Songs like Half Light of Dawn by Abul Mogard
Based on a tempo of (+/- 10%) and a similar genre
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Murcof
Void Glance
81 bpm • F min • 07:33 • -21.49db
11% Popularity • 8% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Taylor Deupree
Minism
81 bpm • C# Maj • 03:47 • -26.75db
38% Popularity • 21% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
38% Popularity • 21% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Kara-Lis Coverdale
2c
81 bpm • F min • 07:52 • -13.58db
23% Popularity • 16% Danceability • 28% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 28% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Tim Hecker
Music for Tundra Pt. 1
81 bpm • G# min • 05:13 • -19db
35% Popularity • 24% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
35% Popularity • 24% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Rafael Anton Irisarri
Distance
81 bpm • A Maj • 06:47 • -14.71db
17% Popularity • 8% Danceability • 39% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 39% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
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Leandro Fresco
Mientras Más Me Alejo De Ti, Menos Me I...
81 bpm • C min • 07:23 • -20db
9% Popularity • 7% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 16% Positiveness
9% Popularity • 7% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 16% Positiveness
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Murcof
Muim (Colleen Mix)
81 bpm • E min • 04:29 • -26.11db
21% Popularity • 9% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
21% Popularity • 9% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Taylor Deupree
Slown
81 bpm • G# Maj • 08:54 • -20.76db
10% Popularity • 10% Danceability • 29% Energy • 7% Liveness
96% Instrumentalness • 8% Positiveness
10% Popularity • 10% Danceability • 29% Energy • 7% Liveness
96% Instrumentalness • 8% Positiveness
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Biosphere
Sphere Of No-Form - Alternative Version
80 bpm • A# min • 08:23 • -24.88db
32% Popularity • 17% Danceability • 31% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
32% Popularity • 17% Danceability • 31% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Christina Vantzou
Glissando for Bodies and Machines in Spa...
80 bpm • A Maj • 02:47 • -21.72db
23% Popularity • 10% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
23% Popularity • 10% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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Tomasz Bednarczyk
Theme I
80 bpm • D Maj • 02:32 • -19.83db
24% Popularity • 19% Danceability • 15% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Vanity Productions
Diamond Nights
82 bpm • G# Maj • 05:56 • -12.4db
7% Popularity • 8% Danceability • 40% Energy • 8% Liveness
99% Instrumentalness • 8% Positiveness
7% Popularity • 8% Danceability • 40% Energy • 8% Liveness
99% Instrumentalness • 8% Positiveness
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Abul Mogard
The Other Room
80 bpm • D# Maj • 06:26 • -21.35db
4% Popularity • 46% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
4% Popularity • 46% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Altar
Without Bodies
82 bpm • C Maj • 09:24 • -15.75db
8% Popularity • 8% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Isorinne
Medan världen passerar förbi
80 bpm • A min • 06:20 • -21db
7% Popularity • 50% Danceability • 12% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
7% Popularity • 50% Danceability • 12% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
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Aukai
Snow - Abul Mogard Rework
82 bpm • B min • 07:48 • -23.43db
4% Popularity • 8% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
4% Popularity • 8% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Christina Vantzou
Lava
80 bpm • G Maj • 02:31 • -18.1db
13% Popularity • 22% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
13% Popularity • 22% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
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The Sight Below
Nowhere
82 bpm • G min • 08:19 • -18.15db
10% Popularity • 14% Danceability • 32% Energy • 71% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 32% Energy • 71% Liveness
94% Instrumentalness • 4% Positiveness
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Abul Mogard
Stumbling Oscillations
82 bpm • D min • 07:32 • -24.83db
4% Popularity • 7% Danceability • 2% Energy • 12% Liveness
72% Instrumentalness • 14% Positiveness
4% Popularity • 7% Danceability • 2% Energy • 12% Liveness
72% Instrumentalness • 14% Positiveness
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GAS
Pop 1
83 bpm • F Maj • 05:11 • -18.58db
39% Popularity • 7% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
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Pye Corner Audio
The Long Now
79 bpm • F# Maj • 01:05 • -24db
35% Popularity • 25% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
35% Popularity • 25% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Keith Fullerton Whitman
Fib01a
82 bpm • A# Maj • 08:01 • -28.21db
24% Popularity • 14% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Dedekind Cut
The Crossing Guard
79 bpm • F# min • 10:05 • -36.63db
13% Popularity • 7% Danceability • 1% Energy • 35% Liveness
98% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 1% Energy • 35% Liveness
98% Instrumentalness • 3% Positiveness
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r beny
Burl
79 bpm • D Maj • 03:53 • -24.59db
12% Popularity • 9% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Abul Mogard
The Roof Falls
79 bpm • D# min • 17:17 • -21.13db
16% Popularity • 8% Danceability • 2% Energy • 38% Liveness
70% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 2% Energy • 38% Liveness
70% Instrumentalness • 4% Positiveness
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alva noto
Xerrox Plongée
79 bpm • G Maj • 05:36 • -19.68db
11% Popularity • 7% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 7% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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BJ Nilsen
Black Light
83 bpm • B Maj • 04:16 • -18db
21% Popularity • 8% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Lawrence English
Hard Rain
83 bpm • F# min • 05:29 • -12.51db
15% Popularity • 8% Danceability • 49% Energy • 55% Liveness
94% Instrumentalness • 10% Positiveness
15% Popularity • 8% Danceability • 49% Energy • 55% Liveness
94% Instrumentalness • 10% Positiveness
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The Dead Texan
Girth Rides A (Horse) +
79 bpm • E Maj • 02:33 • -19.96db
31% Popularity • 16% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Federico Durand
Lluvia de estrellas
79 bpm • A Maj • 07:32 • -22db
25% Popularity • 22% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
25% Popularity • 22% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Abul Mogard
Patterns of Our Own Times
83 bpm • F min • 09:36 • -16.21db
0% Popularity • 15% Danceability • 17% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
0% Popularity • 15% Danceability • 17% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Secretly Wishing for Rain
83 bpm • C# min • 08:11 • -20.09db
18% Popularity • 8% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Biosphere
Warmed By the Drift
78 bpm • B min • 06:50 • -19.7db
20% Popularity • 16% Danceability • 20% Energy • 12% Liveness
84% Instrumentalness • 12% Positiveness
20% Popularity • 16% Danceability • 20% Energy • 12% Liveness
84% Instrumentalness • 12% Positiveness
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Tim Hecker
Music for Tundra Pt. 2
79 bpm • G# min • 01:57 • -23.57db
39% Popularity • 20% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
39% Popularity • 20% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Body Sculptures
A Collection Of Ceramic Vases (Yves Sain...
84 bpm • B min • 03:22 • -12db
27% Popularity • 16% Danceability • 35% Energy • 17% Liveness
30% Instrumentalness • 6% Positiveness
27% Popularity • 16% Danceability • 35% Energy • 17% Liveness
30% Instrumentalness • 6% Positiveness
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Faten Kanaan
The North Wind
78 bpm • G min • 04:11 • -11.4db
21% Popularity • 18% Danceability • 19% Energy • 12% Liveness
95% Instrumentalness • 6% Positiveness
21% Popularity • 18% Danceability • 19% Energy • 12% Liveness
95% Instrumentalness • 6% Positiveness
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Abul Mogard
Post Crisis Remembrance
79 bpm • C min • 07:56 • -21.43db
12% Popularity • 7% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Pye Corner Audio
Nature Reclaims the Town
78 bpm • C Maj • 01:26 • -23.8db
35% Popularity • 21% Danceability • 9% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
35% Popularity • 21% Danceability • 9% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
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Murcof
Static Discos 100
84 bpm • C# Maj • 01:40 • -25db
37% Popularity • 8% Danceability • 13% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
37% Popularity • 8% Danceability • 13% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
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Autechre
VLetrmx
78 bpm • C Maj • 08:27 • -15.86db
30% Popularity • 9% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Resina
Trigger - Abul Mogard Remix
78 bpm • F Maj • 10:49 • -22.36db
0% Popularity • 7% Danceability • 1% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 7% Danceability • 1% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
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Biosphere
Chukhung
84 bpm • G Maj • 07:34 • -27db
36% Popularity • 38% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
36% Popularity • 38% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
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Abul Mogard
Sand
79 bpm • A min • 06:32 • -26.86db
17% Popularity • 7% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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r beny
Alone in the Pavilion
84 bpm • C Maj • 04:36 • -23.52db
16% Popularity • 12% Danceability • 9% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 9% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Alessandro Cortini
Iniziare
84 bpm • D# min • 05:42 • -17db
32% Popularity • 10% Danceability • 9% Energy • 54% Liveness
46% Instrumentalness • 11% Positiveness
32% Popularity • 10% Danceability • 9% Energy • 54% Liveness
46% Instrumentalness • 11% Positiveness
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GAS
Narkopop 1
78 bpm • F# min • 04:52 • -22.97db
26% Popularity • 18% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
26% Popularity • 18% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Karma Krama - Siavash Amini
77 bpm • A Maj • 06:03 • -12.7db
11% Popularity • 7% Danceability • 42% Energy • 8% Liveness
78% Instrumentalness • 5% Positiveness
11% Popularity • 7% Danceability • 42% Energy • 8% Liveness
78% Instrumentalness • 5% Positiveness
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Hainbach
Light Splitting
77 bpm • D Maj • 05:52 • -29.3db
14% Popularity • 7% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Abul Mogard
Flooding Tide
79 bpm • G Maj • 05:25 • -23.81db
9% Popularity • 7% Danceability • 11% Energy • 7% Liveness
70% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 11% Energy • 7% Liveness
70% Instrumentalness • 4% Positiveness
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Sarah Davachi
Garlands
77 bpm • A min • 02:54 • -25.25db
21% Popularity • 14% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Alessandro Cortini
Immediate Horizon 1
78 bpm • F# min • 04:59 • -25.9db
8% Popularity • 7% Danceability • 18% Energy • 33% Liveness
97% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 18% Energy • 33% Liveness
97% Instrumentalness • 3% Positiveness
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Bvdub
Ember 1
77 bpm • G min • 02:24 • -21.28db
26% Popularity • 12% Danceability • 28% Energy • 13% Liveness
99% Instrumentalness • 18% Positiveness
26% Popularity • 12% Danceability • 28% Energy • 13% Liveness
99% Instrumentalness • 18% Positiveness
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Rafael Anton Irisarri
Black Pitch
85 bpm • G# Maj • 06:24 • -18.84db
8% Popularity • 8% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
8% Popularity • 8% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Deru
Midnight In The Garden With Ghosts
85 bpm • A# Maj • 05:13 • -12db
20% Popularity • 18% Danceability • 47% Energy • 59% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 47% Energy • 59% Liveness
93% Instrumentalness • 4% Positiveness
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Abul Mogard
Airless Linger
85 bpm • G Maj • 09:40 • -16.59db
7% Popularity • 8% Danceability • 32% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
7% Popularity • 8% Danceability • 32% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
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Forest Management
Lavender
77 bpm • F# Maj • 05:34 • -29db
19% Popularity • 7% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
19% Popularity • 7% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Koki Nakano
Overlay - KMRU Remix
85 bpm • F# Maj • 05:05 • -22db
17% Popularity • 14% Danceability • 27% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 27% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Isorinne
Views from a Balcony
77 bpm • C# min • 01:30 • -28.18db
19% Popularity • 32% Danceability • 3% Energy • 9% Liveness
63% Instrumentalness • 7% Positiveness
19% Popularity • 32% Danceability • 3% Energy • 9% Liveness
63% Instrumentalness • 7% Positiveness
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Max Cooper
Hope - Roly Porter Remix
85 bpm • E Maj • 06:21 • -21.06db
12% Popularity • 9% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 2% Positiveness
12% Popularity • 9% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 2% Positiveness
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Machinefabriek
Zucht 2
77 bpm • B min • 09:21 • -28db
23% Popularity • 6% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
23% Popularity • 6% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Abul Mogard
The Sky Had Vanished
77 bpm • A# min • 07:48 • -20.96db
11% Popularity • 7% Danceability • 34% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
11% Popularity • 7% Danceability • 34% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
Prince of the Sea
77 bpm • C Maj • 07:39 • -8.64db
25% Popularity • 8% Danceability • 35% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
25% Popularity • 8% Danceability • 35% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Biosphere
Remote and Distant
85 bpm • C Maj • 01:59 • -21.41db
24% Popularity • 16% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Isorinne
Synlig gestalt
77 bpm • A min • 03:00 • -26.12db
9% Popularity • 27% Danceability • 3% Energy • 14% Liveness
86% Instrumentalness • 25% Positiveness
9% Popularity • 27% Danceability • 3% Energy • 14% Liveness
86% Instrumentalness • 25% Positiveness
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Stephan Mathieu
White Wings / Child Okeford
77 bpm • A min • 07:12 • -21.02db
16% Popularity • 9% Danceability • 20% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 20% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Imaginary Softwoods
Yellow Calcite II
77 bpm • A min • 02:30 • -16.99db
38% Popularity • 46% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
38% Popularity • 46% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Abul Mogard
Desires Are Reminiscences by Now
85 bpm • C min • 09:27 • -24.47db
16% Popularity • 8% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
16% Popularity • 8% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Decay Waves
86 bpm • C# Maj • 07:22 • -15.65db
12% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
12% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Simon Goff
Murmur - Machinefabriek Remix
86 bpm • D min • 04:01 • -20db
15% Popularity • 9% Danceability • 31% Energy • 76% Liveness
92% Instrumentalness • 9% Positiveness
15% Popularity • 9% Danceability • 31% Energy • 76% Liveness
92% Instrumentalness • 9% Positiveness
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Kelly Moran
Radian
77 bpm • F min • 02:50 • -21db
25% Popularity • 20% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
25% Popularity • 20% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Drew McDowall
Agalma V
86 bpm • E min • 07:30 • -13.28db
11% Popularity • 18% Danceability • 37% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 37% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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KMRU
Life at Ouri
76 bpm • D# min • 07:20 • -18.26db
14% Popularity • 16% Danceability • 11% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 11% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
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Abul Mogard
Against a White Cloud
86 bpm • E Maj • 11:16 • -28.39db
11% Popularity • 11% Danceability • 0% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
11% Popularity • 11% Danceability • 0% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
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Anthony Linell
Path of Devotion
76 bpm • D Maj • 03:24 • -23.36db
23% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Bvdub
Not Yours to Give
86 bpm • A# min • 07:52 • -8.88db
11% Popularity • 9% Danceability • 56% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 56% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Ian William Craig
Second Lens
76 bpm • B min • 03:25 • -23.79db
12% Popularity • 24% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
12% Popularity • 24% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
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Vladislav Delay
Untitled Track
86 bpm • F# min • 01:38 • -30.18db
32% Popularity • 28% Danceability • 5% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
32% Popularity • 28% Danceability • 5% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
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Felicia Atkinson
ME
76 bpm • C Maj • 04:21 • -27.35db
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Abul Mogard
Carry Me - Abul Mogard Remix
76 bpm • D Maj • 12:34 • -21.2db
6% Popularity • 6% Danceability • 0% Energy • 6% Liveness
74% Instrumentalness • 4% Positiveness
6% Popularity • 6% Danceability • 0% Energy • 6% Liveness
74% Instrumentalness • 4% Positiveness
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Steve Hauschildt
The Nature Remaining
76 bpm • G# min • 02:34 • -23.96db
33% Popularity • 17% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Anthony Linell
Hall of Judgement
86 bpm • C Maj • 04:30 • -12db
8% Popularity • 13% Danceability • 11% Energy • 13% Liveness
64% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 11% Energy • 13% Liveness
64% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Theme Number Five
76 bpm • A min • 04:11 • -23.03db
29% Popularity • 16% Danceability • 10% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 10% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Dedekind Cut
Tahoe
86 bpm • E min • 04:59 • -27.59db
23% Popularity • 17% Danceability • 5% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 5% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
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Lawrence English
Droplet
87 bpm • D# min • 06:49 • -17.83db
11% Popularity • 9% Danceability • 33% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 33% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Marcus Fischer
Thorns
76 bpm • D Maj • 09:20 • -18.82db
8% Popularity • 11% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
8% Popularity • 11% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Steve Hauschildt
A False Seeming
87 bpm • C# min • 03:19 • -17db
21% Popularity • 9% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Fennesz
The Point of It All
87 bpm • G min • 05:01 • -16db
26% Popularity • 20% Danceability • 33% Energy • 15% Liveness
96% Instrumentalness • 5% Positiveness
26% Popularity • 20% Danceability • 33% Energy • 15% Liveness
96% Instrumentalness • 5% Positiveness
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Stars Of The Lid
Don't Bother They're Here
76 bpm • C# Maj • 10:10 • -28db
42% Popularity • 11% Danceability • 1% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
42% Popularity • 11% Danceability • 1% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Auvinen
Mummon Tarina
87 bpm • G# Maj • 03:05 • -9.4db
14% Popularity • 9% Danceability • 39% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 39% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Displacement
87 bpm • D# Maj • 04:16 • -24.23db
24% Popularity • 10% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Felicia Atkinson
Moderato Cantabile
76 bpm • F Maj • 07:58 • -20.49db
20% Popularity • 11% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Roly Porter
Giant
87 bpm • G# Maj • 05:53 • -12db
7% Popularity • 9% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
7% Popularity • 9% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Abul Mogard
In Immobile Air
75 bpm • G# min • 05:50 • -26.35db
12% Popularity • 20% Danceability • 11% Energy • 22% Liveness
95% Instrumentalness • 5% Positiveness
12% Popularity • 20% Danceability • 11% Energy • 22% Liveness
95% Instrumentalness • 5% Positiveness
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Stars Of The Lid
Articulate Silences, Pt. 2
75 bpm • D Maj • 05:37 • -23db
35% Popularity • 7% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
35% Popularity • 7% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Taylor Deupree
Unearth
75 bpm • A# Maj • 05:57 • -27db
31% Popularity • 20% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
31% Popularity • 20% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Murcof
Resignación
87 bpm • F# min • 01:31 • -34.09db
34% Popularity • 18% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Christina Vantzou
Doorway
75 bpm • C Maj • 05:50 • -24.4db
8% Popularity • 9% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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William Basinski
Selva Oscura 1.2
75 bpm • G# Maj • 05:09 • -26.86db
24% Popularity • 14% Danceability • 20% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 20% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
