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Guilty Filthy Soul
Songs like
Guilty Filthy Soul
by
AWOLNATION
Based on a tempo of (+/- 10%) and a similar genre
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AWOLNATION
Guilty Filthy Soul - Samantha Ronson Re...
172 bpm • F min • 04:17 • -5.54db
22% Popularity • 63% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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KONGOS
Take It From Me
173 bpm • B min • 03:10 • -7.02db
50% Popularity • 56% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Plushgun
How We Roll
170 bpm • A min • 04:05 • -7db
11% Popularity • 62% Danceability • 86% Energy • 29% Liveness
2% Instrumentalness • 50% Positiveness
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Joywave
Somebody New
174 bpm • D# min • 03:26 • -3.33db
44% Popularity • 46% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Cold War Kids
Saint John
174 bpm • E Maj • 03:26 • -2.45db
37% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Big Pink
Stay Gold
176 bpm • D Maj • 03:38 • -7.56db
28% Popularity • 37% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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AWOLNATION
Guilty Filthy Soul
172 bpm • C# Maj • 03:33 • -7.48db
41% Popularity • 76% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Kyle Andrews
Kangaroo
177 bpm • C# Maj • 01:45 • -3.93db
15% Popularity • 63% Danceability • 100% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Plushgun
Just Impolite
175 bpm • A Maj • 03:51 • -6.94db
28% Popularity • 59% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Miike Snow
Devil's Work
166 bpm • D min • 03:55 • -4.49db
28% Popularity • 20% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Cold War Kids
Lost That Easy
178 bpm • C Maj • 03:24 • -5.28db
36% Popularity • 43% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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The Big Pink
Dominos
176 bpm • D Maj • 03:46 • -4.92db
37% Popularity • 44% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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The Black Keys
Lonely Boy
166 bpm • D Maj • 03:13 • -7.84db
80% Popularity • 36% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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AWOLNATION
Megalithic Symphony
171 bpm • G# Maj • 00:57 • -12.81db
30% Popularity • 31% Danceability • 58% Energy • 27% Liveness
3% Instrumentalness • 36% Positiveness
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The Bravery
Believe
166 bpm • G# Maj • 03:46 • -3.37db
56% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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GROUPLOVE
Shark Attack
166 bpm • C# Maj • 03:58 • -8db
43% Popularity • 45% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Portugal. The Man
Holy Roller (Hallelujah)
165 bpm • A Maj • 03:21 • -6.8db
36% Popularity • 43% Danceability • 64% Energy • 18% Liveness
22% Instrumentalness • 30% Positiveness
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Manchester Orchestra
I've Got Friends
165 bpm • F# Maj • 04:57 • -5.43db
44% Popularity • 40% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Faded Paper Figures
Metropolis
165 bpm • G# Maj • 03:32 • -9db
18% Popularity • 65% Danceability • 73% Energy • 11% Liveness
78% Instrumentalness • 66% Positiveness
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Record Heat
The Black Jack White
180 bpm • E Maj • 02:21 • -4.85db
18% Popularity • 50% Danceability • 92% Energy • 8% Liveness
14% Instrumentalness • 85% Positiveness
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The Asteroids Galaxy Tour
Lady Jesus
180 bpm • C Maj • 03:46 • -3.58db
32% Popularity • 51% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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AWOLNATION
Jump on My Shoulders
180 bpm • E Maj • 04:08 • -4.2db
38% Popularity • 49% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Kyle Andrews
Sushi
180 bpm • C min • 03:18 • -5.04db
29% Popularity • 51% Danceability • 88% Energy • 39% Liveness
5% Instrumentalness • 68% Positiveness
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Muse
Madness
180 bpm • A# Maj • 04:41 • -7.67db
67% Popularity • 50% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Big Pink
Hit the Ground (Superman)
164 bpm • G# Maj • 04:56 • -6.72db
32% Popularity • 49% Danceability • 87% Energy • 19% Liveness
1% Instrumentalness • 79% Positiveness
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New Politics
Everywhere I Go (Kings and Queens)
164 bpm • E Maj • 03:25 • -3.4db
38% Popularity • 48% Danceability • 98% Energy • 65% Liveness
0% Instrumentalness • 50% Positiveness
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Max Frost
White Lies - EP Version
163 bpm • C# min • 02:57 • -3.43db
52% Popularity • 70% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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WALK THE MOON
Tightrope
162 bpm • C# min • 03:29 • -6.17db
49% Popularity • 47% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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fun.
Stars
161 bpm • C Maj • 06:53 • -4.97db
33% Popularity • 52% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Jack White
Freedom At 21
161 bpm • A Maj • 02:51 • -11db
44% Popularity • 38% Danceability • 76% Energy • 59% Liveness
2% Instrumentalness • 52% Positiveness
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Theophilus London
I Stand Alone
160 bpm • D min • 03:22 • -6.14db
29% Popularity • 62% Danceability • 82% Energy • 45% Liveness
0% Instrumentalness • 68% Positiveness
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New Politics
Dignity
182 bpm • E Maj • 03:14 • -2db
33% Popularity • 39% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Gym Class Heroes
The Queen and I
160 bpm • A min • 03:14 • -5.69db
39% Popularity • 63% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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The Black Keys
Strange Times
161 bpm • G# min • 03:10 • -6db
48% Popularity • 45% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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fun.
All Alone
183 bpm • D Maj • 03:03 • -4.49db
39% Popularity • 53% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Moon Taxi
Square Circles
160 bpm • F# min • 04:15 • -5.46db
30% Popularity • 44% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
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OK Go
This Too Shall Pass
160 bpm • F Maj • 03:08 • -3.4db
42% Popularity • 43% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Sleigh Bells
Comeback Kid
160 bpm • G Maj • 03:00 • -5db
36% Popularity • 38% Danceability • 90% Energy • 33% Liveness
44% Instrumentalness • 48% Positiveness
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GROUPLOVE
Don't Say Oh Well
185 bpm • C# Maj • 02:38 • -4db
31% Popularity • 37% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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The Struts
Kiss This
186 bpm • G# Maj • 02:57 • -3.8db
57% Popularity • 43% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Crash Kings
My Love
157 bpm • F Maj • 03:38 • -4.86db
16% Popularity • 34% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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KONGOS
I Want to Know
158 bpm • B Maj • 03:55 • -6.56db
41% Popularity • 58% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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OK Go
Get Over It
185 bpm • D Maj • 03:16 • -4.31db
51% Popularity • 39% Danceability • 77% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
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Icona Pop
Manners - Extended Mix
156 bpm • C Maj • 04:30 • -6db
9% Popularity • 53% Danceability • 69% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Vampire Weekend
Holiday
156 bpm • D Maj • 02:18 • -5db
50% Popularity • 72% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Bleachers
I Wanna Get Better
190 bpm • A Maj • 03:24 • -6.22db
64% Popularity • 45% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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The Bravery
Time Won't Let Me Go
155 bpm • C Maj • 04:11 • -4.78db
46% Popularity • 39% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Crash Kings
Mountain Man
155 bpm • D min • 03:17 • -5.22db
42% Popularity • 52% Danceability • 92% Energy • 45% Liveness
0% Instrumentalness • 67% Positiveness
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OK Go
Don't Ask Me
188 bpm • C Maj • 02:46 • -4.41db
39% Popularity • 46% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Mumford & Sons
The Wolf
153 bpm • D Maj • 03:41 • -5.34db
41% Popularity • 42% Danceability • 82% Energy • 18% Liveness
73% Instrumentalness • 31% Positiveness
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AWOLNATION
Windows
154 bpm • D min • 03:37 • -4.81db
38% Popularity • 54% Danceability • 70% Energy • 9% Liveness
81% Instrumentalness • 37% Positiveness
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The Naked And Famous
Meeting People Sucks
194 bpm • B min • 02:26 • -6.05db
11% Popularity • 24% Danceability • 73% Energy • 28% Liveness
2% Instrumentalness • 35% Positiveness
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Portugal. The Man
Got It All (This Can't Be Living Now)
151 bpm • A Maj • 03:45 • -4.12db
40% Popularity • 43% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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New Politics
Girl Crush
150 bpm • F# Maj • 02:54 • -2.7db
30% Popularity • 48% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Mutemath
Odd Soul
150 bpm • G min • 03:15 • -3.58db
23% Popularity • 48% Danceability • 93% Energy • 41% Liveness
0% Instrumentalness • 42% Positiveness
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WALK THE MOON
Jenny
148 bpm • F min • 04:05 • -5.59db
48% Popularity • 54% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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AWOLNATION
Sail - Unlimited Gravity Remix
150 bpm • C# Maj • 05:49 • -7.76db
45% Popularity • 58% Danceability • 46% Energy • 13% Liveness
13% Instrumentalness • 45% Positiveness
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The Naked And Famous
Dadada
152 bpm • B min • 03:08 • -7db
7% Popularity • 64% Danceability • 51% Energy • 44% Liveness
6% Instrumentalness • 33% Positiveness
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Portugal. The Man
Evil Friends
150 bpm • C min • 03:37 • -4.6db
44% Popularity • 30% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Cold War Kids
Louder Than Ever
147 bpm • E Maj • 02:44 • -5.52db
33% Popularity • 33% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Flobots
Mayday!!!
146 bpm • G# Maj • 04:36 • -7db
34% Popularity • 50% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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St. Lucia
Before The Dive
147 bpm • A min • 04:39 • -6db
31% Popularity • 49% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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AWOLNATION
Thiskidsnotalright
200 bpm • C# Maj • 02:41 • -5db
44% Popularity • 48% Danceability • 83% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
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The Naked And Famous
Serenade
200 bpm • B min • 02:42 • -5.26db
10% Popularity • 47% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Air Traffic Controller
Pick Me Up
214 bpm • E Maj • 04:04 • -5.58db
21% Popularity • 42% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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WE ARE TWIN
The Way We Touch
218 bpm • G# Maj • 04:23 • -4.99db
30% Popularity • 39% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Guilty Filthy Soul