Songs like Hallelujah by Theory of a Deadman
Based on a tempo of (+/- 10%) and a similar genre
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Reik
Noche de Paz - Recorded at Electric Lady...
104 bpm • D Maj • 02:04 • -12db
33% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Five Finger Death Punch
A Little Bit Off
104 bpm • C Maj • 03:10 • -6.05db
70% Popularity • 66% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
70% Popularity • 66% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Halestorm
Familiar Taste of Poison
105 bpm • E min • 04:04 • -5.97db
50% Popularity • 24% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
50% Popularity • 24% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Any Given Sin
Nothing For Christmas
103 bpm • C Maj • 02:45 • -4.12db
13% Popularity • 57% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 57% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Theory of a Deadman
Hallelujah
104 bpm • A min • 04:43 • -9.26db
51% Popularity • 28% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 28% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Bobaflex
The Sound of Silence
105 bpm • F# Maj • 03:09 • -5.32db
36% Popularity • 55% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 55% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Blue October
Fear
102 bpm • A Maj • 05:19 • -6.72db
44% Popularity • 57% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
44% Popularity • 57% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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Stone Sour
Through Glass
106 bpm • D# min • 04:42 • -4.62db
71% Popularity • 55% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
71% Popularity • 55% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
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Daughtry
Waiting for Superman
106 bpm • C Maj • 04:26 • -5.71db
59% Popularity • 56% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 56% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Sully Erna
Until Then...
102 bpm • G min • 05:09 • -9.93db
41% Popularity • 28% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
41% Popularity • 28% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Marc Martel
Light of the World
107 bpm • D# Maj • 03:32 • -9.64db
13% Popularity • 57% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 57% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Shaman's Harvest
Dangerous
101 bpm • C min • 04:03 • -4db
49% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Breaking Benjamin
Far Away
108 bpm • C# Maj • 04:52 • -3db
50% Popularity • 54% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 54% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Smith & Myers
ROCKIN' IN THE FREE WORLD
108 bpm • E min • 03:33 • -5.84db
39% Popularity • 71% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 71% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Daughtry
Alive
100 bpm • C# min • 04:22 • -5.49db
47% Popularity • 51% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 51% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Rob Thomas
Pieces
108 bpm • F Maj • 04:20 • -9.83db
50% Popularity • 55% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 55% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Pop Evil
Trenches
100 bpm • D min • 03:37 • -3.8db
54% Popularity • 55% Danceability • 95% Energy • 21% Liveness
1% Instrumentalness • 59% Positiveness
54% Popularity • 55% Danceability • 95% Energy • 21% Liveness
1% Instrumentalness • 59% Positiveness
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My Darkest Days
Save Me
100 bpm • F# min • 03:41 • -2.64db
48% Popularity • 50% Danceability • 92% Energy • 63% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 50% Danceability • 92% Energy • 63% Liveness
0% Instrumentalness • 58% Positiveness
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Breaking Benjamin
I Will Not Bow
108 bpm • G# Maj • 03:36 • -3.71db
72% Popularity • 53% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
72% Popularity • 53% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Nonpoint
In the Air Tonight
100 bpm • C Maj • 04:33 • -4db
54% Popularity • 56% Danceability • 81% Energy • 14% Liveness
14% Instrumentalness • 18% Positiveness
54% Popularity • 56% Danceability • 81% Energy • 14% Liveness
14% Instrumentalness • 18% Positiveness
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Halestorm
Raise Your Horns
99 bpm • G# Maj • 03:18 • -6db
47% Popularity • 44% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 44% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Papa Roach
American Dreams
109 bpm • D Maj • 03:23 • -5.26db
54% Popularity • 59% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 59% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Smith & Myers
UNCHAINED MELODY
99 bpm • C Maj • 03:42 • -13.24db
33% Popularity • 40% Danceability • 22% Energy • 9% Liveness
19% Instrumentalness • 34% Positiveness
33% Popularity • 40% Danceability • 22% Energy • 9% Liveness
19% Instrumentalness • 34% Positiveness
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One Less Reason
All That's Best in You
109 bpm • C Maj • 04:09 • -11db
22% Popularity • 53% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 53% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Stone Sour
Wicked Game - Acoustic; Live
109 bpm • G# Maj • 04:27 • -9.27db
66% Popularity • 56% Danceability • 34% Energy • 67% Liveness
0% Instrumentalness • 27% Positiveness
66% Popularity • 56% Danceability • 34% Energy • 67% Liveness
0% Instrumentalness • 27% Positiveness
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Seether
Words As Weapons
110 bpm • F min • 04:00 • -5.54db
63% Popularity • 59% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
63% Popularity • 59% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
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Pop Evil
Take It All
110 bpm • D min • 03:19 • -3.83db
44% Popularity • 63% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 63% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Papa Roach
Leave a Light On (Talk Away The Dark)
110 bpm • B min • 03:07 • -6.94db
66% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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HELLYEAH
Love Falls
110 bpm • G Maj • 04:34 • -4.11db
57% Popularity • 58% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 58% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 30% Positiveness
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The Veer Union
Numb (Acoustic)
110 bpm • F min • 03:18 • -4.19db
44% Popularity • 45% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 45% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Stone Sour
Imperfect
98 bpm • F# Maj • 04:22 • -9db
46% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ingrid Michaelson
This Christmas
110 bpm • D Maj • 03:40 • -11.67db
16% Popularity • 47% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 47% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Blacktop Mojo
Can't Sleep
98 bpm • F# Maj • 04:41 • -6db
37% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Creed
Rain
98 bpm • B Maj • 03:28 • -3db
63% Popularity • 54% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
63% Popularity • 54% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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3 Doors Down
Kryptonite
98 bpm • B min • 03:55 • -6db
51% Popularity • 61% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 61% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Olly Jacobs
It's Gonna Be A Cold, Cold Christmas
98 bpm • F Maj • 03:33 • -8.57db
15% Popularity • 56% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 56% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Default
It Only Hurts
98 bpm • F Maj • 03:42 • -4.05db
49% Popularity • 52% Danceability • 78% Energy • 29% Liveness
26% Instrumentalness • 50% Positiveness
49% Popularity • 52% Danceability • 78% Energy • 29% Liveness
26% Instrumentalness • 50% Positiveness
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Shinedown
Through the Ghost
111 bpm • G min • 04:01 • -6.32db
51% Popularity • 52% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 52% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Mateo Oxley
One More Sleep - Acoustic
111 bpm • D Maj • 02:53 • -11.43db
13% Popularity • 68% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 68% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Small Town Titans
You're a Mean One, Mr. Grinch
111 bpm • D Maj • 04:17 • -5.58db
38% Popularity • 63% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 63% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Breaking Benjamin
The Dark of You
97 bpm • D min • 04:12 • -6.88db
54% Popularity • 49% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 49% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Hinder
Up All Night
97 bpm • G# min • 03:33 • -4db
47% Popularity • 48% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 48% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Royal Bliss
Crazy
112 bpm • C# Maj • 03:39 • -4.93db
35% Popularity • 48% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 48% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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My Darkest Days
Every Lie
112 bpm • D min • 02:56 • -3.16db
58% Popularity • 58% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 58% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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Scott Stapp
Gone Too Soon
96 bpm • F# Maj • 03:18 • -7.78db
31% Popularity • 47% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 47% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Art Of Dying
Best I Can
96 bpm • B Maj • 05:03 • -5db
42% Popularity • 62% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 62% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Mateo Oxley
Christmas Always Finds Me - Acoustic
96 bpm • E Maj • 03:04 • -11.42db
29% Popularity • 59% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 59% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Seether
Country Song
96 bpm • C Maj • 03:49 • -6.12db
64% Popularity • 63% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
64% Popularity • 63% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Royal Bliss
Crazy - Acoustic
113 bpm • C# Maj • 03:54 • -2.22db
19% Popularity • 58% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 58% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Daughtry
Gone Too Soon
96 bpm • D# Maj • 03:36 • -6.89db
49% Popularity • 52% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 52% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Asking Alexandria
Alone In A Room - Acoustic Version
113 bpm • F# min • 04:25 • -5.09db
46% Popularity • 51% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 51% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Art Of Dying
Tear Down the Wall
96 bpm • D Maj • 03:04 • -3.59db
53% Popularity • 58% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
53% Popularity • 58% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Smile Empty Soul
This Is War
113 bpm • F# Maj • 04:20 • -10.61db
28% Popularity • 59% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 59% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Seether
The Gift
113 bpm • G# min • 05:34 • -6db
50% Popularity • 53% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 22% Positiveness
50% Popularity • 53% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 22% Positiveness
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Theory of a Deadman
Say Nothing
114 bpm • F# min • 03:36 • -8.36db
38% Popularity • 42% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 42% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Five Finger Death Punch
Bad Company
114 bpm • B min • 04:22 • -4.2db
65% Popularity • 56% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
65% Popularity • 56% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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In This Moment
In the Air Tonight
95 bpm • C# min • 04:57 • -9.75db
46% Popularity • 36% Danceability • 50% Energy • 10% Liveness
20% Instrumentalness • 20% Positiveness
46% Popularity • 36% Danceability • 50% Energy • 10% Liveness
20% Instrumentalness • 20% Positiveness
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One Less Reason
Uneasy
115 bpm • C Maj • 05:35 • -9.53db
28% Popularity • 50% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 50% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Lau Højen
Hold Mig Tæt
95 bpm • E Maj • 03:01 • -8.48db
15% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Sevendust
Hurt (Dedicated To Johnny Cash)
94 bpm • B Maj • 04:07 • -11.17db
38% Popularity • 41% Danceability • 46% Energy • 78% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 41% Danceability • 46% Energy • 78% Liveness
0% Instrumentalness • 20% Positiveness
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Breaking Benjamin
Without You
94 bpm • F min • 04:16 • -3.89db
57% Popularity • 29% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
57% Popularity • 29% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Cory Marks
Blame It On The Double
94 bpm • C Maj • 03:27 • -3.44db
50% Popularity • 55% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 55% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Scott Stapp
Dying To Live
115 bpm • A Maj • 04:06 • -4.89db
36% Popularity • 59% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 59% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Theory of a Deadman
Quicksand
94 bpm • A# min • 03:00 • -8.25db
28% Popularity • 62% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 62% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Nonpoint
When Doves Cry - Radio Edit
115 bpm • C# Maj • 03:52 • -5.45db
49% Popularity • 47% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 47% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Pop Evil
Be Legendary
94 bpm • E min • 03:23 • -3.11db
51% Popularity • 55% Danceability • 94% Energy • 20% Liveness
4% Instrumentalness • 37% Positiveness
51% Popularity • 55% Danceability • 94% Energy • 20% Liveness
4% Instrumentalness • 37% Positiveness
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Halestorm
Get Lucky
116 bpm • A min • 03:08 • -4.75db
42% Popularity • 69% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 69% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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One Less Reason
A Day To Be Alone
116 bpm • A min • 04:27 • -9.56db
34% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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My Darkest Days
Like Nobody Else
116 bpm • G# min • 03:41 • -4db
45% Popularity • 51% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 51% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Theory of a Deadman
Wicked Game
115 bpm • A Maj • 03:40 • -9.01db
48% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Nickelback
Gotta Be Somebody
116 bpm • C Maj • 04:12 • -5.22db
67% Popularity • 54% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
67% Popularity • 54% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Shinedown
How Did You Love - Piano Version
93 bpm • D min • 03:05 • -8.47db
46% Popularity • 64% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 64% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Adelitas Way
Still Hungry
93 bpm • E min • 03:10 • -5.92db
51% Popularity • 52% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 52% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Badflower
The Jester
93 bpm • D Maj • 04:05 • -6.01db
49% Popularity • 51% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 51% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Blue October
Hate Me - Acoustic Version (Explicit)
93 bpm • E min • 03:55 • -4.97db
31% Popularity • 56% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 56% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Theory of a Deadman
Cold Water
93 bpm • D Maj • 03:02 • -6.52db
36% Popularity • 71% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 71% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Three Days Grace
The Mountain
92 bpm • A# Maj • 03:18 • -5db
60% Popularity • 49% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 49% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Bush
Lost In You (2017 - Remaster)
117 bpm • F Maj • 04:19 • -5.24db
38% Popularity • 52% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 52% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Otherwise
Soldiers
117 bpm • D min • 04:01 • -4.05db
60% Popularity • 59% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 59% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Smith & Myers
In the Air Tonight
92 bpm • C Maj • 04:51 • -4db
34% Popularity • 41% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 41% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Pop Evil
Footsteps
92 bpm • F Maj • 04:22 • -7.57db
56% Popularity • 64% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
56% Popularity • 64% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Jordyn Shellhart
You Make It Feel Like Christmas
92 bpm • A# Maj • 03:06 • -11.47db
5% Popularity • 47% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
5% Popularity • 47% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Like A Storm
Crawling
92 bpm • E min • 03:31 • -12.82db
31% Popularity • 49% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 49% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Seether
Betray And Degrade
92 bpm • A# Maj • 04:04 • -4.8db
50% Popularity • 58% Danceability • 74% Energy • 8% Liveness
4% Instrumentalness • 51% Positiveness
50% Popularity • 58% Danceability • 74% Energy • 8% Liveness
4% Instrumentalness • 51% Positiveness
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All That Remains
For You
92 bpm • C# Maj • 04:16 • -2.37db
51% Popularity • 47% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 47% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Papa Roach
Help
92 bpm • D Maj • 03:34 • -4.79db
70% Popularity • 51% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
70% Popularity • 51% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Staind
Zoe Jane
118 bpm • D# min • 04:36 • -5.17db
51% Popularity • 50% Danceability • 69% Energy • 19% Liveness
2% Instrumentalness • 5% Positiveness
51% Popularity • 50% Danceability • 69% Energy • 19% Liveness
2% Instrumentalness • 5% Positiveness
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Cold
Quiet Now
118 bpm • D# Maj • 04:14 • -4.7db
40% Popularity • 55% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 55% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Otherwise
Bloodline Lullaby
118 bpm • C Maj • 05:10 • -4.53db
29% Popularity • 50% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
29% Popularity • 50% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Seether
Same Damn Life
118 bpm • F Maj • 03:19 • -4.33db
61% Popularity • 60% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 60% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Pentatonix
Hallelujah
119 bpm • G min • 04:28 • -7.39db
63% Popularity • 32% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
63% Popularity • 32% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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I Prevail
Alone
119 bpm • F# min • 03:41 • -5db
57% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
57% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Sixx:A.M.
We Will Not Go Quietly
91 bpm • D min • 04:20 • -3.82db
46% Popularity • 50% Danceability • 94% Energy • 73% Liveness
1% Instrumentalness • 47% Positiveness
46% Popularity • 50% Danceability • 94% Energy • 73% Liveness
1% Instrumentalness • 47% Positiveness
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Redlight King
When The Dust Settles Down
90 bpm • B Maj • 02:59 • -8.25db
30% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Smith & Myers
NOT MAD ENOUGH
120 bpm • D min • 03:39 • -6.54db
46% Popularity • 82% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 82% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Saving Abel
The Sex Is Good
120 bpm • F min • 03:31 • -7.99db
57% Popularity • 76% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 76% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Theory of a Deadman
Rx (Medicate)
120 bpm • C# Maj • 03:53 • -7.45db
66% Popularity • 64% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 64% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Blacktop Mojo
Underneath
120 bpm • C# Maj • 03:26 • -12.01db
43% Popularity • 62% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
43% Popularity • 62% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
