Songs like Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) by George Frideric Handel
Based on a tempo of (+/- 10%) and a similar genre
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
31% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
31% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59 / Act 1: "Di r...
89 bpm • C# Maj • 03:03 • -13db
37% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
Rigoletto / Act III: "Bella figlia dell'...
89 bpm • C# Maj • 04:15 • -14.82db
29% Popularity • 26% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 26% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 24% Positiveness
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François Couperin
Couperin, F: Deuxième leçon de ténèb...
89 bpm • C# Maj • 02:35 • -24.89db
9% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jessye Norman
Dido and Aeneas: Dido's Lament
89 bpm • C min • 04:49 • -15.19db
18% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
18% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "LÃ ci dar...
89 bpm • A Maj • 03:12 • -21.6db
39% Popularity • 35% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 35% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act I: Winterstü...
89 bpm • A# Maj • 03:51 • -15db
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
33% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
30% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse / Act I HWV40: "Ombra mai fu"
90 bpm • E Maj • 03:03 • -21.78db
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Dove...
90 bpm • C Maj • 04:48 • -22db
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
88 bpm • F Maj • 05:40 • -17.03db
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Richard Wagner
Tristan und Isolde / Act 3: "Mild und le...
90 bpm • B Maj • 07:26 • -16.89db
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Verdi: Otello, Act 4: "Ave Maria piena d...
88 bpm • G# Maj • 04:49 • -23db
19% Popularity • 15% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly (Remastered): Act II - ...
90 bpm • C# Maj • 04:23 • -19.42db
14% Popularity • 19% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49a, Act II: His H...
88 bpm • B Maj • 04:51 • -19db
3% Popularity • 57% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
3% Popularity • 57% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Samuel Barber
Four Songs Op. 13: No. 3 Sure On This Sh...
88 bpm • A# Maj • 02:31 • -17.02db
21% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Idomeneo, K. 366, Atto II Scena 2: No. 1...
91 bpm • D# Maj • 04:53 • -23.33db
30% Popularity • 25% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 25% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Overture
91 bpm • B min • 01:56 • -28.34db
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
42% Instrumentalness • 49% Positiveness
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
42% Instrumentalness • 49% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Sì. Mi chiamano Mi...
90 bpm • D Maj • 04:38 • -14db
35% Popularity • 33% Danceability • 17% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
35% Popularity • 33% Danceability • 17% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
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George Frideric Handel
Esther, HWV 50a: O Jordan, Jordan, Sacre...
88 bpm • F# min • 06:48 • -26.77db
25% Popularity • 24% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 24% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in G mino...
87 bpm • G min • 02:04 • -34db
51% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
51% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Andrés Segovia
Keyboard Suite No. 4 in D Minor, HWV 437...
87 bpm • D min • 04:01 • -21.45db
29% Popularity • 56% Danceability • 9% Energy • 12% Liveness
64% Instrumentalness • 40% Positiveness
29% Popularity • 56% Danceability • 9% Energy • 12% Liveness
64% Instrumentalness • 40% Positiveness
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Robert Schumann
Myrthen, Op. 25: No. 7. Die Lotosblume
91 bpm • C Maj • 01:47 • -26db
28% Popularity • 24% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
28% Popularity • 24% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi: "O mio babbino...
87 bpm • G# Maj • 02:28 • -20.93db
19% Popularity • 27% Danceability • 12% Energy • 13% Liveness
25% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 12% Energy • 13% Liveness
25% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
87 bpm • A# min • 04:10 • -24.75db
40% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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George Frideric Handel
Handel: Ode for the Birthday of Queen An...
88 bpm • C# min • 04:29 • -26db
8% Popularity • 20% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 20% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 10% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
23% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
23% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Benedetto Marcello
Marcello: Tirsi e Fileno, S. 475: "Veggi...
87 bpm • E Maj • 07:00 • -21db
12% Popularity • 19% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
12% Popularity • 19% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Reynaldo Hahn
Si mes vers avaient des ailes
92 bpm • E Maj • 02:19 • -27db
22% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
22% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
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Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied
92 bpm • D# Maj • 02:13 • -32.09db
26% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3: "...
86 bpm • C min • 03:02 • -17.48db
38% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
38% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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George Frideric Handel
Handel: Giulio Cesare in Egitto, HWV 17,...
88 bpm • D# Maj • 06:29 • -19.24db
23% Popularity • 22% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 22% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: "Regina coeli laet...
86 bpm • G Maj • 05:55 • -17db
21% Popularity • 14% Danceability • 21% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 21% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly / Act II: "Un bel dì v...
86 bpm • F# Maj • 04:31 • -17.25db
21% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Verdi: La traviata, Act 1: "Ah, fors’�...
86 bpm • F Maj • 03:00 • -18db
16% Popularity • 26% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 26% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Vincenzo Bellini
I puritani / Act I: A te, o cara
86 bpm • D Maj • 05:46 • -16.27db
39% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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George Frideric Handel
Serse (Xerxes), Hwv 40 (arr. for oboe an...
88 bpm • F Maj • 03:47 • -19.59db
37% Popularity • 10% Danceability • 13% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 13% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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François Couperin
Couperin, F: Troisième leçon de ténè...
86 bpm • C# Maj • 01:45 • -22db
11% Popularity • 26% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
50% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Rigoletto / Act 1: "Gualtier Maldè...Ca...
86 bpm • E Maj • 06:18 • -27db
29% Popularity • 26% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Requiem, K. 626: III. Sequentia: b. Tuba...
86 bpm • A# Maj • 03:17 • -25.13db
44% Popularity • 21% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 21% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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George Frideric Handel
Handel: Dixit Dominus, HWV 232: VII. De ...
87 bpm • G Maj • 03:20 • -20.06db
16% Popularity • 16% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 3, A Sa...
86 bpm • C Maj • 06:20 • -17db
18% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "When I am laid...
85 bpm • F# min • 03:20 • -20db
8% Popularity • 26% Danceability • 6% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 6% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Verdi: Addio del passato - Violetta
92 bpm • A min • 05:34 • -26db
29% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: V. Pie Jesu
85 bpm • A# Maj • 03:44 • -25db
37% Popularity • 23% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Handel: Music for the Royal Fireworks, H...
87 bpm • C# Maj • 02:13 • -8.97db
31% Popularity • 34% Danceability • 28% Energy • 18% Liveness
74% Instrumentalness • 34% Positiveness
31% Popularity • 34% Danceability • 28% Energy • 18% Liveness
74% Instrumentalness • 34% Positiveness
► Preview
Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
19% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
93 bpm • B min • 07:01 • -25.18db
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
► Preview
Marc-Antoine Charpentier
Assumpta Est Maria, H. 11: IX. Domine sa...
93 bpm • C# min • 01:10 • -14.46db
11% Popularity • 33% Danceability • 27% Energy • 12% Liveness
3% Instrumentalness • 54% Positiveness
11% Popularity • 33% Danceability • 27% Energy • 12% Liveness
3% Instrumentalness • 54% Positiveness
► Preview
Giuseppe Verdi
Requiem: I. Requiem Aeternam
85 bpm • A min • 09:09 • -29db
32% Popularity • 9% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Rusalka, Op. 114, B. 203, Act I: MesÃck...
93 bpm • F# Maj • 06:54 • -22.13db
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Concerto Grosso in D Minor, Op. 6, No. 1...
92 bpm • C# Maj • 01:49 • -18.44db
31% Popularity • 62% Danceability • 17% Energy • 7% Liveness
23% Instrumentalness • 76% Positiveness
31% Popularity • 62% Danceability • 17% Energy • 7% Liveness
23% Instrumentalness • 76% Positiveness
► Preview
François Couperin
Couperin, F: Troisième leçon de ténè...
85 bpm • C# Maj • 01:54 • -27db
9% Popularity • 39% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 39% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Franz Schubert
Schubert: Wiegenlied, Op. 98 No. 2, D. 4...
85 bpm • F# Maj • 02:59 • -37.26db
28% Popularity • 20% Danceability • 1% Energy • 9% Liveness
50% Instrumentalness • 18% Positiveness
28% Popularity • 20% Danceability • 1% Energy • 9% Liveness
50% Instrumentalness • 18% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mass in C Minor, K. 427 "Grosse Messe" (...
85 bpm • D# Maj • 07:23 • -24.06db
29% Popularity • 9% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
Giuseppe Verdi
La traviata / Act I: "Dell'invito trasco...
85 bpm • A Maj • 04:34 • -18.74db
35% Popularity • 48% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 48% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Henry Purcell
Oedipus: Music For A While, Z583
85 bpm • E min • 04:13 • -18db
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7a: Scherzano sul tuo volto
92 bpm • G# Maj • 03:35 • -18.45db
11% Popularity • 42% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 42% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Claude Debussy
Trois chansons de Bilitis, L. 90: No. 1,...
85 bpm • F# Maj • 02:45 • -29db
23% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
William Christie
Purcell : King Arthur : Act 2 "Shepherd,...
94 bpm • F min • 01:54 • -27db
28% Popularity • 56% Danceability • 6% Energy • 64% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 56% Danceability • 6% Energy • 64% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
84 bpm • F# min • 05:20 • -16db
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Vincenzo Bellini
Malinconia, ninfa gentile
94 bpm • E Maj • 01:36 • -19.59db
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle Ent...
94 bpm • C# Maj • 03:16 • -18db
8% Popularity • 37% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
8% Popularity • 37% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7b: Act I Scene 7: Aria: Ca...
92 bpm • D# min • 10:30 • -25db
28% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Vissi d'arte
84 bpm • D# Maj • 03:17 • -14.23db
16% Popularity • 23% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 23% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Antonio Vivaldi
Ottone in villa, RV 729, Act II Scene VI...
84 bpm • E Maj • 05:35 • -28db
20% Popularity • 16% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 16% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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George Gershwin
Porgy and Bess / Act 1: "Summertime"
83 bpm • B min • 08:45 • -18.03db
34% Popularity • 24% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 24% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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George Frideric Handel
Gideon, Pt. 3: Air. Let the Trumpet's So...
92 bpm • C# Maj • 04:21 • -18db
26% Popularity • 47% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 72% Positiveness
26% Popularity • 47% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 72% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum for Soloists, Chorus and Orchest...
95 bpm • C Maj • 01:22 • -15db
27% Popularity • 50% Danceability • 55% Energy • 34% Liveness
86% Instrumentalness • 75% Positiveness
27% Popularity • 50% Danceability • 55% Energy • 34% Liveness
86% Instrumentalness • 75% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Agnus Dei
83 bpm • F Maj • 03:46 • -23.64db
32% Popularity • 8% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 8% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
55% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
55% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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AntonÃn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
25% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
83 bpm • G# Maj • 01:21 • -13.02db
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: Agnus Dei
83 bpm • D Maj • 04:13 • -29db
34% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Ode for the Birthday of Queen Anne, HWV ...
86 bpm • C# min • 04:58 • -20.38db
9% Popularity • 18% Danceability • 7% Energy • 12% Liveness
18% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 7% Energy • 12% Liveness
18% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Mass in C minor, K.427 "Grosse Messe": 1...
83 bpm • C min • 06:44 • -20.58db
14% Popularity • 12% Danceability • 9% Energy • 8% Liveness
7% Instrumentalness • 5% Positiveness
14% Popularity • 12% Danceability • 9% Energy • 8% Liveness
7% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Andromeda Liberata (Serenata Veneziana),...
83 bpm • E min • 09:07 • -23.1db
12% Popularity • 23% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 23% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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David Oistrakh
Concerto Grosso in A Minor for Two Violi...
96 bpm • A min • 03:59 • -16db
30% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Alessandro Scarlatti
Il Sedecia, Rè di Gerusalemme: "Caldo S...
82 bpm • A# min • 05:25 • -20.73db
17% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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George Frideric Handel
Laudate Pueri (Psalm 112): Laudate Pueri...
93 bpm • C# Maj • 03:23 • -25.12db
26% Popularity • 40% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 40% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
21% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
