Songs like Haggada (Sung in German): Part I: Hor, wir rufen zu dir! (Rabbi Tarfon, Chorus of Jews, Contralto, Soprano, Chorus of Egyptians) by Paul Dessau
Based on a tempo of (+/- 10%) and a similar genre
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Paul Dessau
Einstein: Act I Scene 7: "Mein Führorr!...
79 bpm • E min • 04:17 • -12.68db
0% Popularity • 57% Danceability • 24% Energy • 49% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 57% Danceability • 24% Energy • 49% Liveness
0% Instrumentalness • 13% Positiveness
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Hans Moser
Die Reblaus
79 bpm • D# Maj • 03:06 • -18.2db
13% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
13% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
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Ensemble "Theater Des Westens"
La Cage Aux Folles: Mit Anne Im Arm
79 bpm • C Maj • 02:35 • -16.31db
10% Popularity • 45% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 45% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Kurt Weill
Die Dreigroschenoper: 2. Dreigroschenfin...
79 bpm • G min • 04:17 • -14.46db
2% Popularity • 48% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
2% Popularity • 48% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Ulrich Roski
Es kann der Frömmste nicht in Frieden l...
80 bpm • A# Maj • 06:13 • -10.9db
9% Popularity • 55% Danceability • 50% Energy • 95% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 55% Danceability • 50% Energy • 95% Liveness
0% Instrumentalness • 28% Positiveness
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Schmetterlinge
Jelka - Drei Rote Pfiffe In Wald
80 bpm • D# Maj • 03:58 • -17.3db
12% Popularity • 49% Danceability • 18% Energy • 49% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 49% Danceability • 18% Energy • 49% Liveness
0% Instrumentalness • 40% Positiveness
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Paul Dessau
Der gute Mensch von Sezuan: Das Lied vom...
79 bpm • E min • 02:55 • -14.18db
0% Popularity • 67% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 67% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Heike Harfmann
Wiedersehn
80 bpm • D Maj • 04:54 • -9db
10% Popularity • 53% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 53% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Wilhelm Strienz
Heimat, Deine Sterne
78 bpm • F Maj • 03:16 • -16db
12% Popularity • 28% Danceability • 21% Energy • 14% Liveness
12% Instrumentalness • 36% Positiveness
12% Popularity • 28% Danceability • 21% Energy • 14% Liveness
12% Instrumentalness • 36% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt II, Ballade ü...
80 bpm • E min • 03:56 • -17.91db
13% Popularity • 52% Danceability • 15% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 52% Danceability • 15% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
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Heinz Erhardt
Sie wohnt im 3. Stock (Luisenstraße 13)
78 bpm • C Maj • 01:52 • -12.18db
14% Popularity • 76% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 76% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Punk Rockers Peace Band
Try Out
78 bpm • D Maj • 02:22 • -33.32db
17% Popularity • 59% Danceability • 1% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 59% Danceability • 1% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Paul Dessau
27 Lieder: Dreistrophig
79 bpm • E min • 01:49 • -19.07db
0% Popularity • 49% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 49% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Mieczysław Weinberg
The Passenger, Op. 97, Act II Scene 4 "M...
77 bpm • A# Maj • 03:32 • -20.85db
7% Popularity • 29% Danceability • 21% Energy • 58% Liveness
55% Instrumentalness • 50% Positiveness
7% Popularity • 29% Danceability • 21% Energy • 58% Liveness
55% Instrumentalness • 50% Positiveness
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Georg Kreisler
Hurra, wir sterben
77 bpm • C min • 03:23 • -12db
14% Popularity • 72% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 72% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Kurt Weill
Die Dreigroschenoper: Seeräuberjenny
78 bpm • D min • 03:34 • -24.24db
7% Popularity • 54% Danceability • 8% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 54% Danceability • 8% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Hildegard Knef
Seeräuberjenny
77 bpm • A Maj • 04:02 • -8.54db
15% Popularity • 61% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 61% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Vocal Heroes
Die Gedanken Sind Frei
77 bpm • G Maj • 03:16 • -8db
22% Popularity • 69% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 69% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Dessau
Das Lied vom Fraternisieren
79 bpm • D min • 03:58 • -14.63db
0% Popularity • 58% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 58% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Walter Jurmann
Melodie der Liebe: Ein Lied aus meiner H...
77 bpm • A# Maj • 03:05 • -14.56db
0% Popularity • 35% Danceability • 20% Energy • 22% Liveness
1% Instrumentalness • 20% Positiveness
0% Popularity • 35% Danceability • 20% Energy • 22% Liveness
1% Instrumentalness • 20% Positiveness
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Georg Kreisler
Was tut man, um zu sein
81 bpm • A min • 02:19 • -13.98db
10% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Wolf Biermann
Kleine Ermutigung
81 bpm • D Maj • 01:23 • -14.74db
9% Popularity • 69% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 69% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Zarah Leander
Nur nicht aus Liebe weinen
81 bpm • G# min • 03:02 • -5.23db
8% Popularity • 49% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 49% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Hanns Eisler
Das Lied von der Moldau
76 bpm • G min • 01:55 • -20db
16% Popularity • 58% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 58% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Dessau
Liebeslieder: Als ich nachher von dir gi...
78 bpm • C Maj • 01:24 • -20.1db
0% Popularity • 56% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 56% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Lizzi Waldmüller
Das macht die Berliner Luft
76 bpm • D# Maj • 02:29 • -9db
14% Popularity • 44% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
14% Popularity • 44% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
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André Heller
Wean, du bist a Taschenfeitl
82 bpm • G Maj • 03:00 • -9.57db
5% Popularity • 34% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
5% Popularity • 34% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Gerhard Polt
Der Schubidu
76 bpm • C Maj • 02:27 • -13.9db
14% Popularity • 45% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 45% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Bertolt Brecht
Der Morgenchoral des Peachum (1.Akt) (Jo...
76 bpm • G min • 01:14 • -21.52db
8% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt I, Die Moritat...
82 bpm • G Maj • 03:10 • -18db
19% Popularity • 36% Danceability • 15% Energy • 89% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 36% Danceability • 15% Energy • 89% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Dessau
Die Verurteilung des Lukullus (The Conde...
78 bpm • F Maj • 03:10 • -16.56db
0% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Rans & Flagel
Der Tod in Flandern
82 bpm • B min • 04:15 • -12.9db
17% Popularity • 51% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 51% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Heinz Erhardt
Kapitel 12 - Schelmereien
83 bpm • G Maj • 03:15 • -12.69db
12% Popularity • 48% Danceability • 84% Energy • 78% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 48% Danceability • 84% Energy • 78% Liveness
0% Instrumentalness • 26% Positiveness
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Georg Kreisler
Zwei Alte Tanten tanzen Tango
75 bpm • C Maj • 05:13 • -14.06db
11% Popularity • 66% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 66% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Clemens von Lengsfeld
Kapitel 5.2 - Adolf Hitler
83 bpm • A Maj • 03:14 • -15.32db
10% Popularity • 66% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 66% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt II, Die Ballad...
76 bpm • C min • 03:42 • -20.85db
12% Popularity • 52% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 52% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Paul Dessau
Lanzelot, Bild 4: "Junger Mann" - Live
82 bpm • C Maj • 02:44 • -18.01db
0% Popularity • 28% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 28% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Wolf Biermann
Ballade auf den Dichter Francois Villon
75 bpm • D min • 04:28 • -10.16db
8% Popularity • 65% Danceability • 42% Energy • 53% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 65% Danceability • 42% Energy • 53% Liveness
0% Instrumentalness • 77% Positiveness
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Zarah Leander
Kann Denn Liebe Sünde Sein - Original
83 bpm • E min • 03:04 • -17.82db
1% Popularity • 56% Danceability • 17% Energy • 34% Liveness
32% Instrumentalness • 50% Positiveness
1% Popularity • 56% Danceability • 17% Energy • 34% Liveness
32% Instrumentalness • 50% Positiveness
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Otto Reutter
Der Ãœberzieher - Original 1925 Remaster...
84 bpm • D# Maj • 03:20 • -11.24db
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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American Symphony Orchestra
Haggadah shel Pesach
74 bpm • D Maj • 05:09 • -26.77db
0% Popularity • 19% Danceability • 8% Energy • 33% Liveness
15% Instrumentalness • 8% Positiveness
0% Popularity • 19% Danceability • 8% Energy • 33% Liveness
15% Instrumentalness • 8% Positiveness
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Walter Jurmann
Melodie der Liebe: Wie gern mocht' ich d...
84 bpm • C Maj • 03:01 • -14.79db
0% Popularity • 37% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 37% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Dessau
Leonce und Lena: Vorspiel
78 bpm • G Maj • 03:05 • -29.69db
0% Popularity • 21% Danceability • 2% Energy • 15% Liveness
17% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 2% Energy • 15% Liveness
17% Instrumentalness • 4% Positiveness
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Liederjan
Die Moorsoldaten
74 bpm • D Maj • 05:05 • -14.88db
13% Popularity • 42% Danceability • 26% Energy • 76% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 42% Danceability • 26% Energy • 76% Liveness
0% Instrumentalness • 37% Positiveness
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Karla Karumms
Wir schaffen das - Kabarett Edition
84 bpm • F min • 03:03 • -10.11db
20% Popularity • 54% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 54% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt III, Die Schlu...
74 bpm • G Maj • 01:22 • -25.52db
10% Popularity • 54% Danceability • 1% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 54% Danceability • 1% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Zarah Leander
Kann denn Liebe Sünde sein
84 bpm • G Maj • 03:00 • -16db
29% Popularity • 56% Danceability • 18% Energy • 41% Liveness
43% Instrumentalness • 57% Positiveness
29% Popularity • 56% Danceability • 18% Energy • 41% Liveness
43% Instrumentalness • 57% Positiveness
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Friedrich Silcher
Die Lorelei: Ich weiss nicht, was soll e...
85 bpm • F# Maj • 02:36 • -27db
16% Popularity • 21% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 21% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Dessau
Mutter Courage und ihre Kinder: Salomon-...
80 bpm • F min • 03:10 • -14.35db
0% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Bertolt Brecht
Die moritat von mackie messer
85 bpm • G# min • 02:55 • -14db
20% Popularity • 41% Danceability • 13% Energy • 21% Liveness
3% Instrumentalness • 49% Positiveness
20% Popularity • 41% Danceability • 13% Energy • 21% Liveness
3% Instrumentalness • 49% Positiveness
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Lizzi Waldmoeller
Du hast Gluck bei den Frau'n Bel Ami
74 bpm • D# Maj • 03:09 • -8.62db
11% Popularity • 54% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 54% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Heike Harfmann
Automobil
85 bpm • F Maj • 01:59 • -14db
12% Popularity • 71% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 71% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Zarah Leander
Ich Weiß, Es Wird Einmal Ein Wunder Ges...
85 bpm • C# min • 03:29 • -9db
8% Popularity • 27% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 27% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Rundfunkchor- und Sinfonieorchester Leipzig
Thälmannlied (1951)
85 bpm • C Maj • 03:26 • -12db
16% Popularity • 40% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 40% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Dessau
Lanzelot, Bild 8: "Soll ich töten, den ...
81 bpm • F Maj • 02:16 • -16.05db
0% Popularity • 28% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 28% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Alexandra
Ja Lublú Tebjá (Ich liebe dich)
85 bpm • D min • 02:30 • -8.32db
14% Popularity • 41% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 41% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Gruppe Jahrgang '49
Fahnenlied
86 bpm • D Maj • 02:59 • -8.34db
7% Popularity • 57% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 57% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Dorothee Kreusch-Jacob
Mein Bett ist jetzt ein Segelschiff
73 bpm • E min • 02:16 • -22.7db
10% Popularity • 69% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 69% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Zarah Leander
Kann denn Liebe Sünde sein?
85 bpm • G Maj • 03:02 • -16.71db
17% Popularity • 62% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 62% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Erich-Weinert-Ensemble
Auf Proletarier
73 bpm • G# Maj • 01:56 • -14.96db
20% Popularity • 49% Danceability • 43% Energy • 14% Liveness
88% Instrumentalness • 77% Positiveness
20% Popularity • 49% Danceability • 43% Energy • 14% Liveness
88% Instrumentalness • 77% Positiveness
► Preview
Paul Dessau
Lanzelot, Bild 3: "Wann wird dieses Volk...
77 bpm • F# min • 03:05 • -20.27db
0% Popularity • 36% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 36% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Kurt Weill
Die Dreigroschenoper: Hochzeitslied
86 bpm • G Maj • 01:24 • -22.65db
3% Popularity • 70% Danceability • 9% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
3% Popularity • 70% Danceability • 9% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Georg Kreisler
Der General
86 bpm • G# Maj • 04:07 • -11.81db
15% Popularity • 59% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 59% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Free Willy
Unter dem Pflaster
72 bpm • A min • 02:54 • -6.08db
22% Popularity • 54% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 54% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Claire Waldoff
Wer schmeisst denn da mit Lehm
87 bpm • F Maj • 03:14 • -10db
19% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Clemens von Lengsfeld
Kapitel 30.2 - Adolf Hitler
87 bpm • G# min • 03:06 • -14.2db
8% Popularity • 71% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 71% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Paul Dessau
Lanzelot, Bild 2: Wald im Jugendstil - L...
81 bpm • F# Maj • 02:22 • -17.29db
0% Popularity • 32% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 32% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Lotte Lenya
Seerauber-Jenny
87 bpm • F# min • 04:02 • -15.12db
8% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Bertolt Brecht
Ballade von der unzulanglichkeit menschl...
72 bpm • B Maj • 02:53 • -14db
10% Popularity • 66% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 66% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Zentraler Pionier- und Jugendchor "Edgar André" Berlin
Lenin, unser Freund (1969)
87 bpm • F Maj • 01:52 • -10.46db
7% Popularity • 48% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 48% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Heike Harfmann
Sag mir - Warum?
88 bpm • A# Maj • 01:33 • -30.87db
13% Popularity • 49% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 49% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Herbert Brust
Land der dunklen Walder
88 bpm • F Maj • 01:59 • -11.14db
12% Popularity • 21% Danceability • 29% Energy • 13% Liveness
14% Instrumentalness • 25% Positiveness
12% Popularity • 21% Danceability • 29% Energy • 13% Liveness
14% Instrumentalness • 25% Positiveness
► Preview
Paul Dessau
Lanzelot, Bild 7: "Das Verbrechen, welch...
81 bpm • G min • 02:36 • -21.73db
0% Popularity • 46% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 46% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
American Symphony Orchestra
Haggadah shel Pesach: III. Part I, The S...
88 bpm • C# Maj • 11:48 • -19.4db
0% Popularity • 21% Danceability • 12% Energy • 76% Liveness
27% Instrumentalness • 6% Positiveness
0% Popularity • 21% Danceability • 12% Energy • 76% Liveness
27% Instrumentalness • 6% Positiveness
► Preview
Robert Stolz
Der Favorit, Op. 122: Du sollst der Kais...
89 bpm • A Maj • 02:51 • -10.31db
14% Popularity • 34% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 34% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Zarah Leander
Von der Puszta will ich träumen
70 bpm • E min • 03:08 • -13.8db
14% Popularity • 28% Danceability • 18% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
14% Popularity • 28% Danceability • 18% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
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Hanns Eisler
Sklave, wer wird dich befreien: Sklave, ...
90 bpm • C# Maj • 02:57 • -11.89db
12% Popularity • 50% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 50% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Heike Harfmann
Wo ist die Liebe?
90 bpm • F Maj • 03:05 • -10.88db
11% Popularity • 56% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 56% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Dessau
Lanzelot, Bild 15: "Wie mach ich Mensche...
81 bpm • G# Maj • 02:26 • -17.31db
0% Popularity • 23% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
0% Popularity • 23% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Claire Waldoff
Wegen Emil seine unanstaendg e Lust
69 bpm • D Maj • 02:50 • -11.95db
19% Popularity • 67% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 67% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Heath Cobb
Give Me a Reason
90 bpm • G Maj • 06:03 • -11.22db
21% Popularity • 65% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 65% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Joseph Schmidt
Ein Lied Geht Um die Welt
91 bpm • D# Maj • 02:40 • -8db
20% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Wolf Biermann
Du laß' dich nicht verhärten
91 bpm • D min • 02:36 • -16db
20% Popularity • 55% Danceability • 41% Energy • 95% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 55% Danceability • 41% Energy • 95% Liveness
0% Instrumentalness • 69% Positiveness
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Hanns Eisler
Rosen auf den Weg gestreut
91 bpm • F min • 02:31 • -15.6db
9% Popularity • 54% Danceability • 28% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 54% Danceability • 28% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
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Paul Dessau
Beruhigung
77 bpm • C# Maj • 02:17 • -25.12db
0% Popularity • 35% Danceability • 4% Energy • 6% Liveness
1% Instrumentalness • 6% Positiveness
0% Popularity • 35% Danceability • 4% Energy • 6% Liveness
1% Instrumentalness • 6% Positiveness
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American Symphony Orchestra
Haggadah shel Pesach
69 bpm • F Maj • 11:31 • -24.9db
0% Popularity • 7% Danceability • 5% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
0% Popularity • 7% Danceability • 5% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
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Richard Tauber
Die Lorelei
91 bpm • D Maj • 02:58 • -14.73db
20% Popularity • 39% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 39% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Georg Kreisler
Sie ist ein herrliches Weib
91 bpm • G# Maj • 02:37 • -17.23db
9% Popularity • 68% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Helmut Qualtinger
Krügel vor´m G´sicht
68 bpm • F Maj • 05:09 • -12.08db
4% Popularity • 37% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
4% Popularity • 37% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Chor und Orchester Harry Pleva
Prinz Eugen, der edle Ritter
92 bpm • G# Maj • 03:38 • -15.97db
15% Popularity • 66% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 55% Positiveness
15% Popularity • 66% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 55% Positiveness
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Paul Dessau
Mutter Courage und ihre Kinder: Lied vom...
77 bpm • F min • 03:58 • -14.61db
0% Popularity • 50% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 50% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Anton Günther
Wu de Wälder haamlich rauschen
92 bpm • G Maj • 03:11 • -13.28db
9% Popularity • 66% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 66% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Wolf Biermann
Warte nicht auf beßre Zeiten
92 bpm • A min • 03:09 • -10.56db
17% Popularity • 65% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 65% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Liederjan
Dat Tüddelband
68 bpm • E min • 03:09 • -9.55db
13% Popularity • 43% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 43% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Franz Josef Degenhardt
Befragung eines Kriegsdienstverweigerers
93 bpm • D Maj • 04:04 • -17.83db
16% Popularity • 73% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 73% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Clausthaler Studentenchor
Burschen heraus!
93 bpm • C# Maj • 01:13 • -19.1db
12% Popularity • 54% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 54% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Paul Dessau
Lanzelot, Bild 8: Stadt - Live
81 bpm • A# Maj • 02:50 • -16.25db
0% Popularity • 52% Danceability • 44% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 52% Danceability • 44% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
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Georg Kreisler
Bidlah Buh
93 bpm • A# Maj • 03:30 • -12.31db
19% Popularity • 64% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 64% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
