Songs like Guitar Quintet No. 4 in D Major, G. 448 "Fandango": I. Pastorale by Krzysztof Meisinger
Based on a tempo of (+/- 10%) and a similar genre
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Jean Rondeau
Rondeau: Paula
120 bpm • F# Maj • 02:41 • -23.01db
42% Popularity • 29% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 29% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Cello Sonata No. 1 in D Minor, Op. 109: ...
120 bpm • D# Maj • 06:59 • -18.9db
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Federico Mompou
Suite compostelana: VI. Muñeira
120 bpm • G Maj • 02:55 • -26.93db
0% Popularity • 51% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 16% Positiveness
0% Popularity • 51% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 16% Positiveness
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Krzysztof Meisinger
Guitar Quintet No. 4 in D Major, G. 448 ...
120 bpm • A Maj • 04:40 • -25.65db
0% Popularity • 29% Danceability • 4% Energy • 34% Liveness
38% Instrumentalness • 11% Positiveness
0% Popularity • 29% Danceability • 4% Energy • 34% Liveness
38% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Requiem in D Minor, K. 626: VIII...
121 bpm • D min • 03:09 • -21.27db
18% Popularity • 18% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
18% Popularity • 18% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Sheku Kanneh-Mason
Myfanwy (Arr. for Solo Cello)
121 bpm • G Maj • 03:39 • -23.89db
45% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
45% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Carlo Domeniconi
Variationen über ein anatolisches Volks...
119 bpm • D min • 00:47 • -23.62db
1% Popularity • 37% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 72% Positiveness
1% Popularity • 37% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 72% Positiveness
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![Suite antique (Version for Guitar) [Excerpts]: I. Prélude cover art](https://i.scdn.co/image/ab67616d00001e02da5d39f3a7d0c7cbe87a35e9)
John Rutter
Suite antique (Version for Guitar) [Exce...
119 bpm • A min • 02:25 • -30.87db
34% Popularity • 27% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
34% Popularity • 27% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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Krzysztof Meisinger
Concierto para Quinteto
121 bpm • G min • 09:26 • -18.34db
0% Popularity • 34% Danceability • 14% Energy • 32% Liveness
91% Instrumentalness • 12% Positiveness
0% Popularity • 34% Danceability • 14% Energy • 32% Liveness
91% Instrumentalness • 12% Positiveness
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Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
51% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
51% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Astor Piazzolla
Cinco Piezas: III. Acentuado
118 bpm • D min • 03:42 • -24.2db
0% Popularity • 55% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
0% Popularity • 55% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
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Carlo Domeniconi
Variationen über ein anatolisches Volks...
118 bpm • A# Maj • 04:47 • -23.97db
1% Popularity • 45% Danceability • 5% Energy • 13% Liveness
77% Instrumentalness • 11% Positiveness
1% Popularity • 45% Danceability • 5% Energy • 13% Liveness
77% Instrumentalness • 11% Positiveness
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Jacques Ibert
6 Pièces pour harpe à pédales: II. Sc...
123 bpm • C# Maj • 03:26 • -28.16db
28% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
28% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Krzysztof Meisinger
Cavatine: I. Preludio
119 bpm • F Maj • 03:29 • -23db
0% Popularity • 44% Danceability • 14% Energy • 8% Liveness
88% Instrumentalness • 24% Positiveness
0% Popularity • 44% Danceability • 14% Energy • 8% Liveness
88% Instrumentalness • 24% Positiveness
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Antonio Vivaldi
Four Seasons Winter Variation (After Vio...
117 bpm • F min • 01:43 • -27.84db
45% Popularity • 41% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
45% Popularity • 41% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Oswald Russell
Three Jamaican Dances: No. 2
117 bpm • E Maj • 02:27 • -29.24db
47% Popularity • 46% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
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Albéric Magnard
Suite d'orchestre dans le style ancien, ...
116 bpm • G min • 02:09 • -32db
49% Popularity • 17% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 17% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Carlo Domeniconi
Koyunbaba, Op. 19: IV. Presto
124 bpm • A# Maj • 03:07 • -19.53db
1% Popularity • 36% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
1% Popularity • 36% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Henrique Oswald
En nacelle
116 bpm • F# Maj • 02:45 • -29.75db
59% Popularity • 43% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
59% Popularity • 43% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Krzysztof Meisinger
Guitar Concerto: I. Allegro preciso
122 bpm • A min • 06:03 • -20.22db
0% Popularity • 39% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
0% Popularity • 39% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Astor Piazzolla
Cinco Piezas: V. Compadre
124 bpm • A min • 03:48 • -27.54db
0% Popularity • 49% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
0% Popularity • 49% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
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George Walker
Lyric for Strings
116 bpm • F# Maj • 05:22 • -31.62db
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
37% Instrumentalness • 3% Positiveness
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
37% Instrumentalness • 3% Positiveness
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Louise Farrenc
Cello Sonata in B-Flat Major, Op. 46: II...
116 bpm • D# Maj • 05:36 • -29.49db
38% Popularity • 26% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
38% Popularity • 26% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Carlo Domeniconi
Variationen über ein anatolisches Volks...
116 bpm • A# Maj • 00:59 • -24.31db
1% Popularity • 28% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
1% Popularity • 28% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
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Ernest Bloch
Enfantines, B. 49: Dream
116 bpm • F min • 01:54 • -38db
21% Popularity • 37% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
21% Popularity • 37% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
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Krzysztof Meisinger
Guitar Quintet No. 4 in D Major, G. 448 ...
117 bpm • D Maj • 07:33 • -16.64db
0% Popularity • 46% Danceability • 18% Energy • 10% Liveness
77% Instrumentalness • 8% Positiveness
0% Popularity • 46% Danceability • 18% Energy • 10% Liveness
77% Instrumentalness • 8% Positiveness
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A. Blomqvist
Kaiho
125 bpm • C min • 03:17 • -27.9db
58% Popularity • 38% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
58% Popularity • 38% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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William Walton
Five Bagatelles No. 3: Alla Cubana
125 bpm • B min • 02:02 • -25db
33% Popularity • 46% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 45% Positiveness
33% Popularity • 46% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 45% Positiveness
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Marcin Kopczyński
Concerto da camera per chitarra Tre imma...
125 bpm • G# min • 04:09 • -22.1db
0% Popularity • 59% Danceability • 3% Energy • 7% Liveness
70% Instrumentalness • 4% Positiveness
0% Popularity • 59% Danceability • 3% Energy • 7% Liveness
70% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K. 618 (Transcr. Liszt...
115 bpm • B Maj • 04:02 • -38.66db
22% Popularity • 49% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
22% Popularity • 49% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Krzysztof Meisinger
Five Preludes for Guitar Solo: No. 5, Po...
116 bpm • D Maj • 04:48 • -26.61db
1% Popularity • 44% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
1% Popularity • 44% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Nocturne Op.9 No.2 - Arranged by Francis...
125 bpm • B Maj • 04:11 • -29.1db
37% Popularity • 43% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 16% Positiveness
37% Popularity • 43% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 16% Positiveness
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Komitas
12 Pieces for Children: No. 6, My Darlin...
125 bpm • E Maj • 01:17 • -37db
50% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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Johann Sigismund Weiss
Concerto in D Minor: II. Presto
126 bpm • D min • 02:17 • -16.4db
1% Popularity • 52% Danceability • 38% Energy • 43% Liveness
84% Instrumentalness • 58% Positiveness
1% Popularity • 52% Danceability • 38% Energy • 43% Liveness
84% Instrumentalness • 58% Positiveness
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Carlo Domeniconi
Variationen über ein anatolisches Volks...
115 bpm • A# Maj • 01:11 • -24.98db
2% Popularity • 64% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
2% Popularity • 64% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Krzysztof Meisinger
Guitar Quintet No. 9 in C Major, G. 453 ...
125 bpm • C Maj • 06:41 • -17.06db
0% Popularity • 41% Danceability • 11% Energy • 14% Liveness
39% Instrumentalness • 31% Positiveness
0% Popularity • 41% Danceability • 11% Energy • 14% Liveness
39% Instrumentalness • 31% Positiveness
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François Couperin
La Muse-Plantine: 19ème ordre, 3ème li...
126 bpm • D min • 02:19 • -24.78db
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Isaac Albéniz
Prélude, Op. 232 No. 1 "Asturias"
114 bpm • E min • 07:44 • -25.09db
2% Popularity • 37% Danceability • 8% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
2% Popularity • 37% Danceability • 8% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
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Gustav Mahler
Symphony of a Thousand Piano Variation (...
114 bpm • D# Maj • 02:22 • -25.83db
40% Popularity • 32% Danceability • 3% Energy • 14% Liveness
79% Instrumentalness • 11% Positiveness
40% Popularity • 32% Danceability • 3% Energy • 14% Liveness
79% Instrumentalness • 11% Positiveness
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Erik Satie
Enfantillages pittoresques: II. Berceuse
127 bpm • A min • 01:17 • -45db
58% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 47% Positiveness
58% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 47% Positiveness
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Stephan Moccio
Communion
127 bpm • A# min • 04:15 • -33.34db
67% Popularity • 32% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
67% Popularity • 32% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Krzysztof Meisinger
Cavatine: II. Sarabande
115 bpm • F# min • 03:25 • -30.18db
0% Popularity • 51% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
0% Popularity • 51% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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François Couperin
Le Tic-Toc-Choc
127 bpm • F Maj • 02:27 • -31db
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Marie Awadis
Étude No. 3: Ballade
127 bpm • C# Maj • 03:23 • -33.08db
47% Popularity • 36% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
47% Popularity • 36% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Nico Muhly
The Street (harp solo): Station IV. Jesu...
127 bpm • A# min • 03:20 • -33db
29% Popularity • 47% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
29% Popularity • 47% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Krzysztof Meisinger
Concierto de Aranjuez: I. Allegro con sp...
115 bpm • G Maj • 06:29 • -14.7db
0% Popularity • 50% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
0% Popularity • 50% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
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Samuel Barber
Sure on This Shining Night, Op. 13 No. 3...
113 bpm • A# Maj • 02:10 • -26db
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Karl Ignaz Augustin Kohaut
Concerto in E Major: I. Allegro ma non m...
128 bpm • E Maj • 09:17 • -19.36db
0% Popularity • 43% Danceability • 16% Energy • 28% Liveness
68% Instrumentalness • 35% Positiveness
0% Popularity • 43% Danceability • 16% Energy • 28% Liveness
68% Instrumentalness • 35% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Johan Halvorsen
Suite Mosaique, Op. 35: IV. Veslemøys s...
112 bpm • F# min • 01:48 • -17.25db
34% Popularity • 30% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 26% Positiveness
34% Popularity • 30% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 26% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons, Violin Concerto in F M...
129 bpm • F min • 04:07 • -25db
30% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
30% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Krzysztof Meisinger
Guitar Quintet No. 9 in C Major, G. 453 ...
127 bpm • C Maj • 10:53 • -18.93db
0% Popularity • 44% Danceability • 17% Energy • 11% Liveness
70% Instrumentalness • 38% Positiveness
0% Popularity • 44% Danceability • 17% Energy • 11% Liveness
70% Instrumentalness • 38% Positiveness
► Preview
George Frideric Handel
Suite No. 2 in F Major, HWV 427: I. Adag...
129 bpm • F Maj • 02:36 • -36.17db
39% Popularity • 31% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 20% Positiveness
39% Popularity • 31% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Miguel Llobet Solés
Variaciones sobre un Tema de Sor, Op. 15...
129 bpm • D min • 01:06 • -20.54db
0% Popularity • 49% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
0% Popularity • 49% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
► Preview
Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Jean-Philippe Rameau
The Arts and the Hours (Arr. for Guitar ...
129 bpm • D Maj • 05:15 • -26.8db
35% Popularity • 50% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
35% Popularity • 50% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
Baal HaSulam
Melodies of the Upper Worlds (Arr. M. Ay...
129 bpm • A min • 02:57 • -32db
42% Popularity • 42% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
42% Popularity • 42% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
► Preview
Krzysztof Meisinger
La catedral: III. Allegro solemne
113 bpm • D Maj • 04:04 • -21.68db
0% Popularity • 27% Danceability • 28% Energy • 7% Liveness
89% Instrumentalness • 37% Positiveness
0% Popularity • 27% Danceability • 28% Energy • 7% Liveness
89% Instrumentalness • 37% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
► Preview
Antonio Vivaldi
Concerto in D Major, RV 93: III. Allegro
129 bpm • D Maj • 02:21 • -16.93db
0% Popularity • 58% Danceability • 35% Energy • 30% Liveness
58% Instrumentalness • 64% Positiveness
0% Popularity • 58% Danceability • 35% Energy • 30% Liveness
58% Instrumentalness • 64% Positiveness
► Preview
Federico Mompou
Suite compostelana: V. Canción
129 bpm • A min • 02:34 • -28.9db
2% Popularity • 49% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 34% Positiveness
2% Popularity • 49% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 34% Positiveness
► Preview
GabrÃel Ólafs
The Lily - Piano Version
110 bpm • G Maj • 01:56 • -34db
50% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
50% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
► Preview
Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
► Preview
Krzysztof Meisinger
Cavatine: III. Scherzino
128 bpm • G Maj • 03:14 • -21.46db
0% Popularity • 36% Danceability • 11% Energy • 10% Liveness
78% Instrumentalness • 24% Positiveness
0% Popularity • 36% Danceability • 11% Energy • 10% Liveness
78% Instrumentalness • 24% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48:IV. Pie Jesu (Arr. for P...
110 bpm • A# Maj • 03:09 • -36.6db
26% Popularity • 43% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 39% Positiveness
26% Popularity • 43% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 39% Positiveness
► Preview
Antonio Vivaldi
Concerto in D Major, RV 93: I. (Allegro)
130 bpm • A Maj • 03:36 • -15.66db
0% Popularity • 61% Danceability • 30% Energy • 8% Liveness
80% Instrumentalness • 67% Positiveness
0% Popularity • 61% Danceability • 30% Energy • 8% Liveness
80% Instrumentalness • 67% Positiveness
► Preview
Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32 (Arr. for Guita...
110 bpm • E min • 02:52 • -27.98db
34% Popularity • 50% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
34% Popularity • 50% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Malcolm Arnold
Fantasy for Guitar Op. 107: III. Arietta...
109 bpm • D Maj • 02:03 • -38db
41% Popularity • 39% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
41% Popularity • 39% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Krzysztof Meisinger
Con Alma Y Vida
113 bpm • E min • 04:42 • -22.56db
0% Popularity • 39% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 13% Positiveness
0% Popularity • 39% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 13% Positiveness
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Jean Roger-Ducasse
6 Préludes: No. 2. Très calme
132 bpm • B Maj • 01:34 • -35.31db
42% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
42% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Rolf Løvland
Song from a Secret Garden (Arr. Niu Niu ...
132 bpm • C min • 03:57 • -21.64db
20% Popularity • 26% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
20% Popularity • 26% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Marcin Kopczyński
Concerto da camera per chitarra Tre imma...
108 bpm • C# min • 02:30 • -23.73db
0% Popularity • 51% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
0% Popularity • 51% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Krzysztof Meisinger
Inventions Hommage a Bach: I. Passepied
112 bpm • E min • 02:09 • -18.66db
0% Popularity • 51% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 86% Positiveness
0% Popularity • 51% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 86% Positiveness
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Chad Lawson
Herr Jesu Christ, Meins Lebens Licht, Ch...
134 bpm • B min • 02:54 • -34db
32% Popularity • 40% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
32% Popularity • 40% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
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Erik Satie
Gnossiennes (Arr. S. Shibe for Guitar): ...
133 bpm • D min • 02:48 • -39.47db
32% Popularity • 31% Danceability • 0% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
32% Popularity • 31% Danceability • 0% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
109 bpm • F# min • 06:30 • -33.64db
22% Popularity • 41% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
22% Popularity • 41% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei
134 bpm • F Maj • 02:28 • -32.82db
27% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 27% Positiveness
27% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 27% Positiveness
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Francis Poulenc
Sonate pour hautbois et piano: Déplorat...
108 bpm • A# min • 04:19 • -29db
12% Popularity • 22% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Krzysztof Meisinger
Guitar Quintet No. 4 in D Major, G. 448 ...
129 bpm • D Maj • 06:50 • -19.87db
0% Popularity • 40% Danceability • 8% Energy • 14% Liveness
64% Instrumentalness • 29% Positiveness
0% Popularity • 40% Danceability • 8% Energy • 14% Liveness
64% Instrumentalness • 29% Positiveness
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Damjan Krajacic
Le Musicien
134 bpm • A min • 03:31 • -17.18db
35% Popularity • 38% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
35% Popularity • 38% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608 - Arr. Cello: 4. Cu...
106 bpm • G min • 05:14 • -27.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Robert de Visée
De Visée / Transcr. Garcia: Pièces de ...
136 bpm • A min • 02:14 • -31db
35% Popularity • 39% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
35% Popularity • 39% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
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Philippus van Steelant
Missa pro defunctis (1650): III. Symphon...
136 bpm • D Maj • 02:20 • -29.36db
0% Popularity • 15% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
0% Popularity • 15% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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VÃkingur Ólafsson
Reflection
106 bpm • C# Maj • 05:34 • -33db
47% Popularity • 43% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
47% Popularity • 43% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
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Krzysztof Meisinger
Lagrima
111 bpm • E Maj • 02:15 • -25.81db
0% Popularity • 39% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
0% Popularity • 39% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
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Lavinia Meijer
Due tramonti
106 bpm • D Maj • 04:27 • -30.62db
53% Popularity • 30% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
53% Popularity • 30% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Astor Piazzolla
Cinco Piezas: II. Romántico
106 bpm • A min • 06:56 • -34.37db
0% Popularity • 45% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
0% Popularity • 45% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Manuel Blancafort
7 Peces de joventut (Youthful Pieces): R...
137 bpm • B Maj • 02:26 • -32.96db
52% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
52% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness