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Half of a Lover
Songs like
Half of a Lover
by
NIKKITA
Based on a tempo of (+/- 10%) and a similar genre
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The Butterfly Effect
Mama Mia
110 bpm • D Maj • 04:06 • -9.52db
12% Popularity • 66% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Malarkey
Strays
110 bpm • G Maj • 03:59 • -14.72db
17% Popularity • 55% Danceability • 35% Energy • 6% Liveness
2% Instrumentalness • 17% Positiveness
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Holly Abraham
Not The End
110 bpm • G# min • 03:59 • -11.32db
9% Popularity • 29% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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NIKKITA
Half of a Lover
110 bpm • C# Maj • 03:13 • -10.07db
19% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Link Lewis
Moments
110 bpm • C# Maj • 04:08 • -12.22db
37% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Bella Goldwin
I Will Be There For You
110 bpm • A min • 02:44 • -6.13db
14% Popularity • 48% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Portair
Fold
110 bpm • D min • 03:26 • -7.94db
34% Popularity • 65% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Norma Jean Martine
I Will Never Love Again
110 bpm • C# min • 04:03 • -10.95db
27% Popularity • 48% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Three Laws
The Only Way
110 bpm • C# min • 04:09 • -14.1db
12% Popularity • 54% Danceability • 21% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
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DANA
Making Up A Dad
110 bpm • B Maj • 02:27 • -13.76db
28% Popularity • 48% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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SYML
Girl - Recorded at St. Mark's Cathedral
111 bpm • C# Maj • 03:37 • -12.1db
24% Popularity • 59% Danceability • 17% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Alex Kehm
Sorry
109 bpm • D Maj • 02:25 • -13db
37% Popularity • 38% Danceability • 29% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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The Butterfly Effect
abcdefu
111 bpm • G min • 03:09 • -10.59db
9% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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JB Stark
Rewind Your Love - Piano Version
112 bpm • D# Maj • 04:08 • -9.58db
13% Popularity • 48% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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MIRIEL
Still in My Mind
108 bpm • A min • 03:02 • -10.22db
24% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Winona Oak
He Don't Love Me - Stripped
112 bpm • A Maj • 03:49 • -10db
31% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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SYML
Symmetry - Recorded at St. Mark's Cathed...
111 bpm • D min • 03:39 • -10.82db
26% Popularity • 32% Danceability • 38% Energy • 9% Liveness
8% Instrumentalness • 46% Positiveness
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Muco
Lonely Writer
112 bpm • F min • 04:25 • -12db
17% Popularity • 52% Danceability • 26% Energy • 20% Liveness
1% Instrumentalness • 13% Positiveness
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Talos
Crows
108 bpm • A min • 04:08 • -20.15db
29% Popularity • 31% Danceability • 8% Energy • 13% Liveness
2% Instrumentalness • 20% Positiveness
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Annaca
Ghost
112 bpm • F min • 03:06 • -7.31db
32% Popularity • 78% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Vancouver Sleep Clinic
Blood Money
108 bpm • G# Maj • 03:23 • -17.05db
32% Popularity • 46% Danceability • 22% Energy • 10% Liveness
22% Instrumentalness • 8% Positiveness
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Resa Saffa Park
Love ain't Free
112 bpm • A min • 03:38 • -15db
29% Popularity • 61% Danceability • 17% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Wylder
Take Hold
108 bpm • E Maj • 03:29 • -8.08db
16% Popularity • 64% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Aaron Smith
Nocturnal
112 bpm • D Maj • 04:22 • -10.61db
21% Popularity • 39% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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SYML
Stay Close - Recorded at St. Mark's Cath...
112 bpm • G min • 03:29 • -8.41db
33% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Isak Danielson
Fifty Ways
108 bpm • C min • 03:49 • -9.33db
29% Popularity • 55% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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CUT_
Secret
113 bpm • B min • 02:10 • -17.39db
15% Popularity • 65% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Roses & Revolutions
Something Real
112 bpm • G Maj • 03:25 • -10.78db
21% Popularity • 54% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Griff
Black Hole - Acoustic Version
113 bpm • C# min • 02:55 • -6.68db
50% Popularity • 82% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Konoba
All You Need
113 bpm • D min • 03:06 • -12db
22% Popularity • 50% Danceability • 29% Energy • 15% Liveness
1% Instrumentalness • 13% Positiveness
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sixten
Talking To The Moon
107 bpm • C Maj • 03:34 • -11.91db
29% Popularity • 61% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Isak Danielson
Start Again
113 bpm • G# Maj • 03:35 • -7db
33% Popularity • 68% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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the Glass Child
Broken Little Dreamer
107 bpm • D# min • 02:10 • -9.49db
26% Popularity • 58% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Jaymes Young
Infinity - Piano Version
114 bpm • D min • 03:55 • -13.38db
49% Popularity • 64% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Plà si
One Last Night
114 bpm • G# Maj • 04:07 • -11.75db
22% Popularity • 53% Danceability • 25% Energy • 10% Liveness
12% Instrumentalness • 21% Positiveness
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Sleeping At Last
Awake (Acoustic)
114 bpm • C Maj • 03:40 • -14.88db
26% Popularity • 48% Danceability • 8% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
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Jessie Reid
Hearts on Fire
115 bpm • C# min • 03:33 • -9.99db
19% Popularity • 54% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Meadowlark
My Light Has Gone
115 bpm • D Maj • 03:46 • -15.48db
10% Popularity • 42% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 15% Positiveness
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NIKKITA
Heaven in Hell
115 bpm • C min • 03:45 • -14.47db
15% Popularity • 43% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Peter Sandberg
Wasted On You
115 bpm • A# Maj • 03:33 • -17db
41% Popularity • 56% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Jack in Water
A Stranger's Home
115 bpm • G Maj • 02:59 • -14db
34% Popularity • 63% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Laetitia
Stuck
115 bpm • E min • 03:23 • -8.42db
13% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Ruben Pol
Fall Apart
115 bpm • B min • 03:22 • -12.54db
23% Popularity • 63% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
► Preview
Isak Danielson
Fire Burns You Cold
115 bpm • F# min • 03:34 • -7.8db
31% Popularity • 57% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Aquilo
Better Off As Strangers
115 bpm • G# Maj • 03:45 • -7.89db
24% Popularity • 54% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Tim Bruns
Quiet & Cold
115 bpm • C Maj • 03:53 • -18.39db
18% Popularity • 54% Danceability • 19% Energy • 8% Liveness
8% Instrumentalness • 21% Positiveness
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How Great Were the Robins
When Lines Are Curved
115 bpm • D# Maj • 02:49 • -13.96db
30% Popularity • 74% Danceability • 40% Energy • 12% Liveness
15% Instrumentalness • 36% Positiveness
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Marcus Arch
What's Become Of Me
105 bpm • E Maj • 04:08 • -16.04db
12% Popularity • 45% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Sigrid
Burning Bridges - up close, acoustic
115 bpm • D# min • 02:48 • -9db
27% Popularity • 74% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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SheisArjuna
Vessel
115 bpm • F Maj • 03:22 • -10.5db
23% Popularity • 70% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Winona Oak
Yours Tomorrow
115 bpm • C Maj • 02:32 • -10.99db
21% Popularity • 41% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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biz colletti
It Weighs Me Down
105 bpm • F# min • 03:50 • -9.61db
18% Popularity • 49% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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DANA
Undefined
105 bpm • C# min • 03:18 • -10.34db
13% Popularity • 60% Danceability • 45% Energy • 11% Liveness
47% Instrumentalness • 28% Positiveness
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Jesse Taylor
Dream Talker
105 bpm • F# min • 03:38 • -13.71db
11% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Siri Black
Coward
116 bpm • A# Maj • 03:54 • -8.37db
10% Popularity • 55% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Mountains of the Moon
Saviour
105 bpm • F# min • 04:41 • -19.07db
20% Popularity • 35% Danceability • 23% Energy • 15% Liveness
80% Instrumentalness • 7% Positiveness
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Winona Oak
Old Insecurities
105 bpm • B min • 03:21 • -8.66db
29% Popularity • 38% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Laura Reznek
You Are Bad
116 bpm • G# min • 03:48 • -10.04db
20% Popularity • 46% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Beatrich
Hands Tied
116 bpm • C Maj • 03:13 • -7.35db
11% Popularity • 62% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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OSKA
Honeymoon Phase
116 bpm • F# min • 03:49 • -11.29db
25% Popularity • 61% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Marti West
Give Me Light - Acoustic
116 bpm • G# Maj • 03:35 • -14db
30% Popularity • 62% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 50% Positiveness
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GRAY
Loving Lies
116 bpm • C# Maj • 03:46 • -10.29db
9% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Charlotte Lawrence
Slow Motion - Johan Lenox Version
116 bpm • D# Maj • 03:26 • -6db
28% Popularity • 54% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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SYML
Where's My Love - Recorded at St. Mark's...
104 bpm • D# Maj • 03:24 • -10.28db
26% Popularity • 56% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bendik Finborud
Bargaining
116 bpm • C Maj • 03:18 • -12.99db
7% Popularity • 42% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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FLAVIA
Nameless
117 bpm • C# Maj • 04:03 • -11.05db
14% Popularity • 51% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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DØSSI
time will heal her
117 bpm • G Maj • 03:14 • -14db
15% Popularity • 34% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
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DONT MAKE THIS WEIRD
sunflower
117 bpm • G# min • 03:33 • -9.74db
14% Popularity • 50% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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World's First Cinema
A Place Called Home
104 bpm • A Maj • 03:21 • -6.08db
16% Popularity • 48% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 14% Positiveness
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Sei Selina
Only When You're Asleep
117 bpm • G Maj • 04:36 • -11.39db
10% Popularity • 37% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Luminar
It Leads Home
103 bpm • D# Maj • 03:13 • -13.64db
19% Popularity • 39% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Noelle Johnson
Almost Lover
118 bpm • C# Maj • 04:50 • -13.3db
31% Popularity • 44% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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BEN The Real
Right by the ocean - Acoustic
118 bpm • F Maj • 02:23 • -11.34db
31% Popularity • 59% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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The Butterfly Effect
Lay All Your Love On Me
118 bpm • A# min • 04:13 • -10db
37% Popularity • 50% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Portair
Places
118 bpm • B min • 03:32 • -13db
50% Popularity • 57% Danceability • 47% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
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Keir
leave a light on
118 bpm • G Maj • 03:50 • -9.69db
38% Popularity • 76% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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CHPTRS
Close to Me
118 bpm • D Maj • 03:59 • -13.55db
24% Popularity • 46% Danceability • 22% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
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A Year on Earth
Wildfire
118 bpm • C# Maj • 04:08 • -16.49db
19% Popularity • 30% Danceability • 20% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
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Dave Thomas Junior
Pompeii
102 bpm • B Maj • 03:55 • -9.39db
17% Popularity • 35% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Skott
Mermaid - Acoustic
118 bpm • B min • 03:58 • -11db
19% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Talos
dance against the calm
118 bpm • B Maj • 03:17 • -14.78db
21% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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heldclose
can't control her
102 bpm • G# min • 03:17 • -13.44db
19% Popularity • 54% Danceability • 29% Energy • 11% Liveness
76% Instrumentalness • 37% Positiveness
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Ben Pellow
Stories
118 bpm • G# Maj • 03:07 • -12.26db
32% Popularity • 45% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Coyle Girelli
From 7th Street with Love
119 bpm • C Maj • 03:53 • -14.17db
4% Popularity • 38% Danceability • 16% Energy • 9% Liveness
2% Instrumentalness • 5% Positiveness
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Allman Brown
Gold in the Water
102 bpm • C Maj • 04:14 • -13db
12% Popularity • 33% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Skott
Wolf - Acoustic
102 bpm • A# min • 03:27 • -12.82db
22% Popularity • 56% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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morgxn
HOW DO YOU HOLD WHAT HURTS
119 bpm • D# Maj • 03:09 • -8.44db
22% Popularity • 41% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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flora cash
feeling so down - Slowed
120 bpm • F Maj • 03:51 • -7.7db
9% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Galleaux
Tether Me - Acoustic
120 bpm • E min • 03:51 • -23db
22% Popularity • 49% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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SYML
The War - Recorded at St. Mark’s Cathe...
120 bpm • E min • 03:10 • -11.93db
37% Popularity • 36% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Felicia Lu
In Your Hands
101 bpm • A min • 03:13 • -9.01db
18% Popularity • 61% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jill Andrews
Cloud Chaser
120 bpm • A# Maj • 03:20 • -10db
29% Popularity • 65% Danceability • 46% Energy • 10% Liveness
10% Instrumentalness • 16% Positiveness
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Navvy
If You Can't Be My Lover
120 bpm • G min • 03:08 • -10.88db
18% Popularity • 65% Danceability • 21% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Shey Baba
Requiem
120 bpm • F# min • 04:06 • -7db
24% Popularity • 37% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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flora cash
were you ever with me?
120 bpm • C Maj • 03:06 • -9.72db
17% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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SYML
The Bird - Recorded at St. Mark's Cathed...
101 bpm • E min • 04:32 • -10.26db
24% Popularity • 35% Danceability • 46% Energy • 18% Liveness
21% Instrumentalness • 6% Positiveness
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Natalie Taylor
Born to Be Wild
120 bpm • B Maj • 02:28 • -11.43db
35% Popularity • 72% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Jill Andrews
Walking Wounded
120 bpm • F Maj • 02:50 • -9db
18% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Winona Oak
Jojo
120 bpm • A min • 03:24 • -8.71db
26% Popularity • 62% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Alex Kehm
ready
120 bpm • G# min • 03:14 • -11.58db
16% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Half of a Lover