Songs like Hang Loose by Alabama Shakes
Based on a tempo of (+/- 10%) and a similar genre
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Vampire Weekend
Horchata
120 bpm • C Maj • 03:26 • -7db
46% Popularity • 83% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 83% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Yeasayer
2080
120 bpm • A Maj • 05:23 • -7db
26% Popularity • 50% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 50% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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The Shins
Simple Song
120 bpm • G Maj • 04:15 • -5.14db
60% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Eagles Of Death Metal
Now I'm a Fool
120 bpm • G Maj • 03:41 • -4.5db
36% Popularity • 72% Danceability • 84% Energy • 10% Liveness
22% Instrumentalness • 89% Positiveness
36% Popularity • 72% Danceability • 84% Energy • 10% Liveness
22% Instrumentalness • 89% Positiveness
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Foxygen
How Can You Really
120 bpm • C Maj • 03:33 • -6.43db
39% Popularity • 41% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 41% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 75% Positiveness
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Generationals
When They Fight, They Fight
120 bpm • B min • 03:20 • -2db
58% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Vampire Weekend
Oxford Comma
120 bpm • C Maj • 03:15 • -4.23db
58% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Blind Pilot
We Are the Tide
120 bpm • B Maj • 03:17 • -8db
51% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness
51% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness
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The Shins
Phantom Limb
120 bpm • A Maj • 04:47 • -5db
53% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Lake Street Dive
I Want You Back
119 bpm • D Maj • 04:19 • -9db
54% Popularity • 75% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 75% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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The New Basement Tapes
Nothing To It
121 bpm • F# Maj • 03:32 • -8db
34% Popularity • 55% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
34% Popularity • 55% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
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Arcade Fire
We Used to Wait
121 bpm • G# Maj • 05:01 • -7.21db
45% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
45% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
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M. Ward
Never Had Nobody Like You
121 bpm • D Maj • 02:26 • -6.41db
13% Popularity • 48% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 48% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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The Shouting Matches
Avery Hill
119 bpm • G Maj • 02:24 • -9.78db
40% Popularity • 79% Danceability • 70% Energy • 22% Liveness
13% Instrumentalness • 79% Positiveness
40% Popularity • 79% Danceability • 70% Energy • 22% Liveness
13% Instrumentalness • 79% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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Spoon
Don't You Evah
121 bpm • F# Maj • 03:36 • -6.27db
34% Popularity • 78% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 78% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Dr. Dog
Survive
119 bpm • D Maj • 04:03 • -6.44db
37% Popularity • 59% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 59% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Sallie Ford & The Sound Outside
Party Kids
121 bpm • E min • 02:36 • -6.23db
19% Popularity • 56% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
19% Popularity • 56% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
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Blitzen Trapper
Dragon's Song
122 bpm • F# min • 03:02 • -9.51db
18% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Shouting Matches
I Need a Change
121 bpm • C Maj • 05:06 • -13.66db
26% Popularity • 59% Danceability • 24% Energy • 9% Liveness
19% Instrumentalness • 21% Positiveness
26% Popularity • 59% Danceability • 24% Energy • 9% Liveness
19% Instrumentalness • 21% Positiveness
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The Arcs
Velvet Ditch
121 bpm • E min • 03:12 • -10db
34% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Fruit Bats
Tangie and Ray
122 bpm • G Maj • 03:13 • -4db
25% Popularity • 66% Danceability • 72% Energy • 9% Liveness
37% Instrumentalness • 53% Positiveness
25% Popularity • 66% Danceability • 72% Energy • 9% Liveness
37% Instrumentalness • 53% Positiveness
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Plants and Animals
The End of That
122 bpm • F Maj • 04:03 • -7.54db
29% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Boy & Bear
Southern Sun
118 bpm • C Maj • 04:40 • -5.95db
53% Popularity • 54% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 54% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Jack White
Lazaretto
118 bpm • F# min • 03:39 • -6.56db
55% Popularity • 38% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
55% Popularity • 38% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Nude Party
Chevrolet Van
118 bpm • E min • 04:18 • -5.82db
29% Popularity • 58% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 58% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Spanish Gold
Out on the Street
118 bpm • C# min • 03:08 • -8.19db
19% Popularity • 74% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 74% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Band of Horses
The General Specific
118 bpm • F Maj • 03:07 • -6db
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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The Shins
Turn On Me
122 bpm • C Maj • 03:41 • -5db
47% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Rayland Baxter
Casanova
122 bpm • C Maj • 03:49 • -5.35db
31% Popularity • 60% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 60% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Alabama Shakes
Shoegaze
118 bpm • C# min • 02:59 • -5.31db
43% Popularity • 56% Danceability • 78% Energy • 12% Liveness
63% Instrumentalness • 67% Positiveness
43% Popularity • 56% Danceability • 78% Energy • 12% Liveness
63% Instrumentalness • 67% Positiveness
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Sean Rowe
Desiree
122 bpm • F# Maj • 04:38 • -6.3db
40% Popularity • 78% Danceability • 64% Energy • 14% Liveness
30% Instrumentalness • 90% Positiveness
40% Popularity • 78% Danceability • 64% Energy • 14% Liveness
30% Instrumentalness • 90% Positiveness
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Divine Fits
Like Ice Cream
122 bpm • D Maj • 03:38 • -4.2db
2% Popularity • 88% Danceability • 93% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
2% Popularity • 88% Danceability • 93% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
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Kevin Morby
City Music
122 bpm • G Maj • 06:44 • -7.1db
41% Popularity • 51% Danceability • 47% Energy • 11% Liveness
15% Instrumentalness • 62% Positiveness
41% Popularity • 51% Danceability • 47% Energy • 11% Liveness
15% Instrumentalness • 62% Positiveness
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Shakey Graves
Roll The Bones - Audiotree Live Version
122 bpm • C# Maj • 04:51 • -10.25db
57% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Shouting Matches
Seven Sisters
123 bpm • C Maj • 02:40 • -9.42db
37% Popularity • 79% Danceability • 52% Energy • 12% Liveness
22% Instrumentalness • 62% Positiveness
37% Popularity • 79% Danceability • 52% Energy • 12% Liveness
22% Instrumentalness • 62% Positiveness
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Alabama Shakes
Someday
118 bpm • A Maj • 03:19 • -6.4db
36% Popularity • 46% Danceability • 44% Energy • 11% Liveness
66% Instrumentalness • 22% Positiveness
36% Popularity • 46% Danceability • 44% Energy • 11% Liveness
66% Instrumentalness • 22% Positiveness
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Black Joe Lewis & The Honeybears
Sugarfoot
123 bpm • G Maj • 03:17 • -3.48db
38% Popularity • 76% Danceability • 76% Energy • 12% Liveness
7% Instrumentalness • 88% Positiveness
38% Popularity • 76% Danceability • 76% Energy • 12% Liveness
7% Instrumentalness • 88% Positiveness
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Dan Auerbach
Stand by My Girl
117 bpm • D Maj • 03:53 • -5.59db
36% Popularity • 59% Danceability • 84% Energy • 56% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 59% Danceability • 84% Energy • 56% Liveness
0% Instrumentalness • 96% Positiveness
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Future Islands
Back in the Tall Grass
123 bpm • C Maj • 04:15 • -9.05db
45% Popularity • 82% Danceability • 50% Energy • 11% Liveness
10% Instrumentalness • 15% Positiveness
45% Popularity • 82% Danceability • 50% Energy • 11% Liveness
10% Instrumentalness • 15% Positiveness
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Local Natives
Wide Eyes
123 bpm • B min • 04:26 • -8.02db
48% Popularity • 53% Danceability • 84% Energy • 22% Liveness
46% Instrumentalness • 48% Positiveness
48% Popularity • 53% Danceability • 84% Energy • 22% Liveness
46% Instrumentalness • 48% Positiveness
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The Shouting Matches
Mother, When?
123 bpm • D Maj • 02:27 • -7.84db
30% Popularity • 57% Danceability • 81% Energy • 15% Liveness
6% Instrumentalness • 61% Positiveness
30% Popularity • 57% Danceability • 81% Energy • 15% Liveness
6% Instrumentalness • 61% Positiveness
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Band of Horses
Laredo
123 bpm • A# Maj • 03:12 • -5.15db
48% Popularity • 50% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 50% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Feist
How Come You Never Go There
123 bpm • A min • 03:24 • -8.17db
44% Popularity • 78% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 78% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 22% Positiveness
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Low Cut Connie
Boozophilia
123 bpm • D Maj • 04:02 • -7.69db
24% Popularity • 57% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 57% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Heartless Bastards
Hold Your Head High
124 bpm • B Maj • 05:05 • -6.84db
27% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Raconteurs
Steady, As She Goes
124 bpm • A Maj • 03:35 • -4.56db
68% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
68% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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The Nude Party
Records
116 bpm • E Maj • 03:31 • -8.16db
24% Popularity • 71% Danceability • 65% Energy • 17% Liveness
1% Instrumentalness • 87% Positiveness
24% Popularity • 71% Danceability • 65% Energy • 17% Liveness
1% Instrumentalness • 87% Positiveness
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Band of Horses
The Great Salt Lake
123 bpm • G# Maj • 04:45 • -6db
54% Popularity • 32% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 32% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Broken Bells
After the Disco
116 bpm • A Maj • 03:39 • -5.44db
51% Popularity • 73% Danceability • 74% Energy • 13% Liveness
3% Instrumentalness • 97% Positiveness
51% Popularity • 73% Danceability • 74% Energy • 13% Liveness
3% Instrumentalness • 97% Positiveness
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Black Joe Lewis & The Honeybears
Livin' In The Jungle
124 bpm • G Maj • 03:22 • -5.4db
33% Popularity • 64% Danceability • 84% Energy • 9% Liveness
44% Instrumentalness • 67% Positiveness
33% Popularity • 64% Danceability • 84% Energy • 9% Liveness
44% Instrumentalness • 67% Positiveness
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Deer Tick
The Bump
125 bpm • E Maj • 03:28 • -7.96db
27% Popularity • 55% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 55% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Shakey Graves
The Perfect Parts
125 bpm • C Maj • 03:56 • -6.11db
42% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Fruit Bats
Tony the Tripper
125 bpm • G Maj • 04:15 • -7db
30% Popularity • 63% Danceability • 72% Energy • 14% Liveness
2% Instrumentalness • 68% Positiveness
30% Popularity • 63% Danceability • 72% Energy • 14% Liveness
2% Instrumentalness • 68% Positiveness
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Local Natives
Sun Hands
125 bpm • D min • 04:51 • -9.57db
30% Popularity • 58% Danceability • 57% Energy • 8% Liveness
9% Instrumentalness • 44% Positiveness
30% Popularity • 58% Danceability • 57% Energy • 8% Liveness
9% Instrumentalness • 44% Positiveness
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Band Of Skulls
Cold Fame
115 bpm • D Maj • 06:11 • -6.87db
40% Popularity • 49% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 49% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Michael Kiwanuka
Rolling
125 bpm • B min • 02:51 • -4.95db
50% Popularity • 68% Danceability • 78% Energy • 68% Liveness
59% Instrumentalness • 59% Positiveness
50% Popularity • 68% Danceability • 78% Energy • 68% Liveness
59% Instrumentalness • 59% Positiveness
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EL VY
Return to the Moon (Political Song for D...
125 bpm • D Maj • 04:13 • -7db
40% Popularity • 70% Danceability • 90% Energy • 11% Liveness
42% Instrumentalness • 83% Positiveness
40% Popularity • 70% Danceability • 90% Energy • 11% Liveness
42% Instrumentalness • 83% Positiveness
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Hiss Golden Messenger
Saturday’s Song
125 bpm • F# min • 04:35 • -8db
30% Popularity • 66% Danceability • 55% Energy • 16% Liveness
11% Instrumentalness • 22% Positiveness
30% Popularity • 66% Danceability • 55% Energy • 16% Liveness
11% Instrumentalness • 22% Positiveness
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Man Man
Head On (Hold On To Your Heart)
125 bpm • C# Maj • 04:25 • -4.04db
44% Popularity • 71% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 71% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Seratones
Don't Need It
115 bpm • E Maj • 04:08 • -3.75db
21% Popularity • 38% Danceability • 93% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
21% Popularity • 38% Danceability • 93% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
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The Shins
Sleeping Lessons
115 bpm • E Maj • 03:57 • -8.99db
54% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Deer Tick
Baltimore Blues No. 1
115 bpm • F Maj • 03:01 • -4.5db
52% Popularity • 75% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 75% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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St. Paul & The Broken Bones
The Last Dance
115 bpm • D Maj • 03:24 • -6.17db
33% Popularity • 73% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 69% Positiveness
33% Popularity • 73% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 69% Positiveness
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Shakey Graves
House of Winston
125 bpm • D# Maj • 04:13 • -9.5db
44% Popularity • 45% Danceability • 43% Energy • 31% Liveness
13% Instrumentalness • 48% Positiveness
44% Popularity • 45% Danceability • 43% Energy • 31% Liveness
13% Instrumentalness • 48% Positiveness
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Dan Auerbach
Cherrybomb
115 bpm • A Maj • 03:45 • -5db
35% Popularity • 73% Danceability • 78% Energy • 15% Liveness
8% Instrumentalness • 78% Positiveness
35% Popularity • 73% Danceability • 78% Energy • 15% Liveness
8% Instrumentalness • 78% Positiveness
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Alabama Shakes
Sound & Color
115 bpm • D Maj • 03:02 • -7.4db
52% Popularity • 55% Danceability • 43% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
52% Popularity • 55% Danceability • 43% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
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Real Estate
Had To Hear
126 bpm • G Maj • 04:50 • -7db
45% Popularity • 56% Danceability • 76% Energy • 15% Liveness
73% Instrumentalness • 50% Positiveness
45% Popularity • 56% Danceability • 76% Energy • 15% Liveness
73% Instrumentalness • 50% Positiveness
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The Shins
Gone for Good - 2023 Remaster
114 bpm • C Maj • 03:12 • -4.47db
51% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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The California Honeydrops
When It Was Wrong
114 bpm • G# min • 04:32 • -6db
53% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Broken Bells
Control
114 bpm • A min • 03:41 • -6.63db
47% Popularity • 74% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 74% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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Andrew Bird
Imitosis
114 bpm • A min • 04:00 • -9db
15% Popularity • 85% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 85% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Jenny O.
Well OK Honey
114 bpm • D Maj • 02:50 • -10db
36% Popularity • 81% Danceability • 42% Energy • 7% Liveness
4% Instrumentalness • 89% Positiveness
36% Popularity • 81% Danceability • 42% Energy • 7% Liveness
4% Instrumentalness • 89% Positiveness
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The Arcs
Put a Flower in Your Pocket
126 bpm • F# min • 03:55 • -9.29db
51% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
51% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Heartless Bastards
Parted Ways
127 bpm • A Maj • 04:57 • -4.57db
32% Popularity • 52% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 52% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Kurt Vile
I'm an Outlaw
114 bpm • F min • 04:21 • -7db
43% Popularity • 77% Danceability • 88% Energy • 8% Liveness
75% Instrumentalness • 96% Positiveness
43% Popularity • 77% Danceability • 88% Energy • 8% Liveness
75% Instrumentalness • 96% Positiveness
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Deer Tick
Twenty Miles
114 bpm • C Maj • 03:43 • -7.1db
47% Popularity • 51% Danceability • 78% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
47% Popularity • 51% Danceability • 78% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
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JJ Grey & Mofro
Orange Blossoms
127 bpm • G Maj • 04:41 • -4.69db
56% Popularity • 68% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
56% Popularity • 68% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Lawrence Arabia
Apple Pie Bed
127 bpm • D# Maj • 03:28 • -5.72db
38% Popularity • 77% Danceability • 68% Energy • 55% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 77% Danceability • 68% Energy • 55% Liveness
0% Instrumentalness • 76% Positiveness
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The Arcs
Pistol Made of Bones
114 bpm • E min • 03:22 • -9db
38% Popularity • 52% Danceability • 70% Energy • 47% Liveness
6% Instrumentalness • 66% Positiveness
38% Popularity • 52% Danceability • 70% Energy • 47% Liveness
6% Instrumentalness • 66% Positiveness
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Tweedy
Low Key
113 bpm • F# min • 03:15 • -6.24db
34% Popularity • 86% Danceability • 79% Energy • 11% Liveness
8% Instrumentalness • 97% Positiveness
34% Popularity • 86% Danceability • 79% Energy • 11% Liveness
8% Instrumentalness • 97% Positiveness
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M. Ward
Rave On
113 bpm • D# Maj • 03:35 • -6db
6% Popularity • 33% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
6% Popularity • 33% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Deer Tick
These Old Shoes
113 bpm • G Maj • 02:20 • -5.31db
41% Popularity • 64% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 64% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Arcade Fire
Rebellion (Lies)
127 bpm • G# Maj • 05:10 • -5.68db
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
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Bahamas
All The Time
127 bpm • E min • 03:54 • -4.82db
60% Popularity • 71% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
60% Popularity • 71% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Dan Auerbach
Waiting on a Song
127 bpm • E Maj • 02:49 • -3.67db
41% Popularity • 61% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 61% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Caamp
Peach Fuzz
127 bpm • C# Maj • 03:44 • -7.75db
66% Popularity • 71% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
66% Popularity • 71% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Scoundrels
Gulf Of Mexico
127 bpm • C Maj • 03:49 • -6.97db
19% Popularity • 51% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 51% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Black Joe Lewis & The Honeybears
Get Yo Shit
113 bpm • B min • 02:47 • -4db
43% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Shakey Graves
Family and Genus
113 bpm • A# Maj • 05:19 • -12.33db
49% Popularity • 74% Danceability • 48% Energy • 43% Liveness
41% Instrumentalness • 37% Positiveness
49% Popularity • 74% Danceability • 48% Energy • 43% Liveness
41% Instrumentalness • 37% Positiveness
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Spoon
I Summon You
128 bpm • E min • 03:55 • -6db
48% Popularity • 81% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 81% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Dan Auerbach
My Last Mistake
128 bpm • C Maj • 03:12 • -6.62db
36% Popularity • 59% Danceability • 86% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
36% Popularity • 59% Danceability • 86% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
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Leon Bridges
Coming Home
112 bpm • F# Maj • 03:26 • -6.6db
71% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Heartless Bastards
Down in the Canyon
128 bpm • A Maj • 07:35 • -6.94db
24% Popularity • 51% Danceability • 61% Energy • 11% Liveness
39% Instrumentalness • 34% Positiveness
24% Popularity • 51% Danceability • 61% Energy • 11% Liveness
39% Instrumentalness • 34% Positiveness
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The Districts
Funeral Beds
112 bpm • F Maj • 05:21 • -9.44db
37% Popularity • 34% Danceability • 54% Energy • 27% Liveness
4% Instrumentalness • 12% Positiveness
37% Popularity • 34% Danceability • 54% Energy • 27% Liveness
4% Instrumentalness • 12% Positiveness
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Alabama Shakes
You Ain't Alone
112 bpm • C Maj • 05:38 • -7.79db
24% Popularity • 48% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 48% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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St. Paul & The Broken Bones
Sanctify
112 bpm • G Maj • 05:55 • -8.42db
41% Popularity • 42% Danceability • 34% Energy • 21% Liveness
20% Instrumentalness • 23% Positiveness
41% Popularity • 42% Danceability • 34% Energy • 21% Liveness
20% Instrumentalness • 23% Positiveness
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Dan Auerbach
Every Chance I Get (I Want You In The Fl...
128 bpm • E min • 04:08 • -8.52db
48% Popularity • 54% Danceability • 61% Energy • 30% Liveness
38% Instrumentalness • 29% Positiveness
48% Popularity • 54% Danceability • 61% Energy • 30% Liveness
38% Instrumentalness • 29% Positiveness
