Songs like Happy Brasilia by James Last
Based on a tempo of (+/- 10%) and a similar genre
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James Last
Bolero '75
136 bpm • F Maj • 03:17 • -7.38db
10% Popularity • 47% Danceability • 86% Energy • 15% Liveness
82% Instrumentalness • 57% Positiveness
10% Popularity • 47% Danceability • 86% Energy • 15% Liveness
82% Instrumentalness • 57% Positiveness
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James Clarke
Second Cut
136 bpm • B Maj • 01:54 • -10db
9% Popularity • 76% Danceability • 67% Energy • 10% Liveness
62% Instrumentalness • 72% Positiveness
9% Popularity • 76% Danceability • 67% Energy • 10% Liveness
62% Instrumentalness • 72% Positiveness
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Korla Pandit
Miserlou - Bonus Live Cut
136 bpm • B Maj • 05:35 • -19.09db
9% Popularity • 50% Danceability • 13% Energy • 56% Liveness
91% Instrumentalness • 25% Positiveness
9% Popularity • 50% Danceability • 13% Energy • 56% Liveness
91% Instrumentalness • 25% Positiveness
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Andrè Brasseur
Holiday
136 bpm • C Maj • 02:23 • -8.57db
12% Popularity • 71% Danceability • 37% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
12% Popularity • 71% Danceability • 37% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
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John Barry Orchestra
Jamaica Jazz
136 bpm • G# Maj • 01:07 • -13.35db
16% Popularity • 76% Danceability • 37% Energy • 24% Liveness
43% Instrumentalness • 96% Positiveness
16% Popularity • 76% Danceability • 37% Energy • 24% Liveness
43% Instrumentalness • 96% Positiveness
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Xavier Cugat & His Orchestra
Blue Champagne
137 bpm • C min • 02:18 • -13.84db
24% Popularity • 64% Danceability • 41% Energy • 36% Liveness
1% Instrumentalness • 78% Positiveness
24% Popularity • 64% Danceability • 41% Energy • 36% Liveness
1% Instrumentalness • 78% Positiveness
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James Last
Happy Brasilia
136 bpm • C Maj • 02:25 • -9.94db
10% Popularity • 62% Danceability • 95% Energy • 43% Liveness
2% Instrumentalness • 78% Positiveness
10% Popularity • 62% Danceability • 95% Energy • 43% Liveness
2% Instrumentalness • 78% Positiveness
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Sohail Rana
Soul Sitar
136 bpm • F min • 02:02 • -10db
12% Popularity • 69% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 69% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Lytle
Baby, You Make Me Feel So Good
135 bpm • D# Maj • 02:59 • -8.91db
9% Popularity • 57% Danceability • 77% Energy • 41% Liveness
19% Instrumentalness • 86% Positiveness
9% Popularity • 57% Danceability • 77% Energy • 41% Liveness
19% Instrumentalness • 86% Positiveness
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Colman Brothers
Momo
135 bpm • D Maj • 03:51 • -9.69db
33% Popularity • 88% Danceability • 63% Energy • 10% Liveness
80% Instrumentalness • 92% Positiveness
33% Popularity • 88% Danceability • 63% Energy • 10% Liveness
80% Instrumentalness • 92% Positiveness
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Roberto Delgado
Music To Watch Girls By
137 bpm • D# Maj • 02:53 • -7.96db
13% Popularity • 64% Danceability • 67% Energy • 8% Liveness
91% Instrumentalness • 67% Positiveness
13% Popularity • 64% Danceability • 67% Energy • 8% Liveness
91% Instrumentalness • 67% Positiveness
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Art Van Damme
Wave
137 bpm • G Maj • 02:54 • -16.97db
7% Popularity • 60% Danceability • 23% Energy • 30% Liveness
78% Instrumentalness • 57% Positiveness
7% Popularity • 60% Danceability • 23% Energy • 30% Liveness
78% Instrumentalness • 57% Positiveness
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James Last
Patricia
135 bpm • G Maj • 02:44 • -14.33db
12% Popularity • 69% Danceability • 53% Energy • 18% Liveness
84% Instrumentalness • 61% Positiveness
12% Popularity • 69% Danceability • 53% Energy • 18% Liveness
84% Instrumentalness • 61% Positiveness
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Tony Mottola
Woodpecker Song
135 bpm • G Maj • 01:53 • -10.86db
35% Popularity • 70% Danceability • 45% Energy • 12% Liveness
84% Instrumentalness • 95% Positiveness
35% Popularity • 70% Danceability • 45% Energy • 12% Liveness
84% Instrumentalness • 95% Positiveness
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Mo' Horizons
Mambuloo
137 bpm • C Maj • 04:52 • -8db
25% Popularity • 90% Danceability • 90% Energy • 4% Liveness
78% Instrumentalness • 93% Positiveness
25% Popularity • 90% Danceability • 90% Energy • 4% Liveness
78% Instrumentalness • 93% Positiveness
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Don Ralke
Safradesia
137 bpm • D Maj • 03:27 • -23db
11% Popularity • 65% Danceability • 45% Energy • 9% Liveness
75% Instrumentalness • 84% Positiveness
11% Popularity • 65% Danceability • 45% Energy • 9% Liveness
75% Instrumentalness • 84% Positiveness
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The Laurie Johnson Orchestra
Theme from ''The Avengers''
137 bpm • D min • 02:19 • -7.6db
26% Popularity • 31% Danceability • 65% Energy • 16% Liveness
70% Instrumentalness • 59% Positiveness
26% Popularity • 31% Danceability • 65% Energy • 16% Liveness
70% Instrumentalness • 59% Positiveness
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Jerry Shard And His Music
Can, Can, Can
138 bpm • C Maj • 02:41 • -10.81db
3% Popularity • 78% Danceability • 59% Energy • 7% Liveness
40% Instrumentalness • 97% Positiveness
3% Popularity • 78% Danceability • 59% Energy • 7% Liveness
40% Instrumentalness • 97% Positiveness
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Terry Snyder
Oye Negra - Remastered
134 bpm • C# Maj • 02:38 • -12db
17% Popularity • 60% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 72% Positiveness
17% Popularity • 60% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 72% Positiveness
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Mr. Bloe
Groovin' With Mr. Bloe
134 bpm • G Maj • 02:40 • -8db
31% Popularity • 82% Danceability • 43% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
31% Popularity • 82% Danceability • 43% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
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Dave "Baby" Cortez
Happy Soul With A Hook
138 bpm • G min • 03:03 • -7.11db
22% Popularity • 79% Danceability • 91% Energy • 9% Liveness
81% Instrumentalness • 74% Positiveness
22% Popularity • 79% Danceability • 91% Energy • 9% Liveness
81% Instrumentalness • 74% Positiveness
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Piero Umiliani
Topless Party
138 bpm • B min • 03:04 • -9.66db
33% Popularity • 78% Danceability • 55% Energy • 24% Liveness
77% Instrumentalness • 69% Positiveness
33% Popularity • 78% Danceability • 55% Energy • 24% Liveness
77% Instrumentalness • 69% Positiveness
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Dave Pike
Sweet Tater Pie
138 bpm • D# Maj • 03:50 • -7.94db
23% Popularity • 66% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 66% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Big Boss Man
Party 7
134 bpm • F Maj • 03:37 • -6.28db
17% Popularity • 62% Danceability • 87% Energy • 12% Liveness
12% Instrumentalness • 90% Positiveness
17% Popularity • 62% Danceability • 87% Energy • 12% Liveness
12% Instrumentalness • 90% Positiveness
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Francis Lai
Saint Tropez - Instrumental
134 bpm • A min • 01:11 • -11.27db
15% Popularity • 27% Danceability • 51% Energy • 16% Liveness
94% Instrumentalness • 75% Positiveness
15% Popularity • 27% Danceability • 51% Energy • 16% Liveness
94% Instrumentalness • 75% Positiveness
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James Last
Andanca
138 bpm • F Maj • 03:45 • -13db
7% Popularity • 41% Danceability • 48% Energy • 56% Liveness
91% Instrumentalness • 46% Positiveness
7% Popularity • 41% Danceability • 48% Energy • 56% Liveness
91% Instrumentalness • 46% Positiveness
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Nino Rota
Quanto Mi piace La Gradisca
133 bpm • C Maj • 03:08 • -11.33db
15% Popularity • 50% Danceability • 25% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
15% Popularity • 50% Danceability • 25% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
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Kenny Burrell
Burning Spear
133 bpm • F min • 02:48 • -12.91db
13% Popularity • 66% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 66% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Joe Torres
Soul Cha
139 bpm • A# min • 05:08 • -8db
21% Popularity • 65% Danceability • 55% Energy • 14% Liveness
83% Instrumentalness • 86% Positiveness
21% Popularity • 65% Danceability • 55% Energy • 14% Liveness
83% Instrumentalness • 86% Positiveness
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Kurt Edelhagen
Tango: 34 Takte Pro Minute -Tango Isabel
133 bpm • C Maj • 02:10 • -12db
35% Popularity • 68% Danceability • 44% Energy • 6% Liveness
90% Instrumentalness • 86% Positiveness
35% Popularity • 68% Danceability • 44% Energy • 6% Liveness
90% Instrumentalness • 86% Positiveness
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Snowboy
Theme from the New Avengers
133 bpm • F# Maj • 04:41 • -8.24db
24% Popularity • 53% Danceability • 81% Energy • 31% Liveness
76% Instrumentalness • 72% Positiveness
24% Popularity • 53% Danceability • 81% Energy • 31% Liveness
76% Instrumentalness • 72% Positiveness
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James Last
Se A Cabo
133 bpm • A# min • 03:33 • -10.31db
8% Popularity • 56% Danceability • 88% Energy • 22% Liveness
90% Instrumentalness • 82% Positiveness
8% Popularity • 56% Danceability • 88% Energy • 22% Liveness
90% Instrumentalness • 82% Positiveness
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Ekseption
Air
139 bpm • C Maj • 02:50 • -6.85db
37% Popularity • 27% Danceability • 65% Energy • 11% Liveness
90% Instrumentalness • 43% Positiveness
37% Popularity • 27% Danceability • 65% Energy • 11% Liveness
90% Instrumentalness • 43% Positiveness
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Alan Hawkshaw
Piccadilly Night Ride
133 bpm • C Maj • 01:53 • -7db
7% Popularity • 59% Danceability • 64% Energy • 21% Liveness
84% Instrumentalness • 83% Positiveness
7% Popularity • 59% Danceability • 64% Energy • 21% Liveness
84% Instrumentalness • 83% Positiveness
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Joe Loss & His Orchestra
Music to Drive By - 2011 Remaster
140 bpm • F Maj • 02:52 • -13.96db
9% Popularity • 46% Danceability • 40% Energy • 20% Liveness
73% Instrumentalness • 63% Positiveness
9% Popularity • 46% Danceability • 40% Energy • 20% Liveness
73% Instrumentalness • 63% Positiveness
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Walter Wanderley
It Hurts To Say Goodbye
132 bpm • C min • 02:09 • -21.35db
22% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Pucho and His Latin Soul Brothers
Chitterlings Con Carne
140 bpm • C Maj • 04:43 • -14db
13% Popularity • 64% Danceability • 42% Energy • 32% Liveness
3% Instrumentalness • 86% Positiveness
13% Popularity • 64% Danceability • 42% Energy • 32% Liveness
3% Instrumentalness • 86% Positiveness
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Andrè Brasseur
Early Bird
132 bpm • F Maj • 02:14 • -10db
29% Popularity • 64% Danceability • 49% Energy • 22% Liveness
83% Instrumentalness • 82% Positiveness
29% Popularity • 64% Danceability • 49% Energy • 22% Liveness
83% Instrumentalness • 82% Positiveness
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Tito Rodriguez & His Orchestra
The Magnificant Seven
132 bpm • A# Maj • 02:00 • -13db
41% Popularity • 84% Danceability • 49% Energy • 7% Liveness
47% Instrumentalness • 96% Positiveness
41% Popularity • 84% Danceability • 49% Energy • 7% Liveness
47% Instrumentalness • 96% Positiveness
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Milt Buckner
Green Onions
132 bpm • G# Maj • 07:25 • -10.07db
15% Popularity • 58% Danceability • 48% Energy • 11% Liveness
11% Instrumentalness • 74% Positiveness
15% Popularity • 58% Danceability • 48% Energy • 11% Liveness
11% Instrumentalness • 74% Positiveness
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Piero Umiliani
Essere Donna
131 bpm • C# min • 02:57 • -13.47db
11% Popularity • 58% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 58% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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James Last
Evie
141 bpm • G Maj • 03:50 • -13db
8% Popularity • 31% Danceability • 33% Energy • 16% Liveness
92% Instrumentalness • 39% Positiveness
8% Popularity • 31% Danceability • 33% Energy • 16% Liveness
92% Instrumentalness • 39% Positiveness
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Kenyon Hopkins
Hard Latin
141 bpm • F min • 02:11 • -10.35db
30% Popularity • 67% Danceability • 60% Energy • 9% Liveness
95% Instrumentalness • 89% Positiveness
30% Popularity • 67% Danceability • 60% Energy • 9% Liveness
95% Instrumentalness • 89% Positiveness
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Keith Mansfield
The Mexican D.J.
141 bpm • C Maj • 02:15 • -6.97db
11% Popularity • 67% Danceability • 75% Energy • 34% Liveness
52% Instrumentalness • 89% Positiveness
11% Popularity • 67% Danceability • 75% Energy • 34% Liveness
52% Instrumentalness • 89% Positiveness
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Roberto Delgado
Pepito
131 bpm • F Maj • 02:33 • -6.31db
16% Popularity • 74% Danceability • 90% Energy • 13% Liveness
82% Instrumentalness • 96% Positiveness
16% Popularity • 74% Danceability • 90% Energy • 13% Liveness
82% Instrumentalness • 96% Positiveness
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Horst Jankowski
Soon Luck Will Also Knock On Your Door
131 bpm • G min • 02:29 • -10.65db
26% Popularity • 65% Danceability • 46% Energy • 16% Liveness
36% Instrumentalness • 60% Positiveness
26% Popularity • 65% Danceability • 46% Energy • 16% Liveness
36% Instrumentalness • 60% Positiveness
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Lemon
Won't You Join Me for a Drink?
131 bpm • C Maj • 04:22 • -7.93db
12% Popularity • 88% Danceability • 94% Energy • 10% Liveness
77% Instrumentalness • 96% Positiveness
12% Popularity • 88% Danceability • 94% Energy • 10% Liveness
77% Instrumentalness • 96% Positiveness
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James Last
Cavaquinho / Cumana / Sambarita
131 bpm • F Maj • 03:14 • -12.61db
7% Popularity • 60% Danceability • 57% Energy • 19% Liveness
38% Instrumentalness • 86% Positiveness
7% Popularity • 60% Danceability • 57% Energy • 19% Liveness
38% Instrumentalness • 86% Positiveness
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Leroy Holmes
The James Bond Theme Medley - Remastered
131 bpm • B Maj • 04:36 • -14db
22% Popularity • 50% Danceability • 47% Energy • 14% Liveness
31% Instrumentalness • 53% Positiveness
22% Popularity • 50% Danceability • 47% Energy • 14% Liveness
31% Instrumentalness • 53% Positiveness
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Andrè Brasseur
Saturnus
131 bpm • C Maj • 03:25 • -11.14db
5% Popularity • 53% Danceability • 88% Energy • 38% Liveness
83% Instrumentalness • 61% Positiveness
5% Popularity • 53% Danceability • 88% Energy • 38% Liveness
83% Instrumentalness • 61% Positiveness
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Russ Conway
The Harry Lime Theme
142 bpm • D# Maj • 02:18 • -10db
34% Popularity • 62% Danceability • 45% Energy • 16% Liveness
90% Instrumentalness • 75% Positiveness
34% Popularity • 62% Danceability • 45% Energy • 16% Liveness
90% Instrumentalness • 75% Positiveness
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Bill Dees
Oh Pretty Woman - 1997 Digital Remaster
130 bpm • A min • 02:53 • -9.32db
8% Popularity • 66% Danceability • 51% Energy • 4% Liveness
26% Instrumentalness • 94% Positiveness
8% Popularity • 66% Danceability • 51% Energy • 4% Liveness
26% Instrumentalness • 94% Positiveness
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James Clarke
Blow Up A-Go-Go!
142 bpm • B min • 02:32 • -9.52db
17% Popularity • 69% Danceability • 84% Energy • 5% Liveness
69% Instrumentalness • 89% Positiveness
17% Popularity • 69% Danceability • 84% Energy • 5% Liveness
69% Instrumentalness • 89% Positiveness
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Ray Barretto
Mister Kiss Kiss Bang Bang
142 bpm • C Maj • 02:07 • -7.19db
14% Popularity • 75% Danceability • 69% Energy • 9% Liveness
74% Instrumentalness • 69% Positiveness
14% Popularity • 75% Danceability • 69% Energy • 9% Liveness
74% Instrumentalness • 69% Positiveness
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Don Swan
El Cumbanchero (Guaracha-Fast Rhumba) - ...
142 bpm • F min • 02:02 • -14db
28% Popularity • 45% Danceability • 35% Energy • 29% Liveness
13% Instrumentalness • 64% Positiveness
28% Popularity • 45% Danceability • 35% Energy • 29% Liveness
13% Instrumentalness • 64% Positiveness
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The Salsoul Orchestra
Salsoul 3001
130 bpm • F Maj • 05:58 • -16.75db
9% Popularity • 51% Danceability • 52% Energy • 51% Liveness
78% Instrumentalness • 44% Positiveness
9% Popularity • 51% Danceability • 52% Energy • 51% Liveness
78% Instrumentalness • 44% Positiveness
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The Jazzinvaders
Bonga Bonga Jazz
130 bpm • A# Maj • 05:54 • -6.95db
7% Popularity • 44% Danceability • 88% Energy • 7% Liveness
78% Instrumentalness • 76% Positiveness
7% Popularity • 44% Danceability • 88% Energy • 7% Liveness
78% Instrumentalness • 76% Positiveness
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Greenwood Groove Coalition
Guajira 78 - Colman Brothers Remix
130 bpm • F Maj • 03:11 • -7.68db
8% Popularity • 86% Danceability • 89% Energy • 5% Liveness
80% Instrumentalness • 95% Positiveness
8% Popularity • 86% Danceability • 89% Energy • 5% Liveness
80% Instrumentalness • 95% Positiveness
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Bebo Best
Baise moi
130 bpm • B Maj • 04:41 • -9.49db
7% Popularity • 69% Danceability • 88% Energy • 49% Liveness
58% Instrumentalness • 78% Positiveness
7% Popularity • 69% Danceability • 88% Energy • 49% Liveness
58% Instrumentalness • 78% Positiveness
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The Karminsky Experience Inc.
The Hip Sheik
130 bpm • B Maj • 07:26 • -7.52db
12% Popularity • 62% Danceability • 99% Energy • 53% Liveness
64% Instrumentalness • 53% Positiveness
12% Popularity • 62% Danceability • 99% Energy • 53% Liveness
64% Instrumentalness • 53% Positiveness
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Frans Poptie & Rhythm Section
Nine by Nine
130 bpm • E min • 03:18 • -12.29db
12% Popularity • 73% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 73% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Horst Jankowski
Toselli Serenade
142 bpm • G min • 02:49 • -10.33db
27% Popularity • 34% Danceability • 45% Energy • 10% Liveness
62% Instrumentalness • 47% Positiveness
27% Popularity • 34% Danceability • 45% Energy • 10% Liveness
62% Instrumentalness • 47% Positiveness
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Gerardo Frisina
Bite The Nite
130 bpm • G min • 05:13 • -7.44db
15% Popularity • 77% Danceability • 86% Energy • 9% Liveness
58% Instrumentalness • 85% Positiveness
15% Popularity • 77% Danceability • 86% Energy • 9% Liveness
58% Instrumentalness • 85% Positiveness
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The Sugarman 3
Sunshine Superman
130 bpm • C min • 03:43 • -7.5db
7% Popularity • 57% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 63% Positiveness
7% Popularity • 57% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 63% Positiveness
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The Love Unlimited Orchestra
Brazilian Love Song - 12" Version
130 bpm • F min • 06:11 • -9.71db
12% Popularity • 50% Danceability • 74% Energy • 7% Liveness
79% Instrumentalness • 96% Positiveness
12% Popularity • 50% Danceability • 74% Energy • 7% Liveness
79% Instrumentalness • 96% Positiveness
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Johnny "Hammond" Smith
Soul Talk - 1970
130 bpm • A# min • 06:23 • -10.45db
10% Popularity • 63% Danceability • 61% Energy • 11% Liveness
87% Instrumentalness • 86% Positiveness
10% Popularity • 63% Danceability • 61% Energy • 11% Liveness
87% Instrumentalness • 86% Positiveness
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Tele Music
Ok Chicago
143 bpm • C# Maj • 02:31 • -6.18db
11% Popularity • 52% Danceability • 94% Energy • 10% Liveness
41% Instrumentalness • 82% Positiveness
11% Popularity • 52% Danceability • 94% Energy • 10% Liveness
41% Instrumentalness • 82% Positiveness
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James Last
Copacabana
130 bpm • C min • 03:52 • -10.43db
16% Popularity • 73% Danceability • 79% Energy • 27% Liveness
90% Instrumentalness • 70% Positiveness
16% Popularity • 73% Danceability • 79% Energy • 27% Liveness
90% Instrumentalness • 70% Positiveness
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David Lindup
The Zodiac
130 bpm • G min • 03:09 • -3.4db
22% Popularity • 44% Danceability • 92% Energy • 26% Liveness
91% Instrumentalness • 64% Positiveness
22% Popularity • 44% Danceability • 92% Energy • 26% Liveness
91% Instrumentalness • 64% Positiveness
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The Chakachas
Canalla
143 bpm • D Maj • 02:36 • -10.02db
7% Popularity • 75% Danceability • 70% Energy • 31% Liveness
6% Instrumentalness • 98% Positiveness
7% Popularity • 75% Danceability • 70% Energy • 31% Liveness
6% Instrumentalness • 98% Positiveness
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Xavier Cugat & His Orchestra
Cugi's Cocktail (Hully Gully Cha Cha)
130 bpm • F Maj • 02:29 • -12.87db
19% Popularity • 74% Danceability • 52% Energy • 22% Liveness
75% Instrumentalness • 91% Positiveness
19% Popularity • 74% Danceability • 52% Energy • 22% Liveness
75% Instrumentalness • 91% Positiveness
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Alan Hawkshaw
Delivery Date
143 bpm • F min • 02:38 • -14.56db
10% Popularity • 75% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 49% Positiveness
10% Popularity • 75% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 49% Positiveness
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The Out Islanders
Honorable Hong Kong Rock
129 bpm • G# Maj • 02:38 • -13.68db
2% Popularity • 78% Danceability • 71% Energy • 12% Liveness
85% Instrumentalness • 50% Positiveness
2% Popularity • 78% Danceability • 71% Energy • 12% Liveness
85% Instrumentalness • 50% Positiveness
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The Agents
Get Smart/Casino Royale
143 bpm • F min • 05:27 • -12db
9% Popularity • 39% Danceability • 48% Energy • 7% Liveness
31% Instrumentalness • 79% Positiveness
9% Popularity • 39% Danceability • 48% Energy • 7% Liveness
31% Instrumentalness • 79% Positiveness
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Kurt Edelhagen
Cha-Cha-Cha: 34 Takte Pro Minute - Noch ...
129 bpm • G Maj • 02:20 • -10.38db
36% Popularity • 81% Danceability • 60% Energy • 6% Liveness
81% Instrumentalness • 98% Positiveness
36% Popularity • 81% Danceability • 60% Energy • 6% Liveness
81% Instrumentalness • 98% Positiveness
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Chocolat's
El Caravanero
129 bpm • G Maj • 10:37 • -9.33db
8% Popularity • 58% Danceability • 88% Energy • 10% Liveness
85% Instrumentalness • 83% Positiveness
8% Popularity • 58% Danceability • 88% Energy • 10% Liveness
85% Instrumentalness • 83% Positiveness
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Boogaloo Joe Jones
Brown Bag
143 bpm • C min • 05:06 • -13.83db
32% Popularity • 55% Danceability • 73% Energy • 10% Liveness
82% Instrumentalness • 93% Positiveness
32% Popularity • 55% Danceability • 73% Energy • 10% Liveness
82% Instrumentalness • 93% Positiveness
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Jimmy Smith
Stay Loose
144 bpm • A# Maj • 03:55 • -9.71db
13% Popularity • 50% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 50% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 90% Positiveness
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The Manhattan Transfer
The Speak Up Mambo (CUENTAME)
129 bpm • F min • 03:00 • -5.71db
35% Popularity • 78% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 78% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Martin Böttcher und sein Orchester
Es muß nicht immer Kaviar sein
129 bpm • G min • 02:54 • -17.8db
8% Popularity • 43% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
8% Popularity • 43% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Osibisa
Komfo (High Priest)
144 bpm • B min • 04:42 • -13.08db
10% Popularity • 39% Danceability • 59% Energy • 13% Liveness
84% Instrumentalness • 67% Positiveness
10% Popularity • 39% Danceability • 59% Energy • 13% Liveness
84% Instrumentalness • 67% Positiveness
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Karl Zéro
Allo mambo
144 bpm • G min • 02:45 • -7.95db
20% Popularity • 83% Danceability • 56% Energy • 20% Liveness
28% Instrumentalness • 97% Positiveness
20% Popularity • 83% Danceability • 56% Energy • 20% Liveness
28% Instrumentalness • 97% Positiveness
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Sérgio Mendes
Primitivo
144 bpm • A min • 03:57 • -12.64db
10% Popularity • 47% Danceability • 43% Energy • 8% Liveness
94% Instrumentalness • 60% Positiveness
10% Popularity • 47% Danceability • 43% Energy • 8% Liveness
94% Instrumentalness • 60% Positiveness
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Xavier Cugat & His Orchestra
Manhattan (Cha-Cha)
128 bpm • G min • 02:21 • -12.2db
21% Popularity • 75% Danceability • 52% Energy • 39% Liveness
85% Instrumentalness • 93% Positiveness
21% Popularity • 75% Danceability • 52% Energy • 39% Liveness
85% Instrumentalness • 93% Positiveness
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The Chakachas
Un Rayo Del Sol
128 bpm • C Maj • 02:49 • -11.48db
19% Popularity • 70% Danceability • 55% Energy • 13% Liveness
2% Instrumentalness • 96% Positiveness
19% Popularity • 70% Danceability • 55% Energy • 13% Liveness
2% Instrumentalness • 96% Positiveness
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Johnny Harris
Stepping Stones - Remastered
145 bpm • F min • 05:21 • -11.75db
30% Popularity • 58% Danceability • 82% Energy • 47% Liveness
88% Instrumentalness • 78% Positiveness
30% Popularity • 58% Danceability • 82% Energy • 47% Liveness
88% Instrumentalness • 78% Positiveness
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John Rowcroft
Tango Cubano
128 bpm • F Maj • 02:16 • -7.67db
22% Popularity • 89% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
22% Popularity • 89% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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James Clarke
Boogaloo Smith
128 bpm • A# min • 01:38 • -8.4db
12% Popularity • 61% Danceability • 81% Energy • 34% Liveness
59% Instrumentalness • 95% Positiveness
12% Popularity • 61% Danceability • 81% Energy • 34% Liveness
59% Instrumentalness • 95% Positiveness
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Al Caiola
Big Noise From Winnetka / Midnight Swim
145 bpm • C min • 04:23 • -11.48db
12% Popularity • 42% Danceability • 59% Energy • 38% Liveness
16% Instrumentalness • 78% Positiveness
12% Popularity • 42% Danceability • 59% Energy • 38% Liveness
16% Instrumentalness • 78% Positiveness
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Billy Larkin & The Delegates
Cuchy Frito Man
128 bpm • E min • 02:48 • -12.04db
13% Popularity • 74% Danceability • 57% Energy • 12% Liveness
92% Instrumentalness • 79% Positiveness
13% Popularity • 74% Danceability • 57% Energy • 12% Liveness
92% Instrumentalness • 79% Positiveness
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Augusto Martelli
Crazy Sax
145 bpm • F Maj • 02:37 • -15.79db
10% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Kurt Edelhagen
Jive: 32 Takte Pro Minute - The Hucklebu...
127 bpm • A# Maj • 02:38 • -12.98db
21% Popularity • 72% Danceability • 39% Energy • 13% Liveness
4% Instrumentalness • 84% Positiveness
21% Popularity • 72% Danceability • 39% Energy • 13% Liveness
4% Instrumentalness • 84% Positiveness
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Danny Malando
Olé Guapa
127 bpm • A Maj • 03:29 • -11.72db
15% Popularity • 49% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 51% Positiveness
15% Popularity • 49% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 51% Positiveness
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New Cool Collective
Propeller
127 bpm • F Maj • 05:16 • -5.46db
15% Popularity • 72% Danceability • 83% Energy • 28% Liveness
29% Instrumentalness • 91% Positiveness
15% Popularity • 72% Danceability • 83% Energy • 28% Liveness
29% Instrumentalness • 91% Positiveness
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Brassroots
Sweet Dreams
127 bpm • G# Maj • 03:37 • -7db
19% Popularity • 69% Danceability • 64% Energy • 7% Liveness
17% Instrumentalness • 71% Positiveness
19% Popularity • 69% Danceability • 64% Energy • 7% Liveness
17% Instrumentalness • 71% Positiveness
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Keith Mansfield
Step Forward
127 bpm • F min • 03:02 • -5.8db
8% Popularity • 65% Danceability • 72% Energy • 28% Liveness
89% Instrumentalness • 85% Positiveness
8% Popularity • 65% Danceability • 72% Energy • 28% Liveness
89% Instrumentalness • 85% Positiveness
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Bill Doggett
Ko-Ko
127 bpm • G# Maj • 03:03 • -14.01db
13% Popularity • 73% Danceability • 38% Energy • 8% Liveness
89% Instrumentalness • 94% Positiveness
13% Popularity • 73% Danceability • 38% Energy • 8% Liveness
89% Instrumentalness • 94% Positiveness
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Kurt Edelhagen
Cha-Cha-Cha (La Golondrina Guantanamera)
127 bpm • G# Maj • 03:07 • -13.34db
42% Popularity • 63% Danceability • 43% Energy • 10% Liveness
84% Instrumentalness • 83% Positiveness
42% Popularity • 63% Danceability • 43% Energy • 10% Liveness
84% Instrumentalness • 83% Positiveness
