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Hard On Everyone
Songs like
Hard On Everyone
by
Kathleen Edwards
Based on a tempo of (+/- 10%) and a similar genre
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S.G. Goodman
All My Love Is Coming Back To Me
148 bpm • B Maj • 03:29 • -7db
29% Popularity • 55% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Caroline Spence
Clean Getaway
148 bpm • F# Maj • 03:47 • -8.3db
21% Popularity • 47% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
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Kathleen Edwards
Hard On Everyone
148 bpm • F# Maj • 05:32 • -7.12db
29% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Vetiver
Wanted, Never Asked
148 bpm • E Maj • 03:42 • -13.28db
17% Popularity • 69% Danceability • 62% Energy • 8% Liveness
35% Instrumentalness • 79% Positiveness
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Carsie Blanton
Party At The End Of The World
148 bpm • G Maj • 03:43 • -6.37db
20% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Yola
Rock Me Gently
147 bpm • G Maj • 03:30 • -5.63db
26% Popularity • 51% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Jenny Lewis
Do Si Do
146 bpm • D Maj • 03:54 • -7.22db
31% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Pete Yorn
Lay Lady Lay
150 bpm • B min • 03:32 • -5.98db
7% Popularity • 51% Danceability • 96% Energy • 23% Liveness
30% Instrumentalness • 44% Positiveness
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Kathleen Edwards
Independent Thief
150 bpm • A# min • 04:46 • -5.04db
11% Popularity • 33% Danceability • 72% Energy • 13% Liveness
8% Instrumentalness • 39% Positiveness
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Dead Horses
Brady Street
150 bpm • F Maj • 03:08 • -9.55db
26% Popularity • 54% Danceability • 54% Energy • 10% Liveness
36% Instrumentalness • 33% Positiveness
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Nathaniel Rateliff & The Night Sweats
What If I
150 bpm • C min • 03:34 • -4db
43% Popularity • 56% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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The Hold Steady
Family Farm
150 bpm • D Maj • 03:43 • -6.32db
23% Popularity • 30% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Paul Reddick
Villanelle
146 bpm • C Maj • 03:48 • -8.2db
3% Popularity • 55% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Band of Horses
Crutch
145 bpm • D Maj • 03:43 • -5.38db
47% Popularity • 46% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Deer
Confetti to the Hurricane
151 bpm • D Maj • 03:54 • -8.63db
30% Popularity • 46% Danceability • 63% Energy • 9% Liveness
84% Instrumentalness • 50% Positiveness
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Margo Price
Hey Child
145 bpm • G Maj • 03:49 • -5.48db
13% Popularity • 36% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Raye Zaragoza
Into The Wild
151 bpm • E Maj • 03:35 • -8.13db
26% Popularity • 38% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Liz Stringer
First Time Really Feeling
151 bpm • A# Maj • 05:50 • -8db
21% Popularity • 50% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
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Chuck Prophet
Marathon
151 bpm • G Maj • 03:47 • -4.52db
23% Popularity • 55% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Sean Rowe
Squid Tattoo
145 bpm • B Maj • 04:30 • -6db
22% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Hiss Golden Messenger
Hardlytown
145 bpm • C# Maj • 03:17 • -10.93db
38% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Nathaniel Rateliff & The Night Sweats
Face Down In The Moment
151 bpm • F# Maj • 04:39 • -3.23db
52% Popularity • 52% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Treetop Flyers
Things Will Change
145 bpm • D Maj • 04:03 • -4.4db
21% Popularity • 51% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Wilco
Love Is Everywhere (Beware)
144 bpm • G Maj • 03:33 • -9.44db
52% Popularity • 31% Danceability • 52% Energy • 10% Liveness
45% Instrumentalness • 51% Positiveness
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Sarah Jarosz
I’ll Be Gone
152 bpm • F# min • 03:35 • -6.71db
30% Popularity • 60% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Courtney Marie Andrews
America
152 bpm • G# Maj • 04:11 • -14db
34% Popularity • 39% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Drive-By Truckers
The New OK
144 bpm • C Maj • 04:25 • -7.31db
10% Popularity • 50% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Elizabeth Cook
Bad Decisions
144 bpm • G Maj • 04:42 • -4.09db
9% Popularity • 54% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Dustbowl Revival
The Exception
144 bpm • A# Maj • 04:07 • -7db
31% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Strand of Oaks
Somewhere in Chicago
144 bpm • B min • 03:05 • -8db
35% Popularity • 53% Danceability • 71% Energy • 25% Liveness
18% Instrumentalness • 65% Positiveness
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Parker Millsap
Dammit
144 bpm • D Maj • 04:09 • -7.4db
14% Popularity • 64% Danceability • 66% Energy • 8% Liveness
46% Instrumentalness • 44% Positiveness
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Jesse Malin
Before You Go
144 bpm • A Maj • 03:25 • -7.37db
13% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Dawes
Who Do You Think You're Talking To?
152 bpm • E Maj • 03:19 • -7.23db
34% Popularity • 46% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Weather Station
Better Now
144 bpm • G Maj • 02:53 • -9.08db
24% Popularity • 47% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Hiss Golden Messenger
Quietly Blowing It
152 bpm • C# Maj • 04:16 • -16.4db
21% Popularity • 47% Danceability • 13% Energy • 20% Liveness
18% Instrumentalness • 18% Positiveness
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Strand of Oaks
Somewhere in Chicago - Acoustic
144 bpm • B min • 03:29 • -10db
13% Popularity • 57% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Edie Brickell & New Bohemians
Stubborn Love
153 bpm • G Maj • 04:09 • -6.94db
19% Popularity • 67% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Wilco
Falling Apart (Right Now)
153 bpm • F Maj • 03:16 • -6.56db
34% Popularity • 55% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Jenn Grant
Raven
143 bpm • G min • 03:38 • -6.31db
15% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Margo Price
Letting Me Down
143 bpm • C Maj • 03:14 • -4.48db
28% Popularity • 45% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Slow Leaves
Miss You
142 bpm • G Maj • 03:18 • -6.65db
8% Popularity • 51% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Pieta Brown
The Hard Way
154 bpm • C Maj • 03:48 • -10.01db
8% Popularity • 59% Danceability • 49% Energy • 9% Liveness
9% Instrumentalness • 34% Positiveness
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Edie Brickell & New Bohemians
Sleeve
143 bpm • G Maj • 04:48 • -5.89db
12% Popularity • 59% Danceability • 83% Energy • 9% Liveness
36% Instrumentalness • 84% Positiveness
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Lilly Hiatt
The Last Tear
142 bpm • E Maj • 03:31 • -7.64db
0% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Erin Rae
Can't See Stars
142 bpm • A# Maj • 03:36 • -6.61db
29% Popularity • 66% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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The Wallflowers
Maybe Your Heart’s Not In It No More
142 bpm • E Maj • 05:00 • -6.05db
0% Popularity • 52% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Daniel Romano
Still Dreaming
141 bpm • B Maj • 03:03 • -12.07db
12% Popularity • 41% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Nathaniel Rateliff & The Night Sweats
The Future
155 bpm • C Maj • 03:41 • -4db
40% Popularity • 44% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Overcoats
Used To Be Scared Of The Dark [Middle Ki...
155 bpm • C Maj • 03:22 • -9.76db
28% Popularity • 49% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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Chuck Prophet
High as Johnny Thunders
141 bpm • C Maj • 03:18 • -6.96db
17% Popularity • 54% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Amy Ray
Sure Feels Good Anyway
140 bpm • G min • 04:30 • -9.27db
22% Popularity • 55% Danceability • 60% Energy • 11% Liveness
4% Instrumentalness • 86% Positiveness
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David Huckfelt
Bury Me Not (The Dying Cowboy)
156 bpm • C# min • 04:32 • -7.79db
8% Popularity • 48% Danceability • 77% Energy • 29% Liveness
2% Instrumentalness • 55% Positiveness
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Amelia Curran
Song on the Radio
140 bpm • D Maj • 04:03 • -9.5db
15% Popularity • 60% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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S.G. Goodman
Teeth Marks
140 bpm • A# Maj • 03:37 • -9.5db
29% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Kathleen Edwards
Feelings Fade
140 bpm • A min • 03:21 • -9.66db
14% Popularity • 49% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Chuck Prophet
Age of Miracles
141 bpm • F# Maj • 04:09 • -8.06db
3% Popularity • 56% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Parker Millsap
Vulnerable
140 bpm • F Maj • 03:08 • -6.87db
14% Popularity • 62% Danceability • 51% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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Liz Phair
Hey Lou
140 bpm • F Maj • 02:42 • -5.4db
15% Popularity • 63% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Aaron Lee Tasjan
Feminine Walk
140 bpm • D Maj • 03:35 • -6.81db
0% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Sarah Harmer
Don't Get Your Back Up
140 bpm • B Maj • 03:54 • -7.91db
33% Popularity • 64% Danceability • 64% Energy • 25% Liveness
2% Instrumentalness • 71% Positiveness
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Amanda Shires
When You're Gone
140 bpm • G Maj • 03:06 • -12.54db
31% Popularity • 38% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Cactus Blossoms
Please Don't Call Me Crazy
139 bpm • C Maj • 03:06 • -7.66db
28% Popularity • 44% Danceability • 56% Energy • 13% Liveness
5% Instrumentalness • 49% Positiveness
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Nathaniel Rateliff
Mavis
157 bpm • B Maj • 04:12 • -11.65db
42% Popularity • 49% Danceability • 52% Energy • 10% Liveness
64% Instrumentalness • 63% Positiveness
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Hiss Golden Messenger
Way Back in the Way Back
139 bpm • C Maj • 04:00 • -16db
31% Popularity • 63% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
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Dori Freeman
The Storm
158 bpm • F# min • 03:07 • -5.74db
24% Popularity • 60% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Deep Sea Diver
Wishing
158 bpm • A min • 03:49 • -5.21db
20% Popularity • 46% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Amanda Shires
Deciphering Dreams
138 bpm • F Maj • 03:20 • -6.26db
10% Popularity • 46% Danceability • 93% Energy • 35% Liveness
73% Instrumentalness • 86% Positiveness
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Kim Richey
Chase Wild Horses
138 bpm • F Maj • 03:42 • -3.93db
22% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Lydia Loveless
Dead Writer
138 bpm • G# min • 04:16 • -8.71db
9% Popularity • 50% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Lillie Mae
Terlingua Girl
138 bpm • D Maj • 04:14 • -7.88db
19% Popularity • 26% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Art d'Ecco
Head Rush
138 bpm • A Maj • 02:57 • -7.02db
18% Popularity • 64% Danceability • 56% Energy • 8% Liveness
30% Instrumentalness • 88% Positiveness
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Pearl Charles
Take Your Time
159 bpm • D Maj • 03:45 • -8.36db
16% Popularity • 48% Danceability • 47% Energy • 27% Liveness
4% Instrumentalness • 42% Positiveness
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Drive-By Truckers
Watching the Orange Clouds
138 bpm • G min • 05:15 • -8.25db
6% Popularity • 61% Danceability • 65% Energy • 8% Liveness
15% Instrumentalness • 71% Positiveness
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Elizabeth Cook
Perfect Girls of Pop
138 bpm • B min • 03:27 • -3.59db
14% Popularity • 48% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Bonny Light Horseman
The Roving
138 bpm • F Maj • 04:20 • -7.34db
39% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Molly Tuttle
Messed With My Mind
138 bpm • G Maj • 03:01 • -6.48db
20% Popularity • 54% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Sarah Harmer
Take Me Out
138 bpm • C# Maj • 02:22 • -5.57db
17% Popularity • 61% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Lillie Mae
You've Got Other Girls for That
137 bpm • E min • 04:03 • -5.75db
17% Popularity • 34% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Hiss Golden Messenger
Watching the Wires
137 bpm • B Maj • 03:22 • -5.63db
15% Popularity • 59% Danceability • 82% Energy • 35% Liveness
28% Instrumentalness • 68% Positiveness
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Margo Price
Heartless Mind
160 bpm • A Maj • 02:50 • -5.66db
10% Popularity • 42% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Neko Case
People Got A Lotta Nerve
137 bpm • C# Maj • 02:31 • -5.32db
38% Popularity • 41% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Kathleen Edwards
Fools Ride
137 bpm • E Maj • 03:29 • -5.83db
16% Popularity • 53% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Jesse Malin
State of the Art
137 bpm • E Maj • 03:45 • -5.55db
16% Popularity • 50% Danceability • 92% Energy • 18% Liveness
1% Instrumentalness • 72% Positiveness
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Lillie Mae
Crisp & Cold
138 bpm • F# min • 02:29 • -6.53db
12% Popularity • 39% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Sarah Harmer
Just Get Here
137 bpm • G Maj • 03:41 • -11.77db
24% Popularity • 54% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Jenn Grant
Judy
136 bpm • C Maj • 03:21 • -7.26db
31% Popularity • 69% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Lilly Hiatt
Some Kind of Drug
136 bpm • D Maj • 04:06 • -10.47db
0% Popularity • 61% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Sarah Shook & the Disarmers
Talkin' to Myself
136 bpm • G# Maj • 02:46 • -6db
25% Popularity • 57% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Mariel Buckley
Shooting at the Moon
162 bpm • G# min • 03:19 • -7db
25% Popularity • 54% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Basia Bulat
Your Girl
135 bpm • C min • 02:46 • -5.28db
24% Popularity • 61% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Jealous of the Birds
Pendulum
135 bpm • G Maj • 03:44 • -6.14db
10% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Chastity Brown
Wake Up
162 bpm • G Maj • 04:20 • -5.22db
23% Popularity • 50% Danceability • 92% Energy • 22% Liveness
17% Instrumentalness • 44% Positiveness
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Typhoon
Empire Builder
135 bpm • G# Maj • 04:14 • -5.98db
30% Popularity • 58% Danceability • 59% Energy • 8% Liveness
2% Instrumentalness • 62% Positiveness
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Margo Price
I'd Die For You
163 bpm • C Maj • 04:35 • -4.4db
11% Popularity • 34% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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The Secret Sisters
Hand Over My Heart
134 bpm • D# Maj • 04:17 • -7.76db
0% Popularity • 60% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Sarah Harmer
The Hideout
134 bpm • D Maj • 04:01 • -7db
27% Popularity • 68% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Dawes
Fisherman's Blues
134 bpm • C Maj • 04:49 • -10.08db
20% Popularity • 62% Danceability • 43% Energy • 14% Liveness
6% Instrumentalness • 34% Positiveness
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Kathleen Edwards
Dogs and Alcohol
134 bpm • G Maj • 02:42 • -9.32db
12% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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The Weather Station
Thirty
164 bpm • C Maj • 03:40 • -8.74db
41% Popularity • 40% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Daniel Romano
Joys Too Often Hollow
134 bpm • G Maj • 03:39 • -5.91db
13% Popularity • 56% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Hard On Everyone