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Hard Time with the Truth
Songs like
Hard Time with the Truth
by
Kendell Marvel
Based on a tempo of (+/- 10%) and a similar genre
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Mickey Lamantia
Just Go Away
92 bpm • G Maj • 02:34 • -7.04db
27% Popularity • 75% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Scooter Brown Band
Something Waylon Would Sing
92 bpm • E Maj • 03:42 • -6db
22% Popularity • 33% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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The Steel Woods
All of These Years
92 bpm • A min • 04:11 • -5db
43% Popularity • 56% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
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Rob Leines
Drinkin' Problem
92 bpm • E Maj • 03:50 • -4.73db
32% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Kendell Marvel
Hard Time With The Truth
92 bpm • G min • 04:11 • -9db
31% Popularity • 54% Danceability • 61% Energy • 12% Liveness
22% Instrumentalness • 16% Positiveness
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Confederate Railroad
Time off for Bad Behavior
92 bpm • G Maj • 02:49 • -7.88db
33% Popularity • 66% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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The Dirty River Boys
Backside of Uppers
93 bpm • E Maj • 03:10 • -6.42db
10% Popularity • 61% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Chris Stapleton
Hard Livin'
93 bpm • D Maj • 02:59 • -9.89db
63% Popularity • 55% Danceability • 65% Energy • 10% Liveness
21% Instrumentalness • 87% Positiveness
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Jam in the Van
Hard Time with the Truth - Live Session,...
93 bpm • G Maj • 04:07 • -10.38db
4% Popularity • 46% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Mickey Lamantia
Love Triangle
93 bpm • D Maj • 03:38 • -7.03db
16% Popularity • 66% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Kendell Marvel
Keep Doing Your Thing
93 bpm • G Maj • 03:11 • -10.32db
13% Popularity • 56% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 42% Positiveness
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Jarrod Birmingham
If You Don't Like Me
94 bpm • E Maj • 04:22 • -6.65db
21% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Dallas Moore
Outlaw Country
93 bpm • E Maj • 03:41 • -8db
28% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Tyler Booth
Slow Train
90 bpm • D Maj • 03:33 • -3.5db
29% Popularity • 57% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Kolton Moore & the Clever Few
Here Comes the Rain
90 bpm • G Maj • 04:08 • -11db
37% Popularity • 58% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Alex Williams
Strange Days
90 bpm • G# min • 03:43 • -3.6db
13% Popularity • 56% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Blackjack Billy
4 X 4 Play
94 bpm • G Maj • 03:21 • -5.22db
39% Popularity • 73% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Joe Stamm Band
Midwest Girl
90 bpm • A Maj • 03:17 • -7.48db
13% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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A Thousand Horses
Burn Like Willie
94 bpm • C Maj • 02:57 • -4.55db
27% Popularity • 63% Danceability • 93% Energy • 46% Liveness
0% Instrumentalness • 64% Positiveness
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Whitey Morgan and the 78's
Hard Scratch Pride
94 bpm • C Maj • 04:59 • -7.23db
34% Popularity • 66% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Mason Lively
Heavy Toll
94 bpm • G Maj • 04:01 • -6.07db
30% Popularity • 62% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Leith Loftin
Good Mississippi Times
90 bpm • E Maj • 04:21 • -7.21db
11% Popularity • 59% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Bryan James
Back to Being Stoned
90 bpm • C# Maj • 03:17 • -4.38db
28% Popularity • 68% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Blackberry Smoke
Till the Wheels Fall Off
90 bpm • A min • 03:45 • -4.41db
44% Popularity • 50% Danceability • 76% Energy • 37% Liveness
9% Instrumentalness • 42% Positiveness
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Dallas Moore
Della and the Dealer
90 bpm • D Maj • 03:34 • -5.55db
13% Popularity • 61% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Whitey Morgan and the 78's
Just Got Paid
90 bpm • C Maj • 03:18 • -6db
37% Popularity • 46% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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The Reeves Brothers
100 Proof Honky-Tonk
90 bpm • B min • 03:03 • -5.01db
26% Popularity • 67% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Stoney LaRue
Hill Country Boogaloo
90 bpm • A Maj • 03:39 • -4db
18% Popularity • 56% Danceability • 86% Energy • 7% Liveness
9% Instrumentalness • 74% Positiveness
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Bryan James
Slowing Down in Style
90 bpm • F min • 04:07 • -5.79db
16% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Dillon Carmichael
Country Women
94 bpm • F Maj • 03:15 • -7.57db
23% Popularity • 56% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Joe Stamm Band
Dandelion Woman
95 bpm • G Maj • 03:30 • -9db
28% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Whitey Morgan and the 78's
Goin' Down Rocking
95 bpm • D Maj • 03:39 • -4.89db
40% Popularity • 48% Danceability • 81% Energy • 8% Liveness
55% Instrumentalness • 42% Positiveness
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Daniel Lee
Whiskey
89 bpm • A Maj • 03:40 • -7.28db
28% Popularity • 80% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Mickey Lamantia
Whiskey on My Breath
89 bpm • G Maj • 02:16 • -6.24db
28% Popularity • 72% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Bryan James
If It Ain't Broke
95 bpm • G Maj • 03:28 • -4.29db
16% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Shooter Jennings
Solid Country Gold
89 bpm • D Maj • 03:04 • -7.74db
6% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Ray Wylie Hubbard
Choctaw Bingo
95 bpm • A Maj • 08:20 • -5.81db
40% Popularity • 64% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Whitey Morgan and the 78's
Carryin' On
89 bpm • D Maj • 04:47 • -6.46db
27% Popularity • 56% Danceability • 85% Energy • 35% Liveness
72% Instrumentalness • 67% Positiveness
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Cody Johnson
Long Haired Country Boy
89 bpm • F# Maj • 04:17 • -4.88db
53% Popularity • 54% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Casper McWade
Outlaw Thing
96 bpm • D Maj • 03:47 • -5.72db
21% Popularity • 65% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Dallas Moore
King of Bullshit Mountain
96 bpm • G Maj • 02:50 • -8.82db
13% Popularity • 68% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Craig Gerdes
If Guitars Were Guns
96 bpm • G Maj • 04:31 • -10.91db
8% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Brothers Osborne
Greener Pastures
96 bpm • C Maj • 02:52 • -6.95db
48% Popularity • 66% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Jacob Bryant
More Than One Year
88 bpm • A Maj • 03:52 • -4.37db
41% Popularity • 49% Danceability • 90% Energy • 82% Liveness
0% Instrumentalness • 45% Positiveness
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Alex Williams
Can't Get Enough Of You
88 bpm • G# Maj • 04:19 • -5.38db
17% Popularity • 64% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Jarrod Birmingham
That's What Dancers Do
96 bpm • E Maj • 03:30 • -6.1db
22% Popularity • 59% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Bryan James
Between the Devil and the Angel
88 bpm • C# Maj • 03:15 • -4.63db
23% Popularity • 63% Danceability • 70% Energy • 12% Liveness
14% Instrumentalness • 46% Positiveness
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Chris Stapleton
Second One To Know
97 bpm • C min • 02:56 • -6.1db
63% Popularity • 53% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Kendell Marvel
I've Got a Feeling
87 bpm • G Maj • 04:02 • -9.93db
7% Popularity • 57% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
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Casper McWade
The Eagle
97 bpm • D Maj • 03:44 • -9.51db
20% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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George Shingleton
Talkin' Whiskey
97 bpm • E Maj • 02:56 • -4.39db
12% Popularity • 57% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Red Shahan
303
87 bpm • G# Maj • 02:47 • -5.22db
47% Popularity • 61% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Dallas Moore
Better Days
98 bpm • D Maj • 02:40 • -5.12db
16% Popularity • 61% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Scooter Brown Band
Huntsville
87 bpm • G Maj • 03:21 • -7.65db
10% Popularity • 48% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Kendell Marvel
Untangle My Mind
87 bpm • A Maj • 04:06 • -7.17db
13% Popularity • 59% Danceability • 87% Energy • 19% Liveness
14% Instrumentalness • 64% Positiveness
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Casey Donahew
Josie Escalido
98 bpm • D Maj • 05:20 • -5.7db
37% Popularity • 63% Danceability • 67% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
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Tim Montana
Low Class
99 bpm • F# min • 03:38 • -4.94db
25% Popularity • 58% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
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Trippp
Can't Do the Time
99 bpm • F# Maj • 04:03 • -6.31db
16% Popularity • 58% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Dallas Moore
Home is Where the Highway Is
98 bpm • D Maj • 03:58 • -5.95db
17% Popularity • 58% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Junior Gordon Band
I Loved Them Everyone
85 bpm • E min • 03:52 • -8.19db
26% Popularity • 33% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Kendell Marvel
Blood In The Water
99 bpm • E min • 02:53 • -5.38db
20% Popularity • 56% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Thieving Birds
Black Canyon Boom
85 bpm • A min • 03:26 • -4.98db
28% Popularity • 49% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Tim Montana
American Thread
85 bpm • E Maj • 03:17 • -5.39db
40% Popularity • 51% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
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Dillon Carmichael
Pickin' Up Girls
100 bpm • G Maj • 03:21 • -4.85db
34% Popularity • 67% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Dallas Moore
Beats All I've Ever Seen
99 bpm • D Maj • 02:05 • -8.7db
16% Popularity • 57% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Daniel Lee
Huckleberry
85 bpm • C Maj • 03:50 • -7.91db
32% Popularity • 44% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Kendell Marvel
Tryin' Not to Love You
99 bpm • C# Maj • 03:20 • -6.49db
8% Popularity • 60% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Bryan James
No Nice Way to Say It
100 bpm • A# Maj • 02:55 • -6.75db
12% Popularity • 70% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Tim Montana
Be A Cowboy
85 bpm • F# Maj • 03:20 • -3.55db
34% Popularity • 51% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Brothers Osborne
Back On The Bottle
100 bpm • E Maj • 03:16 • -5.34db
31% Popularity • 55% Danceability • 88% Energy • 36% Liveness
1% Instrumentalness • 54% Positiveness
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Randy Rogers
Ode to Ben Dorcy (Lovey's Song)
100 bpm • C Maj • 03:07 • -5.96db
27% Popularity • 57% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Alex Williams
No Reservations
84 bpm • F# min • 03:44 • -5.73db
34% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Dallas Moore
Bottle and a Bible
101 bpm • D Maj • 02:57 • -6.13db
15% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Austin Jenckes
Never Left Memphis
101 bpm • A# Maj • 03:20 • -6.36db
35% Popularity • 59% Danceability • 84% Energy • 57% Liveness
0% Instrumentalness • 64% Positiveness
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Gethen Jenkins
Western Gold
101 bpm • D Maj • 04:02 • -5.16db
17% Popularity • 48% Danceability • 74% Energy • 6% Liveness
3% Instrumentalness • 32% Positiveness
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Craig Gerdes
Haggard Fan
101 bpm • D Maj • 03:44 • -7.14db
16% Popularity • 64% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Jonathan Parker
Hard Time Blues
84 bpm • D Maj • 04:16 • -5.53db
11% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Alex Williams
Pay No Mind
101 bpm • D# Maj • 03:31 • -7.01db
25% Popularity • 73% Danceability • 82% Energy • 28% Liveness
1% Instrumentalness • 54% Positiveness
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Kendell Marvel
If You Know What's Good
102 bpm • G Maj • 03:18 • -5.81db
13% Popularity • 54% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Jarrod Birmingham
Best I Can
102 bpm • E Maj • 04:21 • -6.87db
14% Popularity • 64% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
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Gethen Jenkins
Maintenance Man
101 bpm • A Maj • 04:37 • -4.1db
13% Popularity • 39% Danceability • 89% Energy • 5% Liveness
11% Instrumentalness • 46% Positiveness
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The Piedmont Boys
Rice, Beans
102 bpm • A Maj • 02:55 • -4.11db
26% Popularity • 51% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 81% Positiveness
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Frank Foster
What's It to Ya
83 bpm • G Maj • 04:07 • -5.42db
27% Popularity • 60% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Brandon Jenkins
Finger on the Trigger
83 bpm • C Maj • 04:07 • -7.93db
30% Popularity • 60% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Boo Ray
Redneck Rock & Roll
102 bpm • E Maj • 02:25 • -4.14db
14% Popularity • 53% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 77% Positiveness
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Jam in the Van
If You Know What's Good for Me - Live Se...
102 bpm • G Maj • 03:07 • -8.54db
5% Popularity • 50% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Gethen Jenkins
Bell Mountain
102 bpm • D Maj • 03:06 • -6.27db
14% Popularity • 64% Danceability • 72% Energy • 32% Liveness
7% Instrumentalness • 82% Positiveness
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Jessta James
Some Names
83 bpm • G Maj • 03:34 • -5.81db
26% Popularity • 56% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Whitey Morgan and the 78's
Around Here
83 bpm • D Maj • 04:09 • -6.76db
31% Popularity • 50% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Frank Foster
Prison Song
103 bpm • G min • 03:14 • -7.04db
15% Popularity • 74% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Cory Morrow
The Preacher
102 bpm • F# min • 04:32 • -5.63db
20% Popularity • 52% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Kendell Marvel
Roots Of My Raisin'
82 bpm • A Maj • 02:50 • -9.02db
4% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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The Cadillac Three
Ain't That Country
82 bpm • D Maj • 03:30 • -6.31db
25% Popularity • 56% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Uncle Lucius
Gulf Coast Gypsies
82 bpm • G Maj • 03:11 • -7.82db
39% Popularity • 45% Danceability • 63% Energy • 10% Liveness
16% Instrumentalness • 22% Positiveness
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Whitey Morgan and the 78's
Sinner
82 bpm • G Maj • 04:01 • -3.34db
47% Popularity • 56% Danceability • 62% Energy • 5% Liveness
23% Instrumentalness • 52% Positiveness
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Ryan Wilcox & The Sunday Shakes
Hangman's Noose
103 bpm • G# min • 03:25 • -8db
18% Popularity • 58% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
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The Jompson Brothers
Blood In The Water
104 bpm • D Maj • 03:33 • -6.37db
40% Popularity • 52% Danceability • 81% Energy • 24% Liveness
5% Instrumentalness • 49% Positiveness
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Nashville Unplugged
Starting With Me
104 bpm • B Maj • 04:24 • -28.23db
3% Popularity • 45% Danceability • 9% Energy • 83% Liveness
0% Instrumentalness • 50% Positiveness
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Dalton Domino
Killing Floor
81 bpm • D Maj • 03:22 • -7.47db
23% Popularity • 59% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Cross Rags and Young
Family Name
104 bpm • G Maj • 03:48 • -5db
7% Popularity • 55% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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Hard Time with the Truth