Songs like Haggada (Sung in German): Part III: Durch alle diese Worte lernen wir (Children) by Paul Dessau
Based on a tempo of (+/- 10%) and a similar genre
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Kurt Weill
Die Dreigroschenoper: Akt I, Anstatt-Das...
108 bpm • A# Maj • 01:49 • -18.9db
16% Popularity • 72% Danceability • 14% Energy • 41% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 72% Danceability • 14% Energy • 41% Liveness
0% Instrumentalness • 49% Positiveness
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Bertolt Brecht
Anstatt-Dass-Song (1.Akt) (Polly Peachum...
108 bpm • A# Maj • 01:51 • -17.22db
8% Popularity • 71% Danceability • 20% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 71% Danceability • 20% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Sebastian Krämer
Jongleure
108 bpm • G Maj • 04:50 • -9.15db
8% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Hanns Eisler
Das Einheitsfrontlied: Das Einheitsfront...
108 bpm • F min • 03:15 • -11.93db
32% Popularity • 54% Danceability • 25% Energy • 13% Liveness
3% Instrumentalness • 22% Positiveness
32% Popularity • 54% Danceability • 25% Energy • 13% Liveness
3% Instrumentalness • 22% Positiveness
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Paul Dessau
Haggada (Sung in German): Part I: Warum ...
107 bpm • D min • 02:26 • -40.27db
0% Popularity • 21% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 21% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Zarah Leander
Der Wind hat mir ein Lied erzählt
109 bpm • D min • 02:52 • -11db
21% Popularity • 47% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
21% Popularity • 47% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt I, Der Song vo...
108 bpm • D# min • 04:44 • -22.96db
14% Popularity • 53% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 53% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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Heinz Erhardt
Kapitel 07 - Schelmereien
107 bpm • G# Maj • 03:22 • -14.38db
9% Popularity • 66% Danceability • 56% Energy • 68% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 66% Danceability • 56% Energy • 68% Liveness
0% Instrumentalness • 47% Positiveness
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Georg Kreisler
Mütterlein
109 bpm • A# Maj • 04:57 • -14db
11% Popularity • 59% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 59% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Wolf Biermann
Der Hugenottenfriedhof
107 bpm • D# Maj • 05:01 • -10.91db
12% Popularity • 61% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 61% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Dessau
Symphony No. 2: I. Andante - Allegro mod...
109 bpm • G Maj • 03:54 • -17.75db
0% Popularity • 47% Danceability • 26% Energy • 5% Liveness
79% Instrumentalness • 15% Positiveness
0% Popularity • 47% Danceability • 26% Energy • 5% Liveness
79% Instrumentalness • 15% Positiveness
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Zarah Leander
Ich steh im Regen
107 bpm • G Maj • 02:55 • -13db
10% Popularity • 44% Danceability • 15% Energy • 10% Liveness
58% Instrumentalness • 39% Positiveness
10% Popularity • 44% Danceability • 15% Energy • 10% Liveness
58% Instrumentalness • 39% Positiveness
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Schauspielbrigade
Die Einsamkeit
107 bpm • E Maj • 03:18 • -12.96db
16% Popularity • 43% Danceability • 24% Energy • 10% Liveness
9% Instrumentalness • 46% Positiveness
16% Popularity • 43% Danceability • 24% Energy • 10% Liveness
9% Instrumentalness • 46% Positiveness
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Michael Treetop Voss
Dachaulied
110 bpm • C Maj • 04:04 • -12.78db
11% Popularity • 66% Danceability • 26% Energy • 54% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 66% Danceability • 26% Energy • 54% Liveness
0% Instrumentalness • 29% Positiveness
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Hans Joachim Heinz
Das Lied der Freiheit - Radio Edit-We Fi...
106 bpm • F Maj • 03:46 • -17.52db
0% Popularity • 70% Danceability • 13% Energy • 11% Liveness
37% Instrumentalness • 25% Positiveness
0% Popularity • 70% Danceability • 13% Energy • 11% Liveness
37% Instrumentalness • 25% Positiveness
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Wolf Biermann
Die Stasi-Ballade
110 bpm • E min • 04:53 • -12db
17% Popularity • 67% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 67% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Paul Dessau
Lanzelot, Bild 13: "Er wollte das Gefän...
109 bpm • F Maj • 01:18 • -13.07db
0% Popularity • 36% Danceability • 74% Energy • 64% Liveness
1% Instrumentalness • 13% Positiveness
0% Popularity • 36% Danceability • 74% Energy • 64% Liveness
1% Instrumentalness • 13% Positiveness
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Zarah Leander
Merci, mon ami
110 bpm • D# Maj • 03:11 • -12.44db
20% Popularity • 62% Danceability • 20% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
20% Popularity • 62% Danceability • 20% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
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Little Pink
Die Katze
110 bpm • A min • 02:30 • -14.49db
10% Popularity • 39% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 39% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Franz Josef Degenhardt
Rumpelstilzchen
106 bpm • D min • 04:16 • -17db
12% Popularity • 85% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 85% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Lolita und Alfons Bauer mit seinen Grinzing Schrammeln
Jung san ma, fesch san ma
106 bpm • F Maj • 02:51 • -11db
10% Popularity • 74% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 74% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Orden der Wandalen
So zwischen Tag und Dunkelheit
106 bpm • D min • 01:27 • -15.96db
8% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Paul Dessau
Lanzelot, Bild 7: Zwischenspiel - Live
109 bpm • A min • 01:17 • -16.03db
0% Popularity • 58% Danceability • 39% Energy • 60% Liveness
85% Instrumentalness • 35% Positiveness
0% Popularity • 58% Danceability • 39% Energy • 60% Liveness
85% Instrumentalness • 35% Positiveness
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Peter Igelhoff
Zwei Frauen: Der Onkel Doktor hat gesagt
110 bpm • C Maj • 03:13 • -16.42db
13% Popularity • 80% Danceability • 19% Energy • 10% Liveness
39% Instrumentalness • 65% Positiveness
13% Popularity • 80% Danceability • 19% Energy • 10% Liveness
39% Instrumentalness • 65% Positiveness
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Rudi Ressel
Want More
110 bpm • G Maj • 05:19 • -14.22db
20% Popularity • 78% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 78% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Franz Josef Degenhardt
Deutscher Sonntag
110 bpm • D Maj • 06:08 • -19db
14% Popularity • 79% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 79% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The SWR Big Band
Kanonen-Song
106 bpm • C# min • 02:14 • -12.05db
7% Popularity • 72% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 72% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Ensemble "Theater Des Westens"
La Cage Aux Folles: Sieh Mal Dorthin
106 bpm • E Maj • 02:31 • -16.07db
10% Popularity • 53% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 53% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Dessau
String Quartet No. 5: I. Kleine Ouvertur...
109 bpm • G Maj • 01:40 • -22.65db
0% Popularity • 56% Danceability • 3% Energy • 7% Liveness
12% Instrumentalness • 43% Positiveness
0% Popularity • 56% Danceability • 3% Energy • 7% Liveness
12% Instrumentalness • 43% Positiveness
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Dagmar Dümchen
Schlaf Anne
106 bpm • A min • 02:27 • -19.34db
10% Popularity • 60% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 60% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Professor van Dusen
Teil 7 - Folge 40: Schall und Rauch
106 bpm • G Maj • 03:02 • -14.48db
12% Popularity • 54% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 54% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Franz Josef Degenhardt
Ein schönes Lied
110 bpm • F Maj • 04:53 • -27db
13% Popularity • 73% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 73% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Jugendchor und Orchester der Arbeiterfestspiele der DDR
Heimatland, reck deine Glieder (Thälman...
105 bpm • B Maj • 03:35 • -10.48db
2% Popularity • 39% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
2% Popularity • 39% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Little Pink
Vappu
111 bpm • G Maj • 02:46 • -12.64db
9% Popularity • 46% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 38% Positiveness
9% Popularity • 46% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 38% Positiveness
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Paul Dessau
Mutter Courage und ihre Kinder: Lied von...
109 bpm • E min • 04:19 • -15.23db
0% Popularity • 70% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 70% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Carl Friedrich Zelter
Der Konig in Thule
105 bpm • G min • 02:08 • -23.28db
14% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Chor der Arbeiterfestspiele
Brüder, zur Sonne, zur Freiheit
111 bpm • B Maj • 01:49 • -14db
19% Popularity • 46% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 46% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Kurt Weill
Die Dreigroschenoper: Ballade von der se...
104 bpm • D# Maj • 02:59 • -18db
2% Popularity • 45% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
2% Popularity • 45% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Georg Kreisler
Zu leise für mich
104 bpm • C min • 03:09 • -17.53db
16% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Chor und Musikkorps des Wachregiments "Feliks Dzierzynski" Berlin
Partisanen vom Amur
112 bpm • D min • 02:19 • -15.06db
20% Popularity • 71% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 71% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Dessau
Lanzelot, Bild 6: "Der Kampf ist morgen"...
109 bpm • D Maj • 02:01 • -17.06db
0% Popularity • 58% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 58% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Franz Josef Degenhardt
Der, der meine Lieder singt
104 bpm • E min • 04:47 • -18.43db
11% Popularity • 76% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 76% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Carl Wilhelm'
Die Wacht am Rhein - Historische Aufnahm...
104 bpm • C Maj • 02:37 • -12.79db
27% Popularity • 51% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 51% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Werner R. Heymann
Das gibt’s nur einmal
112 bpm • D# Maj • 03:03 • -14.35db
10% Popularity • 34% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 34% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Professor van Dusen
Teil 17 - Folge 38: Professor van Dusen ...
112 bpm • G Maj • 03:03 • -20.74db
13% Popularity • 68% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 68% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Ulrich Tukur Und Die Rhythmus Boys
Tanzmusik
112 bpm • G min • 01:10 • -11db
15% Popularity • 59% Danceability • 56% Energy • 41% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 59% Danceability • 56% Energy • 41% Liveness
0% Instrumentalness • 88% Positiveness
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Paul Dessau
Lanzelot, Bild 6: "Glücklich die Stadt,...
107 bpm • E Maj • 02:45 • -19.25db
0% Popularity • 47% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 47% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Hanns Eisler
Das Einheitsfrontlied
112 bpm • F min • 03:42 • -9.9db
23% Popularity • 65% Danceability • 49% Energy • 68% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 65% Danceability • 49% Energy • 68% Liveness
0% Instrumentalness • 61% Positiveness
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Wolf Biermann
In dem Tal dort am Rio Jarama
104 bpm • F Maj • 02:20 • -16.1db
8% Popularity • 65% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 65% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Edgar Wallace
Teil 1 - Folge 4: Die toten Augen von Lo...
112 bpm • A# min • 03:25 • -15.61db
12% Popularity • 44% Danceability • 54% Energy • 43% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 44% Danceability • 54% Energy • 43% Liveness
0% Instrumentalness • 71% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt III, Salomon S...
112 bpm • F Maj • 03:36 • -29db
10% Popularity • 40% Danceability • 2% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 40% Danceability • 2% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Marlene Dietrich
Wenn die Soldaten
113 bpm • C# Maj • 03:02 • -12db
11% Popularity • 59% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 59% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Dessau
Lanzelot, Bild 10: "Wer wagt es?" - Live
107 bpm • C Maj • 02:07 • -13.42db
0% Popularity • 24% Danceability • 54% Energy • 15% Liveness
89% Instrumentalness • 7% Positiveness
0% Popularity • 24% Danceability • 54% Energy • 15% Liveness
89% Instrumentalness • 7% Positiveness
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Franz Josef Degenhardt
Spiel nicht mit den Schmuddelkindern
104 bpm • D# Maj • 05:02 • -17.98db
28% Popularity • 73% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 73% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Wolfgang Neuss
Ach, das könnte schön sein
113 bpm • C Maj • 02:23 • -8db
23% Popularity • 58% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 58% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Hans Albers
Flieger, grüß' mir die Sonne
113 bpm • F Maj • 03:04 • -7db
22% Popularity • 57% Danceability • 54% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 57% Danceability • 54% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
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Hermann Hahnel
Spaniens Himmel
113 bpm • G Maj • 01:15 • -7.87db
11% Popularity • 72% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 72% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Harald Immig
Ãœber den Berg
103 bpm • F min • 03:06 • -15.12db
12% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Paul Dessau
Examen
109 bpm • A# min • 03:34 • -23db
0% Popularity • 35% Danceability • 16% Energy • 28% Liveness
40% Instrumentalness • 17% Positiveness
0% Popularity • 35% Danceability • 16% Energy • 28% Liveness
40% Instrumentalness • 17% Positiveness
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Franz Josef Degenhardt
Sacco und Vanzetti
113 bpm • G Maj • 03:16 • -14.41db
17% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Georg Kreisler
Kapitalistenlied
113 bpm • G# Maj • 02:06 • -17.54db
28% Popularity • 72% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 72% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Erich-Weinert-Ensemble
Lied vam Vaterland
113 bpm • C min • 03:42 • -10.61db
23% Popularity • 61% Danceability • 35% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
23% Popularity • 61% Danceability • 35% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
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Wolf Biermann
Drei Kugeln auf Rudi Dutschke
113 bpm • D min • 03:56 • -15.02db
8% Popularity • 69% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 69% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Marlene Dietrich
Wer Wird Denn Weinen, Wenn Man Auseinand...
114 bpm • G Maj • 01:06 • -10db
27% Popularity • 67% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 67% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Paul Dessau
Lanzelot, Bild 1: Feuer. Der See kocht -...
106 bpm • A Maj • 04:05 • -14.14db
0% Popularity • 32% Danceability • 52% Energy • 38% Liveness
19% Instrumentalness • 22% Positiveness
0% Popularity • 32% Danceability • 52% Energy • 38% Liveness
19% Instrumentalness • 22% Positiveness
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Freddy Quinn
Was will das Meer von mir
102 bpm • C Maj • 03:14 • -9.72db
8% Popularity • 34% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 34% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Arbeiterchor Aus Berliner Betrieben
Stalin, Freund, Genosse (1949)
114 bpm • G Maj • 03:04 • -12db
16% Popularity • 58% Danceability • 28% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 58% Danceability • 28% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
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Georg Kreisler
Frühlingslied (Tauben vergiften)
114 bpm • F Maj • 02:09 • -10db
19% Popularity • 87% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 87% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Wolf Biermann
Commandante Che Guevara
114 bpm • B min • 03:54 • -16.21db
24% Popularity • 67% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 67% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Ernst Busch
Ballade Der XI. Brigade
114 bpm • G# Maj • 04:32 • -9.9db
15% Popularity • 75% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 75% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Paul Dessau
Lanzelot, Bild 13: "Gib mir meinen Sohn ...
106 bpm • E min • 01:07 • -14.09db
0% Popularity • 40% Danceability • 66% Energy • 40% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 40% Danceability • 66% Energy • 40% Liveness
0% Instrumentalness • 27% Positiveness
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Freddy Quinn
In Hamburg an der Waterkant
114 bpm • C Maj • 03:57 • -9.86db
11% Popularity • 57% Danceability • 34% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 57% Danceability • 34% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
Ivan Rebroff
Katjuscha, Katjuscha !
115 bpm • A# Maj • 02:14 • -10.17db
31% Popularity • 46% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 46% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Musikkorps des Wachregiments Berlin
Sozialistenmarsch - Auf, Sozialisten, sc...
115 bpm • C# Maj • 03:32 • -14.11db
12% Popularity • 61% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 61% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Lilian Harvey
Das gibt's nur einmal
102 bpm • D# Maj • 03:05 • -9db
19% Popularity • 40% Danceability • 42% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
19% Popularity • 40% Danceability • 42% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
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Franz Josef Degenhardt
Alte Freunde
115 bpm • B min • 02:25 • -21.17db
11% Popularity • 86% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 86% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Paul Dessau
Lanzelot, Bild 1: Steinzeitsiedlung am S...
110 bpm • D Maj • 01:39 • -15.58db
0% Popularity • 38% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 38% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Löwenzahn
Peter und der Müllwichtel - Teil 14
102 bpm • B Maj • 04:25 • -14.43db
11% Popularity • 44% Danceability • 78% Energy • 81% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 44% Danceability • 78% Energy • 81% Liveness
0% Instrumentalness • 25% Positiveness
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Ernst Busch
Die Thälmann-Kolonne (The Thaelmann Col...
102 bpm • G Maj • 03:00 • -11.8db
8% Popularity • 62% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 62% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Friedrich Hollaender
Eine Kleine Sehnsucht
115 bpm • G Maj • 04:03 • -19.24db
9% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Emmerich Kálmán
The Gypsy Princess (Die Csárdásfürsti...
115 bpm • C Maj • 01:21 • -14db
16% Popularity • 66% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 66% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Alfred Scholl
Ich hab mein Herz in Heidelberg verloren
115 bpm • G Maj • 02:18 • -9.43db
29% Popularity • 63% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 63% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Paul Dessau
Symphony No. 2: II. Andante
111 bpm • A Maj • 05:37 • -18db
0% Popularity • 17% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Hanns Eisler
Wenn Arbeiter und Bauern
115 bpm • G Maj • 01:49 • -10.67db
9% Popularity • 71% Danceability • 39% Energy • 73% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 71% Danceability • 39% Energy • 73% Liveness
0% Instrumentalness • 74% Positiveness
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Ernst Busch
Dank euch Ihr Sowjetsoldaten
115 bpm • F Maj • 02:44 • -11.28db
19% Popularity • 72% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 72% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Chor der Arbeiterfestspiele
Die Moorsoldaten
115 bpm • C min • 03:15 • -13.62db
14% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Walter Kollo
Das ist der Fruhling von Berlin
115 bpm • A min • 02:15 • -16db
20% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Harald Immig
Hohenstaufen
101 bpm • A min • 04:06 • -17.41db
12% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Dessau
Einstein: Intermezzo II: "Wegen unbefugt...
111 bpm • D Maj • 02:25 • -14.92db
0% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Georg Kreisler
Der Hund
116 bpm • A min • 04:35 • -12.45db
10% Popularity • 62% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 62% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Zarah Leander
Nur nicht aus Liebe weinen
101 bpm • A# Maj • 03:21 • -13.32db
15% Popularity • 46% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
15% Popularity • 46% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Erich-Weinert-Ensemble
Die Moorsoldaten
116 bpm • C min • 03:23 • -14.82db
20% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Kurt Weill
Die Dreigroschenoper: Eifersuchtsduett
116 bpm • E Maj • 02:50 • -20db
3% Popularity • 65% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 65% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Josef Stelibsky
Ostrov milovánÃ: "Kosà fox"
116 bpm • G Maj • 03:01 • -17.38db
15% Popularity • 58% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 58% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Dessau
Herrnburger Bericht: Bitten der Kinder (...
112 bpm • D min • 01:06 • -24db
0% Popularity • 58% Danceability • 2% Energy • 12% Liveness
9% Instrumentalness • 44% Positiveness
0% Popularity • 58% Danceability • 2% Energy • 12% Liveness
9% Instrumentalness • 44% Positiveness
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Joana
Heckerlied
116 bpm • G Maj • 01:39 • -11.52db
11% Popularity • 56% Danceability • 55% Energy • 71% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 56% Danceability • 55% Energy • 71% Liveness
0% Instrumentalness • 90% Positiveness
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Daliah Lavi
Warum soll eine Frau kein Verhältnis ha...
101 bpm • E Maj • 03:01 • -10.14db
12% Popularity • 48% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 48% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Athesinus Consort Berlin
Glück oder Unglück
116 bpm • D min • 03:21 • -14.09db
15% Popularity • 48% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 48% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness