Songs like Haggada (Sung in German): Part II: Auf, auf hinaus aus meinem Land (Pharaoh, Chorus of Egyptians) by Paul Dessau
Based on a tempo of (+/- 10%) and a similar genre
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Emmerich Kálmán
The Gypsy Princess (Die Csárdásfürsti...
115 bpm • C Maj • 01:21 • -14db
16% Popularity • 66% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 66% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Hanns Eisler
Wenn Arbeiter und Bauern
115 bpm • G Maj • 01:49 • -10.67db
9% Popularity • 71% Danceability • 39% Energy • 73% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 71% Danceability • 39% Energy • 73% Liveness
0% Instrumentalness • 74% Positiveness
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Ernst Busch
Dank euch Ihr Sowjetsoldaten
115 bpm • F Maj • 02:44 • -11.28db
18% Popularity • 72% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 72% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Chor der Arbeiterfestspiele
Die Moorsoldaten
115 bpm • C min • 03:15 • -13.62db
14% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Walter Kollo
Das ist der Fruhling von Berlin
115 bpm • A min • 02:15 • -16db
20% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Franz Josef Degenhardt
Alte Freunde
115 bpm • B min • 02:25 • -21.17db
12% Popularity • 86% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 86% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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American Symphony Orchestra
Haggadah shel Pesach: IV. Part II, The S...
116 bpm • F Maj • 01:37 • -11.55db
0% Popularity • 35% Danceability • 35% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
0% Popularity • 35% Danceability • 35% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
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Mischa Spoliansky
Ich bin ein Vamp!
115 bpm • A# min • 03:51 • -16.2db
7% Popularity • 51% Danceability • 25% Energy • 43% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 51% Danceability • 25% Energy • 43% Liveness
0% Instrumentalness • 45% Positiveness
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Ernst Busch
Ballade Der XI. Brigade
114 bpm • G# Maj • 04:32 • -9.9db
14% Popularity • 75% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 75% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Musikkorps des Wachregiments Berlin
Sozialistenmarsch - Auf, Sozialisten, sc...
115 bpm • C# Maj • 03:32 • -14.11db
12% Popularity • 61% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 61% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Paul Dessau
5 Kinderlieder: No. 1. Vom Kind, das sic...
114 bpm • F Maj • 01:28 • -26.74db
0% Popularity • 65% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 65% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Erich-Weinert-Ensemble
Die Moorsoldaten
116 bpm • C min • 03:23 • -14.82db
21% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Georg Kreisler
Frühlingslied (Tauben vergiften)
114 bpm • F Maj • 02:09 • -10db
19% Popularity • 87% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 87% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Arbeiterchor Aus Berliner Betrieben
Stalin, Freund, Genosse (1949)
114 bpm • G Maj • 03:04 • -12db
16% Popularity • 58% Danceability • 28% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 58% Danceability • 28% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
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Freddy Quinn
In Hamburg an der Waterkant
114 bpm • C Maj • 03:57 • -9.86db
13% Popularity • 57% Danceability • 34% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 57% Danceability • 34% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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Kurt Weill
Die Dreigroschenoper: Eifersuchtsduett
116 bpm • E Maj • 02:50 • -20db
3% Popularity • 65% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 65% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Paul Dessau
Haggada (Sung in German): Part I: Von Ph...
114 bpm • G min • 02:21 • -26.99db
0% Popularity • 28% Danceability • 8% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
0% Popularity • 28% Danceability • 8% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
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Josef Stelibsky
Ostrov milovánÃ: "Kosà fox"
116 bpm • G Maj • 03:01 • -17.38db
13% Popularity • 58% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 58% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Helmut Qualtinger
Der Bundesbahnblues
114 bpm • A# min • 03:20 • -10.39db
15% Popularity • 70% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 70% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Eisenbahnpionierchor Berlin des Gewerkschaftsensembles "Ernst Moritz Arndt"
Ich trage eine Fahne
116 bpm • F Maj • 01:55 • -9db
11% Popularity • 76% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 76% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Rudi Marks
Wir sind wachsam (1961)
116 bpm • G Maj • 02:28 • -7.64db
10% Popularity • 51% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 51% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Otto Groote Ensemble
Vörut
114 bpm • B min • 03:06 • -6.15db
8% Popularity • 74% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 74% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Paul Dessau
Symphonic Mozart-Adaptation (After Mozar...
116 bpm • B Maj • 08:42 • -25.01db
0% Popularity • 44% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
0% Popularity • 44% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
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Wolf Biermann
Commandante Che Guevara
114 bpm • B min • 03:54 • -16.21db
24% Popularity • 67% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 67% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Athesinus Consort Berlin
Glück oder Unglück
116 bpm • D min • 03:21 • -14.09db
15% Popularity • 48% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 48% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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American Symphony Orchestra
Haggadah shel Pesach
114 bpm • F Maj • 02:22 • -21.33db
0% Popularity • 32% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 27% Positiveness
0% Popularity • 32% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 27% Positiveness
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Jean Gilbert
Durch Berlin fliesst immer noch die Spre...
116 bpm • C Maj • 03:00 • -16.92db
12% Popularity • 51% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 51% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Franz Josef Degenhardt
Drei Kugeln
116 bpm • A min • 03:08 • -18db
24% Popularity • 70% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 70% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Paul Dessau
Die Verurteilung des Lukullus (The Conde...
116 bpm • D min • 01:18 • -15.37db
0% Popularity • 72% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 72% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Georg Kreisler
Kapitalistenlied
113 bpm • G# Maj • 02:06 • -17.54db
29% Popularity • 72% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 72% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Wolf Biermann
Drei Kugeln auf Rudi Dutschke
113 bpm • D min • 03:56 • -15.02db
8% Popularity • 69% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 69% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Helmut Qualtinger
Der Papa wird´s schon richten
117 bpm • A min • 05:14 • -16.64db
17% Popularity • 72% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 72% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Oktoberklub
Wir sind überall
117 bpm • D Maj • 02:55 • -7.11db
9% Popularity • 57% Danceability • 70% Energy • 98% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 57% Danceability • 70% Energy • 98% Liveness
0% Instrumentalness • 39% Positiveness
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Wolfgang Neuss
Ach, das könnte schön sein
113 bpm • C Maj • 02:23 • -8db
23% Popularity • 58% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 58% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Paul Dessau
Concertino for Solo-Violin, Flute, Clari...
116 bpm • D Maj • 08:08 • -25.11db
0% Popularity • 41% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
0% Popularity • 41% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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Hermann Hahnel
Spaniens Himmel
113 bpm • G Maj • 01:15 • -7.87db
12% Popularity • 72% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 72% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Franz Josef Degenhardt
Sacco und Vanzetti
113 bpm • G Maj • 03:16 • -14.41db
17% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Hanns Eisler
Fünf Elegien: I. Unter den grünen Pfef...
113 bpm • F# min • 00:53 • -13.95db
8% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Hans Albers
Mein Junge, halt' die Füße still - Rem...
117 bpm • C Maj • 02:05 • -13.67db
9% Popularity • 73% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 73% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt III, Salomon S...
112 bpm • F Maj • 03:36 • -29db
10% Popularity • 40% Danceability • 2% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 40% Danceability • 2% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Paul Dessau
Lanzelot, Bild 10: "Freunde, ich bitte s...
113 bpm • F Maj • 01:33 • -21.35db
0% Popularity • 49% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 49% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Biermösl Blosn
Versicherungslied
118 bpm • F min • 01:57 • -11db
13% Popularity • 62% Danceability • 44% Energy • 96% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 62% Danceability • 44% Energy • 96% Liveness
0% Instrumentalness • 26% Positiveness
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Der Michel
Des Kaisers Letzte Erben
118 bpm • D min • 01:41 • -10.84db
19% Popularity • 66% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 66% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Zentrales Orchester des MDI
Lied der Kampfgruppen
118 bpm • A# Maj • 03:32 • -13db
7% Popularity • 79% Danceability • 40% Energy • 6% Liveness
1% Instrumentalness • 52% Positiveness
7% Popularity • 79% Danceability • 40% Energy • 6% Liveness
1% Instrumentalness • 52% Positiveness
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Erich-Weinert-Ensemble
Es war in den Tagen der August
118 bpm • F min • 02:15 • -8db
28% Popularity • 48% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 48% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
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Hanns Eisler
Das Einheitsfrontlied
112 bpm • F min • 03:42 • -9.9db
23% Popularity • 65% Danceability • 49% Energy • 68% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 65% Danceability • 49% Energy • 68% Liveness
0% Instrumentalness • 61% Positiveness
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Paul Dessau
Der Kaukasische Kreidekreis: Lied der Gr...
118 bpm • A min • 01:35 • -14.94db
0% Popularity • 90% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 90% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Lilian Harvey & Willy Fritsch
An Der Donau, Wenn Der Wein Blüht
118 bpm • D Maj • 02:43 • -10.05db
8% Popularity • 59% Danceability • 26% Energy • 19% Liveness
1% Instrumentalness • 52% Positiveness
8% Popularity • 59% Danceability • 26% Energy • 19% Liveness
1% Instrumentalness • 52% Positiveness
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Chor der Arbeiterfestspiele
Auf, auf zum Kampf
118 bpm • F Maj • 03:36 • -16db
19% Popularity • 53% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 53% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Liederjan
O König Von Preußen
118 bpm • E Maj • 03:20 • -12db
13% Popularity • 62% Danceability • 55% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 62% Danceability • 55% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
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Werner R. Heymann
Das gibt’s nur einmal
112 bpm • D# Maj • 03:03 • -14.35db
10% Popularity • 34% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 34% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Chor und Musikkorps des Wachregiments "Feliks Dzierzynski" Berlin
Partisanen vom Amur
112 bpm • D min • 02:19 • -15.06db
20% Popularity • 71% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 71% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Dessau
Concertino for Solo-Violin, Flute, Clari...
112 bpm • B min • 06:22 • -22.97db
0% Popularity • 42% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
0% Popularity • 42% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Der Michel
Patrioten Von Wien
112 bpm • G# min • 01:47 • -7.18db
9% Popularity • 74% Danceability • 49% Energy • 43% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 74% Danceability • 49% Energy • 43% Liveness
0% Instrumentalness • 72% Positiveness
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Richard Tauber
Adieu, mein kleiner Gardeoffizier
118 bpm • D# Maj • 03:02 • -11db
22% Popularity • 69% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 69% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Angelika Sacher & Klaus Bergmaier
Wir sind das Bauvolk (Die Arbeiter von W...
118 bpm • E min • 02:09 • -12.8db
12% Popularity • 67% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 67% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Hans Albers
Jawohl, meine Herr'n
118 bpm • C# Maj • 02:55 • -9.16db
24% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Ernst Busch
Lied der Partei (1950)
118 bpm • B min • 03:22 • -10.3db
29% Popularity • 89% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 89% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Paul Dessau
Herrnburger Bericht: Bitten der Kinder (...
112 bpm • D min • 01:06 • -24db
0% Popularity • 58% Danceability • 2% Energy • 12% Liveness
9% Instrumentalness • 44% Positiveness
0% Popularity • 58% Danceability • 2% Energy • 12% Liveness
9% Instrumentalness • 44% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt II, Das Eifers...
119 bpm • C Maj • 02:30 • -20.32db
10% Popularity • 59% Danceability • 22% Energy • 70% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 59% Danceability • 22% Energy • 70% Liveness
0% Instrumentalness • 39% Positiveness
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Marinechor der Schwarzmeerflotte
Moskauer Nächte
119 bpm • D min • 02:13 • -16.55db
12% Popularity • 24% Danceability • 27% Energy • 20% Liveness
57% Instrumentalness • 17% Positiveness
12% Popularity • 24% Danceability • 27% Energy • 20% Liveness
57% Instrumentalness • 17% Positiveness
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Paul Lincke
Frau Luna: Das macht die Berliner Luft
119 bpm • F min • 02:10 • -11db
11% Popularity • 59% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 59% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Chor des Kameradschaftsbundes Frankfurt und großes Blasorchester
Muss i denn zum Städtele hinaus
111 bpm • C# Maj • 02:40 • -12.61db
20% Popularity • 67% Danceability • 52% Energy • 47% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 67% Danceability • 52% Energy • 47% Liveness
0% Instrumentalness • 77% Positiveness
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Ensemble "Klassenbrüder - Waffenbrüder" Karl-Marx-Stadt
Kundschafterlied (1986)
118 bpm • C min • 04:15 • -11.44db
19% Popularity • 77% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 77% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Ernst Busch
Das Lied von der Einheitsfront (Song of ...
112 bpm • E min • 02:45 • -12.89db
12% Popularity • 75% Danceability • 20% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 75% Danceability • 20% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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Chor der Arbeiterfestspiele
Brüder, zur Sonne, zur Freiheit
111 bpm • B Maj • 01:49 • -14db
19% Popularity • 46% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 46% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Paul Dessau
Symphony No. 2: II. Andante
111 bpm • A Maj • 05:37 • -18db
0% Popularity • 17% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Hans Moser
Hallo Dienstmann
119 bpm • D# Maj • 02:38 • -7.41db
13% Popularity • 50% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 50% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Franz Josef Degenhardt
Ein schönes Lied
110 bpm • F Maj • 04:53 • -27db
13% Popularity • 73% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 73% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Siegfried Arno
Wenn die Elisabeth nicht so schöne Bein...
120 bpm • G Maj • 02:37 • -7.95db
17% Popularity • 87% Danceability • 63% Energy • 34% Liveness
10% Instrumentalness • 94% Positiveness
17% Popularity • 87% Danceability • 63% Energy • 34% Liveness
10% Instrumentalness • 94% Positiveness
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Heike Harfmann
Danke
120 bpm • D Maj • 03:04 • -8db
13% Popularity • 63% Danceability • 47% Energy • 37% Liveness
20% Instrumentalness • 54% Positiveness
13% Popularity • 63% Danceability • 47% Energy • 37% Liveness
20% Instrumentalness • 54% Positiveness
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Chor der Arbeiterfestspiele
Warschawjanka - Feindliche Stürme durch...
120 bpm • E min • 02:37 • -12.83db
23% Popularity • 64% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 64% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Paul Dessau
Lanzelot, Bild 1: Steinzeitsiedlung am S...
110 bpm • D Maj • 01:39 • -15.58db
0% Popularity • 38% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 38% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Der Michel
Langer Weg Ist`S Nach Wilhelmshaven
120 bpm • A# Maj • 03:25 • -8.97db
15% Popularity • 84% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 84% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Angelika Weiz & G.V.O.
Unsere Heimat
120 bpm • A Maj • 05:44 • -13.44db
10% Popularity • 42% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 42% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Claire Waldoff
Es gibt nur ein Berlin
120 bpm • C# Maj • 03:02 • -9db
19% Popularity • 65% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 65% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Heike Harfmann
Steinzeitmensch
120 bpm • D Maj • 02:18 • -7.85db
11% Popularity • 69% Danceability • 37% Energy • 32% Liveness
13% Instrumentalness • 42% Positiveness
11% Popularity • 69% Danceability • 37% Energy • 32% Liveness
13% Instrumentalness • 42% Positiveness
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Georg Kreisler
Das Lied von der Wirklichkeit
120 bpm • G min • 02:14 • -26db
12% Popularity • 72% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 72% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Paul Dessau
Suite: 2. Air
110 bpm • A# min • 01:58 • -29.4db
0% Popularity • 27% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
0% Popularity • 27% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Rudi Ressel
Want More
110 bpm • G Maj • 05:19 • -14.22db
21% Popularity • 78% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 78% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Peter Igelhoff
Zwei Frauen: Der Onkel Doktor hat gesagt
110 bpm • C Maj • 03:13 • -16.42db
13% Popularity • 80% Danceability • 19% Energy • 10% Liveness
39% Instrumentalness • 65% Positiveness
13% Popularity • 80% Danceability • 19% Energy • 10% Liveness
39% Instrumentalness • 65% Positiveness
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Löwenzahn
Reise ins Abenteuer (1) - Teil 9
120 bpm • B min • 03:00 • -17.13db
7% Popularity • 52% Danceability • 45% Energy • 55% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 52% Danceability • 45% Energy • 55% Liveness
0% Instrumentalness • 62% Positiveness
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Franz Josef Degenhardt
Deutscher Sonntag
110 bpm • D Maj • 06:08 • -19db
13% Popularity • 79% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 79% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Zarah Leander
Merci, mon ami
110 bpm • D# Maj • 03:11 • -12.44db
21% Popularity • 62% Danceability • 20% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
21% Popularity • 62% Danceability • 20% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
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Hanns Eisler
Solidaritätslied
120 bpm • F Maj • 02:49 • -24db
8% Popularity • 56% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 50% Positiveness
8% Popularity • 56% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 50% Positiveness
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Bernd Walther
Carpe diem (Nutze den Tag)
120 bpm • A min • 02:35 • -10.77db
13% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Claire Waldoff
Es gibt nur ein Berlin
121 bpm • C# Maj • 03:04 • -17.53db
8% Popularity • 63% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 63% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Michael Treetop Voss
Dachaulied
110 bpm • C Maj • 04:04 • -12.78db
13% Popularity • 66% Danceability • 26% Energy • 54% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 66% Danceability • 26% Energy • 54% Liveness
0% Instrumentalness • 29% Positiveness
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Wolf Biermann
Die Stasi-Ballade
110 bpm • E min • 04:53 • -12db
17% Popularity • 67% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 67% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Erich-Weinert-Ensemble
Hammer und Zirkel im Ahrenkranz
110 bpm • C# Maj • 03:21 • -13.61db
18% Popularity • 40% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 65% Positiveness
18% Popularity • 40% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 65% Positiveness
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Paul Dessau
Lanzelot, Bild 6: "Der Kampf ist morgen"...
109 bpm • D Maj • 02:01 • -17.06db
0% Popularity • 58% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 58% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Sabine, Jörn und Lutz vom Oktoberklub Berlin
Oktobersong
121 bpm • B min • 02:52 • -10.76db
29% Popularity • 70% Danceability • 43% Energy • 97% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 70% Danceability • 43% Energy • 97% Liveness
0% Instrumentalness • 64% Positiveness
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Claire Waldoff
Fritze Bollmann
121 bpm • D Maj • 02:52 • -10.54db
16% Popularity • 71% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 71% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Georg Kreisler
Mütterlein
109 bpm • A# Maj • 04:57 • -14db
11% Popularity • 59% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 59% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Zentrales Orchester der NVA
Paradefanfare
122 bpm • G Maj • 01:05 • -15.22db
14% Popularity • 70% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 70% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Zarah Leander
Der Wind hat mir ein Lied erzählt
109 bpm • D min • 02:52 • -11db
23% Popularity • 47% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
23% Popularity • 47% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
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Paul Dessau
Mutter Courage und ihre Kinder: Lied von...
109 bpm • E min • 04:19 • -15.23db
0% Popularity • 70% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 70% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt I, Der Song vo...
108 bpm • D# min • 04:44 • -22.96db
13% Popularity • 53% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 53% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
