Songs like Guerrero: Dios los extremos condena by A5 Vocal Ensemble
Based on a tempo of (+/- 10%) and a similar genre
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A5 Vocal Ensemble
Guerrero: Dios los extremos condena
88 bpm • E Maj • 02:12 • -17.7db
11% Popularity • 30% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 30% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 01. Glor...
88 bpm • D# Maj • 05:32 • -21db
9% Popularity • 14% Danceability • 13% Energy • 21% Liveness
14% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 13% Energy • 21% Liveness
14% Instrumentalness • 4% Positiveness
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Хор Сретенского монастыря
Разбойника благоразу�...
88 bpm • B min • 01:32 • -26.5db
11% Popularity • 17% Danceability • 10% Energy • 15% Liveness
30% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 10% Energy • 15% Liveness
30% Instrumentalness • 4% Positiveness
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Akademiska Damkören Lyran
Valravnen
88 bpm • A Maj • 03:19 • -24.2db
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Andreas Hammerschmidt
Ach wie gar nichts sind alle Menschen
88 bpm • G min • 04:35 • -22.99db
8% Popularity • 14% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 14% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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John Sheppard
Sheppard: Laudem dicite - 1. Laudem dici...
88 bpm • D# Maj • 01:20 • -23.2db
13% Popularity • 12% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 12% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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Marta Keen
Homeward Bound (arr. Paul Smith for Apol...
88 bpm • D Maj • 03:45 • -24.11db
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
88 bpm • C# min • 01:19 • -19.86db
8% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Robert Schumann
Romanzen, Book 1, Op. 69: No. 6. Die Kap...
87 bpm • F Maj • 03:29 • -34.86db
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
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Max Reger
Der Mensch lebt und bestehet nur eine kl...
89 bpm • A min • 02:45 • -26.31db
23% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
89 bpm • A Maj • 01:07 • -27.45db
16% Popularity • 26% Danceability • 6% Energy • 17% Liveness
27% Instrumentalness • 28% Positiveness
16% Popularity • 26% Danceability • 6% Energy • 17% Liveness
27% Instrumentalness • 28% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 2c. Et ex Patr...
89 bpm • G Maj • 00:58 • -18.64db
11% Popularity • 11% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
11% Popularity • 11% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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A5 Vocal Ensemble
Guerrero: Alma si sabes d'amor
87 bpm • B Maj • 02:07 • -20.11db
10% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
87 bpm • A# Maj • 01:18 • -19.39db
9% Popularity • 15% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Jehova, quam multi sunt hostes mei, Z. 1...
89 bpm • A min • 06:25 • -24.42db
7% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
7% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
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Valter Maasalo
Veni, Emmanuel
89 bpm • G min • 04:16 • -19.62db
10% Popularity • 16% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 2:...
87 bpm • E Maj • 02:11 • -16.19db
11% Popularity • 21% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 21% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 2f. Et incarna...
89 bpm • G Maj • 01:06 • -27.71db
10% Popularity • 27% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 27% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Stuart Beatch
The Debate
89 bpm • G# min • 01:36 • -19.48db
12% Popularity • 24% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Adrian Willaert
Infelix ego: I. Infelix ego
86 bpm • D Maj • 04:30 • -19.93db
7% Popularity • 9% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
7% Popularity • 9% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: I. Introitus
86 bpm • A# min • 01:39 • -18.45db
10% Popularity • 17% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 17% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Levente Gyöngyösi
Beatus vir
86 bpm • G Maj • 03:25 • -23.87db
18% Popularity • 18% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
18% Popularity • 18% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: IX. Blessed art...
86 bpm • G min • 06:55 • -21.4db
11% Popularity • 10% Danceability • 22% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 22% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 1a. Gloria in ...
87 bpm • G Maj • 01:27 • -22.06db
13% Popularity • 20% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 20% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Oskar Merikanto
Muistellessa
86 bpm • A# min • 02:59 • -27.13db
7% Popularity • 25% Danceability • 5% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 25% Danceability • 5% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Vincenzo Ruffo
La Gamba in Basso e Soprano
86 bpm • D# min • 01:24 • -36.45db
23% Popularity • 27% Danceability • 0% Energy • 12% Liveness
58% Instrumentalness • 50% Positiveness
23% Popularity • 27% Danceability • 0% Energy • 12% Liveness
58% Instrumentalness • 50% Positiveness
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Frank La Rocca
Mass of the Americas: VII. Ave verum cor...
86 bpm • G min • 05:36 • -21.52db
3% Popularity • 15% Danceability • 20% Energy • 26% Liveness
31% Instrumentalness • 3% Positiveness
3% Popularity • 15% Danceability • 20% Energy • 26% Liveness
31% Instrumentalness • 3% Positiveness
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Stellan Sagvik
Missa Maria Magdalena: Agnus Dei
86 bpm • D Maj • 04:21 • -22.89db
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
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Jacob Clemens non Papa
Magi veniunt ab oriente: II. Magi vident...
86 bpm • B min • 03:39 • -19.78db
10% Popularity • 10% Danceability • 13% Energy • 8% Liveness
48% Instrumentalness • 6% Positiveness
10% Popularity • 10% Danceability • 13% Energy • 8% Liveness
48% Instrumentalness • 6% Positiveness
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Cristobal de Morales
Offertorium: I. Domine Jesu Christe, Rex...
91 bpm • C min • 04:46 • -20.21db
8% Popularity • 16% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
8% Popularity • 16% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
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Gregorio Allegri
Miserere: VII. Redde mihi laetitiam ; Do...
86 bpm • B min • 01:04 • -22.54db
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Francisco de la Torre
Cancionero Musical de la Colombina: No. ...
91 bpm • D min • 01:08 • -29.07db
18% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
91 bpm • A# Maj • 01:11 • -19.29db
20% Popularity • 22% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 22% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Jean Mouton
Qui ne regrettoit
91 bpm • G min • 01:34 • -25.46db
9% Popularity • 24% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
85 bpm • B Maj • 01:01 • -26.52db
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: I. Introitus
85 bpm • A# min • 01:45 • -20.84db
10% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Giovanni Bononcini
Laudate Pueri: VII. Gloria Patri
85 bpm • A Maj • 02:08 • -22.46db
20% Popularity • 12% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
20% Popularity • 12% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Annibale Padovano
Missa Domine a lingua dolosa: Vb. Agnus ...
85 bpm • G# Maj • 02:21 • -20.77db
20% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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A5 Vocal Ensemble
Guerrero: Ave virgo sanctissima
85 bpm • G# min • 03:45 • -20.45db
11% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Befiehl dem Engel, daß er komm, BuxWV 1...
85 bpm • A min • 05:07 • -21.11db
14% Popularity • 24% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 24% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Girolamo Frescobaldi
Messa Delli Apostoli: Kyrye I
85 bpm • F# Maj • 01:18 • -17.66db
10% Popularity • 27% Danceability • 4% Energy • 9% Liveness
43% Instrumentalness • 21% Positiveness
10% Popularity • 27% Danceability • 4% Energy • 9% Liveness
43% Instrumentalness • 21% Positiveness
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The Royal Wind Music
Farewell the Bliss
91 bpm • A# min • 04:01 • -18.72db
14% Popularity • 20% Danceability • 7% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 7% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Messa a quattro voci, SV 190: V. Benedic...
85 bpm • E min • 01:23 • -23.7db
13% Popularity • 20% Danceability • 13% Energy • 11% Liveness
20% Instrumentalness • 9% Positiveness
13% Popularity • 20% Danceability • 13% Energy • 11% Liveness
20% Instrumentalness • 9% Positiveness
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Pavel Jurkovič
Pro Šimonka Šmehila
85 bpm • C Maj • 01:16 • -20.37db
11% Popularity • 42% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 42% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Carlo Gesualdo
Sacrarum cantionum quinque vocibus, Libe...
91 bpm • D# min • 03:43 • -21.5db
7% Popularity • 19% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
7% Popularity • 19% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Zuzanna Koziej
Stabat Mater: O quam tristis et afflicta
85 bpm • D# min • 02:02 • -25.34db
8% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Alexander Agricola
De tous biens plaine I
91 bpm • F min • 01:34 • -25.12db
8% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
8% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 4a. Benedictus
91 bpm • G Maj • 00:54 • -20.69db
16% Popularity • 22% Danceability • 12% Energy • 12% Liveness
57% Instrumentalness • 9% Positiveness
16% Popularity • 22% Danceability • 12% Energy • 12% Liveness
57% Instrumentalness • 9% Positiveness
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John Stainer
Sicut lilium
92 bpm • D Maj • 01:19 • -19.71db
16% Popularity • 22% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 22% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
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Guillaume de Machaut
Tant doucement me sens emprisonnez, Rond...
92 bpm • C Maj • 01:04 • -26.34db
8% Popularity • 19% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 19% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
84 bpm • G min • 03:14 • -24.32db
7% Popularity • 22% Danceability • 5% Energy • 15% Liveness
9% Instrumentalness • 9% Positiveness
7% Popularity • 22% Danceability • 5% Energy • 15% Liveness
9% Instrumentalness • 9% Positiveness
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Gregorio Allegri
Miserere: I. Miserere mei Dei ; Et secun...
85 bpm • B min • 00:55 • -24.56db
19% Popularity • 19% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Kryštof Harant
Qui confidunt
84 bpm • A min • 03:11 • -17.2db
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
84 bpm • G# Maj • 01:08 • -21.89db
9% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
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Antaisin.fi
Saapuu jo yö
84 bpm • E min • 02:36 • -16.37db
9% Popularity • 25% Danceability • 10% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
9% Popularity • 25% Danceability • 10% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
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Anónimo
Pasión: Fodérunt Manus Meas. Tenor S...
92 bpm • D Maj • 03:02 • -15.14db
11% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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John Dowland
Lachrimae or Seven Tears: VIII. Mr Nicho...
92 bpm • G# min • 01:46 • -18.54db
11% Popularity • 23% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
11% Popularity • 23% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
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Urmas Sisask
Gloria in excelsis Deo
92 bpm • G Maj • 06:10 • -22.36db
7% Popularity • 21% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Kyrye III
92 bpm • C# min • 01:03 • -25.36db
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
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Arvo Pärt
Passio: Haec cum dixisset Jesus
84 bpm • A min • 05:29 • -23.91db
8% Popularity • 14% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
92 bpm • A# Maj • 02:05 • -21.13db
8% Popularity • 14% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 14% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Gloriae Dei Cantores
Ad missam In Die: Communion. Pascha nost...
84 bpm • A Maj • 04:29 • -25.24db
9% Popularity • 24% Danceability • 4% Energy • 8% Liveness
11% Instrumentalness • 10% Positiveness
9% Popularity • 24% Danceability • 4% Energy • 8% Liveness
11% Instrumentalness • 10% Positiveness
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Claudio Merulo
Missa Virginis Mariae: VIII. Ite, missa ...
84 bpm • D min • 01:30 • -16.51db
10% Popularity • 21% Danceability • 7% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
10% Popularity • 21% Danceability • 7% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
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Francisco Guerrero
Dulcissima Maria: II. Audi nos, Sanctiss...
84 bpm • F min • 01:38 • -23.47db
8% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Luca Marenzio
La Favolla d'Apollo: 17. O mille volte a...
92 bpm • G Maj • 02:07 • -13.15db
8% Popularity • 34% Danceability • 35% Energy • 8% Liveness
8% Instrumentalness • 32% Positiveness
8% Popularity • 34% Danceability • 35% Energy • 8% Liveness
8% Instrumentalness • 32% Positiveness
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Sexteto Cantábile
Notre Père (Maurice Duruflé)
84 bpm • F# Maj • 01:24 • -25.58db
38% Popularity • 20% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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The Tallis Scholars
Victoria: Amicus Meus - 1. Amicus Meus
92 bpm • F min • 01:08 • -18.12db
17% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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University of King's College Chapel Choir
Alma Redemptoris
84 bpm • D# Maj • 04:05 • -21db
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
84 bpm • G Maj • 01:30 • -20.42db
15% Popularity • 22% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Filipe de Magalhães
Missa Veni Domine: Id. Kyrie II
84 bpm • E min • 00:59 • -22.36db
20% Popularity • 20% Danceability • 20% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
20% Popularity • 20% Danceability • 20% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
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A5 Vocal Ensemble
Guerrero: Trahe me post te
84 bpm • G# min • 04:19 • -21.16db
11% Popularity • 18% Danceability • 12% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 12% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
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markpowell
Christ Has Risen (2)
93 bpm • A min • 01:19 • -17.31db
15% Popularity • 15% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 15% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
84 bpm • A# Maj • 01:26 • -20.48db
16% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Cantores in Ecclesia
Recordare, Domine
83 bpm • A Maj • 02:57 • -17db
13% Popularity • 15% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 15% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Francisco Guerrero
Ave maris stella: VII. Vitam praesta pur...
93 bpm • C min • 01:20 • -21.82db
3% Popularity • 13% Danceability • 14% Energy • 20% Liveness
3% Instrumentalness • 16% Positiveness
3% Popularity • 13% Danceability • 14% Energy • 20% Liveness
3% Instrumentalness • 16% Positiveness
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Filipe de Magalhães
Missa Veni Domine: IIb. Qui tollis pecca...
83 bpm • A min • 02:09 • -23.42db
13% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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A5 Vocal Ensemble
Guerrero: Conceptio tua
93 bpm • F# min • 05:10 • -21.58db
9% Popularity • 12% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
9% Popularity • 12% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
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Max Reger
Mit Fried und Freud ich fahr dahin, WoO ...
83 bpm • E min • 03:05 • -28.7db
9% Popularity • 14% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 14% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Samuel Scheidt
Battle Suite: III. Gailliard Battaglia
93 bpm • G Maj • 01:39 • -16.27db
13% Popularity • 44% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
13% Popularity • 44% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
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Guillaume de Machaut
Tant doucement me sens emprisonnez, Rond...
83 bpm • A min • 01:14 • -29.25db
8% Popularity • 22% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 22% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Salomone Rossi
Psalm 128: Shir hamma'alot, Ashrei kol y...
93 bpm • F# Maj • 02:32 • -20.05db
8% Popularity • 18% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 18% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
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Jacob Clemens non Papa
Magi veniunt ab oriente: I. Magi veniunt...
83 bpm • B min • 03:06 • -20.2db
11% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
11% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
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Giorgio Mainerio
L'arboscello ballo furlano
83 bpm • C Maj • 01:42 • -24.11db
8% Popularity • 32% Danceability • 4% Energy • 12% Liveness
63% Instrumentalness • 32% Positiveness
8% Popularity • 32% Danceability • 4% Energy • 12% Liveness
63% Instrumentalness • 32% Positiveness
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A5 Vocal Ensemble
Guerrero: O Virgo Benedicta
93 bpm • F# min • 05:49 • -20.51db
10% Popularity • 14% Danceability • 13% Energy • 8% Liveness
4% Instrumentalness • 7% Positiveness
10% Popularity • 14% Danceability • 13% Energy • 8% Liveness
4% Instrumentalness • 7% Positiveness
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Jacob Obrecht
Parce Domine
93 bpm • G min • 02:01 • -23db
10% Popularity • 23% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
10% Popularity • 23% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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LeoRoads
Angelic Symphony
93 bpm • A min • 02:26 • -18.67db
10% Popularity • 20% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 14% Positiveness
10% Popularity • 20% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 14% Positiveness
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Philippe Verdelot
Divini occhi sereni
83 bpm • C# min • 01:30 • -19.41db
12% Popularity • 25% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 25% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: I. Kyrie
83 bpm • G# min • 05:29 • -18.17db
16% Popularity • 17% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 5% Positiveness
16% Popularity • 17% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 5% Positiveness
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Gloriae Dei Cantores
Feria secunda: Alleluia. Angelus Domini
93 bpm • D# Maj • 01:45 • -29.1db
9% Popularity • 28% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 28% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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William Cornysh
Ah Robin
93 bpm • C min • 02:29 • -24.29db
14% Popularity • 21% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 21% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Cristobal de Morales
Graduale: III. Non timebit
83 bpm • C min • 01:04 • -20.27db
10% Popularity • 15% Danceability • 15% Energy • 14% Liveness
23% Instrumentalness • 15% Positiveness
10% Popularity • 15% Danceability • 15% Energy • 14% Liveness
23% Instrumentalness • 15% Positiveness
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Hildegard von Bingen
O viridissima virga
83 bpm • C Maj • 03:14 • -24.97db
10% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Philippe Verdelot
Trist'Amarilli mia
83 bpm • F# min • 03:21 • -18.24db
10% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Brumel: Mater Patris - 2. Audi Nostra Su...
83 bpm • D min • 01:04 • -26.01db
14% Popularity • 20% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 20% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Quire of Voyces
Salvator mundi I
94 bpm • G# min • 02:10 • -21.47db
10% Popularity • 13% Danceability • 26% Energy • 9% Liveness
97% Instrumentalness • 13% Positiveness
10% Popularity • 13% Danceability • 26% Energy • 9% Liveness
97% Instrumentalness • 13% Positiveness
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Gloriae Dei Cantores
Ad missam In Die: Alleluia. Pascha nostr...
94 bpm • E min • 02:26 • -29.67db
10% Popularity • 24% Danceability • 2% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
10% Popularity • 24% Danceability • 2% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Juan Ponce
Cancionero musical de palacio: No. 20, A...
82 bpm • D min • 02:06 • -24.77db
8% Popularity • 20% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 20% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Gerda Blok-Wilson
O Little Rose, O Dark Rose
82 bpm • G Maj • 04:39 • -28.83db
7% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
