Songs like Han Solo and the Princess - From "Star Wars: The Empire Strikes Back" by John Williams
Based on a tempo of (+/- 10%) and a similar genre
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Silver Screen Sound Machine
Lionel And Bertie
91 bpm • D# Maj • 02:10 • -26.37db
9% Popularity • 24% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
9% Popularity • 24% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Los Angeles Philharmonic
Main Title: Theme From Battlestar Galict...
91 bpm • C Maj • 01:31 • -9.96db
32% Popularity • 18% Danceability • 37% Energy • 14% Liveness
77% Instrumentalness • 15% Positiveness
32% Popularity • 18% Danceability • 37% Energy • 14% Liveness
77% Instrumentalness • 15% Positiveness
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Basil Poledouris
Two Wives
91 bpm • D# Maj • 02:42 • -29.94db
19% Popularity • 17% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Nicholas Hooper
The Kiss
91 bpm • D# Maj • 01:56 • -30db
46% Popularity • 11% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
46% Popularity • 11% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Kevin Kiner
Obi-wan and Satine
90 bpm • C Maj • 02:43 • -13db
32% Popularity • 15% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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John Williams
The City in the Clouds
90 bpm • F min • 06:28 • -22.98db
33% Popularity • 10% Danceability • 4% Energy • 50% Liveness
62% Instrumentalness • 4% Positiveness
33% Popularity • 10% Danceability • 4% Energy • 50% Liveness
62% Instrumentalness • 4% Positiveness
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Alexandre Desplat
The Creature
92 bpm • F Maj • 01:46 • -24.59db
10% Popularity • 16% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
10% Popularity • 16% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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John Powell
Man Versus Man
92 bpm • B Maj • 05:45 • -15.56db
22% Popularity • 42% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
22% Popularity • 42% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
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Karl Jenkins
Palladio: 1. Allegretto (arr. for String...
90 bpm • D min • 03:46 • -16.97db
55% Popularity • 53% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
55% Popularity • 53% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Michael Kamen
Band Of Brothers Suite One - Instrumenta...
92 bpm • D Maj • 06:31 • -15.19db
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Nicholas Hooper
Loved Ones and Leaving
90 bpm • D Maj • 03:15 • -22.28db
46% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
46% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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John Williams
Luke and Leia
92 bpm • A Maj • 04:46 • -21.06db
36% Popularity • 17% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
36% Popularity • 17% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Jules Massenet
Méditation from Thaïs
89 bpm • E min • 05:31 • -23.42db
55% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
55% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Lacrimosa
89 bpm • D min • 02:53 • -8.9db
44% Popularity • 13% Danceability • 35% Energy • 30% Liveness
88% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 35% Energy • 30% Liveness
88% Instrumentalness • 4% Positiveness
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Don Davis
The Dinosaur Fly-By
89 bpm • C# Maj • 02:15 • -14.17db
31% Popularity • 24% Danceability • 25% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 25% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Salazar
88 bpm • D# Maj • 04:27 • -15db
39% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Trevor Rabin
Cibola
94 bpm • C Maj • 05:16 • -15db
21% Popularity • 14% Danceability • 35% Energy • 24% Liveness
91% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 35% Energy • 24% Liveness
91% Instrumentalness • 4% Positiveness
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John Williams
The Arrival at Tatooine and the Flag Par...
93 bpm • C Maj • 04:03 • -16.3db
33% Popularity • 28% Danceability • 32% Energy • 14% Liveness
62% Instrumentalness • 8% Positiveness
33% Popularity • 28% Danceability • 32% Energy • 14% Liveness
62% Instrumentalness • 8% Positiveness
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Thomas Newman
Lost
94 bpm • E Maj • 01:01 • -17.8db
36% Popularity • 21% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
36% Popularity • 21% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Domenico Monleone
Intermezzo (Cavalleria Rusticana)
89 bpm • F Maj • 03:26 • -8db
47% Popularity • 19% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Henry Jackman
X-Men
88 bpm • A# Maj • 02:58 • -16db
24% Popularity • 12% Danceability • 9% Energy • 30% Liveness
84% Instrumentalness • 5% Positiveness
24% Popularity • 12% Danceability • 9% Energy • 30% Liveness
84% Instrumentalness • 5% Positiveness
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John Debney
Elephant Waterfall
88 bpm • A min • 03:26 • -16.67db
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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John Williams
The Starkiller
88 bpm • A min • 01:51 • -23.31db
32% Popularity • 17% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
32% Popularity • 17% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Kevin Kiner
The Clones
88 bpm • G Maj • 02:29 • -10.15db
39% Popularity • 19% Danceability • 48% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
39% Popularity • 19% Danceability • 48% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
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Rob Lane
Merlin's Arrival at Camelot
94 bpm • G# Maj • 03:08 • -16db
36% Popularity • 15% Danceability • 32% Energy • 24% Liveness
92% Instrumentalness • 6% Positiveness
36% Popularity • 15% Danceability • 32% Energy • 24% Liveness
92% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Dumbledore's Speech
94 bpm • C min • 01:31 • -32db
43% Popularity • 11% Danceability • 1% Energy • 5% Liveness
96% Instrumentalness • 3% Positiveness
43% Popularity • 11% Danceability • 1% Energy • 5% Liveness
96% Instrumentalness • 3% Positiveness
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Henry Jackman
The Gettysburg Address
88 bpm • F Maj • 02:21 • -16db
11% Popularity • 10% Danceability • 22% Energy • 16% Liveness
97% Instrumentalness • 3% Positiveness
11% Popularity • 10% Danceability • 22% Energy • 16% Liveness
97% Instrumentalness • 3% Positiveness
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Thomas Newman
Now Long Gone
88 bpm • C Maj • 01:10 • -36.03db
21% Popularity • 18% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Stephen Barton
Bogano
94 bpm • C Maj • 05:53 • -28.45db
24% Popularity • 26% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 6% Positiveness
24% Popularity • 26% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 6% Positiveness
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London Symphony Orchestra
Ride of the Valkyries
88 bpm • G Maj • 03:32 • -13db
41% Popularity • 29% Danceability • 39% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
41% Popularity • 29% Danceability • 39% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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John Williams
The Sacred Jedi Texts
88 bpm • D min • 03:32 • -18.92db
30% Popularity • 12% Danceability • 5% Energy • 34% Liveness
82% Instrumentalness • 3% Positiveness
30% Popularity • 12% Danceability • 5% Energy • 34% Liveness
82% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia: Overtu...
88 bpm • E Maj • 07:26 • -17.39db
25% Popularity • 32% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 36% Positiveness
25% Popularity • 32% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 36% Positiveness
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Geoff Zanelli
El Matador Del Mar
88 bpm • C min • 08:04 • -11.76db
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Nino Rota
The Pickup
95 bpm • F min • 02:56 • -12.72db
37% Popularity • 20% Danceability • 28% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
37% Popularity • 20% Danceability • 28% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Nocturne in C Sharp
87 bpm • F# min • 04:33 • -13.14db
54% Popularity • 26% Danceability • 28% Energy • 16% Liveness
84% Instrumentalness • 6% Positiveness
54% Popularity • 26% Danceability • 28% Energy • 16% Liveness
84% Instrumentalness • 6% Positiveness
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John Williams
Star Wars, Episode V, "The Empire Strike...
88 bpm • G Maj • 05:32 • -14.57db
9% Popularity • 16% Danceability • 29% Energy • 7% Liveness
78% Instrumentalness • 5% Positiveness
9% Popularity • 16% Danceability • 29% Energy • 7% Liveness
78% Instrumentalness • 5% Positiveness
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Trevor Rabin
Finding Charlotte
95 bpm • F min • 01:05 • -16db
40% Popularity • 32% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
40% Popularity • 32% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
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Michael Kamen
Spier's Speech - Instrumental
95 bpm • G Maj • 01:00 • -28.97db
21% Popularity • 35% Danceability • 10% Energy • 34% Liveness
26% Instrumentalness • 11% Positiveness
21% Popularity • 35% Danceability • 10% Energy • 34% Liveness
26% Instrumentalness • 11% Positiveness
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Patrick Doyle
Earth to Asgard
95 bpm • D min • 02:33 • -16.5db
36% Popularity • 44% Danceability • 59% Energy • 9% Liveness
97% Instrumentalness • 25% Positiveness
36% Popularity • 44% Danceability • 59% Energy • 9% Liveness
97% Instrumentalness • 25% Positiveness
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Dave Grusin
The Goondocks (Goonies Theme)
87 bpm • A Maj • 02:04 • -19.83db
30% Popularity • 14% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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John Debney
The Man Village
87 bpm • F# Maj • 02:57 • -32db
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Klaus Badelt
Pirates of the Caribbean, Part I (arr. T...
95 bpm • D min • 03:35 • -15.47db
14% Popularity • 36% Danceability • 59% Energy • 10% Liveness
94% Instrumentalness • 25% Positiveness
14% Popularity • 36% Danceability • 59% Energy • 10% Liveness
94% Instrumentalness • 25% Positiveness
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Trevor Rabin
Declaration of Independence
87 bpm • F Maj • 01:43 • -24db
47% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Murray Gold
I Remember You
86 bpm • D min • 01:53 • -12.9db
22% Popularity • 25% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
22% Popularity • 25% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Michael Kamen
No Following
87 bpm • A min • 04:02 • -17db
24% Popularity • 10% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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John Williams
Finn's Confession
87 bpm • E min • 02:08 • -22.08db
30% Popularity • 21% Danceability • 9% Energy • 25% Liveness
93% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 9% Energy • 25% Liveness
93% Instrumentalness • 4% Positiveness
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Joe Kraemer
Solomon Lane
86 bpm • A min • 04:07 • -18.9db
26% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
86 bpm • G min • 02:02 • -17.07db
38% Popularity • 30% Danceability • 20% Energy • 26% Liveness
54% Instrumentalness • 21% Positiveness
38% Popularity • 30% Danceability • 20% Energy • 26% Liveness
54% Instrumentalness • 21% Positiveness
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The Chamber Orchestra Of London
Story Of My Life
86 bpm • F min • 01:57 • -18.17db
43% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
43% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
86 bpm • C Maj • 05:41 • -19.38db
58% Popularity • 21% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
58% Popularity • 21% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Alan Menken
Main Titles - The Little Mermaid
86 bpm • G Maj • 01:26 • -16db
53% Popularity • 9% Danceability • 20% Energy • 27% Liveness
79% Instrumentalness • 16% Positiveness
53% Popularity • 9% Danceability • 20% Energy • 27% Liveness
79% Instrumentalness • 16% Positiveness
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Geoff Zanelli
She Needs the Sea
96 bpm • G Maj • 02:32 • -11.76db
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Kevin Kiner
Ahsoka Is Back
96 bpm • F min • 02:07 • -14.11db
29% Popularity • 12% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 5% Positiveness
29% Popularity • 12% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 5% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
96 bpm • E min • 08:01 • -22.85db
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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John Williams
Star Wars and the Revenge of the Sith
96 bpm • F Maj • 07:29 • -15.68db
41% Popularity • 27% Danceability • 40% Energy • 16% Liveness
85% Instrumentalness • 21% Positiveness
41% Popularity • 27% Danceability • 40% Energy • 16% Liveness
85% Instrumentalness • 21% Positiveness
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Joe Hisaishi
Summer
85 bpm • D Maj • 04:05 • -25.54db
45% Popularity • 35% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Rachel Portman
Three Women - Instrumental
85 bpm • G Maj • 01:01 • -29.18db
45% Popularity • 48% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
45% Popularity • 48% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Kevin Kiner
Ahsoka Saves Anakin
86 bpm • C min • 02:11 • -8db
30% Popularity • 43% Danceability • 64% Energy • 40% Liveness
91% Instrumentalness • 30% Positiveness
30% Popularity • 43% Danceability • 64% Energy • 40% Liveness
91% Instrumentalness • 30% Positiveness
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Natalie Holt
Young Leia
97 bpm • G Maj • 01:04 • -17db
38% Popularity • 35% Danceability • 34% Energy • 18% Liveness
82% Instrumentalness • 8% Positiveness
38% Popularity • 35% Danceability • 34% Energy • 18% Liveness
82% Instrumentalness • 8% Positiveness
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Murray Gold
The Impossible Astronaut
85 bpm • A min • 03:15 • -21.84db
25% Popularity • 18% Danceability • 12% Energy • 20% Liveness
96% Instrumentalness • 8% Positiveness
25% Popularity • 18% Danceability • 12% Energy • 20% Liveness
96% Instrumentalness • 8% Positiveness
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Prague Festival Orchestra
King Arthur
85 bpm • D min • 06:24 • -7.76db
9% Popularity • 14% Danceability • 38% Energy • 6% Liveness
74% Instrumentalness • 9% Positiveness
9% Popularity • 14% Danceability • 38% Energy • 6% Liveness
74% Instrumentalness • 9% Positiveness
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John Williams
Main Title and The Attack on the Jakku V...
85 bpm • D# Maj • 06:25 • -12db
35% Popularity • 19% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 19% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Rupert Gregson-Williams
No Man's Land
98 bpm • E min • 08:52 • -14.33db
38% Popularity • 18% Danceability • 48% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 48% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
DLG Orchestra
Superman
85 bpm • C Maj • 04:34 • -10db
17% Popularity • 21% Danceability • 51% Energy • 19% Liveness
86% Instrumentalness • 16% Positiveness
17% Popularity • 21% Danceability • 51% Energy • 19% Liveness
86% Instrumentalness • 16% Positiveness
► Preview
Geoff Zanelli
Dead Men Tell No Tales
85 bpm • D min • 01:51 • -18.2db
41% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Murray Gold
Up the Shard
85 bpm • D# Maj • 03:04 • -11.83db
20% Popularity • 25% Danceability • 27% Energy • 28% Liveness
88% Instrumentalness • 15% Positiveness
20% Popularity • 25% Danceability • 27% Energy • 28% Liveness
88% Instrumentalness • 15% Positiveness
► Preview
Trevor Rabin
National Treasure Suite
98 bpm • A# min • 03:17 • -17.57db
37% Popularity • 63% Danceability • 39% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
37% Popularity • 63% Danceability • 39% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
► Preview
John Williams
The Adventures of Han
98 bpm • C min • 03:49 • -14db
32% Popularity • 30% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 23% Positiveness
32% Popularity • 30% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 23% Positiveness
► Preview
Giacomo Puccini
Nessun Dorma
98 bpm • D Maj • 02:57 • -5.73db
52% Popularity • 17% Danceability • 48% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
52% Popularity • 17% Danceability • 48% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
John Barry
The Death of Timmons
84 bpm • E Maj • 02:25 • -27.86db
28% Popularity • 20% Danceability • 7% Energy • 11% Liveness
72% Instrumentalness • 6% Positiveness
28% Popularity • 20% Danceability • 7% Energy • 11% Liveness
72% Instrumentalness • 6% Positiveness
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ムービー・サウンズ・アンリミテッド
キング・コングのテーマ (映�...
98 bpm • G# Maj • 01:09 • -22.38db
13% Popularity • 13% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
13% Popularity • 13% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Stephen Warbeck
The World in the Room
99 bpm • A# Maj • 01:37 • -22.65db
41% Popularity • 15% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
41% Popularity • 15% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Nicholas Hooper
Inferi in the Firestorm
84 bpm • F Maj • 01:53 • -17.36db
38% Popularity • 21% Danceability • 46% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
38% Popularity • 21% Danceability • 46% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
John Williams
Return to Tatooine
84 bpm • F min • 06:56 • -26.52db
32% Popularity • 8% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 8% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Marco Beltrami
Fantastic Four Prelude
84 bpm • F Maj • 05:16 • -17.04db
8% Popularity • 42% Danceability • 23% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 42% Danceability • 23% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Miklós Rózsa
The Galley, Pt. 1-4 (Rowing of the Galle...
99 bpm • F Maj • 03:13 • -16.33db
18% Popularity • 32% Danceability • 33% Energy • 11% Liveness
98% Instrumentalness • 23% Positiveness
18% Popularity • 32% Danceability • 33% Energy • 11% Liveness
98% Instrumentalness • 23% Positiveness
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Junkie XL
Many Mothers
99 bpm • A min • 05:15 • -15db
27% Popularity • 13% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
27% Popularity • 13% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Rob Lane
Opening Titles
99 bpm • D min • 02:44 • -11.22db
33% Popularity • 47% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
33% Popularity • 47% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Patrick Doyle
Voldemort
84 bpm • F min • 09:37 • -16db
37% Popularity • 11% Danceability • 25% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 11% Danceability • 25% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Ludwig Göransson
The Mandalorian - Orchestral Version
83 bpm • D min • 02:20 • -13db
43% Popularity • 48% Danceability • 24% Energy • 29% Liveness
70% Instrumentalness • 12% Positiveness
43% Popularity • 48% Danceability • 24% Energy • 29% Liveness
70% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: N...
83 bpm • E Maj • 02:39 • -19.05db
44% Popularity • 19% Danceability • 19% Energy • 8% Liveness
83% Instrumentalness • 17% Positiveness
44% Popularity • 19% Danceability • 19% Energy • 8% Liveness
83% Instrumentalness • 17% Positiveness
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John Williams
Bounty Hunter's Pursuit
83 bpm • G# Maj • 03:22 • -19db
33% Popularity • 16% Danceability • 11% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 11% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Murray Gold
Goodbye Pond
100 bpm • G# min • 02:50 • -14.64db
28% Popularity • 22% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Kevin Kiner
Bad Batch Theme
100 bpm • C# Maj • 02:00 • -17.43db
41% Popularity • 48% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
41% Popularity • 48% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Patrick Doyle
Foreign Visitors Arrive
83 bpm • G Maj • 01:29 • -12.91db
43% Popularity • 22% Danceability • 32% Energy • 23% Liveness
89% Instrumentalness • 15% Positiveness
43% Popularity • 22% Danceability • 32% Energy • 23% Liveness
89% Instrumentalness • 15% Positiveness
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Ludwig Göransson
The Next Journey
83 bpm • C min • 02:35 • -16db
30% Popularity • 36% Danceability • 15% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
30% Popularity • 36% Danceability • 15% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
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Various Artists
Star Trek: Voyager Main Title Extended V...
100 bpm • F# Maj • 02:22 • -13db
17% Popularity • 26% Danceability • 30% Energy • 6% Liveness
69% Instrumentalness • 13% Positiveness
17% Popularity • 26% Danceability • 30% Energy • 6% Liveness
69% Instrumentalness • 13% Positiveness
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John Williams
The Spark
100 bpm • F# Maj • 03:35 • -17.28db
32% Popularity • 14% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
32% Popularity • 14% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Murray Gold
The Greatest Story Never Told
100 bpm • C min • 06:16 • -11.52db
29% Popularity • 17% Danceability • 31% Energy • 29% Liveness
93% Instrumentalness • 6% Positiveness
29% Popularity • 17% Danceability • 31% Energy • 29% Liveness
93% Instrumentalness • 6% Positiveness
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Geoff Zanelli
Through the Tree
100 bpm • A min • 01:25 • -24db
38% Popularity • 52% Danceability • 10% Energy • 64% Liveness
43% Instrumentalness • 16% Positiveness
38% Popularity • 52% Danceability • 10% Energy • 64% Liveness
43% Instrumentalness • 16% Positiveness
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Randy Newman
Boo's Tired
83 bpm • B Maj • 01:03 • -16.61db
38% Popularity • 16% Danceability • 25% Energy • 28% Liveness
7% Instrumentalness • 10% Positiveness
38% Popularity • 16% Danceability • 25% Energy • 28% Liveness
7% Instrumentalness • 10% Positiveness
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Ludwig Göransson
The Baby
83 bpm • C Maj • 03:20 • -18.83db
33% Popularity • 22% Danceability • 6% Energy • 4% Liveness
56% Instrumentalness • 7% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 4% Liveness
56% Instrumentalness • 7% Positiveness
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Gustav Holst
The Planets, Op. 32: II. Venus, the Brin...
83 bpm • G# Maj • 08:20 • -37db
38% Popularity • 8% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
38% Popularity • 8% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
29% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness