:06 • -4.83db
24% Popularity • 52% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Alea Jacta Est
Veni Vedi Vici
140 bpm • F Maj • 02:39 • -3.49db
13% Popularity • 51% Danceability • 94% Energy • 62% Liveness
0% Instrumentalness • 55% Positiveness
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Xile
Empty Chamber
140 bpm • C# Maj • 02:09 • -1.97db
24% Popularity • 35% Danceability • 88% Energy • 14% Liveness
42% Instrumentalness • 49% Positiveness
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Dagger Threat
Faint
141 bpm • F# Maj • 04:18 • -4.53db
11% Popularity • 41% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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In Other Climes
Pain
141 bpm • C# Maj • 02:06 • -2db
10% Popularity • 24% Danceability • 98% Energy • 39% Liveness
33% Instrumentalness • 39% Positiveness
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Desolated
End of the Line
131 bpm • G# Maj • 03:02 • -5.51db
26% Popularity • 25% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Spawn Of Disgust
Bstrd
140 bpm • E min • 01:05 • -4.28db
17% Popularity • 42% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Street Soldier
Turn Dangerous
130 bpm • G Maj • 03:21 • -2.75db
11% Popularity • 37% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
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Xile
Damaged
130 bpm • G# Maj • 02:09 • -1.55db
26% Popularity • 34% Danceability • 97% Energy • 8% Liveness
63% Instrumentalness • 39% Positiveness
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Dagger Threat
Wither
131 bpm • G# Maj • 03:47 • -4.58db
11% Popularity • 46% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Dead End Tragedy
Finish Him
130 bpm • C# Maj • 02:10 • -3.87db
22% Popularity • 48% Danceability • 96% Energy • 35% Liveness
25% Instrumentalness • 33% Positiveness
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Desolated
Death by My Side
130 bpm • A# min • 02:33 • -5.22db
38% Popularity • 39% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Alea Jacta Est
Hostility
130 bpm • G Maj • 02:22 • -4.07db
14% Popularity • 64% Danceability • 91% Energy • 15% Liveness
84% Instrumentalness • 36% Positiveness
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Words of Concrete
The Encore
130 bpm • B min • 01:59 • -4.44db
25% Popularity • 40% Danceability • 95% Energy • 49% Liveness
0% Instrumentalness • 8% Positiveness
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Brothers Till We Die
Llorando a Los Muertos
130 bpm • D# Maj • 03:27 • -2.13db
8% Popularity • 33% Danceability • 100% Energy • 34% Liveness
15% Instrumentalness • 16% Positiveness
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Embraced By Hatred
Down To Concrete
142 bpm • G Maj • 03:28 • -4db
13% Popularity • 30% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Cunthunt 777
Virus
130 bpm • F# Maj • 04:02 • -4.76db
9% Popularity • 50% Danceability • 90% Energy • 9% Liveness
74% Instrumentalness • 37% Positiveness
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Desolated
More Than Agony
130 bpm • A# min • 04:12 • -5.86db
12% Popularity • 31% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Pintglass
7 AM Start
129 bpm • F Maj • 01:59 • -5.11db
24% Popularity • 41% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 12% Positiveness
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Words of Concrete
Ressurection of the Hopeless
130 bpm • A Maj • 03:34 • -6.62db
9% Popularity • 43% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 17% Positiveness
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Thy Art Is Murder
Du Hast
129 bpm • D Maj • 03:51 • -4.24db
32% Popularity • 35% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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WOLF DOWN
The Fortress
129 bpm • G Maj • 04:32 • -3.63db
14% Popularity • 38% Danceability • 97% Energy • 15% Liveness
1% Instrumentalness • 27% Positiveness
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Carbine
Lead Those Who Follow
129 bpm • E Maj • 03:20 • -5.74db
13% Popularity • 41% Danceability • 90% Energy • 11% Liveness
76% Instrumentalness • 36% Positiveness
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Dagger Threat
Jaded
143 bpm • F Maj • 02:53 • -5.8db
19% Popularity • 44% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 39% Positiveness
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Pintglass
Head of the Firm
130 bpm • C# min • 03:01 • -2.18db
22% Popularity • 31% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Reduction
The Past
129 bpm • C# min • 03:26 • -15.37db
2% Popularity • 34% Danceability • 83% Energy • 72% Liveness
74% Instrumentalness • 12% Positiveness
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Gassed Up
Section 20
144 bpm • C# Maj • 03:27 • -3.12db
22% Popularity • 37% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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WOLF DOWN
Conspire
144 bpm • G Maj • 02:49 • -3db
19% Popularity • 35% Danceability • 99% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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World of Pain
Apocalypse Now
144 bpm • G Maj • 03:23 • -4.29db
19% Popularity • 33% Danceability • 97% Energy • 15% Liveness
34% Instrumentalness • 61% Positiveness
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Embraced By Hatred
Down To The Concrete
128 bpm • D min • 03:43 • -3.51db
9% Popularity • 44% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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Circle of Death
Violent Intercourse
144 bpm • C Maj • 02:44 • -4.58db
10% Popularity • 36% Danceability • 97% Energy • 46% Liveness
0% Instrumentalness • 13% Positiveness
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DROWNING
Out of Line
145 bpm • B min • 03:53 • -6.43db
14% Popularity • 34% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Consvmer
Erklärt Euch
145 bpm • G# min • 03:51 • -6.83db
15% Popularity • 27% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Brothers Till We Die
Hand to Hand
128 bpm • D Maj • 03:11 • -4.09db
28% Popularity • 37% Danceability • 92% Energy • 35% Liveness
41% Instrumentalness • 22% Positiveness
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Recount
Koval Lane
145 bpm • F# Maj • 02:48 • -5.3db
13% Popularity • 40% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Peace Of Mind
Twist of Fate
145 bpm • C Maj • 03:09 • -4.26db
9% Popularity • 40% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Brutality Will Prevail
The Path
145 bpm • F Maj • 03:45 • -5.38db
22% Popularity • 26% Danceability • 96% Energy • 17% Liveness
4% Instrumentalness • 29% Positiveness
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Cunthunt 777
One on One
145 bpm • B Maj • 03:12 • -7.12db
8% Popularity • 49% Danceability • 81% Energy • 15% Liveness
63% Instrumentalness • 50% Positiveness
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Expellow
Game Insane
145 bpm • C# Maj • 03:33 • -3.3db
15% Popularity • 56% Danceability • 98% Energy • 46% Liveness
5% Instrumentalness • 61% Positiveness
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Deez Nuts
What’s Good
128 bpm • G Maj • 02:20 • -4.58db
27% Popularity • 69% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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XO Armor
Raptoren
145 bpm • C# min • 03:10 • -4.3db
17% Popularity • 54% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Harm/Shelter
Satan's Breed
145 bpm • D Maj • 01:59 • -3.71db
9% Popularity • 56% Danceability • 96% Energy • 19% Liveness
11% Instrumentalness • 59% Positiveness
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Alea Jacta Est
Decem
145 bpm • E min • 02:21 • -6.84db
12% Popularity • 51% Danceability • 92% Energy • 22% Liveness
10% Instrumentalness • 12% Positiveness
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Fallbrawl
Pressure
145 bpm • G# Maj • 03:00 • -3.88db
17% Popularity • 45% Danceability • 94% Energy • 35% Liveness
1% Instrumentalness • 13% Positiveness
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Hawser
Tough Love
145 bpm • G# Maj • 01:32 • -6.26db
33% Popularity • 24% Danceability • 80% Energy • 20% Liveness
72% Instrumentalness • 32% Positiveness
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Desolated
Invasion
127 bpm • G# Maj • 02:55 • -6.33db
25% Popularity • 32% Danceability • 88% Energy • 9% Liveness
60% Instrumentalness • 50% Positiveness
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Dead End Tragedy
We Start the Fight
127 bpm • C Maj • 02:57 • -3.88db
8% Popularity • 34% Danceability • 96% Energy • 39% Liveness
62% Instrumentalness • 26% Positiveness
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GWLT
Die Grundmauern Der Furcht
146 bpm • C# min • 02:56 • -4.68db
9% Popularity • 49% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Harm/Shelter
D.F.T.R.
146 bpm • D Maj • 01:49 • -3.45db
20% Popularity • 41% Danceability • 98% Energy • 35% Liveness
1% Instrumentalness • 50% Positiveness
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Reduction
Menace 2 Society
146 bpm • G min • 02:12 • -2.91db
11% Popularity • 26% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Grundlos werden Mütter gefickt