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Hard Feelings
Songs like
Hard Feelings
by
Dave Barnes
Based on a tempo of (+/- 10%) and a similar genre
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James Spaite
On My Mind
98 bpm • G Maj • 03:57 • -8.92db
9% Popularity • 79% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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B.Reith
Roll With the Punches
98 bpm • G Maj • 03:54 • -6.91db
20% Popularity • 87% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Dave Barnes
Carry on, San Vicente
98 bpm • F# Maj • 03:57 • -6.62db
22% Popularity • 64% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Camo Columbo
Sapphire Moonlight
98 bpm • F# min • 03:14 • -7.07db
29% Popularity • 80% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Matt Wertz
5:19
98 bpm • E Maj • 03:10 • -7db
40% Popularity • 68% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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The Roosevelts
Do You Want Me?
98 bpm • B Maj • 03:20 • -6.27db
28% Popularity • 78% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Malia Civetz
Broke Boy - Stripped
98 bpm • D# Maj • 02:54 • -8.33db
19% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Out of the Dust
So Amazing
98 bpm • F min • 04:06 • -6.23db
11% Popularity • 61% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Dave Barnes
Dreaming in Electric Blue
98 bpm • D Maj • 03:12 • -6.78db
39% Popularity • 69% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Jackson Dreyer
Can't Fake It
98 bpm • G# Maj • 04:06 • -6.46db
17% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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John Canada
Making Money
98 bpm • A Maj • 03:15 • -8.73db
27% Popularity • 69% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Matt Wertz
5:19 // Acoustic
98 bpm • D# Maj • 03:07 • -7.87db
15% Popularity • 83% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Los Elk
Business
98 bpm • B min • 03:45 • -6.72db
29% Popularity • 59% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Gabe Dixon
I Got Your Love (You Got Mine)
99 bpm • G Maj • 03:50 • -7.11db
11% Popularity • 77% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Dave Barnes
Wildfire Heart
98 bpm • G# Maj • 03:53 • -8.65db
23% Popularity • 75% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Lawrence
Casualty (Acoustic)
99 bpm • F Maj • 02:50 • -4.8db
19% Popularity • 49% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Willie Shaw
I Always Knew
97 bpm • D Maj • 03:51 • -9.68db
18% Popularity • 80% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Jordy Searcy
Mirror Girl
97 bpm • B Maj • 02:58 • -6.63db
21% Popularity • 60% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Jak Lizard
Bad Dancer
97 bpm • C Maj • 03:22 • -7.2db
31% Popularity • 66% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Madeline Edwards
Do You Believe
97 bpm • D min • 03:59 • -6.76db
11% Popularity • 60% Danceability • 80% Energy • 29% Liveness
1% Instrumentalness • 63% Positiveness
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Dave Barnes
Good Day for Marrying You
98 bpm • F# Maj • 02:42 • -8.31db
44% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Cody Fry
Thinking About You
99 bpm • F min • 03:47 • -7db
38% Popularity • 91% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Andrew Weaver
Yes or No
97 bpm • A Maj • 03:04 • -5.64db
10% Popularity • 83% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Rachael Nemiroff
I Want It That Way
97 bpm • C Maj • 02:55 • -16.04db
9% Popularity • 72% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Matt Wertz
Unexpected Love // Acoustic
97 bpm • C# Maj • 03:47 • -6.89db
11% Popularity • 76% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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John Tibbs
Put a Little Love in Your Heart
99 bpm • D Maj • 03:08 • -3.01db
27% Popularity • 69% Danceability • 66% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
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Dave Barnes
Hard Feelings
98 bpm • C Maj • 03:02 • -6.22db
12% Popularity • 81% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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firekid
XY
97 bpm • A Maj • 02:52 • -9.01db
11% Popularity • 77% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Phillip Vo
Late Bloomer
97 bpm • E Maj • 03:10 • -6.8db
16% Popularity • 75% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 53% Positiveness
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Brierley
Tropics
97 bpm • C min • 02:52 • -9.9db
9% Popularity • 74% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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The Light The Heat
It's Our Time
97 bpm • D Maj • 03:41 • -9db
42% Popularity • 68% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Will Breman
The Way You Are
99 bpm • C Maj • 03:29 • -7.97db
9% Popularity • 68% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Matt Wertz
Unexpected Love
97 bpm • C# Maj • 03:39 • -6db
29% Popularity • 71% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Million Miles
If Only
97 bpm • D Maj • 03:27 • -9.25db
26% Popularity • 75% Danceability • 49% Energy • 14% Liveness
2% Instrumentalness • 50% Positiveness
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CammWess
Save It For Tomorrow - The Voice Perform...
100 bpm • G Maj • 03:06 • -7.33db
11% Popularity • 63% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Girl Named Tom
Backup Plan
100 bpm • G# min • 02:41 • -9.26db
16% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Paul Pfau
Lo-Fi (Acoustic)
100 bpm • G Maj • 02:58 • -9.77db
10% Popularity • 61% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Gabe Dixon
Let Me Be Your Melody
100 bpm • F min • 03:59 • -9.01db
12% Popularity • 62% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Emma Jayne
Morning
96 bpm • D Maj • 03:15 • -5.39db
35% Popularity • 66% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Three Star Revival
All This Life
100 bpm • D min • 02:39 • -7.86db
37% Popularity • 80% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 94% Positiveness
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Champagne Lane
Praying for a Little Rain
100 bpm • D# Maj • 04:08 • -10db
31% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Girl Named Tom
In Another World
100 bpm • D# Maj • 02:12 • -8.16db
17% Popularity • 79% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Brian Reith
Not So Different
100 bpm • F# min • 03:48 • -7db
16% Popularity • 77% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Jon Bryant
Bad Happens
96 bpm • B Maj • 03:09 • -7db
24% Popularity • 52% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Tyrone Wells
Sorry
96 bpm • G Maj • 03:05 • -6.65db
12% Popularity • 75% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Tony McHugh
Concrete Noun
96 bpm • G Maj • 04:17 • -11.72db
11% Popularity • 55% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Dave Barnes
Remember That I Love You
100 bpm • D Maj • 03:42 • -6.23db
21% Popularity • 63% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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George Pelham
Be Myself
100 bpm • F# min • 02:41 • -6.65db
20% Popularity • 78% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Girl Named Tom
Barrier Island
96 bpm • D Maj • 03:36 • -8.82db
18% Popularity • 78% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Alex Aiono
Loved People
96 bpm • G Maj • 04:08 • -7.45db
17% Popularity • 50% Danceability • 52% Energy • 69% Liveness
0% Instrumentalness • 62% Positiveness
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Michael Franti & Spearhead
P.S. I Love You
96 bpm • A# Maj • 03:27 • -6.74db
21% Popularity • 84% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Josh Gilligan
Love Is a Town
100 bpm • E Maj • 03:14 • -8.91db
21% Popularity • 77% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Dave Barnes
The Lord Ain’t Let Me Down Lately
100 bpm • C Maj • 03:32 • -5.51db
20% Popularity • 95% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Todd Carey
Live a Little
100 bpm • E Maj • 04:03 • -11.73db
4% Popularity • 79% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Emma Klein
Call It What It Is
100 bpm • E Maj • 03:38 • -6.54db
28% Popularity • 62% Danceability • 47% Energy • 48% Liveness
0% Instrumentalness • 49% Positiveness
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B.Reith
Not Who I Am
100 bpm • G Maj • 04:03 • -9.11db
7% Popularity • 56% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Phoebe Katis
20s
96 bpm • B Maj • 03:28 • -4.58db
12% Popularity • 62% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Girl Named Tom
Barrier Island
96 bpm • A Maj • 03:36 • -9.03db
14% Popularity • 80% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Dave Barnes
Sing Me Home
100 bpm • C Maj • 02:54 • -5db
31% Popularity • 72% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Sean Bertram
Sadie
100 bpm • A# Maj • 03:47 • -10.2db
10% Popularity • 65% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Yam Haus
Simplicity
101 bpm • D min • 04:12 • -5.84db
29% Popularity • 52% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Roman Clarke
Next Time
101 bpm • C min • 04:03 • -5.22db
8% Popularity • 71% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Haley Klinkhammer
Loving You, Loving Me
95 bpm • B Maj • 03:21 • -8.77db
28% Popularity • 69% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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George Pelham
Tracks Of My Tears
101 bpm • C Maj • 02:24 • -7.37db
28% Popularity • 92% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Dave Barnes
My Love Will Follow You
96 bpm • D Maj • 03:50 • -8.45db
27% Popularity • 72% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Logan Smith
Addictive
95 bpm • D min • 02:39 • -8.81db
7% Popularity • 65% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Sam Burchfield
Somebody's Hand to Hold
95 bpm • B min • 04:19 • -8db
22% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Ezra Jordan
Only Got Eyes for Her
101 bpm • G# Maj • 03:05 • -4db
27% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Britton Buchanan
Cross My Mind
95 bpm • F Maj • 03:31 • -10.02db
25% Popularity • 60% Danceability • 63% Energy • 49% Liveness
0% Instrumentalness • 50% Positiveness
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Kris Allen
Different Bridges, Same River
95 bpm • E Maj • 04:45 • -7db
15% Popularity • 76% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Marc Scibilia
How Many Times
95 bpm • C Maj • 03:21 • -6.29db
19% Popularity • 54% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Sheffield
Seven Billion People
95 bpm • A# Maj • 02:10 • -8.45db
40% Popularity • 83% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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GEM
Midnight Train to Georgia
95 bpm • F# min • 03:48 • -8.19db
33% Popularity • 69% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Nathan Sheridan
Starts With You And Me
95 bpm • B min • 02:58 • -6db
29% Popularity • 67% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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The Appliance Plug
Best Gift Ever
95 bpm • A# min • 01:24 • -6.42db
17% Popularity • 76% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Rachel Mazer
Is It So Wrong
95 bpm • E Maj • 03:20 • -7.99db
30% Popularity • 74% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Jesse Lawrence
Out of Thin Air
95 bpm • F# min • 04:39 • -5.92db
30% Popularity • 71% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
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Tim Halperin
Best In Me
95 bpm • D Maj • 03:19 • -3db
27% Popularity • 67% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Cody Fry
Go
95 bpm • C# Maj • 03:14 • -6db
47% Popularity • 66% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Lawrence
Do You Want to Do Nothing with Me? - Aud...
101 bpm • C# min • 03:48 • -8.42db
31% Popularity • 57% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Riley Whisler
Eye on You
95 bpm • G Maj • 03:11 • -7.45db
22% Popularity • 55% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Kelsea Ballerini
Lost In Japan - Recorded at Sound Stage ...
95 bpm • C Maj • 03:19 • -8.78db
34% Popularity • 62% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 58% Positiveness
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Anae
You are Chosen
95 bpm • C# Maj • 03:41 • -7.6db
12% Popularity • 65% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Wilder Woods
Someday Soon - Single Version
102 bpm • G# Maj • 03:37 • -5.7db
25% Popularity • 46% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Mathew V
Badly
102 bpm • C# Maj • 03:23 • -5.56db
7% Popularity • 78% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Carl Wockner
Flowers
102 bpm • A min • 02:54 • -6.01db
9% Popularity • 94% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Matt Wertz
Easy Things Hard
102 bpm • B Maj • 03:37 • -6.76db
23% Popularity • 72% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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The Lagoons
Love To Love You
102 bpm • D Maj • 02:39 • -6.64db
29% Popularity • 69% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Beane
We're Alright
102 bpm • A Maj • 03:22 • -11db
16% Popularity • 58% Danceability • 31% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
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Isak Thomas and The Stoop Boys
Morning Coffee
102 bpm • C Maj • 04:34 • -11.25db
32% Popularity • 76% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Josie Dunne
Old School - Acoustic
94 bpm • G# Maj • 03:36 • -7.22db
30% Popularity • 69% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Johner Boys
Effortlessly
94 bpm • A# Maj • 03:21 • -7.06db
22% Popularity • 65% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Matt Wertz
Carolina // Acoustic
94 bpm • F# Maj • 03:09 • -7db
21% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Rob Drabkin
Two Left Feet (The Way You Move)
94 bpm • G# Maj • 02:56 • -8db
19% Popularity • 76% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Kaiak
My Screwy Mind
94 bpm • A Maj • 04:37 • -11db
9% Popularity • 70% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Phillip Vo
Married in a Dream
94 bpm • F Maj • 03:25 • -6.99db
14% Popularity • 44% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Joanna Serenko
Good Side
94 bpm • C Maj • 04:08 • -8db
17% Popularity • 80% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Skyline Motel
Danger
94 bpm • G# Maj • 03:45 • -7.48db
8% Popularity • 46% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Matt Wertz
Someone Like You // Acoustic
94 bpm • D# Maj • 03:41 • -6db
18% Popularity • 69% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Jesse Gold
No Good
102 bpm • F# Maj • 02:44 • -8db
20% Popularity • 71% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Hard Feelings