Songs like Hard Way - AAA Acoustic by Thirsty Merc
Based on a tempo of (+/- 10%) and a similar genre
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Bluejuice
Broken Leg
143 bpm • D Maj • 03:12 • -3.9db
48% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Birds Of Tokyo
Without Me - triple j Like A Version
143 bpm • C# Maj • 03:24 • -11db
37% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Vance Joy
Georgia (Live from Melbourne)
143 bpm • B Maj • 04:09 • -7.9db
20% Popularity • 38% Danceability • 60% Energy • 94% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 38% Danceability • 60% Energy • 94% Liveness
0% Instrumentalness • 36% Positiveness
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Thirsty Merc
Hard Way - AAA Acoustic
143 bpm • C Maj • 07:33 • -10.79db
11% Popularity • 60% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 37% Positiveness
11% Popularity • 60% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 37% Positiveness
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the feelers
Anniversary
142 bpm • A Maj • 03:29 • -2.87db
12% Popularity • 55% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 55% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Matchbox Twenty
All Your Reasons
142 bpm • B Maj • 02:40 • -4.38db
30% Popularity • 53% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 53% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Kisschasy
Opinions Won't Keep You Warm At Night
144 bpm • G min • 03:06 • -3.35db
45% Popularity • 43% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 43% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Glenn Richards
She Got Body, She Got Soul
142 bpm • C Maj • 03:02 • -4.12db
15% Popularity • 36% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 36% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Something For Kate
Hanging On
142 bpm • G# Maj • 03:47 • -7.19db
7% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
7% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Matt Corby
Song For…
145 bpm • C Maj • 06:09 • -9.14db
13% Popularity • 41% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 41% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Epicure
Life Sentence
145 bpm • A Maj • 04:49 • -9.01db
21% Popularity • 58% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 58% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Thirsty Merc
Tommy and Krista
145 bpm • B Maj • 03:52 • -4.95db
48% Popularity • 63% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
48% Popularity • 63% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Jebediah
She's Like a Comet
145 bpm • F# min • 03:43 • -3.83db
38% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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The Living End
White Noise
141 bpm • C Maj • 03:44 • -4.53db
52% Popularity • 26% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 26% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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The Black Sorrows
Brown Eyed Girl
141 bpm • G Maj • 03:32 • -12.65db
22% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Australian Crawl
Hoochie Gucci Fiorucci Mama - Remastered
141 bpm • A min • 02:30 • -10.34db
44% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Dragon
Young Years
140 bpm • G Maj • 03:58 • -11.84db
47% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Bluejuice
Shock
146 bpm • D Maj • 02:40 • -3.59db
16% Popularity • 56% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 56% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Opshop
One Day
140 bpm • D Maj • 04:25 • -7.6db
41% Popularity • 54% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 54% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Thirsty Merc
The Hard Way
140 bpm • G Maj • 04:22 • -5db
30% Popularity • 41% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 41% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Evermore
Running
140 bpm • F# Maj • 04:23 • -4.7db
49% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
49% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
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the feelers
Fishing for Lisa
146 bpm • D Maj • 02:57 • -5.09db
32% Popularity • 48% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 48% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Bernard Fanning
Wash Me Clean
147 bpm • F Maj • 02:36 • -11.13db
36% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Gang of Youths
Let Me Down Easy - MTV Unplugged Live In...
139 bpm • D Maj • 06:23 • -13.56db
19% Popularity • 62% Danceability • 45% Energy • 97% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 62% Danceability • 45% Energy • 97% Liveness
0% Instrumentalness • 53% Positiveness
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The Temper Trap
Dancing in the Dark - triple j Like A Ve...
147 bpm • B Maj • 03:14 • -6db
40% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Thirsty Merc
Mozambique
146 bpm • A Maj • 03:34 • -3.77db
19% Popularity • 67% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 67% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Evermore
It’s Too Late
139 bpm • G# min • 03:55 • -4.91db
49% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Something For Kate
Born to Run
147 bpm • E Maj • 04:33 • -8db
11% Popularity • 26% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
11% Popularity • 26% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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Greg Johnson
Maybe Your True Love
139 bpm • F Maj • 03:55 • -7.26db
7% Popularity • 60% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 60% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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The Screaming Jets
October Grey
138 bpm • B Maj • 03:52 • -4.67db
35% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Midnight Oil
King Of The Mountain - Remastered
148 bpm • A Maj • 03:49 • -7db
44% Popularity • 51% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 51% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Thirsty Merc
Baby Tell Me I'm the Only One
148 bpm • A Maj • 03:23 • -3.55db
17% Popularity • 53% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 53% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Things Of Stone and Wood
Happy Birthday Helen
138 bpm • F Maj • 03:48 • -9db
39% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Goanna
Four Weeks Gone - Remastered Version
138 bpm • A Maj • 05:47 • -5.98db
20% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Birds Of Tokyo
Wayside
138 bpm • C min • 04:30 • -7.95db
32% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Daniel Champagne
The Nightingale
149 bpm • A Maj • 05:01 • -9.92db
11% Popularity • 50% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 50% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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David Gray
You're the World to Me
149 bpm • F Maj • 03:36 • -5.29db
34% Popularity • 54% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 54% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Taxiride
AFTERGLOW
149 bpm • G Maj • 04:07 • -6.3db
20% Popularity • 35% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 35% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Things Of Stone and Wood
Happy Birthday Helen
138 bpm • F Maj • 04:02 • -3.25db
14% Popularity • 41% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 41% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Thirsty Merc
She's All I Got
149 bpm • D Maj • 04:13 • -4.97db
20% Popularity • 42% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 35% Positiveness
20% Popularity • 42% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 35% Positiveness
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Midnight Youth
All on Our Own
137 bpm • F# Maj • 03:46 • -5.03db
30% Popularity • 52% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 52% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Goanna
Solid Rock - Remastered Version
149 bpm • A min • 04:35 • -7.39db
58% Popularity • 55% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 55% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
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The Mutton Birds
Dominion Road
137 bpm • B Maj • 03:55 • -10.5db
34% Popularity • 63% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 63% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Kingswood
Say My Name - triple j Like A Version
137 bpm • C min • 04:04 • -5.86db
32% Popularity • 60% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 60% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Chocolate Starfish
Mountain
151 bpm • G Maj • 04:57 • -6.36db
35% Popularity • 48% Danceability • 79% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 48% Danceability • 79% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
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Thirsty Merc
20 Good Reasons - AAA Live Acoustic
137 bpm • C# Maj • 05:32 • -12.59db
19% Popularity • 47% Danceability • 13% Energy • 97% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 47% Danceability • 13% Energy • 97% Liveness
0% Instrumentalness • 11% Positiveness
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Midnight Youth
Learning to Fall
136 bpm • B Maj • 03:48 • -6.13db
10% Popularity • 41% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 41% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Choirboys
Boys Will Be Boys
135 bpm • B Maj • 03:41 • -8.76db
25% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Bob Evans
Pasha Bulker (Where Did I Go Wrong?)
135 bpm • B min • 03:15 • -6.37db
3% Popularity • 42% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
3% Popularity • 42% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Bluejuice
Act Yr Age
135 bpm • D Maj • 03:20 • -3.71db
46% Popularity • 66% Danceability • 88% Energy • 24% Liveness
3% Instrumentalness • 97% Positiveness
46% Popularity • 66% Danceability • 88% Energy • 24% Liveness
3% Instrumentalness • 97% Positiveness
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The Screaming Jets
Shivers
135 bpm • F# Maj • 04:26 • -11.96db
39% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
39% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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The Black Sorrows
Ain't Love The Strangest Thing
152 bpm • C# min • 05:48 • -7db
19% Popularity • 44% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 44% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 52% Positiveness
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Jet
She's a Genius
152 bpm • A Maj • 02:58 • -2.41db
54% Popularity • 50% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 50% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Evermore
Are You Satisfied???
134 bpm • C# Maj • 04:19 • -6.38db
14% Popularity • 55% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 55% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Richard Clapton
Walk on Water - Original
153 bpm • D Maj • 04:31 • -17.97db
17% Popularity • 47% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 47% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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David Gray
Be Mine
133 bpm • A Maj • 03:51 • -7.96db
5% Popularity • 62% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
5% Popularity • 62% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Ruby Fields
The Unguarded Moment - triple j Like a V...
134 bpm • C Maj • 04:38 • -9.68db
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Midnight Oil
Power And The Passion - Remastered Versi...
153 bpm • E Maj • 05:39 • -6db
52% Popularity • 78% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 87% Positiveness
52% Popularity • 78% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 87% Positiveness
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The Screaming Jets
Helping Hand
133 bpm • G# min • 04:50 • -10.46db
46% Popularity • 50% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 50% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Opshop
Big Energy in Little Spaces
133 bpm • D min • 03:59 • -4.18db
21% Popularity • 56% Danceability • 78% Energy • 31% Liveness
4% Instrumentalness • 35% Positiveness
21% Popularity • 56% Danceability • 78% Energy • 31% Liveness
4% Instrumentalness • 35% Positiveness
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Thirsty Merc
All My Life
133 bpm • F# Maj • 04:39 • -5.04db
28% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lior
Sitting With a Stranger
154 bpm • C# Maj • 03:15 • -6.81db
21% Popularity • 53% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 53% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Timberwolf
Talk is Cheap - triple j Like a Version
132 bpm • E Maj • 04:28 • -12.97db
19% Popularity • 45% Danceability • 24% Energy • 16% Liveness
1% Instrumentalness • 16% Positiveness
19% Popularity • 45% Danceability • 24% Energy • 16% Liveness
1% Instrumentalness • 16% Positiveness
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Dukes
Vampires
132 bpm • F Maj • 03:23 • -4.44db
28% Popularity • 71% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 71% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Grinspoon
Chemical Heart
154 bpm • C Maj • 04:39 • -7.41db
54% Popularity • 47% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 47% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Benny Walker
Oh No You Don't
155 bpm • C min • 03:27 • -6.61db
12% Popularity • 51% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 51% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Choirboys
Run To Paradise
132 bpm • G# Maj • 04:50 • -8db
40% Popularity • 67% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 67% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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The Badloves
Loves Me Like a Rock
131 bpm • A Maj • 05:05 • -9db
16% Popularity • 47% Danceability • 59% Energy • 80% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 47% Danceability • 59% Energy • 80% Liveness
0% Instrumentalness • 60% Positiveness
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Jet
Seventeen
132 bpm • D Maj • 03:41 • -3.25db
38% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Birds Of Tokyo
Good Lord
156 bpm • C Maj • 03:25 • -4.82db
45% Popularity • 53% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 53% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Johnny Diesel & The Injectors
Since I Fell For You
156 bpm • A Maj • 05:37 • -9.42db
22% Popularity • 36% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 36% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Killing Heidi
Weir
156 bpm • D Maj • 04:04 • -6.62db
50% Popularity • 33% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 33% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Thirsty Merc
My Completeness - AAA Acoustic
131 bpm • D Maj • 05:00 • -13.15db
10% Popularity • 55% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 55% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Noiseworks
Simple Man
131 bpm • G Maj • 03:48 • -8.22db
25% Popularity • 38% Danceability • 88% Energy • 21% Liveness
84% Instrumentalness • 52% Positiveness
25% Popularity • 38% Danceability • 88% Energy • 21% Liveness
84% Instrumentalness • 52% Positiveness
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Dragon
Rain
157 bpm • E Maj • 03:38 • -12.6db
58% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
58% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Screaming Jets
Errol
157 bpm • B Maj • 03:27 • -3.09db
19% Popularity • 56% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 56% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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GANGgajang
Sounds Of Then (This Is Australia)
130 bpm • B min • 03:51 • -11.31db
57% Popularity • 70% Danceability • 70% Energy • 28% Liveness
4% Instrumentalness • 92% Positiveness
57% Popularity • 70% Danceability • 70% Energy • 28% Liveness
4% Instrumentalness • 92% Positiveness
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The Finn Brothers
Luckiest Man Alive
130 bpm • A# Maj • 03:56 • -7.1db
19% Popularity • 53% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 53% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Kasey Chambers
Better Be Home Soon
157 bpm • D Maj • 03:19 • -10.7db
26% Popularity • 29% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 29% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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stellar*
For a While - Radio Single
130 bpm • B Maj • 02:58 • -5.02db
16% Popularity • 58% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 58% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Thirsty Merc
Claude Monet
130 bpm • C Maj • 03:47 • -5.67db
19% Popularity • 76% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 76% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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The Screaming Jets
Eve Of Destruction
130 bpm • D# Maj • 03:28 • -4db
31% Popularity • 52% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 52% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Bernard Fanning
Wasting Time
130 bpm • A Maj • 03:15 • -5db
38% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Roachford
Only to Be with You
130 bpm • B min • 04:21 • -11db
44% Popularity • 64% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 64% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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Evermore
Afloat
158 bpm • D# min • 05:28 • -5.48db
10% Popularity • 42% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 42% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Mark Sholtez
Love Me For The Cool
129 bpm • A Maj • 03:36 • -10.62db
11% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Richard Clapton
Blue Bay Blues - Original
129 bpm • F Maj • 04:26 • -14.37db
28% Popularity • 63% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 64% Positiveness
28% Popularity • 63% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 64% Positiveness
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Thirsty Merc
My Completeness
160 bpm • D Maj • 03:48 • -3db
27% Popularity • 41% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 41% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Shannon Noll
What About Me
128 bpm • E Maj • 03:21 • -6.05db
50% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Dragon
Itchycoo Park
128 bpm • C# Maj • 02:59 • -8.27db
15% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Evermore
Hey Boys and Girls (Truth of the World, ...
128 bpm • E min • 05:48 • -4db
42% Popularity • 65% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 65% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Goanna
Factory Man - Remastered Version
128 bpm • G Maj • 03:42 • -6.92db
26% Popularity • 67% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 67% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Dan Kelly
Nothing Compares To You
128 bpm • A# Maj • 04:49 • -10.66db
8% Popularity • 76% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 76% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Thirsty Merc
When The Weather Is Fine - AAA Acoustic
160 bpm • B min • 03:55 • -10.81db
17% Popularity • 60% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 60% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Opshop
Waiting Now
160 bpm • A min • 04:08 • -6.2db
17% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Georgia Fair
Something Easy
160 bpm • G Maj • 03:07 • -5.96db
12% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Evermore
Unbreakable
128 bpm • C# Maj • 03:28 • -5.51db
20% Popularity • 50% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 50% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Zed
Come On Down
160 bpm • A# Maj • 04:06 • -3.32db
11% Popularity • 39% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 39% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
