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Hammering a Screw
Songs like
Hammering a Screw
by
Lawrence English
Based on a tempo of (+/- 10%) and a similar genre
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Murcof
Static Discos 100
84 bpm • C# Maj • 01:40 • -25db
36% Popularity • 8% Danceability • 13% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
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Biosphere
Chukhung
84 bpm • G Maj • 07:34 • -27db
35% Popularity • 38% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
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Lawrence English
Graceless Hunter
84 bpm • D Maj • 05:10 • -10.58db
3% Popularity • 11% Danceability • 56% Energy • 46% Liveness
87% Instrumentalness • 4% Positiveness
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r beny
Alone in the Pavilion
84 bpm • C Maj • 04:36 • -23.52db
16% Popularity • 12% Danceability • 9% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Secretly Wishing for Rain
83 bpm • C# min • 08:11 • -20.09db
18% Popularity • 8% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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KMRU
in pieces
83 bpm • D# min • 03:08 • -15.12db
21% Popularity • 8% Danceability • 17% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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GAS
Pop 1
83 bpm • F Maj • 05:11 • -18.58db
39% Popularity • 7% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
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The Dead Texan
Beatrice Part 2
83 bpm • G# min • 04:04 • -22.78db
27% Popularity • 15% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Lawrence English
Approach VI - Ruins
83 bpm • C# Maj • 01:07 • -30.92db
4% Popularity • 13% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Abul Mogard
Desires Are Reminiscences by Now
85 bpm • C min • 09:27 • -24.47db
15% Popularity • 8% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Biosphere
As the Sun Kissed the Horizon
86 bpm • D Maj • 01:47 • -44.75db
36% Popularity • 14% Danceability • 1% Energy • 29% Liveness
83% Instrumentalness • 4% Positiveness
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Bvdub
Not Yours to Give
86 bpm • A# min • 07:52 • -8.88db
11% Popularity • 9% Danceability • 56% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Deaf Center
Undone
82 bpm • A# min • 02:36 • -28.25db
26% Popularity • 27% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
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HEXA
Severed Plume
82 bpm • G# min • 06:45 • -22.15db
0% Popularity • 9% Danceability • 32% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Lawrence English
Viento (Patagonia) IV
82 bpm • C# Maj • 04:05 • -14.57db
1% Popularity • 23% Danceability • 94% Energy • 22% Liveness
96% Instrumentalness • 4% Positiveness
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David Toop
The Chair's Story
86 bpm • C# Maj • 06:11 • -22.77db
3% Popularity • 18% Danceability • 41% Energy • 9% Liveness
82% Instrumentalness • 12% Positiveness
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Desolate Horizons
A Romantic Tragedy or a Dream of Freedom
86 bpm • F Maj • 01:32 • -30.99db
37% Popularity • 9% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Hakobune
Intransigence
86 bpm • G min • 04:09 • -25.92db
31% Popularity • 14% Danceability • 20% Energy • 13% Liveness
62% Instrumentalness • 5% Positiveness
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Steve Hauschildt
A False Seeming
87 bpm • C# min • 03:19 • -17db
19% Popularity • 9% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Tim Hecker
Winter Cop
87 bpm • C# Maj • 02:35 • -26.56db
32% Popularity • 9% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Lawrence English
Droplet
87 bpm • D# min • 06:49 • -17.83db
11% Popularity • 9% Danceability • 33% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Fennesz
The Point of It All
87 bpm • G min • 05:01 • -16db
25% Popularity • 20% Danceability • 33% Energy • 15% Liveness
96% Instrumentalness • 5% Positiveness
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Desolate Horizons
Everyday, There Is That Memory or That D...
86 bpm • E Maj • 02:37 • -19.08db
33% Popularity • 12% Danceability • 2% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Tenniscoats
Rasen = らせん
81 bpm • A min • 04:42 • -18.75db
1% Popularity • 32% Danceability • 9% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Distance
81 bpm • A Maj • 06:47 • -14.71db
16% Popularity • 8% Danceability • 39% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
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Patricia Wolf
I'll Look for You in Others
87 bpm • C# Maj • 06:33 • -13.71db
13% Popularity • 9% Danceability • 26% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Lawrence English
The Other Side Of Knowing
87 bpm • C# min • 07:27 • -30.93db
2% Popularity • 9% Danceability • 1% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Tim Hecker
Music for Tundra Pt. 1
81 bpm • G# min • 05:13 • -19db
34% Popularity • 24% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Taylor Deupree
Minism
81 bpm • C# Maj • 03:47 • -26.75db
38% Popularity • 21% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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David Toop
Huanghu
81 bpm • C# Maj • 02:56 • -21.43db
3% Popularity • 18% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Displacement
87 bpm • D# Maj • 04:16 • -24.23db
24% Popularity • 10% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Machinefabriek
Hanging
88 bpm • F min • 04:21 • -34.97db
18% Popularity • 18% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Lawrence English
December 24 - Frost's Bitter Grip
87 bpm • A Maj • 07:19 • -13.2db
4% Popularity • 10% Danceability • 42% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Tim Hecker
Arctic Lover's Rock Pt. 1
81 bpm • A# min • 05:34 • -16.97db
26% Popularity • 22% Danceability • 38% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Biosphere
Sphere Of No-Form - Alternative Version
80 bpm • A# min • 08:23 • -24.88db
31% Popularity • 17% Danceability • 31% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Christina Vantzou
Glissando for Bodies and Machines in Spa...
80 bpm • A Maj • 02:47 • -21.72db
23% Popularity • 10% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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Tomasz Bednarczyk
Theme I
80 bpm • D Maj • 02:32 • -19.83db
24% Popularity • 19% Danceability • 15% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Brian McBride
At a Loss
88 bpm • F Maj • 05:49 • -19db
16% Popularity • 11% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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David Toop
It's Winter Already
88 bpm • C# Maj • 04:48 • -24.75db
2% Popularity • 12% Danceability • 29% Energy • 66% Liveness
0% Instrumentalness • 9% Positiveness
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Forest Management
I'm Just Going to Lay Down
80 bpm • G# Maj • 05:23 • -33.86db
15% Popularity • 20% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Kyle Bobby Dunn
Videodrones Des Questions
88 bpm • F# Maj • 01:56 • -20.38db
21% Popularity • 18% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Yuko Araki
‡Magnetar - Lawrence English Remix
80 bpm • G min • 05:14 • -16.98db
0% Popularity • 13% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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David Cordero
El Bosque
88 bpm • E Maj • 02:16 • -16db
30% Popularity • 34% Danceability • 29% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Christina Vantzou
Lava
80 bpm • G Maj • 02:31 • -18.1db
13% Popularity • 22% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
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Pausal
Bottom-Up Pause
89 bpm • D# Maj • 01:41 • -16.37db
15% Popularity • 12% Danceability • 88% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Tenniscoats
Rasen (slowmix)
79 bpm • A min • 04:57 • -16.42db
1% Popularity • 40% Danceability • 24% Energy • 13% Liveness
90% Instrumentalness • 20% Positiveness
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Pye Corner Audio
The Long Now
79 bpm • F# Maj • 01:05 • -24db
41% Popularity • 25% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Alessandro Cortini
Immediate Horizon 4
79 bpm • F Maj • 11:59 • -14.62db
7% Popularity • 9% Danceability • 51% Energy • 38% Liveness
90% Instrumentalness • 4% Positiveness
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Merzbow
The Visit
79 bpm • D Maj • 06:55 • -20.31db
2% Popularity • 7% Danceability • 22% Energy • 35% Liveness
81% Instrumentalness • 3% Positiveness
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r beny
Burl
79 bpm • D Maj • 03:53 • -24.59db
13% Popularity • 9% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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The Dead Texan
Girth Rides A (Horse) +
79 bpm • E Maj • 02:33 • -19.96db
31% Popularity • 16% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Snufmumriko
Mot nattens hjärta
89 bpm • D Maj • 04:15 • -23.49db
28% Popularity • 11% Danceability • 18% Energy • 16% Liveness
84% Instrumentalness • 4% Positiveness
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Benjamin Thompson
I'm Not Dreaming, King
89 bpm • F# Maj • 04:14 • -13.71db
2% Popularity • 35% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Abul Mogard
Sand
79 bpm • A min • 06:32 • -26.86db
16% Popularity • 7% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Merzbow
The Golden Sphere
79 bpm • D Maj • 06:23 • -13.51db
2% Popularity • 7% Danceability • 18% Energy • 31% Liveness
93% Instrumentalness • 3% Positiveness
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Tujiko Noriko
Make Me Your Private Party
89 bpm • A# min • 03:26 • -8.91db
6% Popularity • 36% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 14% Positiveness
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Lawrence English
Forgiving Noir
89 bpm • A min • 08:25 • -12db
6% Popularity • 10% Danceability • 52% Energy • 14% Liveness
69% Instrumentalness • 8% Positiveness
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Federico Durand
Lluvia de estrellas
79 bpm • A Maj • 07:32 • -22db
25% Popularity • 22% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Biosphere
Adagiati
90 bpm • C Maj • 01:51 • -30.43db
37% Popularity • 10% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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David Toop
Witches Falls
90 bpm • F# min • 07:44 • -20.97db
1% Popularity • 30% Danceability • 34% Energy • 40% Liveness
1% Instrumentalness • 14% Positiveness
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Tim Hecker
Music for Tundra Pt. 2
79 bpm • G# min • 01:57 • -23.57db
38% Popularity • 20% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Fennesz
City of Light
79 bpm • A min • 06:34 • -30.4db
25% Popularity • 7% Danceability • 3% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
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Lawrence English
…And Clouds For Company
90 bpm • F Maj • 06:21 • -18.36db
7% Popularity • 14% Danceability • 15% Energy • 7% Liveness
57% Instrumentalness • 3% Positiveness
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Taylor Deupree
Eev
90 bpm • B min • 03:56 • -20.29db
28% Popularity • 22% Danceability • 16% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Loscil
Grey
78 bpm • D# min • 04:09 • -24.31db
20% Popularity • 7% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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David Toop
Abyssal Tracker
90 bpm • E min • 06:35 • -20.04db
5% Popularity • 15% Danceability • 36% Energy • 36% Liveness
76% Instrumentalness • 7% Positiveness
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Tomasz Bednarczyk
Short Story
78 bpm • F# min • 01:46 • -28.45db
36% Popularity • 12% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
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David Cordero
Lento
78 bpm • C# min • 01:59 • -17.15db
38% Popularity • 14% Danceability • 33% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
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Secret Pyramid
Depths
90 bpm • G# Maj • 01:43 • -37.17db
23% Popularity • 14% Danceability • 6% Energy • 11% Liveness
99% Instrumentalness • 5% Positiveness
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willamette
Mid-August, For Rachel
78 bpm • C Maj • 01:45 • -25.42db
27% Popularity • 17% Danceability • 5% Energy • 24% Liveness
87% Instrumentalness • 3% Positiveness
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Alessandro Cortini
Immediate Horizon 1
78 bpm • F# min • 04:59 • -25.9db
8% Popularity • 7% Danceability • 18% Energy • 33% Liveness
97% Instrumentalness • 3% Positiveness
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Lawrence English
Moribund Territories
91 bpm • G# Maj • 04:22 • -21.96db
4% Popularity • 10% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Tomasz Bednarczyk
Night
90 bpm • C# Maj • 04:09 • -30.45db
17% Popularity • 18% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Sarah Davachi
Magdalena
91 bpm • E min • 10:19 • -30.72db
19% Popularity • 10% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Federico Durand
Salvia
91 bpm • E Maj • 01:59 • -26db
26% Popularity • 19% Danceability • 4% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Forest Management
Until Midnight
77 bpm • G min • 07:01 • -27.7db
11% Popularity • 13% Danceability • 11% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Bvdub
Ember 1
77 bpm • G min • 02:24 • -21.28db
27% Popularity • 12% Danceability • 28% Energy • 13% Liveness
99% Instrumentalness • 18% Positiveness
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Lawrence English
Waves Sheer Light
78 bpm • A min • 05:22 • -16.02db
2% Popularity • 12% Danceability • 44% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
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Terekke
Wav1
77 bpm • C# min • 04:22 • -25.74db
35% Popularity • 12% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Sarah Davachi
Garlands
77 bpm • A min • 02:54 • -25.25db
18% Popularity • 14% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Machinefabriek
Zucht 2
77 bpm • B min • 09:21 • -28db
23% Popularity • 6% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Forest Management
Lavender
77 bpm • F# Maj • 05:34 • -29db
18% Popularity • 7% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Hiatus
92 bpm • G min • 02:38 • -16.5db
22% Popularity • 22% Danceability • 32% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Lawrence English
Somnambulist
78 bpm • A Maj • 05:58 • -17.41db
4% Popularity • 7% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Imaginary Softwoods
Albion
92 bpm • G Maj • 02:30 • -24.03db
36% Popularity • 17% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Stephan Mathieu
White Wings / Child Okeford
77 bpm • A min • 07:12 • -21.02db
14% Popularity • 9% Danceability • 20% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Yann Novak
The Ecstasy of Annihilation - Lawrence E...
77 bpm • E min • 06:00 • -31.28db
7% Popularity • 7% Danceability • 14% Energy • 19% Liveness
74% Instrumentalness • 14% Positiveness
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Kelly Moran
Radian
77 bpm • F min • 02:50 • -21db
23% Popularity • 20% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Emily A. Sprague
Mesa
77 bpm • C Maj • 04:48 • -19.79db
25% Popularity • 25% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
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Lawrence English
The Only Way Out Is In
77 bpm • C min • 05:21 • -31.84db
3% Popularity • 8% Danceability • 25% Energy • 31% Liveness
97% Instrumentalness • 4% Positiveness
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Imaginary Softwoods
Bronze Lamp
77 bpm • G min • 01:46 • -11db
35% Popularity • 17% Danceability • 32% Energy • 11% Liveness
70% Instrumentalness • 11% Positiveness
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Caterina Barbieri
Rendering Intuitions
92 bpm • D# Maj • 06:36 • -19.45db
25% Popularity • 11% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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Ex Confusion
With You
76 bpm • E min • 03:13 • -25.45db
27% Popularity • 7% Danceability • 8% Energy • 7% Liveness
80% Instrumentalness • 3% Positiveness
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KMRU
Life at Ouri
76 bpm • D# min • 07:20 • -18.26db
18% Popularity • 16% Danceability • 11% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
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Abul Mogard
Place of Forever - AM Radio edit
76 bpm • C# Maj • 07:46 • -17.1db
24% Popularity • 6% Danceability • 6% Energy • 33% Liveness
90% Instrumentalness • 3% Positiveness
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Lawrence English
October 1 - the Hunting Life
77 bpm • G Maj • 04:16 • -12.29db
5% Popularity • 18% Danceability • 55% Energy • 12% Liveness
74% Instrumentalness • 10% Positiveness
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Imaginary Softwoods
Yellow Calcite II
77 bpm • A min • 02:30 • -16.99db
37% Popularity • 46% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Stars Of The Lid
Madison
76 bpm • F Maj • 09:28 • -24.02db
28% Popularity • 9% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Kyle Bobby Dunn
Triple Axel on Cremazie
76 bpm • C# Maj • 03:08 • -20.23db
16% Popularity • 14% Danceability • 16% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Felicia Atkinson
ME
76 bpm • C Maj • 04:21 • -27.35db
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Hammering a Screw