Songs like Hame Jaishu Hamara Gher by Sheela Sethia
Based on a tempo of (+/- 10%) and a similar genre
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Sheela Sethia
Jayo Jayo Ma Jagdambe(Aarti)
117 bpm • C# Maj • 09:27 • -9.33db
3% Popularity • 44% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
3% Popularity • 44% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Surykant Shinde
Yellama Renukala Phool Har Vahuya
117 bpm • G# Maj • 05:25 • -13.57db
12% Popularity • 59% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 59% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
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Arvind Barot
Aa Mitha Wagarna Anvar
117 bpm • C# Maj • 06:14 • -11db
20% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Rekha Trivedi
Samaro Mantra Bhalo Navkar
117 bpm • F Maj • 06:35 • -14db
0% Popularity • 60% Danceability • 37% Energy • 27% Liveness
10% Instrumentalness • 43% Positiveness
0% Popularity • 60% Danceability • 37% Energy • 27% Liveness
10% Instrumentalness • 43% Positiveness
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Jagjit Singh
Baat Nihare Ghanshyam - Lofi
116 bpm • D# Maj • 05:58 • -15.89db
4% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
4% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Pujya Bhaishree Rameshbhai Ojha
Jayati Jayati Jag Nivas Shankar Sukhkari
116 bpm • F min • 09:57 • -10.83db
15% Popularity • 38% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 38% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Sheela Sethia
Maa No Garbo Re Rame
117 bpm • B min • 05:24 • -10.22db
1% Popularity • 53% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
1% Popularity • 53% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Martina Motwani
Ayodhya Mein Ram Aavenge
118 bpm • A# min • 03:01 • -11.65db
36% Popularity • 72% Danceability • 48% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 72% Danceability • 48% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
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Uttara Kelkar
Maitrinino Navrila Halad Lawa Ga
118 bpm • A# Maj • 05:45 • -8.88db
8% Popularity • 76% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 76% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Satish Dehra
Choti Choti Gaiyya
116 bpm • C# Maj • 07:09 • -5.85db
13% Popularity • 60% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 60% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Bijender Chauhan
Tere Naam Ke Diwane
119 bpm • F# min • 06:59 • -2.23db
3% Popularity • 47% Danceability • 80% Energy • 44% Liveness
0% Instrumentalness • 86% Positiveness
3% Popularity • 47% Danceability • 80% Energy • 44% Liveness
0% Instrumentalness • 86% Positiveness
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Shahnaz Akhtar
Mahakali Ho Maa
115 bpm • F min • 09:07 • -7.89db
10% Popularity • 60% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 60% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Sheela Sethia
He Shankheshwar Swami(Aarti)
118 bpm • F Maj • 06:06 • -12.98db
1% Popularity • 53% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 53% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Pujya Prembhushanji Maharaj
Dukho Se Jo Thokar Khayi Na Hoti
119 bpm • D Maj • 05:03 • -10.58db
9% Popularity • 67% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 67% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Amresh Shahabadi
Padhare Ayodhya Ke Shree Ram
115 bpm • F# min • 04:48 • -2.01db
12% Popularity • 62% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 62% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Mahesh Hiremath
Charkoti Ek Lakshyacha Shevat
115 bpm • G# Maj • 02:20 • -7.2db
18% Popularity • 68% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 68% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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Surykant Shinde
Ata Vandu Ata Mazi Yellama Mata
115 bpm • F# Maj • 04:21 • -14.61db
18% Popularity • 70% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 70% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Nirupama Dey
Karpur Gauram Karunaavtaaram
120 bpm • F Maj • 08:09 • -7.05db
10% Popularity • 60% Danceability • 31% Energy • 77% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 60% Danceability • 31% Energy • 77% Liveness
0% Instrumentalness • 33% Positiveness
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Sheela Sethia
Albelo Sawariyo
119 bpm • G# Maj • 01:16 • -8.78db
0% Popularity • 67% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 67% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Pujya Prembhushanji Maharaj
Baje Awadh Me Badhaiya
120 bpm • E min • 04:01 • -6.66db
10% Popularity • 58% Danceability • 69% Energy • 46% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 58% Danceability • 69% Energy • 46% Liveness
0% Instrumentalness • 90% Positiveness
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Praful Dave
Ho Garbo Gabbar Gokhathi
120 bpm • G Maj • 02:59 • -12.77db
9% Popularity • 51% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 51% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Mahesh Hiremath
Ekvel Kari Ya Dukhavegale
114 bpm • C# min • 05:45 • -5.03db
9% Popularity • 67% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 67% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Rasraj Ji Maharaj
Vinay Patrika Jake Gati
120 bpm • F# Maj • 01:28 • -7.18db
16% Popularity • 82% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 82% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Chetna
Patum Chikgi
120 bpm • F# Maj • 07:15 • -9.01db
10% Popularity • 56% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 56% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Sheela Sethia
Vishwambhari(Stuti)
114 bpm • D Maj • 07:53 • -7.3db
0% Popularity • 51% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 51% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Mridul Krishan Shastri
Jhula Jhulo Ree Rahe Jhulane Tera Shyam ...
120 bpm • A# min • 02:53 • -5.4db
8% Popularity • 76% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 76% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Pu.Rajdarshan Vijay M.s.
He Prabhu He Prabhu
120 bpm • F Maj • 05:26 • -9.66db
9% Popularity • 80% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 80% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Rajesh Chandra
Mera Apki Daya Se
120 bpm • A# Maj • 08:22 • -9.02db
11% Popularity • 75% Danceability • 55% Energy • 57% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 75% Danceability • 55% Energy • 57% Liveness
0% Instrumentalness • 83% Positiveness
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Jyoti Tiwari
Aaya Nau Din Ka Tyohar
120 bpm • F min • 04:34 • -2.58db
9% Popularity • 74% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 74% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Bijender Chauhan
Bhagat Tu Chal Re Chal
114 bpm • G# Maj • 04:57 • -1.56db
5% Popularity • 83% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
5% Popularity • 83% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Mahesh Hiremath
Swarga Lokihun Aale He Abhang
114 bpm • G# min • 04:17 • -6.18db
11% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Mridul Krishan Shastri
Gaddi Chhuut Gayi Baba Ticket Late Katva...
120 bpm • F min • 03:54 • -4.31db
9% Popularity • 76% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 76% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Chetna
Ngayi Naymo
114 bpm • C Maj • 07:54 • -10.69db
10% Popularity • 60% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 60% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Lalitya Munshaw
Hari Tum Haro
114 bpm • G Maj • 05:04 • -8.93db
12% Popularity • 70% Danceability • 42% Energy • 12% Liveness
21% Instrumentalness • 36% Positiveness
12% Popularity • 70% Danceability • 42% Energy • 12% Liveness
21% Instrumentalness • 36% Positiveness
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Shahnaz Akhtar
Mai Jagdamba Ke Dwar Languriya Nache
114 bpm • D# Maj • 09:13 • -4.49db
21% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Sanjay Raizada
Tumse Lagi Lagan
120 bpm • F# Maj • 03:32 • -9.45db
13% Popularity • 71% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 71% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Swapnil Bandodkar
Sab Ho Gaye Bhav Se Par
113 bpm • D# Maj • 06:12 • -6.82db
8% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Mridul Krishan Shastri
Dil Lutne Wale Sawriya Teri Murli Baje P...
120 bpm • B Maj • 03:34 • -4.8db
9% Popularity • 72% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 72% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Sheela Sethia
Siddhachal Na Vaasi
121 bpm • C min • 09:33 • -6.84db
11% Popularity • 50% Danceability • 65% Energy • 21% Liveness
2% Instrumentalness • 66% Positiveness
11% Popularity • 50% Danceability • 65% Energy • 21% Liveness
2% Instrumentalness • 66% Positiveness
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Rekha Trivedi
Karni Kathani
113 bpm • F min • 04:14 • -16.23db
0% Popularity • 76% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 76% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Shahnaz Akhtar
Nagar Kot Ki Jwala Rani
113 bpm • D min • 07:14 • -9.64db
11% Popularity • 58% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 58% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Pujya Prembhushanji Maharaj
Aisa Sundar Swabhaav
113 bpm • F min • 06:39 • -9.08db
9% Popularity • 46% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 46% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Vitthal Umap
Gondhal Mandila Gondhala Ya
113 bpm • D# min • 06:01 • -8.53db
12% Popularity • 60% Danceability • 70% Energy • 35% Liveness
1% Instrumentalness • 94% Positiveness
12% Popularity • 60% Danceability • 70% Energy • 35% Liveness
1% Instrumentalness • 94% Positiveness
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Mridul Krishan Shastri
Ek Haar Bana Mali Mujhe Baba Ko Pahnana ...
120 bpm • F min • 03:38 • -4.32db
9% Popularity • 65% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 65% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Sheela Sethia
Aarti - Jai Adya Shakti
121 bpm • F Maj • 08:40 • -7.94db
0% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Meena Patel
Kankarina Marya Kadi Na Mariye
122 bpm • G# Maj • 11:54 • -9.26db
0% Popularity • 51% Danceability • 62% Energy • 94% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 51% Danceability • 62% Energy • 94% Liveness
0% Instrumentalness • 86% Positiveness
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Kavita Krishnamurthy
Tujhe Ghar Launga Pyar Barsaunga
122 bpm • D# min • 05:05 • -9.07db
17% Popularity • 75% Danceability • 72% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 75% Danceability • 72% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
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Surykant Shinde
Bhulavle Bhulavle Harila
122 bpm • G# Maj • 05:06 • -7.28db
24% Popularity • 70% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 70% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Neha Naaz
Deewani Khawaja Ki Deewani - Qawwali Son...
112 bpm • D# min • 08:44 • -7.51db
14% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Shakuntala Jadhav
Kalubai Nighali Panyala
112 bpm • G# min • 05:43 • -2.93db
15% Popularity • 59% Danceability • 96% Energy • 77% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 59% Danceability • 96% Energy • 77% Liveness
0% Instrumentalness • 74% Positiveness
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Sheela Sethia
Aula Re Swami Aula
112 bpm • A Maj • 02:28 • -9db
0% Popularity • 76% Danceability • 74% Energy • 80% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 76% Danceability • 74% Energy • 80% Liveness
0% Instrumentalness • 96% Positiveness
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Debashish Dasgupta
Holi Mein Choli Ye Rangwalo Ji
112 bpm • A min • 04:29 • -11.02db
8% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Mina Rana
Devi Barahi Teri Jai Jaikara
111 bpm • C# min • 10:12 • -12.78db
12% Popularity • 50% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 50% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Viral Barot
Eva Galdhare Thi Maa Khodal Halya
124 bpm • B Maj • 06:20 • -6.09db
13% Popularity • 47% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 47% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Surykant Shinde
Yellama Mazi Yellama
111 bpm • E min • 06:30 • -14.94db
16% Popularity • 73% Danceability • 43% Energy • 62% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 73% Danceability • 43% Energy • 62% Liveness
0% Instrumentalness • 89% Positiveness
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Rakesh Kala
Ram Naam Bhajo Re
124 bpm • A Maj • 05:59 • -4.41db
11% Popularity • 73% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 73% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Sheela Sethia
Jinji Shanti Jinanda
112 bpm • G# Maj • 01:19 • -9.52db
0% Popularity • 75% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 75% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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Chetna
Ab Aayenge Mere Ram
124 bpm • F min • 03:58 • -7.05db
21% Popularity • 75% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 75% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Suresh Kurre
Rimjhim Sawan Ke Barsaat Hoge
110 bpm • G# Maj • 05:40 • -4.09db
10% Popularity • 63% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 63% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Devendra Pathak
Tumhi Mein Ye Jiwan Jiye Ja Raha Hu
110 bpm • F# min • 07:14 • -4.81db
20% Popularity • 67% Danceability • 63% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 67% Danceability • 63% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
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Surykant Shinde
Asa Hota Bhim Kayada
110 bpm • G Maj • 04:26 • -9.37db
10% Popularity • 61% Danceability • 77% Energy • 55% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 61% Danceability • 77% Energy • 55% Liveness
0% Instrumentalness • 74% Positiveness
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Debashish Dasgupta
Teri Chinta Har Hi Legi
110 bpm • G min • 04:52 • -10.07db
9% Popularity • 61% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 61% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Arif Akhtar
Mojzay
110 bpm • A Maj • 04:51 • -3.89db
20% Popularity • 62% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 62% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Monica Mundu
Mahima Howe
110 bpm • F Maj • 05:40 • -5.38db
11% Popularity • 74% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 74% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Mridul Krishan Shastri
Chotti Chotti Gaiya Chotte Chotte Gwal
110 bpm • A min • 04:30 • -4.96db
9% Popularity • 76% Danceability • 95% Energy • 52% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 76% Danceability • 95% Energy • 52% Liveness
0% Instrumentalness • 81% Positiveness
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Ravindra Jain
Mangal Murti
125 bpm • C Maj • 07:34 • -6.44db
8% Popularity • 66% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 66% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Sheela Sethia
Ek Bar Mukhdo Batao
110 bpm • C# Maj • 02:54 • -9.3db
0% Popularity • 75% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 75% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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Shirkant Narayan
Nako Rum Dada Maaru Parani
109 bpm • F Maj • 05:12 • -6.93db
11% Popularity • 71% Danceability • 77% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 71% Danceability • 77% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
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Arzoo Bano
Hum Bhi Chup Aur
109 bpm • F# Maj • 06:26 • -14.37db
12% Popularity • 50% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 50% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Vijay Sartape
Alikad Ye Mala Palikad Ne
125 bpm • G# Maj • 05:01 • -8.2db
8% Popularity • 67% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 67% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Shivkumar Tiwari
Tola Rang Ma Ranga ke
126 bpm • B Maj • 04:16 • -7.28db
10% Popularity • 49% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 49% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Shahnaz Akhtar
Danav Sa Laage Chichan Guniya
108 bpm • C# Maj • 06:20 • -5.87db
8% Popularity • 48% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 48% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Sheela Sethia
He Shankheshwar Na Vasi
109 bpm • C# Maj • 06:54 • -13.09db
1% Popularity • 37% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
1% Popularity • 37% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Rekha Rao
संकर सुवन केसर�...
126 bpm • A Maj • 02:06 • -0.74db
21% Popularity • 52% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 52% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 94% Positiveness
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Ramesh Nakhwa
Achkan Machkan Malyala
108 bpm • G# min • 05:04 • -10.21db
0% Popularity • 57% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 57% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Pralhad Shinde
Vitthala Re Vitthala
108 bpm • G Maj • 05:59 • -7.71db
8% Popularity • 49% Danceability • 61% Energy • 49% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 49% Danceability • 61% Energy • 49% Liveness
0% Instrumentalness • 80% Positiveness
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Rajesh Chandra
Mujhe Kaun Puchta Teri Bandagi Se Pehle
108 bpm • E Maj • 05:10 • -9.28db
9% Popularity • 82% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 82% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Deshraj Narvariya
Mela Me Bela Machal Gai Re
127 bpm • F# Maj • 09:15 • -0.79db
13% Popularity • 51% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 51% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Sheela Sethia
Vagya Vgaya Danka
109 bpm • E Maj • 09:02 • -11.24db
0% Popularity • 50% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 50% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Anil Hanslas
Govind Mero Hai
108 bpm • D# min • 08:19 • -7.04db
16% Popularity • 44% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 44% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Bhawar Chaudhari
Guru Rakh Le Teri Sharan Mein
127 bpm • F Maj • 04:38 • -15.22db
0% Popularity • 57% Danceability • 38% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 57% Danceability • 38% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Surykant Shinde
Man Mohan Murliwala
107 bpm • C Maj • 04:04 • -10.58db
21% Popularity • 59% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 59% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 67% Positiveness
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Anjali Jain
Bolo Sai Raam
107 bpm • A min • 05:05 • -5.06db
5% Popularity • 55% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
5% Popularity • 55% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Milan Singh
Hai Jyot Ki Mahima Nyari
107 bpm • F# Maj • 07:29 • -7.37db
14% Popularity • 62% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 62% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Sheela Sethia
Mane Pyara Lage
126 bpm • F min • 05:50 • -14.16db
0% Popularity • 48% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 48% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Mithlesh Sahu
Annaye Ke Raj Chale
107 bpm • C# Maj • 05:45 • -14.97db
9% Popularity • 45% Danceability • 49% Energy • 14% Liveness
90% Instrumentalness • 52% Positiveness
9% Popularity • 45% Danceability • 49% Energy • 14% Liveness
90% Instrumentalness • 52% Positiveness
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Bhawar Chaudhari
Stuti
127 bpm • A min • 03:21 • -15.6db
0% Popularity • 38% Danceability • 16% Energy • 11% Liveness
32% Instrumentalness • 6% Positiveness
0% Popularity • 38% Danceability • 16% Energy • 11% Liveness
32% Instrumentalness • 6% Positiveness
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![O Karuna Na Karnara cover art]()
Manoj Dave
O Karuna Na Karnara
107 bpm • A# min • 05:37 • -9.02db
12% Popularity • 54% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 54% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Jagdish Bakrola
He Myara Bhagwan Jara
106 bpm • F# Maj • 09:45 • -13.43db
10% Popularity • 64% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 64% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Saniya Sur
Jhatka Laga
129 bpm • E Maj • 03:14 • -5.83db
11% Popularity • 53% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 53% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Ravindra Jain
Shesh Ki Sej Pe Soye Ki Jo Prabhu Neend ...
106 bpm • D min • 01:21 • -12.96db
15% Popularity • 57% Danceability • 51% Energy • 67% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 57% Danceability • 51% Energy • 67% Liveness
0% Instrumentalness • 97% Positiveness
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Rasraj Ji Maharaj
Vinay Patrika Shankar
106 bpm • D# min • 01:35 • -5.71db
15% Popularity • 83% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 83% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
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Rajesh Lohiya
Maat Ang Chola
129 bpm • D# Maj • 07:15 • -5.73db
21% Popularity • 54% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 54% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Ratan Sinh Vaghela
Jogmaya Tu Jogani
129 bpm • D min • 01:51 • -7.35db
11% Popularity • 59% Danceability • 57% Energy • 68% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 59% Danceability • 57% Energy • 68% Liveness
0% Instrumentalness • 96% Positiveness
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Kavita Paudwal
Meri Jaan Le Gayee Karke Jaadu Ruksana
130 bpm • G# Maj • 06:06 • -7.78db
8% Popularity • 59% Danceability • 95% Energy • 41% Liveness
8% Instrumentalness • 58% Positiveness
8% Popularity • 59% Danceability • 95% Energy • 41% Liveness
8% Instrumentalness • 58% Positiveness
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Meena Patel
Sonal Mara Ghatda Kera
130 bpm • F Maj • 07:36 • -11.81db
0% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Harender Hungama
Chhup Jala Chand
130 bpm • C# Maj • 05:27 • -6.91db
10% Popularity • 75% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 75% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Kumar Sanu
Sharaab Pee Pee Kar
106 bpm • D Maj • 08:34 • -9.94db
14% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 62% Positiveness
14% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 62% Positiveness
