Songs like Haggada (Sung in German): Part I: Introduction by Paul Dessau
Based on a tempo of (+/- 10%) and a similar genre
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Paul Dessau
Einstein: Act I Scene 1: "Ho-haho, tasch...
96 bpm • D min • 01:27 • -12.34db
0% Popularity • 42% Danceability • 80% Energy • 66% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 42% Danceability • 80% Energy • 66% Liveness
0% Instrumentalness • 14% Positiveness
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Erich-Weinert-Ensemble
Auferstanden aus Ruinen
96 bpm • F Maj • 02:54 • -9db
40% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Kurt Weill
Die Dreigroschenoper: Kanonen-Song
96 bpm • C# min • 02:43 • -19.08db
4% Popularity • 73% Danceability • 25% Energy • 52% Liveness
0% Instrumentalness • 62% Positiveness
4% Popularity • 73% Danceability • 25% Energy • 52% Liveness
0% Instrumentalness • 62% Positiveness
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Wolf Biermann
Die hab ich satt!
96 bpm • A Maj • 05:08 • -10db
11% Popularity • 54% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 54% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
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Franz Josef Degenhardt
Kommt an den Tisch unter Pflaumenbäumen
96 bpm • B min • 04:40 • -16db
11% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Joseph Schmidt
Heut' ist der schönste Tag in meinem Le...
96 bpm • A# Maj • 03:26 • -9.93db
23% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Paul Dessau
Lanzelot, Bild 8: "Könnt ich dich töte...
96 bpm • C min • 01:26 • -14db
0% Popularity • 33% Danceability • 42% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 33% Danceability • 42% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Georg Kreisler
Wir sind alle Terroristen
97 bpm • C min • 03:17 • -15db
16% Popularity • 67% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 67% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Marlene Dietrich
Ich Von Kopf Buss fuss Auf Liebe Eingest...
97 bpm • C# Maj • 03:04 • -14.84db
14% Popularity • 46% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 46% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Lilian Harvey
Das gibt's nur einmal (Christels Lied)
95 bpm • D# Maj • 03:07 • -12.15db
12% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
12% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
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Großer Chor Des Berliner Rundfunks
Nationalhymne der DDR (1949)
95 bpm • F Maj • 02:54 • -12.96db
25% Popularity • 38% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 38% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Hanns Eisler
Hymne der DDR
95 bpm • F Maj • 02:53 • -14db
22% Popularity • 39% Danceability • 26% Energy • 10% Liveness
19% Instrumentalness • 39% Positiveness
22% Popularity • 39% Danceability • 26% Energy • 10% Liveness
19% Instrumentalness • 39% Positiveness
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Paul Dessau
Haggada (Sung in German): Part I: Introd...
96 bpm • C min • 01:14 • -22db
0% Popularity • 21% Danceability • 6% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 6% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt I, Liebeslied ...
97 bpm • G min • 01:54 • -29db
13% Popularity • 33% Danceability • 1% Energy • 34% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 33% Danceability • 1% Energy • 34% Liveness
0% Instrumentalness • 6% Positiveness
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Claire Waldoff
Warum liebt der Wladimir jrade mir
97 bpm • C Maj • 03:10 • -10db
14% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Joseph Schmidt
Es wird im Leben dir mehr genommen als g...
95 bpm • A min • 03:21 • -10.7db
13% Popularity • 28% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 28% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Heike Harfmann
Ich will gehn
95 bpm • D Maj • 03:07 • -8.68db
11% Popularity • 64% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 64% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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American Symphony Orchestra
Haggadah shel Pesach
97 bpm • G Maj • 11:27 • -18.94db
0% Popularity • 30% Danceability • 23% Energy • 19% Liveness
39% Instrumentalness • 10% Positiveness
0% Popularity • 30% Danceability • 23% Energy • 19% Liveness
39% Instrumentalness • 10% Positiveness
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Paul Dessau
Die Verurteilung des Lukullus (The Conde...
96 bpm • G Maj • 09:14 • -17.46db
0% Popularity • 40% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 40% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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D`Scherzbuam
I marschier mit mein`n Duli-Dulieh
95 bpm • C Maj • 02:56 • -11db
11% Popularity • 48% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
11% Popularity • 48% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Hanns Eisler
Einheitsfrontlied
97 bpm • E min • 02:58 • -13db
10% Popularity • 59% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 59% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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GEDDIKO
Unnahbar nah
98 bpm • A Maj • 01:48 • -18db
16% Popularity • 58% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 58% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Free Willy
Jalava
98 bpm • D Maj • 04:22 • -6.26db
19% Popularity • 48% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 48% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Mischa Spoliansky
Meine Beste Freundin
98 bpm • C# Maj • 02:37 • -19.93db
7% Popularity • 65% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 65% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Dessau
Symphonic Mozart-Adaptation (After Mozar...
95 bpm • B Maj • 06:39 • -26.19db
0% Popularity • 30% Danceability • 4% Energy • 16% Liveness
61% Instrumentalness • 20% Positiveness
0% Popularity • 30% Danceability • 4% Energy • 16% Liveness
61% Instrumentalness • 20% Positiveness
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Marlene Dietrich
He lied and I listened - Manpower, 1941
98 bpm • E min • 01:23 • -12.63db
15% Popularity • 67% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 67% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Evelyn Künneke
Sing Nachtigall Sing
99 bpm • C Maj • 03:04 • -14db
14% Popularity • 50% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
14% Popularity • 50% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Wolf Biermann
Mag sein,daß ich irre
99 bpm • E Maj • 02:26 • -17db
10% Popularity • 67% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 67% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Mackefisch
Der Größenwalzer
93 bpm • G# Maj • 04:19 • -12.65db
13% Popularity • 53% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 53% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Georg Kreisler
Bidlah Buh
93 bpm • A# Maj • 03:30 • -12.31db
19% Popularity • 64% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 64% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Paul Dessau
Lanzelot, Bild 6: Haus Charlesmagne - Li...
97 bpm • B min • 01:53 • -17db
0% Popularity • 40% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 40% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Greta Keller
Geh' schlafen, mein Junge
99 bpm • G# min • 03:08 • -16.37db
10% Popularity • 64% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 64% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Schauspielbrigade
Wir müssen alles machen - Remix 2022
93 bpm • C Maj • 02:49 • -10.57db
23% Popularity • 76% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 76% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Friedrich Hollaender
Raus mit den Männern!
93 bpm • D Maj • 02:33 • -13.75db
7% Popularity • 69% Danceability • 37% Energy • 49% Liveness
0% Instrumentalness • 88% Positiveness
7% Popularity • 69% Danceability • 37% Energy • 49% Liveness
0% Instrumentalness • 88% Positiveness
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Hans Albers
Ganz Dahinten, Wo Der Leuchtturm Steht.
99 bpm • D# Maj • 03:20 • -11.85db
4% Popularity • 44% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
4% Popularity • 44% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Franz Josef Degenhardt
Befragung eines Kriegsdienstverweigerers
93 bpm • D Maj • 04:04 • -17.83db
16% Popularity • 73% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 73% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Paul Dessau
Der kaukasische Kreidekreis: An meine La...
95 bpm • G min • 02:05 • -18db
0% Popularity • 56% Danceability • 4% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 56% Danceability • 4% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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Kurt Weill
Die Dreigroschenoper: Anstatt-daß-Song
100 bpm • D min • 01:59 • -21.1db
5% Popularity • 68% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
5% Popularity • 68% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Hanns Eisler
Das Lied vom SA-Mann
100 bpm • G Maj • 03:12 • -11.74db
13% Popularity • 68% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 68% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Wolf Biermann
Das kann doch nicht alles gewesen sein
92 bpm • C Maj • 02:22 • -19.25db
10% Popularity • 51% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 51% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Wilhelm Strienz
Gute Nacht, Mutter
92 bpm • A# Maj • 03:07 • -12.73db
13% Popularity • 35% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 35% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Marlene Dietrich
In the Ruins of Berlin
100 bpm • C min • 02:45 • -13.03db
10% Popularity • 39% Danceability • 37% Energy • 88% Liveness
42% Instrumentalness • 88% Positiveness
10% Popularity • 39% Danceability • 37% Energy • 88% Liveness
42% Instrumentalness • 88% Positiveness
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Paul Dessau
Lanzelot, Bild 15: "Bürger. Bevölkerun...
95 bpm • C# min • 03:37 • -19.29db
0% Popularity • 34% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 34% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
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Heike Harfmann
Weltreise
100 bpm • A# Maj • 03:24 • -11.31db
11% Popularity • 65% Danceability • 31% Energy • 18% Liveness
2% Instrumentalness • 17% Positiveness
11% Popularity • 65% Danceability • 31% Energy • 18% Liveness
2% Instrumentalness • 17% Positiveness
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Liederjan
Die Weber
100 bpm • G Maj • 04:27 • -14.27db
16% Popularity • 31% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 31% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Wolf Biermann
Warte nicht auf beßre Zeiten
92 bpm • A min • 03:09 • -10.56db
17% Popularity • 65% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 65% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Bodo Wartke
Probleme, die ich früher noch nicht hat...
92 bpm • D Maj • 05:10 • -11.7db
11% Popularity • 66% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 66% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Marlene Dietrich
Ich Bin Von Kopf Bis Fuss Auf Liebe Eing...
100 bpm • C# Maj • 03:04 • -12db
29% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Otto Berco
In meiner Badewanne bin ich Kapitan
92 bpm • G Maj • 02:39 • -18.37db
27% Popularity • 78% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 78% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Paul Dessau
Lied einer deutschen Mutter
98 bpm • A min • 02:36 • -23db
5% Popularity • 64% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
5% Popularity • 64% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Zarah Leander
Davon geht die Welt nicht unter
100 bpm • D Maj • 02:32 • -9db
27% Popularity • 52% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 52% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Bertolt Brecht
Kanonensong (1.Akt) (In der Erinnerung a...
100 bpm • C# min • 02:20 • -16db
11% Popularity • 62% Danceability • 34% Energy • 63% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 62% Danceability • 34% Energy • 63% Liveness
0% Instrumentalness • 65% Positiveness
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Chor und Orchester Harry Pleva
Prinz Eugen, der edle Ritter
92 bpm • G# Maj • 03:38 • -15.97db
16% Popularity • 66% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 55% Positiveness
16% Popularity • 66% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 55% Positiveness
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Daliah Lavi
Warum soll eine Frau kein Verhältnis ha...
101 bpm • E Maj • 03:01 • -10.14db
12% Popularity • 48% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 48% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Harald Immig
Hohenstaufen
101 bpm • A min • 04:06 • -17.41db
12% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Dessau
Tierverse: Der Igel
94 bpm • E min • 00:45 • -15.21db
0% Popularity • 72% Danceability • 17% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 72% Danceability • 17% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
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Zarah Leander
Nur nicht aus Liebe weinen
101 bpm • A# Maj • 03:21 • -13.32db
15% Popularity • 46% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
15% Popularity • 46% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Wolf Biermann
Du laß' dich nicht verhärten
91 bpm • D min • 02:36 • -16db
20% Popularity • 55% Danceability • 41% Energy • 95% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 55% Danceability • 41% Energy • 95% Liveness
0% Instrumentalness • 69% Positiveness
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Reinhard Mey
Abgesang
91 bpm • A min • 03:00 • -18.19db
7% Popularity • 59% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 59% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Hanns Eisler
Rosen auf den Weg gestreut
91 bpm • F min • 02:31 • -15.6db
10% Popularity • 54% Danceability • 28% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 54% Danceability • 28% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
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Fredl Fesl
Mückriges Lied
91 bpm • E Maj • 06:55 • -21.38db
7% Popularity • 53% Danceability • 29% Energy • 46% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 53% Danceability • 29% Energy • 46% Liveness
0% Instrumentalness • 71% Positiveness
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Paul Dessau
Haggada (Sung in German): Part I: Freut ...
94 bpm • D min • 09:23 • -27.75db
0% Popularity • 30% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 30% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Ernst Busch
Die Thälmann-Kolonne (The Thaelmann Col...
102 bpm • G Maj • 03:00 • -11.8db
8% Popularity • 62% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 62% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Löwenzahn
Peter und der Müllwichtel - Teil 14
102 bpm • B Maj • 04:25 • -14.43db
11% Popularity • 44% Danceability • 78% Energy • 81% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 44% Danceability • 78% Energy • 81% Liveness
0% Instrumentalness • 25% Positiveness
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Lilian Harvey
Das gibt's nur einmal
102 bpm • D# Maj • 03:05 • -9db
19% Popularity • 40% Danceability • 42% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
19% Popularity • 40% Danceability • 42% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
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Freddy Quinn
Was will das Meer von mir
102 bpm • C Maj • 03:14 • -9.72db
8% Popularity • 34% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 34% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Heath Cobb
Give Me a Reason
90 bpm • G Maj • 06:03 • -11.22db
20% Popularity • 65% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 65% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Paul Dessau
Die Thälmann-Kolonne
93 bpm • G Maj • 03:26 • -9.7db
12% Popularity • 59% Danceability • 35% Energy • 71% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 59% Danceability • 35% Energy • 71% Liveness
0% Instrumentalness • 42% Positiveness
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Nicklas Gadke
In the Distance
90 bpm • G Maj • 03:01 • -13.55db
20% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Heike Harfmann
Wo ist die Liebe?
90 bpm • F Maj • 03:05 • -10.88db
10% Popularity • 56% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 56% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Peter Plate
1! 2! 3!
90 bpm • F Maj • 04:33 • -6.64db
19% Popularity • 44% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 44% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Peter Göller
Anatevka (Anatevka)
90 bpm • C Maj • 03:01 • -23.06db
8% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Hanns Eisler
Sklave, wer wird dich befreien: Sklave, ...
90 bpm • C# Maj • 02:57 • -11.89db
12% Popularity • 50% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 50% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Paul Dessau
Suite for Alto Saxophone and Piano: No. ...
99 bpm • G# Maj • 02:15 • -20.34db
0% Popularity • 50% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 53% Positiveness
0% Popularity • 50% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 53% Positiveness
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Harald Immig
Ãœber den Berg
103 bpm • F min • 03:06 • -15.12db
12% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Franz Josef Degenhardt
Spiel nicht mit den Schmuddelkindern
104 bpm • D# Maj • 05:02 • -17.98db
28% Popularity • 73% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 73% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Wolf Biermann
In dem Tal dort am Rio Jarama
104 bpm • F Maj • 02:20 • -16.1db
8% Popularity • 65% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 65% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Carl Wilhelm'
Die Wacht am Rhein - Historische Aufnahm...
104 bpm • C Maj • 02:37 • -12.79db
27% Popularity • 51% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 51% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Georg Kreisler
Zu leise für mich
104 bpm • C min • 03:09 • -17.53db
16% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Paul Dessau
Lanzelot, Bild 15: "Ich weiß alles übe...
92 bpm • B min • 01:01 • -13.66db
0% Popularity • 49% Danceability • 81% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 49% Danceability • 81% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
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Kurt Weill
Die Dreigroschenoper: Ballade von der se...
104 bpm • D# Maj • 02:59 • -18db
2% Popularity • 45% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
2% Popularity • 45% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Franz Josef Degenhardt
Der, der meine Lieder singt
104 bpm • E min • 04:47 • -18.43db
11% Popularity • 76% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 76% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Herbert Brust
Land der dunklen Walder
88 bpm • F Maj • 01:59 • -11.14db
11% Popularity • 21% Danceability • 29% Energy • 13% Liveness
14% Instrumentalness • 25% Positiveness
11% Popularity • 21% Danceability • 29% Energy • 13% Liveness
14% Instrumentalness • 25% Positiveness
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Inge Brandenburg
Das Riesenrad
88 bpm • G min • 02:07 • -8.45db
8% Popularity • 58% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 58% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Heike Harfmann
Sag mir - Warum?
88 bpm • A# Maj • 01:33 • -30.87db
17% Popularity • 49% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 49% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Paul Dessau
Grasmückenstücke für Mücke Gras für...
101 bpm • C min • 03:42 • -34.66db
0% Popularity • 47% Danceability • 1% Energy • 18% Liveness
1% Instrumentalness • 31% Positiveness
0% Popularity • 47% Danceability • 1% Energy • 18% Liveness
1% Instrumentalness • 31% Positiveness
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Carl Friedrich Zelter
Der Konig in Thule
105 bpm • G min • 02:08 • -23.28db
14% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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INFOTZRICO
Der Glöckner von Notre Darm
88 bpm • F# min • 01:50 • -19.8db
10% Popularity • 34% Danceability • 32% Energy • 66% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 34% Danceability • 32% Energy • 66% Liveness
0% Instrumentalness • 29% Positiveness
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Professor van Dusen
Teil 7 - Folge 40: Schall und Rauch
106 bpm • G Maj • 03:02 • -14.48db
12% Popularity • 54% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 54% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Jugendchor und Orchester der Arbeiterfestspiele der DDR
Heimatland, reck deine Glieder (Thälman...
105 bpm • B Maj • 03:35 • -10.48db
2% Popularity • 39% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
2% Popularity • 39% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Dagmar Dümchen
Schlaf Anne
106 bpm • A min • 02:27 • -19.34db
10% Popularity • 60% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 60% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Paul Dessau
Lanzelot, Bild 15: "Ich danke euch, mein...
91 bpm • D Maj • 02:10 • -16.82db
0% Popularity • 30% Danceability • 41% Energy • 24% Liveness
20% Instrumentalness • 6% Positiveness
0% Popularity • 30% Danceability • 41% Energy • 24% Liveness
20% Instrumentalness • 6% Positiveness
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Ensemble "Theater Des Westens"
La Cage Aux Folles: Sieh Mal Dorthin
106 bpm • E Maj • 02:31 • -16.07db
10% Popularity • 53% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 53% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Lotte Lenya
Seerauber-Jenny
87 bpm • F# min • 04:02 • -15.12db
8% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The SWR Big Band
Kanonen-Song
106 bpm • C# min • 02:14 • -12.05db
7% Popularity • 72% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 72% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Orden der Wandalen
So zwischen Tag und Dunkelheit
106 bpm • D min • 01:27 • -15.96db
8% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Clemens von Lengsfeld
Kapitel 30.2 - Adolf Hitler
87 bpm • G# min • 03:06 • -14.2db
7% Popularity • 71% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
7% Popularity • 71% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Paul Dessau
Symphonische Adaptionen des Quintetts in...
90 bpm • B Maj • 05:52 • -29.6db
0% Popularity • 26% Danceability • 2% Energy • 6% Liveness
41% Instrumentalness • 21% Positiveness
0% Popularity • 26% Danceability • 2% Energy • 6% Liveness
41% Instrumentalness • 21% Positiveness
