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Hands on Fire - Live in the Basement, 2017
Songs like
Hands on Fire - Live in the Basement, 2017
by
Custard
Based on a tempo of (+/- 10%) and a similar genre
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The Revoir
Mavis
128 bpm • D Maj • 03:25 • -8.23db
19% Popularity • 51% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Ratcat
I Think We're Alone Now
128 bpm • B min • 02:54 • -13db
21% Popularity • 47% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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You Am I
Soldiers
128 bpm • C# Maj • 02:31 • -5db
29% Popularity • 41% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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David Devant and His Spirit Wife
Ginger
128 bpm • A Maj • 03:27 • -6.89db
11% Popularity • 38% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Dazey and the Scouts
James Deen You Let Us Down
128 bpm • G Maj • 03:19 • -6.73db
47% Popularity • 47% Danceability • 90% Energy • 50% Liveness
1% Instrumentalness • 67% Positiveness
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Pleasantries
Because I Am In Love With Them
127 bpm • E Maj • 04:47 • -12.09db
16% Popularity • 46% Danceability • 26% Energy • 15% Liveness
35% Instrumentalness • 10% Positiveness
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of Montreal
When A Man Is In Love With A Man
127 bpm • E Maj • 02:21 • -9.11db
25% Popularity • 64% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Ratcat
Tingles
129 bpm • C Maj • 03:26 • -7.4db
7% Popularity • 38% Danceability • 84% Energy • 34% Liveness
3% Instrumentalness • 71% Positiveness
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Moxy Früvous
Video Bargainville
127 bpm • G min • 04:16 • -9.71db
17% Popularity • 67% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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You Am I
If We Can't Get It Together
127 bpm • G# Maj • 02:33 • -4.82db
21% Popularity • 52% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Foresight
Hell's Halls
127 bpm • G# Maj • 03:43 • -8.24db
10% Popularity • 56% Danceability • 88% Energy • 17% Liveness
14% Instrumentalness • 44% Positiveness
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The Mavis's
Cry
127 bpm • A Maj • 04:13 • -5db
36% Popularity • 45% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Self
Paint By Numbers
129 bpm • C# Maj • 03:07 • -5.08db
19% Popularity • 79% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Harvey Danger
We Drew The Maps
127 bpm • E min • 04:15 • -4.51db
11% Popularity • 70% Danceability • 93% Energy • 8% Liveness
87% Instrumentalness • 78% Positiveness
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Ben Folds
Adelaide
129 bpm • E Maj • 03:13 • -6.69db
27% Popularity • 58% Danceability • 87% Energy • 8% Liveness
22% Instrumentalness • 53% Positiveness
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Custard
Music Is Crap
129 bpm • C Maj • 03:07 • -7db
28% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Gerling
Ghost Patrol
129 bpm • A Maj • 03:39 • -6db
11% Popularity • 31% Danceability • 85% Energy • 9% Liveness
11% Instrumentalness • 17% Positiveness
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Kitty in the Tree
The Dotted Line
130 bpm • E min • 03:32 • -4.62db
8% Popularity • 71% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Mike Krol
Stacey (Bonus Track)
130 bpm • C# min • 01:07 • -5.7db
16% Popularity • 64% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Harvey Danger
Picture, Picture
130 bpm • D Maj • 03:31 • -4.76db
23% Popularity • 42% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Sweet Tuesday
Stay With Me
130 bpm • G# min • 03:25 • -4.12db
8% Popularity • 69% Danceability • 96% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
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Custard
Ringo (I Feel Like)
126 bpm • B Maj • 02:49 • -5.06db
27% Popularity • 60% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Dave Graney & The Coral Snakes
Feelin' Kinda Sporty
130 bpm • D Maj • 03:10 • -4db
15% Popularity • 56% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
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Kitty in the Tree
Starfucker
130 bpm • F# min • 02:23 • -4.12db
13% Popularity • 67% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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The NonStick Pans
Man up, Man!
130 bpm • F Maj • 03:18 • -11.51db
16% Popularity • 62% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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TISM
Greg! The Stop Sign!!
130 bpm • C Maj • 03:28 • -8db
36% Popularity • 64% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Sweet Tuesday
Deep Blue
130 bpm • F min • 02:37 • -3.38db
13% Popularity • 47% Danceability • 89% Energy • 16% Liveness
85% Instrumentalness • 85% Positiveness
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Ricky Jamaraz
I Don't Love Myself
130 bpm • C Maj • 02:18 • -7db
32% Popularity • 77% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Foresight
The Universe is Not Trying To Test You
130 bpm • A Maj • 03:10 • -10.7db
15% Popularity • 72% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Screamfeeder
Static
130 bpm • D Maj • 03:16 • -4.44db
8% Popularity • 30% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Custard
Anatomically Correct
126 bpm • E Maj • 02:43 • -6.94db
24% Popularity • 72% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
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Feelrs
Jolette
130 bpm • C# Maj • 02:47 • -5db
20% Popularity • 53% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Sorry About Everything
Patera
130 bpm • C Maj • 03:30 • -6.12db
9% Popularity • 46% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jebediah
La Di Da Da
130 bpm • G Maj • 07:47 • -6db
15% Popularity • 45% Danceability • 0% Energy • 56% Liveness
0% Instrumentalness • 95% Positiveness
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TISM
Saturday Night Palsy
130 bpm • G Maj • 03:21 • -11db
16% Popularity • 69% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Tumbleweed
Sundial
126 bpm • C Maj • 02:45 • -10.54db
24% Popularity • 55% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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The Clouds
Bower Of Bliss
125 bpm • B Maj • 03:03 • -6.79db
9% Popularity • 47% Danceability • 90% Energy • 8% Liveness
15% Instrumentalness • 52% Positiveness
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Custard
Pluto
125 bpm • G# Maj • 02:55 • -6.13db
18% Popularity • 61% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Pollyanna
Pale Grey Eyes
131 bpm • G# min • 04:51 • -13.34db
10% Popularity • 38% Danceability • 62% Energy • 22% Liveness
3% Instrumentalness • 32% Positiveness
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The Nines
Insanity (The Sanest Thing You've Got)
125 bpm • D Maj • 02:03 • -5.09db
10% Popularity • 53% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Beck
Garbage Truck - Bonus Track
131 bpm • A Maj • 01:49 • -4.03db
37% Popularity • 43% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Linda XO
You're So Weird
125 bpm • C Maj • 03:12 • -6.63db
13% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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I've Made Too Much Pasta
I Miss You, Space Cat
125 bpm • D# Maj • 03:36 • -10.04db
8% Popularity • 76% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Custard
Nice Bird
125 bpm • F Maj • 03:01 • -3.98db
15% Popularity • 62% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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The Clouds
Hieronymus
125 bpm • G Maj • 03:47 • -6.39db
25% Popularity • 42% Danceability • 84% Energy • 36% Liveness
2% Instrumentalness • 43% Positiveness
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Jebediah
Teflon
125 bpm • B Maj • 03:46 • -6.31db
30% Popularity • 49% Danceability • 92% Energy • 10% Liveness
7% Instrumentalness • 71% Positiveness
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You Am I
Kick A Hole In The Sky
125 bpm • A Maj • 03:54 • -4.02db
19% Popularity • 46% Danceability • 89% Energy • 15% Liveness
23% Instrumentalness • 49% Positiveness
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Superet
Who Is This Guy
125 bpm • A Maj • 02:26 • -3.62db
14% Popularity • 57% Danceability • 97% Energy • 68% Liveness
0% Instrumentalness • 70% Positiveness
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Ratcat
Go Go
132 bpm • G Maj • 02:41 • -9.59db
15% Popularity • 32% Danceability • 97% Energy • 92% Liveness
0% Instrumentalness • 32% Positiveness
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Custard
Hit Song
124 bpm • G Maj • 02:22 • -5.12db
20% Popularity • 56% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 82% Positiveness
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Screamfeeder
Dart
132 bpm • D Maj • 02:50 • -6.1db
21% Popularity • 46% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Deadstar
Dont It Get You Down
124 bpm • G Maj • 03:33 • -6db
24% Popularity • 44% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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The Fauves
Surf City Limits - Edit
132 bpm • G# Maj • 03:31 • -6.23db
21% Popularity • 47% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Sean Altman
Beautiful Liar
124 bpm • B min • 02:30 • -6.69db
8% Popularity • 57% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Caligula
Roundabout
124 bpm • C Maj • 03:16 • -9.27db
8% Popularity • 57% Danceability • 92% Energy • 14% Liveness
70% Instrumentalness • 44% Positiveness
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TISM
All Homeboys Are Dickheads
132 bpm • D Maj • 03:06 • -11.65db
19% Popularity • 88% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Liam Lynch
Goat Rap - Ep16
124 bpm • B min • 02:39 • -15.27db
11% Popularity • 93% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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John Linnell
West Virginia
132 bpm • G Maj • 03:32 • -5.57db
14% Popularity • 55% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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The Sarah Michelles
Arnold Rimmer
124 bpm • E Maj • 03:34 • -5.37db
8% Popularity • 54% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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The Clouds
Little Death
124 bpm • C Maj • 03:17 • -4.44db
8% Popularity • 62% Danceability • 87% Energy • 22% Liveness
2% Instrumentalness • 61% Positiveness
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You Am I
Mr. Milk
132 bpm • C# min • 03:16 • -4.24db
26% Popularity • 43% Danceability • 97% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Harvey Danger
Sad Sweetheart of the Rodeo
124 bpm • B min • 03:29 • -4.75db
27% Popularity • 54% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Wheatus
Fourteen
124 bpm • C Maj • 03:34 • -5.41db
26% Popularity • 62% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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The John Steel Singers
Strawberry Wine
133 bpm • C Maj • 02:11 • -5.94db
8% Popularity • 59% Danceability • 81% Energy • 48% Liveness
2% Instrumentalness • 85% Positiveness
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Sweet Tuesday
Slowly
124 bpm • A Maj • 02:27 • -3.36db
18% Popularity • 42% Danceability • 65% Energy • 13% Liveness
74% Instrumentalness • 63% Positiveness
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Rebecca's Empire
So Rude
124 bpm • D Maj • 03:38 • -6.63db
16% Popularity • 49% Danceability • 86% Energy • 27% Liveness
1% Instrumentalness • 59% Positiveness
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You Am I
Good Mornin'
133 bpm • D# Maj • 04:12 • -4.27db
24% Popularity • 33% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Dandy Warhols
Scientist
123 bpm • G Maj • 03:13 • -6db
30% Popularity • 70% Danceability • 70% Energy • 63% Liveness
46% Instrumentalness • 56% Positiveness
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The Mavis's
Naughty Boy
133 bpm • D Maj • 03:13 • -7.57db
27% Popularity • 36% Danceability • 77% Energy • 10% Liveness
78% Instrumentalness • 38% Positiveness
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Lo-tel
A Pop Song Saved My Life
133 bpm • B Maj • 03:31 • -6.93db
10% Popularity • 59% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Mike Krol
Heart Attack
123 bpm • G Maj • 01:50 • -5.08db
29% Popularity • 54% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Self
Stewardess
123 bpm • G# min • 03:36 • -7.13db
17% Popularity • 62% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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The Fauves
Bigger Than Tina
133 bpm • C Maj • 03:16 • -5.27db
12% Popularity • 63% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Mook
Picture In Me
123 bpm • D min • 04:23 • -12.38db
25% Popularity • 80% Danceability • 36% Energy • 13% Liveness
11% Instrumentalness • 60% Positiveness
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Custard
We Are the Parents (Our Parents Warned U...
133 bpm • C Maj • 03:32 • -10.34db
14% Popularity • 54% Danceability • 55% Energy • 24% Liveness
1% Instrumentalness • 63% Positiveness
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Ammonia
You're Not The Only One Who Feels This W...
123 bpm • F min • 03:53 • -8.21db
27% Popularity • 33% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Topline Addicts
Sweet Things
133 bpm • C# min • 04:16 • -7.72db
28% Popularity • 56% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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bis
Action and Drama
133 bpm • C Maj • 02:29 • -4.8db
12% Popularity • 66% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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The Fauves
Give Up Your Day Job
133 bpm • A Maj • 03:17 • -4.78db
13% Popularity • 84% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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They Might Be Giants
I Should Be Allowed to Think
133 bpm • C# min • 03:09 • -8.24db
31% Popularity • 60% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Custard
1990's
123 bpm • F# min • 04:32 • -10.59db
15% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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I've Made Too Much Pasta
Marko
123 bpm • D Maj • 04:13 • -5.84db
9% Popularity • 67% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Topline Addicts
Loretta
123 bpm • G# Maj • 02:52 • -8db
32% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Weddings Parties Anything
A Tale They Won't Believe
133 bpm • A Maj • 09:01 • -5.37db
8% Popularity • 28% Danceability • 93% Energy • 96% Liveness
0% Instrumentalness • 26% Positiveness
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You Am I
How Much Is Enough
123 bpm • D# Maj • 03:41 • -7.65db
21% Popularity • 53% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Dallas Crane
Numb All Over
133 bpm • F# min • 03:04 • -2.41db
14% Popularity • 42% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Pleasantries
Dope Song
123 bpm • D Maj • 05:22 • -10.3db
11% Popularity • 36% Danceability • 89% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
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Custard
If You Would Like To
134 bpm • C Maj • 01:03 • -10.47db
16% Popularity • 52% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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The Sharp
Train Of Thought
122 bpm • A Maj • 03:27 • -6.21db
12% Popularity • 48% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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I've Made Too Much Pasta
A Hole Is a Hole Is a Hole
134 bpm • C# Maj • 04:49 • -7.83db
10% Popularity • 74% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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You Am I
Get Up
134 bpm • B Maj • 03:12 • -4.14db
18% Popularity • 50% Danceability • 86% Energy • 16% Liveness
3% Instrumentalness • 63% Positiveness
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Supergrass
We Still Need More (Than Anyone Can Give...
134 bpm • C Maj • 03:34 • -7.35db
14% Popularity • 56% Danceability • 79% Energy • 8% Liveness
68% Instrumentalness • 72% Positiveness
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Eskimo Joe
Sweater
122 bpm • E Maj • 02:16 • -5.04db
27% Popularity • 61% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Heavenly
Me And My Madness
122 bpm • E Maj • 02:52 • -12.08db
25% Popularity • 46% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Ratcat
That Ain't Bad
134 bpm • A Maj • 04:03 • -8.32db
37% Popularity • 51% Danceability • 79% Energy • 36% Liveness
80% Instrumentalness • 53% Positiveness
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Even
No Surprises
134 bpm • C Maj • 02:49 • -5.28db
13% Popularity • 36% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Sorry About Everything
Closeface
122 bpm • C Maj • 02:21 • -7.25db
29% Popularity • 68% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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The Fauves
The Charles Atlas Way
134 bpm • F Maj • 02:50 • -8.02db
17% Popularity • 48% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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Custard
Video Killed The Radio Star
135 bpm • C Maj • 03:24 • -9db
30% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Butterfingers
Jesus I Was Evil
135 bpm • B min • 01:47 • -4.48db
21% Popularity • 57% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
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Hands on Fire - Live in the Basement, 2017