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Hail Mary, Gentle Woman
Songs like
Hail Mary, Gentle Woman
by
The Cathedral Singers
Based on a tempo of (+/- 10%) and a similar genre
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Curtis Stephan
Bread of Angels
82 bpm • G Maj • 03:57 • -13db
20% Popularity • 20% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Jeff Lippencott
Psalm of the Shepherd
82 bpm • F Maj • 06:25 • -14.64db
10% Popularity • 8% Danceability • 21% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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The Cathedral Singers
Mary Immaculate, Star of the Morning
82 bpm • B min • 02:06 • -16.1db
22% Popularity • 21% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Elevation
'Tis the Blessed Hour of Prayer
82 bpm • D# Maj • 04:14 • -18.94db
11% Popularity • 14% Danceability • 16% Energy • 14% Liveness
52% Instrumentalness • 11% Positiveness
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Marty Haugen
Mass of Creation: Glory to God
82 bpm • G min • 02:28 • -9.5db
33% Popularity • 20% Danceability • 32% Energy • 40% Liveness
1% Instrumentalness • 27% Positiveness
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William Ferris Chorale (J. Michael Thompson)
Exsultet
82 bpm • G min • 08:52 • -13.17db
20% Popularity • 31% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Bell Canto
Kyrie Eleison
82 bpm • C Maj • 02:04 • -12.26db
21% Popularity • 10% Danceability • 38% Energy • 14% Liveness
87% Instrumentalness • 29% Positiveness
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32 Great Hymns Of Faith Performers
Holy, Holy, Holy
82 bpm • G Maj • 03:05 • -12.06db
31% Popularity • 11% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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The Cathedral Singers
Mass of the Angels: Sanctus
82 bpm • G Maj • 01:40 • -28.37db
32% Popularity • 29% Danceability • 9% Energy • 24% Liveness
91% Instrumentalness • 4% Positiveness
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St. Louis Jesuits
Though the Mountains May Fall
81 bpm • A# Maj • 03:05 • -16.22db
30% Popularity • 46% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Frank Patterson
Holy God We Praise Thy Name
83 bpm • G Maj • 03:35 • -17.27db
19% Popularity • 8% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Gregory Norbet
Dona Nobis Pacem
83 bpm • D Maj • 02:41 • -18db
15% Popularity • 16% Danceability • 17% Energy • 15% Liveness
94% Instrumentalness • 6% Positiveness
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Janèt Sullivan Whitaker
Here at This Table
81 bpm • A# Maj • 06:39 • -15db
20% Popularity • 36% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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The London Fox Taize Choir
Eat This Bread
81 bpm • G Maj • 04:28 • -13.46db
30% Popularity • 13% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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The Cathedral Singers
Hail Mary, Gentle Woman
82 bpm • E Maj • 04:42 • -12.09db
38% Popularity • 18% Danceability • 30% Energy • 33% Liveness
76% Instrumentalness • 10% Positiveness
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Frank Brownstead Choir
On the Day I Called
83 bpm • G Maj • 02:29 • -21db
9% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
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John Bell
Hymn for Night Prayer
83 bpm • E min • 02:35 • -17.4db
7% Popularity • 26% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jakob Hintze
At the Lamb's High Feast
83 bpm • D Maj • 04:11 • -10.84db
17% Popularity • 24% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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The Jubilate Singers
The Old Rugged Cross
81 bpm • A# Maj • 01:59 • -16.32db
20% Popularity • 18% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Bernadette Farrell
All That Is Hidden
81 bpm • D# Maj • 04:02 • -14.06db
8% Popularity • 30% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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The Cathedral Singers
Salve regina
81 bpm • C# Maj • 01:55 • -24.43db
30% Popularity • 20% Danceability • 7% Energy • 17% Liveness
31% Instrumentalness • 4% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Holy God, We Praise Thy Name
83 bpm • F Maj • 03:55 • -17.59db
11% Popularity • 11% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 11% Positiveness
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The Concordia Choir
Wana Baraka
81 bpm • D Maj • 03:38 • -22.29db
30% Popularity • 8% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Michael Joncas
St. Francis Evening Prayer (Lucernarium)...
81 bpm • C# Maj • 03:48 • -14.55db
4% Popularity • 14% Danceability • 23% Energy • 9% Liveness
8% Instrumentalness • 7% Positiveness
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Scott Soper
Loving and Forgiving
83 bpm • F Maj • 02:55 • -14.91db
35% Popularity • 32% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Carey Landry
Peace Is Flowing Like a River
83 bpm • G min • 03:45 • -12db
20% Popularity • 20% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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The Cathedral Singers
Messe Solennelle, Op. 12, FWV 61: Messe ...
81 bpm • A Maj • 03:49 • -16.06db
32% Popularity • 19% Danceability • 22% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
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Christopher Idle
God, We Praise You
81 bpm • D Maj • 01:53 • -15db
20% Popularity • 23% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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The Songs of Taize Session Singers
My Soul Is At Rest
81 bpm • D min • 02:42 • -21.09db
20% Popularity • 23% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Steven Houser
On This Day, O Beautiful Mother
81 bpm • D Maj • 04:53 • -21db
25% Popularity • 11% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 17% Positiveness
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Bliss
Let The Lower Lights Be Burning
81 bpm • A# Maj • 02:35 • -22.87db
13% Popularity • 18% Danceability • 16% Energy • 28% Liveness
56% Instrumentalness • 12% Positiveness
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Dan Gibson's Solitudes
Credo III
81 bpm • D Maj • 06:43 • -21.38db
44% Popularity • 8% Danceability • 18% Energy • 36% Liveness
53% Instrumentalness • 7% Positiveness
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The Cathedral Singers
Ave, Maris Stella, EG 150
81 bpm • G Maj • 02:32 • -23.18db
33% Popularity • 19% Danceability • 11% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Harvard University Choir
Guide Me, O Thou Great Jehovah
80 bpm • G Maj • 02:21 • -15.54db
20% Popularity • 16% Danceability • 17% Energy • 10% Liveness
24% Instrumentalness • 39% Positiveness
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Paul Benoit
Where Charity and Love Prevail
80 bpm • B min • 02:00 • -17db
22% Popularity • 30% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Carey Landry
Abba! Father
84 bpm • A Maj • 04:53 • -12db
15% Popularity • 11% Danceability • 36% Energy • 10% Liveness
18% Instrumentalness • 8% Positiveness
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Bernadette Farrell
Bread For The World
80 bpm • A Maj • 04:21 • -20.14db
22% Popularity • 16% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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The Concordia Choir
Create in Me a Clean Heart
84 bpm • E Maj • 01:43 • -37db
38% Popularity • 19% Danceability • 1% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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The Cathedral Singers
Ecce Sacerdos Magnus
83 bpm • E Maj • 02:27 • -21db
25% Popularity • 11% Danceability • 9% Energy • 8% Liveness
10% Instrumentalness • 8% Positiveness
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The London Fox Taize Choir
Veni Sancte Spiritus
84 bpm • A Maj • 01:37 • -16.18db
22% Popularity • 27% Danceability • 28% Energy • 10% Liveness
39% Instrumentalness • 14% Positiveness
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Karen Bolduc
Song of Farewell
84 bpm • F Maj • 01:14 • -18.52db
17% Popularity • 24% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Peter Scholtes
They'll Know We Are Christians
80 bpm • F min • 01:18 • -13db
35% Popularity • 59% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Bernadette Farrell
Love Goes On
80 bpm • D Maj • 02:31 • -10.35db
26% Popularity • 35% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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St. Louis Jesuits
The Cry of the Poor
84 bpm • F# min • 03:10 • -17db
11% Popularity • 20% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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The Cathedral Singers
Immaculate Mary
81 bpm • G Maj • 05:17 • -15.1db
36% Popularity • 17% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Sanctus Benedictus
84 bpm • F Maj • 02:01 • -20.44db
43% Popularity • 20% Danceability • 16% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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Maranatha! Music
In His Time
84 bpm • C Maj • 04:21 • -13.12db
49% Popularity • 29% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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Kim Orabona
Hail Mary, Gentle Woman
80 bpm • F Maj • 04:19 • -19db
10% Popularity • 24% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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Gregory the Great
The Glory of These Forty Days
80 bpm • E min • 02:30 • -13.3db
22% Popularity • 22% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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John Schiavone
Amén (El Cuerpo de Cristo)
80 bpm • E min • 03:21 • -15db
10% Popularity • 32% Danceability • 26% Energy • 11% Liveness
6% Instrumentalness • 13% Positiveness
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The Cathedral Singers
O Salutaris Hostia
80 bpm • G# Maj • 01:26 • -22.66db
40% Popularity • 18% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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John Foley
The Cry of the Poor
80 bpm • F# min • 03:20 • -23db
26% Popularity • 13% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Bob Dufford
Be Not Afraid
80 bpm • F Maj • 05:10 • -9.69db
23% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Jeanne Cotter
The Lord Is Kind and Merciful
80 bpm • C# Maj • 03:37 • -11db
25% Popularity • 20% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Praise To The Lord, The Almighty
80 bpm • F Maj • 03:12 • -18.29db
17% Popularity • 17% Danceability • 12% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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St. Louis Jesuits
Be Not Afraid
84 bpm • G# Maj • 04:36 • -18.69db
21% Popularity • 22% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Cathedral Singers
Mary the Dawn
80 bpm • B min • 04:21 • -15.75db
21% Popularity • 23% Danceability • 14% Energy • 18% Liveness
6% Instrumentalness • 12% Positiveness
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The Jubilate Singers
There Is A Green Hill Far Away
84 bpm • D# Maj • 01:19 • -18.94db
23% Popularity • 24% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 22% Positiveness
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Janèt Sullivan Whitaker
In Every Age
85 bpm • G min • 03:23 • -16db
23% Popularity • 24% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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The Festival Choir and Hosanna Chorus
All Glory, Laud And Honor
85 bpm • C Maj • 02:20 • -12db
11% Popularity • 13% Danceability • 31% Energy • 23% Liveness
86% Instrumentalness • 38% Positiveness
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Bob Hurd
Two Were Bound for Emmaus
85 bpm • C Maj • 03:34 • -16db
19% Popularity • 18% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Frank Brownstead Choir
Magnificat
85 bpm • F Maj • 03:16 • -19.95db
14% Popularity • 13% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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The Cathedral Singers
Jesus, My Lord, My God, My All
80 bpm • D# Maj • 04:13 • -12.82db
26% Popularity • 16% Danceability • 30% Energy • 13% Liveness
4% Instrumentalness • 11% Positiveness
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Jeff Lippencott
Veni Domine
79 bpm • G min • 03:53 • -18.27db
9% Popularity • 10% Danceability • 19% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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The Jubilate Singers
When I Survey The Wondrous Cross
80 bpm • D# Maj • 01:56 • -16.26db
21% Popularity • 17% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Gregory the Great
Again We Keep This Solemn Fast
79 bpm • E min • 01:47 • -12.28db
21% Popularity • 22% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Liam Lawton
Seinn Aillelu
85 bpm • G min • 03:50 • -17.12db
20% Popularity • 23% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jacopone da Todi
At the Cross Her Station Keeping
79 bpm • F Maj • 01:33 • -15.39db
21% Popularity • 22% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 19% Positiveness
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The Cathedral Singers
Tantum Ergo
85 bpm • D# Maj • 01:33 • -21.26db
41% Popularity • 20% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
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Bob Hurd
Our Blessing Cup
79 bpm • C Maj • 02:47 • -17db
21% Popularity • 26% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Claudia F. Hernaman
Lord, Who Throughout These Forty Days
85 bpm • F Maj • 02:38 • -15.08db
18% Popularity • 16% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Albert F. Bayly
Lord, Whose Love in Humble Service
79 bpm • F Maj • 01:38 • -13.01db
19% Popularity • 29% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Liam Lawton
I Will Be the Vine
85 bpm • D Maj • 05:30 • -16.65db
19% Popularity • 22% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Rob Gardner, London Symphony Orchestra, Spire Chorus
Thou Hope and Deliverer
85 bpm • E Maj • 02:04 • -23.71db
38% Popularity • 13% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 6% Positiveness
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Catholic Music Initiative
Salve Regina
85 bpm • C Maj • 02:22 • -26.5db
13% Popularity • 23% Danceability • 3% Energy • 13% Liveness
24% Instrumentalness • 4% Positiveness
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The London Fox Taize Choir
Bless the Lord, My Soul
79 bpm • C Maj • 05:11 • -15db
27% Popularity • 24% Danceability • 19% Energy • 12% Liveness
44% Instrumentalness • 6% Positiveness
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Harvard University Choir
This Is My Song, O God of All the Nation...
85 bpm • D# Maj • 02:08 • -25.05db
18% Popularity • 12% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 8% Positiveness
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The St. Louis Jesuits
Glory and Praise to Our God
79 bpm • G Maj • 02:46 • -14.76db
26% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Mary E. Byrne
Be Thou My Vision
79 bpm • D# Maj • 02:16 • -15.66db
19% Popularity • 11% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Bob Hurd
Psalm 42/43: As the Deer Longs
79 bpm • D min • 02:17 • -20.71db
24% Popularity • 44% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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The Cathedral Singers
Hail, Holy Queen Enthroned Above
79 bpm • C Maj • 03:51 • -15db
32% Popularity • 14% Danceability • 23% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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OCP Choir
O Breathe on Me, O Breath of God
78 bpm • D Maj • 02:18 • -12.87db
25% Popularity • 13% Danceability • 14% Energy • 9% Liveness
3% Instrumentalness • 17% Positiveness
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The London Fox Taize Choir
Kyrie Eleison
79 bpm • D min • 03:23 • -19.93db
29% Popularity • 10% Danceability • 10% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
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The Songs of Taize Session Singers
There Is One Lord
86 bpm • F Maj • 03:26 • -23.02db
20% Popularity • 14% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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John Bell
Te ensalzare senor
86 bpm • B min • 04:38 • -12.68db
5% Popularity • 32% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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GIA Singers
Peace Is Flowing Like a River
78 bpm • G Maj • 03:39 • -26.92db
30% Popularity • 13% Danceability • 6% Energy • 10% Liveness
68% Instrumentalness • 14% Positiveness
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The Cathedral Singers
Ave Maria, WAB 6
86 bpm • F Maj • 03:08 • -17.78db
18% Popularity • 16% Danceability • 8% Energy • 6% Liveness
3% Instrumentalness • 4% Positiveness
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Scott Soper
I Know That My Redeemer Lives
78 bpm • A Maj • 02:43 • -13.59db
25% Popularity • 21% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Harry Hagan OSB
Benediction: Tantum Ergo
86 bpm • C Maj • 02:41 • -14.49db
13% Popularity • 25% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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John L. Bell
The Splendour of the House of God
78 bpm • G# Maj • 03:43 • -16.48db
1% Popularity • 28% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Carey Landry
Hail Mary: Gentle Woman
86 bpm • E Maj • 04:18 • -12.73db
11% Popularity • 17% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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The Songs of Taize Session Singers
Adoramus Te Domine
86 bpm • G Maj • 02:56 • -23.27db
31% Popularity • 14% Danceability • 6% Energy • 8% Liveness
21% Instrumentalness • 7% Positiveness
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The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
35% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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John Bell
In Deep Distress
78 bpm • G# Maj • 02:30 • -20.56db
5% Popularity • 21% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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Martin Willett
Behold the Lamb
86 bpm • G Maj • 02:51 • -16.71db
22% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jane Hawes
Wondrous Cross - the Sixth Word
78 bpm • E min • 03:10 • -17.53db
4% Popularity • 24% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Marty Haugen
Return to God
78 bpm • E min • 04:14 • -15.55db
27% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Bernadette Farrell
Your Words Are Spirit and Life
78 bpm • D# Maj • 03:56 • -18.57db
17% Popularity • 12% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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John Michael Talbot
One Bread, One Body
87 bpm • D Maj • 04:38 • -12.11db
46% Popularity • 15% Danceability • 28% Energy • 11% Liveness
30% Instrumentalness • 21% Positiveness
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Jeff Lippencott
How Beautiful Your Songs of Praise
78 bpm • F Maj • 05:10 • -14.85db
9% Popularity • 7% Danceability • 26% Energy • 29% Liveness
67% Instrumentalness • 4% Positiveness
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Hail Mary, Gentle Woman