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Hamilton
Songs like
Hamilton
by
Big Scary
Based on a tempo of (+/- 10%) and a similar genre
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Amy Stroup
With Wings
116 bpm • C# Maj • 04:36 • -11.84db
21% Popularity • 49% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 13% Positiveness
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Ezra Vine
Cradlesong
116 bpm • G Maj • 05:31 • -11.2db
15% Popularity • 51% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Big Scary
Organism
116 bpm • G min • 03:16 • -5db
15% Popularity • 70% Danceability • 85% Energy • 12% Liveness
2% Instrumentalness • 68% Positiveness
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All Mankind
Simple Desire
116 bpm • G Maj • 03:49 • -8.45db
28% Popularity • 57% Danceability • 58% Energy • 10% Liveness
65% Instrumentalness • 36% Positiveness
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French For Rabbits
Goat
116 bpm • C# Maj • 03:48 • -12.13db
34% Popularity • 42% Danceability • 19% Energy • 14% Liveness
27% Instrumentalness • 9% Positiveness
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Tom Rosenthal
Forgets Slowly
116 bpm • C Maj • 03:30 • -11.71db
20% Popularity • 53% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 42% Positiveness
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Sanders Bohlke
Pharaoh
115 bpm • F Maj • 02:15 • -7.48db
10% Popularity • 37% Danceability • 58% Energy • 50% Liveness
0% Instrumentalness • 24% Positiveness
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Oh Mercy
Can't Fight It
115 bpm • E Maj • 02:12 • -5.31db
7% Popularity • 66% Danceability • 81% Energy • 12% Liveness
2% Instrumentalness • 89% Positiveness
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Big Scary
Hamilton
116 bpm • F# Maj • 03:26 • -8.95db
12% Popularity • 52% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Funeral Suits
We Only Attack Ourselves
117 bpm • F min • 03:21 • -9.56db
28% Popularity • 48% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
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The Middle East
Lonely
115 bpm • B Maj • 07:27 • -8.94db
17% Popularity • 44% Danceability • 29% Energy • 10% Liveness
19% Instrumentalness • 5% Positiveness
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Whitaker
Embers Upon the Wind
117 bpm • B Maj • 03:55 • -12.17db
18% Popularity • 70% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Sanders Bohlke
Fighter Pilot
117 bpm • D Maj • 04:00 • -15.11db
14% Popularity • 33% Danceability • 20% Energy • 8% Liveness
5% Instrumentalness • 6% Positiveness
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#1 Dads
Two Weeks - triple j Like A Version
117 bpm • A# Maj • 03:37 • -8.74db
31% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Big Scary
Falling Away
115 bpm • A min • 04:06 • -7.05db
15% Popularity • 65% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Sarah Jaffe
Before You Go
117 bpm • E Maj • 03:24 • -10.5db
17% Popularity • 49% Danceability • 44% Energy • 13% Liveness
27% Instrumentalness • 12% Positiveness
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Sparkadia
Mary
114 bpm • A min • 04:04 • -5.18db
22% Popularity • 54% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Flagship
Wagon
118 bpm • B Maj • 03:24 • -9.4db
7% Popularity • 50% Danceability • 37% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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Marika Hackman
Drown
118 bpm • G Maj • 03:51 • -15db
34% Popularity • 29% Danceability • 24% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Lisa Mitchell
Providence
114 bpm • A Maj • 05:09 • -11.79db
12% Popularity • 30% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Big Scary
The Opposite of Us
117 bpm • G Maj • 04:22 • -5.77db
39% Popularity • 74% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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The Pica Beats
Shallow Dive
118 bpm • D Maj • 04:34 • -6db
14% Popularity • 58% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Krista Muir
Concrete Lovesong
114 bpm • A# min • 02:58 • -9.35db
7% Popularity • 74% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Night Terrors of 1927
Always Take You Back
114 bpm • C# Maj • 05:13 • -7.84db
29% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Jarrod Gorbel
Don't Want This To End
114 bpm • E Maj • 03:41 • -7.5db
8% Popularity • 65% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Bahamas
Til The Morning
114 bpm • B Maj • 02:00 • -13.71db
32% Popularity • 74% Danceability • 27% Energy • 12% Liveness
29% Instrumentalness • 43% Positiveness
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Big Scary
Love To Love
117 bpm • C min • 04:23 • -8.67db
5% Popularity • 77% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Jezabels
Easy To Love
118 bpm • A Maj • 04:49 • -7db
45% Popularity • 46% Danceability • 77% Energy • 26% Liveness
7% Instrumentalness • 52% Positiveness
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The Donnies The Amys
The King of Norway
118 bpm • F# min • 03:34 • -6.15db
24% Popularity • 52% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Unkle Bob
Swans (Extended Version)
118 bpm • B min • 04:07 • -5.61db
18% Popularity • 49% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Yeah Yeah Yeahs
Soft Shock - acoustic
113 bpm • G Maj • 03:25 • -9db
30% Popularity • 51% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Slow Club
Beginners
119 bpm • F# Maj • 04:15 • -6.27db
19% Popularity • 58% Danceability • 84% Energy • 10% Liveness
73% Instrumentalness • 16% Positiveness
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Big Scary
Heaven On Earth
115 bpm • A min • 06:12 • -10.22db
9% Popularity • 41% Danceability • 57% Energy • 9% Liveness
14% Instrumentalness • 23% Positiveness
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Early Morning Rebel
Life Boat
119 bpm • G Maj • 03:01 • -6.1db
23% Popularity • 60% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
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Release The Sunbird
Road To Nowhere
119 bpm • F Maj • 04:13 • -7.89db
24% Popularity • 59% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Sarah Jaffe
Better Than Nothing
119 bpm • F# min • 03:52 • -11.37db
13% Popularity • 40% Danceability • 37% Energy • 15% Liveness
2% Instrumentalness • 18% Positiveness
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Civil Twilight
It's Over
119 bpm • G Maj • 03:43 • -13.99db
18% Popularity • 60% Danceability • 31% Energy • 13% Liveness
13% Instrumentalness • 24% Positiveness
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The Black Atlantic
I Shall Cross This River
119 bpm • A Maj • 03:28 • -24.63db
35% Popularity • 55% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Big Scary
Oxygen
119 bpm • E min • 03:23 • -5.46db
10% Popularity • 70% Danceability • 90% Energy • 11% Liveness
22% Instrumentalness • 53% Positiveness
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The Middle East
The Darkest Side
119 bpm • G min • 05:07 • -13.62db
28% Popularity • 41% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Mike Mogis
A Toast - At Your Door
113 bpm • C Maj • 03:33 • -12db
22% Popularity • 56% Danceability • 59% Energy • 10% Liveness
20% Instrumentalness • 16% Positiveness
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Andy Bull
Last Waltz
113 bpm • G Maj • 03:29 • -3.62db
11% Popularity • 56% Danceability • 82% Energy • 59% Liveness
0% Instrumentalness • 54% Positiveness
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The Rescues
My Heart With You
120 bpm • C# Maj • 04:24 • -15.98db
31% Popularity • 40% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Emperor X
Go-Captain and Pinlighter
120 bpm • A Maj • 04:19 • -13.99db
11% Popularity • 55% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Big Scary
This Weight
113 bpm • E min • 03:00 • -4.73db
2% Popularity • 35% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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#1 Dads
Homeward Found
120 bpm • B Maj • 05:05 • -11.15db
18% Popularity • 49% Danceability • 42% Energy • 34% Liveness
2% Instrumentalness • 22% Positiveness
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Husky
Dark Sea
120 bpm • E min • 02:58 • -7.76db
18% Popularity • 64% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 55% Positiveness
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The Jezabels
She's So Hard
120 bpm • A# Maj • 04:34 • -13.15db
28% Popularity • 28% Danceability • 36% Energy • 7% Liveness
26% Instrumentalness • 26% Positiveness
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Sea At Last
Sleep Inside Thunder
120 bpm • E min • 05:06 • -11.18db
9% Popularity • 46% Danceability • 24% Energy • 12% Liveness
10% Instrumentalness • 6% Positiveness
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Neulore
Eve
120 bpm • A min • 03:12 • -5.65db
13% Popularity • 59% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Winterpark
One Night Alone
120 bpm • C# Maj • 04:12 • -14.06db
25% Popularity • 70% Danceability • 28% Energy • 10% Liveness
46% Instrumentalness • 25% Positiveness
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The Static Jacks
My Parents Lied
120 bpm • B min • 02:58 • -5.68db
20% Popularity • 62% Danceability • 98% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Elsinore
Body of Water
120 bpm • C Maj • 04:55 • -9db
7% Popularity • 43% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
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Nico Stai
Maybe Maybe
120 bpm • D# Maj • 03:12 • -17db
21% Popularity • 52% Danceability • 19% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
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Big Scary
Harmony Sometimes
112 bpm • F Maj • 02:31 • -12.02db
14% Popularity • 51% Danceability • 49% Energy • 13% Liveness
10% Instrumentalness • 12% Positiveness
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The Belle Brigade
Sweet Louise
120 bpm • E Maj • 03:05 • -12.51db
34% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Amy Stroup
Quiet Hearts
112 bpm • C Maj • 04:12 • -13.14db
21% Popularity • 57% Danceability • 50% Energy • 11% Liveness
9% Instrumentalness • 54% Positiveness
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One for the Team
Best Supporting Actor
120 bpm • D Maj • 02:56 • -5.35db
12% Popularity • 51% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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#1 Dads
The Ocean
120 bpm • C Maj • 03:19 • -18.02db
12% Popularity • 77% Danceability • 36% Energy • 11% Liveness
36% Instrumentalness • 22% Positiveness
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Art of Sleeping
Empty Hands
112 bpm • D min • 03:24 • -4.25db
24% Popularity • 47% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Bec Sandridge
Red Jumper - radio edit
112 bpm • F# min • 02:38 • -13.88db
8% Popularity • 70% Danceability • 44% Energy • 12% Liveness
52% Instrumentalness • 35% Positiveness
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Tom Rosenthal
Have We Met Before?
112 bpm • G# Maj • 02:14 • -17.04db
28% Popularity • 44% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Big Scary
Creature of the Night, Pt. II
121 bpm • B min • 01:13 • -11.1db
16% Popularity • 30% Danceability • 39% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
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Correatown
All You Left Behind
121 bpm • B min • 03:51 • -11.79db
17% Popularity • 40% Danceability • 49% Energy • 29% Liveness
55% Instrumentalness • 20% Positiveness
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Holly Miranda
Mark My Words
121 bpm • E Maj • 04:33 • -7.11db
10% Popularity • 56% Danceability • 66% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
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Sanders Bohlke
Nearly Summer
121 bpm • F Maj • 04:35 • -8.8db
15% Popularity • 46% Danceability • 46% Energy • 29% Liveness
10% Instrumentalness • 12% Positiveness
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Sea Wolf
You're a Wolf
121 bpm • E min • 03:35 • -9db
28% Popularity • 65% Danceability • 63% Energy • 13% Liveness
75% Instrumentalness • 54% Positiveness
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Hurricane Bells
Into The Ocean
111 bpm • F# Maj • 04:21 • -11.9db
13% Popularity • 64% Danceability • 62% Energy • 10% Liveness
11% Instrumentalness • 41% Positiveness
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Big Scary
Falling Away
121 bpm • C Maj • 03:59 • -8.98db
31% Popularity • 67% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Close Talker
Heads
111 bpm • A# min • 04:59 • -7.01db
10% Popularity • 33% Danceability • 70% Energy • 19% Liveness
44% Instrumentalness • 44% Positiveness
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Bad Bad Hats
A Bout (Remastered 2023)
111 bpm • C Maj • 02:18 • -8.25db
12% Popularity • 85% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sanders Bohlke
My Baby
111 bpm • D min • 02:51 • -9.09db
23% Popularity • 49% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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Running Young
Out of Time
122 bpm • G# Maj • 02:06 • -11.26db
16% Popularity • 46% Danceability • 18% Energy • 14% Liveness
7% Instrumentalness • 10% Positiveness
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Gang of Youths
Knuckles White Dry
110 bpm • F# Maj • 06:10 • -10.3db
27% Popularity • 36% Danceability • 40% Energy • 11% Liveness
25% Instrumentalness • 13% Positiveness
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Big Scary
Purple
122 bpm • A# min • 03:33 • -6.71db
7% Popularity • 57% Danceability • 83% Energy • 6% Liveness
24% Instrumentalness • 86% Positiveness
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Dear Reader
Earthworm (All Hail Our Ailing Mother)
122 bpm • G# Maj • 03:58 • -8.39db
10% Popularity • 64% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Owl John
Songs About Roses
122 bpm • D# min • 03:50 • -10.99db
25% Popularity • 57% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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The Kickback
False Jeopardy
122 bpm • E Maj • 03:22 • -4.12db
15% Popularity • 53% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Sweet Thing
Change of seasons
122 bpm • E Maj • 04:59 • -10db
37% Popularity • 65% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Gang of Youths
Evangelists
122 bpm • D Maj • 04:13 • -9.08db
39% Popularity • 62% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Dan Gautreau
With You
110 bpm • B min • 02:11 • -11db
28% Popularity • 60% Danceability • 66% Energy • 9% Liveness
47% Instrumentalness • 52% Positiveness
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Wait. Think. Fast.
Look Alive
110 bpm • F Maj • 03:30 • -10db
20% Popularity • 66% Danceability • 59% Energy • 9% Liveness
37% Instrumentalness • 28% Positiveness
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Coconut Records
Microphone
110 bpm • G# min • 02:53 • -7db
41% Popularity • 73% Danceability • 66% Energy • 35% Liveness
2% Instrumentalness • 55% Positiveness
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#1 Dads
For Randy Robinson and Cassidy
110 bpm • B Maj • 03:58 • -6.94db
20% Popularity • 58% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
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Timberwolf
Into the Cold
110 bpm • G min • 03:41 • -6.03db
14% Popularity • 57% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Amy Stroup
Wait for the Morning
110 bpm • D Maj • 03:52 • -11.49db
24% Popularity • 48% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Ida Maria
Keep Me Warm
122 bpm • C Maj • 03:27 • -12.09db
28% Popularity • 42% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Middle Kids
Doing It Right
123 bpm • D# Maj • 03:07 • -11.25db
22% Popularity • 43% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Slow Club
Number One
110 bpm • D Maj • 04:40 • -13.16db
11% Popularity • 42% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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#1 Dads
My Rush
110 bpm • E min • 03:56 • -11.54db
30% Popularity • 74% Danceability • 52% Energy • 10% Liveness
33% Instrumentalness • 76% Positiveness
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Mighty Hands
Loss For A Goodbye
123 bpm • A min • 02:52 • -6.99db
15% Popularity • 55% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Big Scary
Got It, Lost It
123 bpm • C Maj • 04:23 • -13.3db
21% Popularity • 69% Danceability • 20% Energy • 7% Liveness
58% Instrumentalness • 22% Positiveness
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The Lower 48
Into the Woods
123 bpm • C# min • 04:30 • -10db
7% Popularity • 52% Danceability • 54% Energy • 9% Liveness
29% Instrumentalness • 75% Positiveness
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Matrimony
Giant
124 bpm • B min • 03:51 • -7.5db
28% Popularity • 60% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Milo Greene
Don't You Give up on Me
124 bpm • A Maj • 03:17 • -8.76db
30% Popularity • 56% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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#1 Dads
Another Day
110 bpm • C Maj • 03:38 • -8db
29% Popularity • 79% Danceability • 55% Energy • 12% Liveness
3% Instrumentalness • 97% Positiveness
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Vance Joy
Great Summer - Soundtrack Version Genre ...
124 bpm • C Maj • 03:42 • -5.67db
46% Popularity • 64% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Big Scary
Autumn
123 bpm • C Maj • 03:52 • -10.06db
12% Popularity • 58% Danceability • 69% Energy • 5% Liveness
24% Instrumentalness • 60% Positiveness
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The Donnies The Amys
Boxer + Clover
124 bpm • C Maj • 03:21 • -6db
9% Popularity • 60% Danceability • 68% Energy • 22% Liveness
2% Instrumentalness • 20% Positiveness
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I Hate You Just Kidding
My Little Dove
108 bpm • G Maj • 03:04 • -10.56db
18% Popularity • 58% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Hamilton