Songs like Ha Bah by The Reggae Boys
Based on a tempo of (+/- 10%) and a similar genre
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Freddie Notes
Shanghai
127 bpm • D# Maj • 02:37 • -7.24db
11% Popularity • 94% Danceability • 50% Energy • 23% Liveness
57% Instrumentalness • 97% Positiveness
11% Popularity • 94% Danceability • 50% Energy • 23% Liveness
57% Instrumentalness • 97% Positiveness
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Hortense Ellis
My Last Date
127 bpm • C Maj • 02:16 • -9.21db
19% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
19% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
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Roy Richards
Contact
127 bpm • C Maj • 02:28 • -7.66db
13% Popularity • 89% Danceability • 81% Energy • 3% Liveness
68% Instrumentalness • 97% Positiveness
13% Popularity • 89% Danceability • 81% Energy • 3% Liveness
68% Instrumentalness • 97% Positiveness
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The Reggae Boys
Give Me Faith
127 bpm • C# Maj • 02:07 • -13.15db
0% Popularity • 70% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
0% Popularity • 70% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Justin Hinds
Over The River
127 bpm • C Maj • 02:21 • -11.62db
28% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Millie
Honey Hush
126 bpm • C# Maj • 02:46 • -7.63db
9% Popularity • 72% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 72% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Cool Sticky
Casa Boo Boo
126 bpm • C# Maj • 02:30 • -7.74db
11% Popularity • 68% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 68% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Keith Lyn & Ken Lazarus
I Don't Love You Anymore
128 bpm • G Maj • 02:04 • -2.33db
9% Popularity • 78% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 78% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Justin Hinds & The Dominoes
The Ark
128 bpm • F Maj • 02:28 • -8.13db
15% Popularity • 74% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 74% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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The Reggae Boys
Ha Bah
127 bpm • C# Maj • 02:37 • -4.55db
0% Popularity • 88% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
0% Popularity • 88% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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The Kingstonians
Rumble Rumble
128 bpm • D Maj • 02:51 • -13.33db
6% Popularity • 77% Danceability • 46% Energy • 17% Liveness
29% Instrumentalness • 95% Positiveness
6% Popularity • 77% Danceability • 46% Energy • 17% Liveness
29% Instrumentalness • 95% Positiveness
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The Gaylads
There's a Fire
126 bpm • A# Maj • 02:12 • -13.67db
26% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Jackie Opel
Sit Down Servant
128 bpm • F# Maj • 02:12 • -8.76db
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Don Drummond
Confucious
128 bpm • D Maj • 02:52 • -5.97db
21% Popularity • 76% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
21% Popularity • 76% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
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Justin Hinds & The Dominoes
Mother Banner
128 bpm • G Maj • 02:39 • -6.09db
23% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
23% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
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The Reggae Boys
Ba Ba
127 bpm • C# Maj • 02:37 • -4.56db
0% Popularity • 88% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
0% Popularity • 88% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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The Kingstonians
Your Love
126 bpm • C Maj • 03:02 • -11.76db
14% Popularity • 86% Danceability • 45% Energy • 8% Liveness
25% Instrumentalness • 96% Positiveness
14% Popularity • 86% Danceability • 45% Energy • 8% Liveness
25% Instrumentalness • 96% Positiveness
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The Meditations
Think So
125 bpm • A Maj • 03:36 • -5.19db
10% Popularity • 83% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 83% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Desmond Baker
Rude Boy Gone A Jail
125 bpm • G# Maj • 02:45 • -5.92db
10% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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The Techniques
I Am In Love
128 bpm • C Maj • 02:28 • -6.75db
7% Popularity • 77% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 77% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Ken Boothe
Now I Know
125 bpm • A# Maj • 02:30 • -10.25db
19% Popularity • 74% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 74% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Reggae Boys
Dolly House on Fire
127 bpm • E Maj • 02:38 • -10.52db
6% Popularity • 79% Danceability • 55% Energy • 11% Liveness
31% Instrumentalness • 96% Positiveness
6% Popularity • 79% Danceability • 55% Energy • 11% Liveness
31% Instrumentalness • 96% Positiveness
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The Kingstonians
The Clip
129 bpm • C Maj • 02:46 • -11.01db
17% Popularity • 90% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
17% Popularity • 90% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
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Justin Hinds
King Samuel
125 bpm • A# Maj • 02:34 • -6.29db
16% Popularity • 85% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 85% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Burning Spear
Them a Come
129 bpm • C Maj • 03:13 • -10.19db
8% Popularity • 89% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 89% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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The Ethiopians
Hong Kong Flu
129 bpm • D Maj • 02:18 • -8.98db
28% Popularity • 94% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 87% Positiveness
28% Popularity • 94% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 87% Positiveness
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Ken Boothe
Freedom Street
129 bpm • D Maj • 02:47 • -12.2db
35% Popularity • 87% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 87% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Reggae Boys
What Is This (Ba Ba)
125 bpm • C# Maj • 02:39 • -11.18db
14% Popularity • 95% Danceability • 64% Energy • 12% Liveness
7% Instrumentalness • 98% Positiveness
14% Popularity • 95% Danceability • 64% Energy • 12% Liveness
7% Instrumentalness • 98% Positiveness
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The Soulmates
Them A Laugh And A Kiki
129 bpm • F Maj • 02:34 • -10.62db
27% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
27% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
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The Kingstonians
Singer Man
129 bpm • D Maj • 03:04 • -11.1db
20% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Justin Hinds
Rub Up Push Up
129 bpm • D# min • 02:45 • -9db
22% Popularity • 84% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
22% Popularity • 84% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
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Lord Creator
Man To Man
130 bpm • A# Maj • 02:28 • -13db
11% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Eric Morris
Penny Reel
130 bpm • D# Maj • 02:29 • -11db
18% Popularity • 87% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 87% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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The Reggae Boys
Dolly House On Fire
126 bpm • E Maj • 02:38 • -8.46db
3% Popularity • 78% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
3% Popularity • 78% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Don Drummond
Lucky Seven
130 bpm • D min • 02:52 • -5.11db
17% Popularity • 74% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 96% Positiveness
17% Popularity • 74% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 96% Positiveness
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Pat Kelly
How Long Will It Take
130 bpm • C Maj • 03:13 • -13db
34% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Justin Hinds
Carry Go Bring Come
124 bpm • C Maj • 02:44 • -10.94db
36% Popularity • 80% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 80% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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King Stitt
Lee Van Cleef
124 bpm • C Maj • 02:55 • -11.23db
19% Popularity • 70% Danceability • 58% Energy • 27% Liveness
1% Instrumentalness • 80% Positiveness
19% Popularity • 70% Danceability • 58% Energy • 27% Liveness
1% Instrumentalness • 80% Positiveness
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The Dynamites
John Public (Tom Hark)
130 bpm • G Maj • 02:11 • -8.37db
18% Popularity • 68% Danceability • 62% Energy • 62% Liveness
18% Instrumentalness • 96% Positiveness
18% Popularity • 68% Danceability • 62% Energy • 62% Liveness
18% Instrumentalness • 96% Positiveness
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Clancy Eccles
Freedom
124 bpm • A# Maj • 02:39 • -11.34db
28% Popularity • 88% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 88% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Tennors
Baff Boom
123 bpm • C Maj • 03:02 • -11.16db
9% Popularity • 88% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 88% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Pat Kelly
It's A Good Day
130 bpm • D Maj • 03:29 • -3.48db
17% Popularity • 89% Danceability • 90% Energy • 5% Liveness
1% Instrumentalness • 97% Positiveness
17% Popularity • 89% Danceability • 90% Energy • 5% Liveness
1% Instrumentalness • 97% Positiveness
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Desmond Dekker
Mother Nature
131 bpm • G Maj • 03:35 • -8.76db
13% Popularity • 68% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 68% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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The Techniques
When You Are Wrong
131 bpm • C# Maj • 02:24 • -8.48db
11% Popularity • 70% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 70% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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The Silvertones
True Confession
123 bpm • G Maj • 02:42 • -8.61db
23% Popularity • 81% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
23% Popularity • 81% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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The Slickers
Every Wolf
123 bpm • B Maj • 03:45 • -5.1db
23% Popularity • 85% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 85% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Joe The Boss
Teahouse from Emperor Rosko
131 bpm • F min • 03:21 • -8.49db
12% Popularity • 72% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 78% Positiveness
12% Popularity • 72% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 78% Positiveness
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Errol Dunkley
Keep The Pressure Down
131 bpm • A Maj • 02:33 • -9db
10% Popularity • 75% Danceability • 55% Energy • 34% Liveness
1% Instrumentalness • 96% Positiveness
10% Popularity • 75% Danceability • 55% Energy • 34% Liveness
1% Instrumentalness • 96% Positiveness
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Desmond Dekker
You Got Soul
123 bpm • C Maj • 02:22 • -14.04db
14% Popularity • 80% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 80% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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The Reggae Boys
Walk by Day, Fly by Night
131 bpm • G Maj • 02:53 • -7.89db
0% Popularity • 89% Danceability • 67% Energy • 15% Liveness
4% Instrumentalness • 97% Positiveness
0% Popularity • 89% Danceability • 67% Energy • 15% Liveness
4% Instrumentalness • 97% Positiveness
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The Kingstonians
Complicated Scene
131 bpm • C Maj • 02:34 • -11.28db
6% Popularity • 88% Danceability • 53% Energy • 6% Liveness
15% Instrumentalness • 90% Positiveness
6% Popularity • 88% Danceability • 53% Energy • 6% Liveness
15% Instrumentalness • 90% Positiveness
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Eric Morris
Penny Reel-O
131 bpm • D# Maj • 02:30 • -6.56db
21% Popularity • 85% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
21% Popularity • 85% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Baba Brooks & His Band
Guns Fever
123 bpm • F Maj • 02:53 • -5.21db
19% Popularity • 78% Danceability • 87% Energy • 9% Liveness
90% Instrumentalness • 90% Positiveness
19% Popularity • 78% Danceability • 87% Energy • 9% Liveness
90% Instrumentalness • 90% Positiveness
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Judy Mowatt
Emergency Call
131 bpm • C min • 03:09 • -5.37db
9% Popularity • 86% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 86% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Boy Friday
Version Girl
123 bpm • A Maj • 03:03 • -8.47db
19% Popularity • 76% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 76% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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King Stitt
Oh Yeah
122 bpm • F Maj • 02:48 • -12.34db
11% Popularity • 84% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 84% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Ken Boothe
Why Baby Why
132 bpm • C Maj • 02:18 • -8.01db
12% Popularity • 77% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 77% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Owen Silveras
Next Door Neighbour
122 bpm • A# Maj • 02:28 • -7.69db
17% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Keith
Run to the Rocks
122 bpm • B min • 03:15 • -17.39db
17% Popularity • 85% Danceability • 27% Energy • 17% Liveness
1% Instrumentalness • 91% Positiveness
17% Popularity • 85% Danceability • 27% Energy • 17% Liveness
1% Instrumentalness • 91% Positiveness
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Winston Francis
Ten Times Sweeter Than You (Re-Mastered ...
132 bpm • A# Maj • 02:56 • -2.69db
20% Popularity • 70% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 70% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Pat Kelly
Dark End Of The Street
132 bpm • C Maj • 03:19 • -12.38db
18% Popularity • 66% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 66% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Prince Buster
Wash Wash
122 bpm • C Maj • 03:25 • -8.78db
26% Popularity • 79% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 79% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Hortense Ellis
Hell and Sorrow
132 bpm • A# min • 02:09 • -11db
26% Popularity • 84% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 84% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Desmond Dekker
Busted Lad
122 bpm • C Maj • 03:20 • -8.08db
14% Popularity • 88% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 88% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Kingstonians
Come We Go Moonwalk
122 bpm • A Maj • 02:52 • -12.77db
22% Popularity • 82% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 98% Positiveness
22% Popularity • 82% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 98% Positiveness
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Leo Graham
My Little Sandra
121 bpm • G Maj • 03:51 • -7.47db
8% Popularity • 90% Danceability • 66% Energy • 3% Liveness
4% Instrumentalness • 96% Positiveness
8% Popularity • 90% Danceability • 66% Energy • 3% Liveness
4% Instrumentalness • 96% Positiveness
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Pat Kelly
Dark End Of The Street
132 bpm • C Maj • 03:10 • -5.6db
18% Popularity • 81% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 81% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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The Reggae Boys
Pupa Live On Eye Top
122 bpm • G# Maj • 02:42 • -11.07db
0% Popularity • 94% Danceability • 48% Energy • 5% Liveness
40% Instrumentalness • 98% Positiveness
0% Popularity • 94% Danceability • 48% Energy • 5% Liveness
40% Instrumentalness • 98% Positiveness
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Count Sticky
Bigger Boss
121 bpm • C Maj • 02:33 • -6.64db
18% Popularity • 88% Danceability • 49% Energy • 8% Liveness
2% Instrumentalness • 97% Positiveness
18% Popularity • 88% Danceability • 49% Energy • 8% Liveness
2% Instrumentalness • 97% Positiveness
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Dandy
Raining in My Heart
133 bpm • G min • 03:20 • -8.72db
13% Popularity • 63% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
13% Popularity • 63% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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The Kingstonians
Nice Nice
133 bpm • C Maj • 02:45 • -11.06db
16% Popularity • 88% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 99% Positiveness
16% Popularity • 88% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 99% Positiveness
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Tommy McCook
Riverton City
133 bpm • A min • 02:52 • -6.3db
13% Popularity • 44% Danceability • 81% Energy • 19% Liveness
91% Instrumentalness • 57% Positiveness
13% Popularity • 44% Danceability • 81% Energy • 19% Liveness
91% Instrumentalness • 57% Positiveness
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Prince Buster
Creation
133 bpm • C# Maj • 02:55 • -11.67db
10% Popularity • 95% Danceability • 66% Energy • 12% Liveness
60% Instrumentalness • 99% Positiveness
10% Popularity • 95% Danceability • 66% Energy • 12% Liveness
60% Instrumentalness • 99% Positiveness
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Baba Brooks
Strongman Sampson
121 bpm • C Maj • 02:39 • -10.34db
20% Popularity • 83% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 83% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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The Gaylads
You Had Your Chance
133 bpm • D# Maj • 02:48 • -7.97db
13% Popularity • 63% Danceability • 60% Energy • 16% Liveness
12% Instrumentalness • 96% Positiveness
13% Popularity • 63% Danceability • 60% Energy • 16% Liveness
12% Instrumentalness • 96% Positiveness
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The Aggro Band
Sweet Like Candy
133 bpm • C# Maj • 03:42 • -10db
1% Popularity • 76% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
1% Popularity • 76% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Stranger Cole
Pretty Cottage
120 bpm • F# Maj • 02:52 • -6.91db
20% Popularity • 94% Danceability • 65% Energy • 18% Liveness
3% Instrumentalness • 97% Positiveness
20% Popularity • 94% Danceability • 65% Energy • 18% Liveness
3% Instrumentalness • 97% Positiveness
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Rico
Brixton Cat
134 bpm • F Maj • 02:37 • -8.67db
14% Popularity • 80% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 80% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Harry J Allstars
Spyrone
134 bpm • A# min • 02:12 • -9.61db
15% Popularity • 67% Danceability • 61% Energy • 35% Liveness
79% Instrumentalness • 91% Positiveness
15% Popularity • 67% Danceability • 61% Energy • 35% Liveness
79% Instrumentalness • 91% Positiveness
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Pat Kelly
I Am Coming Home
134 bpm • B min • 03:47 • -7.34db
22% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Techniques
Little Did You Know
120 bpm • C# Maj • 02:42 • -5.71db
12% Popularity • 90% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
12% Popularity • 90% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Justin Hinds & The Dominoes
Fight for Your Right
120 bpm • F Maj • 02:33 • -8.32db
17% Popularity • 73% Danceability • 56% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
17% Popularity • 73% Danceability • 56% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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The Reggae Boys
Mama Look Deh
120 bpm • A# Maj • 03:06 • -9.03db
20% Popularity • 94% Danceability • 64% Energy • 12% Liveness
97% Instrumentalness • 100% Positiveness
20% Popularity • 94% Danceability • 64% Energy • 12% Liveness
97% Instrumentalness • 100% Positiveness
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The Ethiopians
Everything Crash
119 bpm • C Maj • 02:35 • -7.89db
28% Popularity • 93% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 93% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Tennors
Run Come
136 bpm • A# min • 02:34 • -7.76db
23% Popularity • 70% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 70% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Rico Rodrigues & The All Stars
Scarface
119 bpm • B Maj • 02:42 • -13db
17% Popularity • 86% Danceability • 52% Energy • 10% Liveness
86% Instrumentalness • 96% Positiveness
17% Popularity • 86% Danceability • 52% Energy • 10% Liveness
86% Instrumentalness • 96% Positiveness
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Brent Dowe
Down Here In Babylon
136 bpm • G Maj • 03:37 • -6.16db
13% Popularity • 74% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 74% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Justin Hinds & The Dominoes
Botheration
135 bpm • G Maj • 02:20 • -6.45db
15% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Reggae Boys
Selassie
119 bpm • F Maj • 02:52 • -7.53db
7% Popularity • 91% Danceability • 64% Energy • 12% Liveness
19% Instrumentalness • 90% Positiveness
7% Popularity • 91% Danceability • 64% Energy • 12% Liveness
19% Instrumentalness • 90% Positiveness
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Wailing Souls
Mr Fire Coal Man
118 bpm • A# min • 03:28 • -6.83db
11% Popularity • 82% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 82% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Stranger Cole
We Are Rolling
118 bpm • F Maj • 02:27 • -6.26db
11% Popularity • 73% Danceability • 54% Energy • 34% Liveness
2% Instrumentalness • 80% Positiveness
11% Popularity • 73% Danceability • 54% Energy • 34% Liveness
2% Instrumentalness • 80% Positiveness
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The Slickers
Give us a Break
136 bpm • F# min • 03:50 • -3.42db
23% Popularity • 76% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 76% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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Bruce Ruffin
The Bitterness of Life
118 bpm • A# Maj • 02:40 • -5.85db
17% Popularity • 88% Danceability • 60% Energy • 7% Liveness
22% Instrumentalness • 97% Positiveness
17% Popularity • 88% Danceability • 60% Energy • 7% Liveness
22% Instrumentalness • 97% Positiveness
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Delano Stewart
Stay a Little Bit Longer
118 bpm • F Maj • 02:20 • -11.1db
21% Popularity • 93% Danceability • 40% Energy • 9% Liveness
5% Instrumentalness • 98% Positiveness
21% Popularity • 93% Danceability • 40% Energy • 9% Liveness
5% Instrumentalness • 98% Positiveness
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The Reggae Boys
Me No Born Ya
118 bpm • G# Maj • 02:26 • -9.91db
2% Popularity • 79% Danceability • 69% Energy • 5% Liveness
87% Instrumentalness • 97% Positiveness
2% Popularity • 79% Danceability • 69% Energy • 5% Liveness
87% Instrumentalness • 97% Positiveness
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Tommy McCook
Move Along
118 bpm • D# Maj • 02:53 • -7.71db
21% Popularity • 76% Danceability • 62% Energy • 7% Liveness
61% Instrumentalness • 98% Positiveness
21% Popularity • 76% Danceability • 62% Energy • 7% Liveness
61% Instrumentalness • 98% Positiveness
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Pioneers
Driven Back
118 bpm • D# Maj • 02:09 • -10.8db
12% Popularity • 94% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 94% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Prince Buster
Pharaoh House Crash
118 bpm • F Maj • 02:43 • -8.91db
15% Popularity • 92% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
15% Popularity • 92% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
