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Halloween
Songs like
Halloween (feat. Nicolle Galyon)
by
Walker Hayes
Based on a tempo of (+/- 10%) and a similar genre
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Walker Hayes
Halloween
86 bpm • B min • 03:20 • -7.34db
29% Popularity • 72% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Dan + Shay
Tequila
86 bpm • B Maj • 03:16 • -5.73db
71% Popularity • 49% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Jon Pardi
Your Heart Or Mine
86 bpm • F min • 02:41 • -4db
77% Popularity • 64% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Jelly Roll
Son Of A Sinner
86 bpm • G Maj • 03:52 • -7.49db
76% Popularity • 36% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Thomas Rhett
Marry Me
85 bpm • D# Maj • 03:25 • -8.63db
66% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Old Dominion
No Hard Feelings
85 bpm • E Maj • 03:11 • -6db
62% Popularity • 64% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Walker Hayes
Beer In The Fridge
86 bpm • G Maj • 02:51 • -12.85db
30% Popularity • 55% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Kenny Chesney
American Kids
85 bpm • C Maj • 03:02 • -7.37db
77% Popularity • 78% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Chase Rice
Lonely If You Are
85 bpm • G Maj • 02:56 • -5.1db
57% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Keith Urban
John Cougar, John Deere, John 3:16
85 bpm • C Maj • 03:41 • -6.98db
39% Popularity • 69% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Cody Johnson
Human
84 bpm • D Maj • 03:41 • -7.28db
68% Popularity • 40% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Thomas Rhett
Life Changes
88 bpm • G Maj • 03:10 • -4.37db
61% Popularity • 69% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Walker Hayes
Good With Me
87 bpm • A# Maj • 02:26 • -7.79db
42% Popularity • 75% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Little Big Town
Boondocks
88 bpm • A Maj • 04:32 • -5.39db
67% Popularity • 41% Danceability • 78% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Chayce Beckham
23
88 bpm • C min • 03:48 • -7.36db
66% Popularity • 63% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Marshmello
One Thing Right
88 bpm • E Maj • 03:01 • -2.25db
72% Popularity • 66% Danceability • 62% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Old Dominion
Written in the Sand
84 bpm • F# Maj • 03:04 • -9.6db
64% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Sugarland
Stuck Like Glue
84 bpm • C# Maj • 04:07 • -4.76db
62% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Walker Hayes
Briefcase
88 bpm • B Maj • 03:28 • -7.17db
33% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Maren Morris
All My Favorite People
84 bpm • E Maj • 03:19 • -4db
52% Popularity • 42% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Blake Shelton
I'll Name the Dogs
83 bpm • E Maj • 03:03 • -6db
61% Popularity • 35% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Chase Rice
Eyes On You
89 bpm • A Maj • 03:02 • -6.98db
67% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Morgan Evans
Kiss Somebody
89 bpm • F# Maj • 03:33 • -7db
60% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Priscilla Block
Thick Thighs
83 bpm • G Maj • 02:54 • -3.83db
45% Popularity • 55% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Walker Hayes
Don't Let Her
88 bpm • E Maj • 03:13 • -5.22db
50% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Dierks Bentley
Living
83 bpm • C# Maj • 03:42 • -6.33db
58% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Stapleton
Starting Over
89 bpm • A# Maj • 04:00 • -8.45db
77% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Blake Shelton
Happy Anywhere
83 bpm • G# Maj • 02:51 • -6db
61% Popularity • 61% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Keith Urban
Blue Ain't Your Color
82 bpm • G Maj • 03:50 • -7.87db
49% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Darius Rucker
Alright
90 bpm • G Maj • 03:51 • -4.58db
68% Popularity • 60% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Walker Hayes
6 string american dream
88 bpm • G Maj • 03:13 • -7.15db
31% Popularity • 71% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Gabby Barrett
The Good Ones
90 bpm • D Maj • 03:35 • -5.02db
71% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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David Lee Murphy
Everything's Gonna Be Alright
90 bpm • F min • 03:49 • -7db
58% Popularity • 76% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Luke Bryan
One Margarita
90 bpm • A Maj • 03:13 • -4.87db
68% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Keith Urban
One Too Many
83 bpm • E Maj • 03:23 • -6.5db
61% Popularity • 70% Danceability • 54% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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Tim McGraw
Undivided
90 bpm • A# Maj • 02:57 • -4.75db
50% Popularity • 58% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Walker Hayes
Dollar Store
88 bpm • C Maj • 03:17 • -6.96db
31% Popularity • 71% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Chase Matthew
Pull Up
90 bpm • C Maj • 02:32 • -5db
67% Popularity • 73% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Billy Currington
Do I Make You Wanna
90 bpm • A Maj • 03:54 • -5.43db
64% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Pardi
Dirt On My Boots
90 bpm • B Maj • 03:21 • -4.18db
77% Popularity • 68% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Blake Shelton
Minimum Wage
90 bpm • E Maj • 03:48 • -4db
54% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Parmalee
Just the Way
90 bpm • A Maj • 03:13 • -3.34db
69% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Walker Hayes
Craig
84 bpm • C Maj • 03:10 • -10.56db
37% Popularity • 49% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Miranda Lambert
Somethin' Bad - Duet with Carrie Underw...
90 bpm • A Maj • 02:49 • -5.31db
65% Popularity • 68% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Jake Owen
Made For You
82 bpm • C# Maj • 03:58 • -6.83db
69% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Priscilla Block
Off The Deep End
82 bpm • A# min • 03:16 • -5db
49% Popularity • 66% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot
82 bpm • G Maj • 03:13 • -4.49db
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Cole Swindell
Single Saturday Night
82 bpm • G Maj • 03:09 • -5db
59% Popularity • 63% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Walker Hayes
Life With You
83 bpm • G# Maj • 03:00 • -7.01db
38% Popularity • 57% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Brothers Osborne
I'm Not For Everyone
82 bpm • G Maj • 02:52 • -4.87db
65% Popularity • 59% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Jake Owen
Down To The Honkytonk
82 bpm • D# Maj • 03:06 • -4.12db
71% Popularity • 63% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Brantley Gilbert
The Weekend
82 bpm • F# min • 03:07 • -4.76db
62% Popularity • 51% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Miranda Lambert
Bluebird
82 bpm • G Maj • 03:29 • -5.99db
67% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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LOCASH
One Big Country Song
82 bpm • F Maj • 03:13 • -2.85db
58% Popularity • 55% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Walker Hayes
What You Don't Wish For
82 bpm • F# Maj • 03:00 • -6.84db
29% Popularity • 39% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Maren Morris
80s Mercedes
91 bpm • A Maj • 03:31 • -5.41db
59% Popularity • 48% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Billy Currington
Don't It
91 bpm • C# Maj • 03:09 • -4.48db
65% Popularity • 57% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Zac Brown Band
Knee Deep
91 bpm • G# Maj • 03:23 • -8.23db
74% Popularity • 72% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Mitchell Tenpenny
Truth About You
81 bpm • A# Maj • 03:23 • -4.65db
61% Popularity • 52% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Seaforth
Good Beer
91 bpm • F# Maj • 02:54 • -4.25db
47% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Walker Hayes
That Dog'll Hunt
90 bpm • C# min • 02:29 • -5.66db
37% Popularity • 57% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Chris Young
Looking for You
81 bpm • G Maj • 03:01 • -3.65db
51% Popularity • 45% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Lee Brice
Memory I Don't Mess With
92 bpm • F# min • 03:00 • -7.61db
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Dustin Lynch
Good Girl
81 bpm • G Maj • 03:09 • -5.05db
60% Popularity • 71% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
62% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Kane Brown
Lose It
92 bpm • E min • 02:58 • -4.97db
62% Popularity • 55% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Walker Hayes
Delorean
90 bpm • G# Maj • 02:39 • -6.48db
41% Popularity • 64% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Colt Ford
Dirty Side
80 bpm • C# min • 03:40 • -5db
40% Popularity • 68% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Lee Brice
I Don't Dance
92 bpm • C# Maj • 03:41 • -7.74db
66% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Kenny Chesney
Get Along
92 bpm • G Maj • 03:19 • -6.11db
67% Popularity • 63% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Miranda Lambert
If I Was a Cowboy
80 bpm • F# min • 03:14 • -6db
57% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Kane Brown
Heaven
80 bpm • A Maj • 02:59 • -7db
74% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Walker Hayes
Fancy Like
80 bpm • C# Maj • 02:41 • -6.46db
73% Popularity • 65% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Dylan Scott
Nobody
80 bpm • F Maj • 02:42 • -7db
60% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Elle King
Worth A Shot
80 bpm • C Maj • 03:31 • -5db
43% Popularity • 49% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Gabby Barrett
Pick Me Up
80 bpm • D Maj • 02:49 • -5db
57% Popularity • 47% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Frankie Ballard
Sunshine & Whiskey
93 bpm • A Maj • 03:02 • -6.79db
64% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Lee Brice
Boy
79 bpm • F# Maj • 03:18 • -7.95db
62% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Walker Hayes
Chapel - 8Track
90 bpm • F# Maj • 02:42 • -8.28db
29% Popularity • 90% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Russell Dickerson
Every Little Thing
94 bpm • C# Maj • 03:10 • -4.66db
62% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Ingrid Andress
Wishful Drinking - Bonus Track
79 bpm • A# Maj • 03:14 • -7db
55% Popularity • 68% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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BRELAND
Throw It Back
94 bpm • C Maj • 03:07 • -4.92db
53% Popularity • 79% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Nichols
Tequila Makes Her Clothes Fall Off
94 bpm • D Maj • 03:07 • -7.05db
68% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Reklaws
Old Country Soul
94 bpm • D Maj • 02:54 • -4.95db
42% Popularity • 69% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Walker Hayes
Y'all Life
82 bpm • D Maj • 03:12 • -6db
41% Popularity • 65% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Jake Owen
I Was Jack (You Were Diane)
94 bpm • F# Maj • 03:07 • -3.54db
61% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Jordan Davis
Next Thing You Know
79 bpm • F Maj • 02:55 • -8db
78% Popularity • 55% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Shania Twain
Any Man Of Mine
78 bpm • G# Maj • 04:06 • -8.7db
73% Popularity • 59% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Jelly Roll
Chevrolet
78 bpm • G Maj • 03:04 • -3.8db
69% Popularity • 56% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Scotty McCreery
This Is It
78 bpm • G# Maj • 03:50 • -6.79db
62% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Walker Hayes
Face In The Crowd
82 bpm • G Maj • 02:41 • -8db
36% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Adam Doleac
Famous
95 bpm • G Maj • 03:06 • -5.58db
47% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Luke Combs
Even Though I'm Leaving
78 bpm • D Maj • 03:45 • -6.04db
70% Popularity • 55% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Blanco Brown
Nobody's More Country
95 bpm • G Maj • 02:52 • -7.97db
49% Popularity • 61% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Jordan Davis
Drink Had Me
95 bpm • B Maj • 02:36 • -5db
64% Popularity • 70% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Dylan Scott
My Girl
95 bpm • C# Maj • 03:17 • -7.25db
68% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Walker Hayes
if father time had a daughter
82 bpm • D Maj • 02:42 • -11db
38% Popularity • 49% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Brothers Osborne
Nobody's Nobody
95 bpm • F Maj • 03:09 • -6.25db
54% Popularity • 58% Danceability • 75% Energy • 12% Liveness
4% Instrumentalness • 60% Positiveness
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Jon Pardi
Heartache Medication
95 bpm • A Maj • 03:29 • -3.34db
68% Popularity • 62% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Craig Morgan
International Harvester
95 bpm • D Maj • 03:48 • -5.17db
61% Popularity • 70% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Halloween