Songs like Hard-Boiled Babe by Lizzy Mercier Descloux
Based on a tempo of (+/- 10%) and a similar genre
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Lizzy Mercier Descloux
Hard Boiled Babe - Perez Remix
118 bpm • E min • 05:30 • -5.01db
7% Popularity • 64% Danceability • 93% Energy • 19% Liveness
26% Instrumentalness • 23% Positiveness
7% Popularity • 64% Danceability • 93% Energy • 19% Liveness
26% Instrumentalness • 23% Positiveness
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Roberto Cacciapaglia
My Time (Digitally Remastered at Abbey R...
118 bpm • C# Maj • 04:05 • -6.98db
19% Popularity • 90% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 90% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Marine Girls
Tonight?
118 bpm • G Maj • 01:19 • -19.65db
22% Popularity • 58% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 58% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Algebra Suicide
True Romance At The World's Fair
118 bpm • G Maj • 01:45 • -12.46db
21% Popularity • 58% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 58% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Rexy
Running Out Of Time
118 bpm • D min • 04:16 • -11.39db
31% Popularity • 67% Danceability • 53% Energy • 7% Liveness
51% Instrumentalness • 37% Positiveness
31% Popularity • 67% Danceability • 53% Energy • 7% Liveness
51% Instrumentalness • 37% Positiveness
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Suburban Lawns
Flavor Crystals
118 bpm • F Maj • 03:47 • -11db
29% Popularity • 80% Danceability • 64% Energy • 72% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 80% Danceability • 64% Energy • 72% Liveness
0% Instrumentalness • 97% Positiveness
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Lizzy Mercier Descloux
Hard Boiled Babe - Charlus de La Salle R...
118 bpm • G Maj • 05:55 • -10.8db
6% Popularity • 71% Danceability • 70% Energy • 8% Liveness
83% Instrumentalness • 21% Positiveness
6% Popularity • 71% Danceability • 70% Energy • 8% Liveness
83% Instrumentalness • 21% Positiveness
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The Cleaners From Venus
Helpless
118 bpm • C Maj • 02:39 • -8.27db
43% Popularity • 80% Danceability • 68% Energy • 46% Liveness
74% Instrumentalness • 64% Positiveness
43% Popularity • 80% Danceability • 68% Energy • 46% Liveness
74% Instrumentalness • 64% Positiveness
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Marine Girls
Leave Me with the Boy
118 bpm • G min • 01:51 • -20.57db
28% Popularity • 67% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 67% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Algebra Suicide
Tuesday Tastes Good
118 bpm • C Maj • 02:53 • -16.03db
18% Popularity • 60% Danceability • 22% Energy • 11% Liveness
7% Instrumentalness • 58% Positiveness
18% Popularity • 60% Danceability • 22% Energy • 11% Liveness
7% Instrumentalness • 58% Positiveness
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Young Marble Giants
N.I.T.A.
119 bpm • F Maj • 03:31 • -14.37db
34% Popularity • 58% Danceability • 39% Energy • 11% Liveness
59% Instrumentalness • 55% Positiveness
34% Popularity • 58% Danceability • 39% Energy • 11% Liveness
59% Instrumentalness • 55% Positiveness
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Maximum Joy
Mouse an' Me
119 bpm • D Maj • 04:54 • -10.2db
8% Popularity • 70% Danceability • 76% Energy • 17% Liveness
61% Instrumentalness • 84% Positiveness
8% Popularity • 70% Danceability • 76% Energy • 17% Liveness
61% Instrumentalness • 84% Positiveness
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Lizzy Mercier Descloux
Hard Boiled Babe
118 bpm • D Maj • 04:25 • -10.21db
29% Popularity • 62% Danceability • 74% Energy • 7% Liveness
6% Instrumentalness • 52% Positiveness
29% Popularity • 62% Danceability • 74% Energy • 7% Liveness
6% Instrumentalness • 52% Positiveness
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The Cleaners From Venus
Kool of the Night
117 bpm • A min • 02:21 • -8.13db
32% Popularity • 78% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 78% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Solid Space
New Statue
119 bpm • F# Maj • 05:42 • -6.29db
24% Popularity • 72% Danceability • 70% Energy • 24% Liveness
73% Instrumentalness • 60% Positiveness
24% Popularity • 72% Danceability • 70% Energy • 24% Liveness
73% Instrumentalness • 60% Positiveness
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Algebra Suicide
After Charles
117 bpm • G Maj • 01:30 • -10.76db
35% Popularity • 88% Danceability • 52% Energy • 11% Liveness
84% Instrumentalness • 98% Positiveness
35% Popularity • 88% Danceability • 52% Energy • 11% Liveness
84% Instrumentalness • 98% Positiveness
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Psychic TV
Stolen Kisses
119 bpm • D Maj • 02:48 • -11.99db
24% Popularity • 77% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 77% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Silver Apples
Lovefingers
119 bpm • F# Maj • 04:09 • -9.15db
47% Popularity • 59% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
47% Popularity • 59% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Lizzy Mercier Descloux
Maita
118 bpm • G Maj • 03:17 • -5.23db
10% Popularity • 74% Danceability • 70% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
10% Popularity • 74% Danceability • 70% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
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Television Personalities
A Family Affair
117 bpm • F Maj • 02:36 • -14.55db
23% Popularity • 57% Danceability • 37% Energy • 19% Liveness
22% Instrumentalness • 39% Positiveness
23% Popularity • 57% Danceability • 37% Energy • 19% Liveness
22% Instrumentalness • 39% Positiveness
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The Cleaners From Venus
Gamma Ray Blue
119 bpm • D Maj • 03:21 • -6.67db
33% Popularity • 60% Danceability • 80% Energy • 7% Liveness
91% Instrumentalness • 68% Positiveness
33% Popularity • 60% Danceability • 80% Energy • 7% Liveness
91% Instrumentalness • 68% Positiveness
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Antena
On the Boat
119 bpm • B Maj • 03:00 • -10.09db
15% Popularity • 78% Danceability • 57% Energy • 5% Liveness
20% Instrumentalness • 74% Positiveness
15% Popularity • 78% Danceability • 57% Energy • 5% Liveness
20% Instrumentalness • 74% Positiveness
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Algebra Suicide
Somewhat Bleecker Street
119 bpm • A Maj • 01:34 • -13.01db
18% Popularity • 62% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 62% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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The Space Lady
Shakin' All Over
117 bpm • G# Maj • 03:10 • -11.62db
10% Popularity • 70% Danceability • 62% Energy • 9% Liveness
21% Instrumentalness • 39% Positiveness
10% Popularity • 70% Danceability • 62% Energy • 9% Liveness
21% Instrumentalness • 39% Positiveness
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Lizzy Mercier Descloux
Birdy Num-Num
119 bpm • G min • 03:33 • -18.58db
10% Popularity • 43% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
10% Popularity • 43% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Au Pairs
Repetition
120 bpm • D# Maj • 03:46 • -11.06db
14% Popularity • 77% Danceability • 45% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
14% Popularity • 77% Danceability • 45% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
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ESG
Moody - Spaced Out
120 bpm • D Maj • 04:18 • -14.23db
27% Popularity • 73% Danceability • 69% Energy • 15% Liveness
80% Instrumentalness • 50% Positiveness
27% Popularity • 73% Danceability • 69% Energy • 15% Liveness
80% Instrumentalness • 50% Positiveness
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The Units
High Pressure Days
116 bpm • G Maj • 03:17 • -4.54db
33% Popularity • 76% Danceability • 80% Energy • 10% Liveness
14% Instrumentalness • 80% Positiveness
33% Popularity • 76% Danceability • 80% Energy • 10% Liveness
14% Instrumentalness • 80% Positiveness
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Algebra Suicide
Little Dead Bodies
120 bpm • G Maj • 04:50 • -12.75db
18% Popularity • 67% Danceability • 39% Energy • 7% Liveness
2% Instrumentalness • 54% Positiveness
18% Popularity • 67% Danceability • 39% Energy • 7% Liveness
2% Instrumentalness • 54% Positiveness
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Klaxons
Sweetheart
115 bpm • C# min • 03:38 • -15db
26% Popularity • 70% Danceability • 36% Energy • 15% Liveness
65% Instrumentalness • 48% Positiveness
26% Popularity • 70% Danceability • 36% Energy • 15% Liveness
65% Instrumentalness • 48% Positiveness
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Lizzy Mercier Descloux
Mission Imposible 2.0
117 bpm • B min • 02:21 • -11.38db
15% Popularity • 85% Danceability • 85% Energy • 9% Liveness
80% Instrumentalness • 98% Positiveness
15% Popularity • 85% Danceability • 85% Energy • 9% Liveness
80% Instrumentalness • 98% Positiveness
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Young Marble Giants
The Man Amplifier
115 bpm • C Maj • 03:15 • -13.57db
20% Popularity • 54% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
20% Popularity • 54% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
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Maximum Joy
Do It Today
121 bpm • G Maj • 05:04 • -6.43db
13% Popularity • 73% Danceability • 86% Energy • 6% Liveness
6% Instrumentalness • 96% Positiveness
13% Popularity • 73% Danceability • 86% Energy • 6% Liveness
6% Instrumentalness • 96% Positiveness
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Broadcast
Man Is Not A Bird
115 bpm • D Maj • 04:52 • -10.51db
29% Popularity • 36% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
29% Popularity • 36% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Algebra Suicide
Heat Wave
120 bpm • A Maj • 03:08 • -15.62db
11% Popularity • 58% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
11% Popularity • 58% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
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Martin Rev
River of Tears
115 bpm • C# min • 03:44 • -14.53db
16% Popularity • 66% Danceability • 37% Energy • 18% Liveness
91% Instrumentalness • 51% Positiveness
16% Popularity • 66% Danceability • 37% Energy • 18% Liveness
91% Instrumentalness • 51% Positiveness
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Lizzy Mercier Descloux
Lady O K'pele
119 bpm • D Maj • 02:31 • -6.84db
19% Popularity • 69% Danceability • 91% Energy • 6% Liveness
1% Instrumentalness • 82% Positiveness
19% Popularity • 69% Danceability • 91% Energy • 6% Liveness
1% Instrumentalness • 82% Positiveness
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The Space Lady
Domine, Libra Nos / Showdown
121 bpm • E Maj • 04:09 • -13.65db
14% Popularity • 55% Danceability • 39% Energy • 12% Liveness
64% Instrumentalness • 23% Positiveness
14% Popularity • 55% Danceability • 39% Energy • 12% Liveness
64% Instrumentalness • 23% Positiveness
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Gina X Performance
Exhibitionism
115 bpm • C Maj • 04:58 • -11.69db
19% Popularity • 76% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 76% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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ESG
You're No Good
115 bpm • F# min • 03:11 • -11db
29% Popularity • 88% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 35% Positiveness
29% Popularity • 88% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 35% Positiveness
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Algebra Suicide
Please Respect Our Decadence
121 bpm • A Maj • 02:24 • -17db
30% Popularity • 69% Danceability • 36% Energy • 11% Liveness
33% Instrumentalness • 78% Positiveness
30% Popularity • 69% Danceability • 36% Energy • 11% Liveness
33% Instrumentalness • 78% Positiveness
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Dinosaur L
#2 (No, Thank You)
122 bpm • A# Maj • 01:26 • -9.54db
14% Popularity • 85% Danceability • 36% Energy • 27% Liveness
27% Instrumentalness • 28% Positiveness
14% Popularity • 85% Danceability • 36% Energy • 27% Liveness
27% Instrumentalness • 28% Positiveness
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Lizzy Mercier Descloux
Sound of Leblon Beach / Garden of Alas
116 bpm • A Maj • 03:57 • -14.14db
9% Popularity • 79% Danceability • 43% Energy • 36% Liveness
68% Instrumentalness • 51% Positiveness
9% Popularity • 79% Danceability • 43% Energy • 36% Liveness
68% Instrumentalness • 51% Positiveness
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Saâda Bonaire
Little Sister
114 bpm • B min • 04:30 • -7db
35% Popularity • 86% Danceability • 65% Energy • 28% Liveness
12% Instrumentalness • 92% Positiveness
35% Popularity • 86% Danceability • 65% Energy • 28% Liveness
12% Instrumentalness • 92% Positiveness
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Maximum Joy
White and Green Place - Extraterrestrial...
114 bpm • C# min • 05:37 • -10.83db
9% Popularity • 66% Danceability • 68% Energy • 34% Liveness
21% Instrumentalness • 91% Positiveness
9% Popularity • 66% Danceability • 68% Energy • 34% Liveness
21% Instrumentalness • 91% Positiveness
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Essendon Airport
I Feel a Song Coming On
122 bpm • C Maj • 03:35 • -7.88db
10% Popularity • 64% Danceability • 76% Energy • 10% Liveness
66% Instrumentalness • 56% Positiveness
10% Popularity • 64% Danceability • 76% Energy • 10% Liveness
66% Instrumentalness • 56% Positiveness
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Algebra Suicide
In Bed With Boys
122 bpm • C Maj • 02:11 • -13.73db
18% Popularity • 71% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 71% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Suburban Lawns
Baby
122 bpm • A Maj • 03:56 • -11.69db
15% Popularity • 52% Danceability • 80% Energy • 8% Liveness
9% Instrumentalness • 94% Positiveness
15% Popularity • 52% Danceability • 80% Energy • 8% Liveness
9% Instrumentalness • 94% Positiveness
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Lizzy Mercier Descloux
My Funny Valentine
115 bpm • A min • 03:56 • -13.13db
10% Popularity • 64% Danceability • 36% Energy • 15% Liveness
35% Instrumentalness • 46% Positiveness
10% Popularity • 64% Danceability • 36% Energy • 15% Liveness
35% Instrumentalness • 46% Positiveness
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Electrelane
I Want to Be the President
122 bpm • F Maj • 04:46 • -8.9db
24% Popularity • 73% Danceability • 65% Energy • 9% Liveness
31% Instrumentalness • 39% Positiveness
24% Popularity • 73% Danceability • 65% Energy • 9% Liveness
31% Instrumentalness • 39% Positiveness
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Psychic TV
Godstar
122 bpm • C Maj • 03:38 • -7.25db
37% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Alex Chilton
Like Flies On Sherbert
123 bpm • G Maj • 02:08 • -11db
28% Popularity • 40% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 40% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Silver Apples
Missin You
122 bpm • D Maj • 03:42 • -22.62db
17% Popularity • 84% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
17% Popularity • 84% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Tom Tom Club
As Above So Below
114 bpm • C Maj • 05:23 • -12db
16% Popularity • 81% Danceability • 58% Energy • 8% Liveness
5% Instrumentalness • 54% Positiveness
16% Popularity • 81% Danceability • 58% Energy • 8% Liveness
5% Instrumentalness • 54% Positiveness
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Lizzy Mercier Descloux
Funky Stuff
122 bpm • B min • 04:11 • -5db
23% Popularity • 61% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 61% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Algebra Suicide
Agitation
114 bpm • C Maj • 01:28 • -14.31db
18% Popularity • 69% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 69% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Geneva Jacuzzi
Love Caboose
114 bpm • D# Maj • 04:11 • -5.88db
21% Popularity • 83% Danceability • 81% Energy • 8% Liveness
49% Instrumentalness • 92% Positiveness
21% Popularity • 83% Danceability • 81% Energy • 8% Liveness
49% Instrumentalness • 92% Positiveness
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Essential Logic
Aerosol Burns
123 bpm • C# min • 02:02 • -8.93db
17% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Deux
Dance With Me
114 bpm • G# min • 04:02 • -10db
32% Popularity • 77% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 90% Positiveness
32% Popularity • 77% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 90% Positiveness
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Poly Styrene
Dreaming
113 bpm • D Maj • 03:48 • -13.13db
36% Popularity • 62% Danceability • 34% Energy • 18% Liveness
30% Instrumentalness • 68% Positiveness
36% Popularity • 62% Danceability • 34% Energy • 18% Liveness
30% Instrumentalness • 68% Positiveness
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Lizzy Mercier Descloux
Corpo Molli Pau Duro
114 bpm • D Maj • 02:40 • -11.47db
9% Popularity • 62% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 62% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Suburban Lawns
Cowboy
113 bpm • G Maj • 04:31 • -13db
14% Popularity • 67% Danceability • 66% Energy • 28% Liveness
5% Instrumentalness • 53% Positiveness
14% Popularity • 67% Danceability • 66% Energy • 28% Liveness
5% Instrumentalness • 53% Positiveness
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Liquid Liquid
Optimo
123 bpm • G Maj • 02:40 • -6.31db
31% Popularity • 70% Danceability • 96% Energy • 18% Liveness
76% Instrumentalness • 78% Positiveness
31% Popularity • 70% Danceability • 96% Energy • 18% Liveness
76% Instrumentalness • 78% Positiveness
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The Cleaners From Venus
The Mercury Girl
113 bpm • C# min • 04:22 • -9.05db
36% Popularity • 58% Danceability • 76% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 58% Danceability • 76% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
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Gary Wilson
I Wanna Lose Control
124 bpm • B min • 02:22 • -12db
24% Popularity • 90% Danceability • 55% Energy • 8% Liveness
21% Instrumentalness • 73% Positiveness
24% Popularity • 90% Danceability • 55% Energy • 8% Liveness
21% Instrumentalness • 73% Positiveness
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Sun Ra
Door To The Cosmos - Mixed
113 bpm • G# Maj • 01:25 • -14.07db
41% Popularity • 82% Danceability • 39% Energy • 29% Liveness
5% Instrumentalness • 50% Positiveness
41% Popularity • 82% Danceability • 39% Energy • 29% Liveness
5% Instrumentalness • 50% Positiveness
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Lizzy Mercier Descloux
Torso Corso
114 bpm • D Maj • 01:43 • -12.16db
36% Popularity • 87% Danceability • 57% Energy • 42% Liveness
72% Instrumentalness • 53% Positiveness
36% Popularity • 87% Danceability • 57% Energy • 42% Liveness
72% Instrumentalness • 53% Positiveness
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Psychic TV
Just Drifting
112 bpm • C Maj • 03:40 • -10.7db
30% Popularity • 52% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 52% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
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The Fall
Paintwork
124 bpm • A Maj • 06:38 • -13db
30% Popularity • 62% Danceability • 68% Energy • 15% Liveness
7% Instrumentalness • 91% Positiveness
30% Popularity • 62% Danceability • 68% Energy • 15% Liveness
7% Instrumentalness • 91% Positiveness
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Free Kitten
Never Gonna Sleep
112 bpm • F min • 06:17 • -13db
32% Popularity • 52% Danceability • 81% Energy • 9% Liveness
86% Instrumentalness • 61% Positiveness
32% Popularity • 52% Danceability • 81% Energy • 9% Liveness
86% Instrumentalness • 61% Positiveness
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Essential Logic
Martian Man
124 bpm • A Maj • 04:23 • -6.24db
7% Popularity • 58% Danceability • 84% Energy • 34% Liveness
4% Instrumentalness • 72% Positiveness
7% Popularity • 58% Danceability • 84% Energy • 34% Liveness
4% Instrumentalness • 72% Positiveness
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Saâda Bonaire
I am So Curious
124 bpm • D Maj • 05:21 • -7.51db
28% Popularity • 84% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
28% Popularity • 84% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Lizzy Mercier Descloux
Fog Horn Blues
113 bpm • A Maj • 04:14 • -14.56db
6% Popularity • 72% Danceability • 38% Energy • 13% Liveness
2% Instrumentalness • 84% Positiveness
6% Popularity • 72% Danceability • 38% Energy • 13% Liveness
2% Instrumentalness • 84% Positiveness
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Liquid Liquid
Groupmegroup
112 bpm • A# min • 03:17 • -9.2db
11% Popularity • 77% Danceability • 71% Energy • 20% Liveness
74% Instrumentalness • 55% Positiveness
11% Popularity • 77% Danceability • 71% Energy • 20% Liveness
74% Instrumentalness • 55% Positiveness
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Maximum Joy
All Wrapped Up!
124 bpm • F# Maj • 06:28 • -7.79db
8% Popularity • 69% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 79% Positiveness
8% Popularity • 69% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 79% Positiveness
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Arthur Russell
I Kissed The Girl From Outer Space
124 bpm • D Maj • 03:33 • -6db
19% Popularity • 81% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 81% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Chandra
Kate
124 bpm • G Maj • 05:49 • -8db
27% Popularity • 56% Danceability • 62% Energy • 18% Liveness
18% Instrumentalness • 62% Positiveness
27% Popularity • 56% Danceability • 62% Energy • 18% Liveness
18% Instrumentalness • 62% Positiveness
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Ata Kak
Yemmpa Aba
124 bpm • F# min • 04:30 • -10db
28% Popularity • 92% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 81% Positiveness
28% Popularity • 92% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 81% Positiveness
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Lizzy Mercier Descloux
Calypso Moguls Tender Dub
112 bpm • A Maj • 04:54 • -6.62db
5% Popularity • 80% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
5% Popularity • 80% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Raincoats
Running Away
124 bpm • A min • 02:49 • -5.5db
17% Popularity • 55% Danceability • 83% Energy • 2% Liveness
2% Instrumentalness • 85% Positiveness
17% Popularity • 55% Danceability • 83% Energy • 2% Liveness
2% Instrumentalness • 85% Positiveness
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Silver Apples
You And I
124 bpm • A min • 03:25 • -6.95db
20% Popularity • 44% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 44% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Peter Gordon & Love of Life Orchestra
Beautiful Dreamer
124 bpm • A min • 08:06 • -7.1db
9% Popularity • 66% Danceability • 68% Energy • 10% Liveness
77% Instrumentalness • 84% Positiveness
9% Popularity • 66% Danceability • 68% Energy • 10% Liveness
77% Instrumentalness • 84% Positiveness
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Young Marble Giants
The Taxi
112 bpm • E min • 02:07 • -12.31db
28% Popularity • 63% Danceability • 32% Energy • 5% Liveness
76% Instrumentalness • 87% Positiveness
28% Popularity • 63% Danceability • 32% Energy • 5% Liveness
76% Instrumentalness • 87% Positiveness
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Kleenex
Étoile
125 bpm • D Maj • 03:18 • -9.09db
16% Popularity • 60% Danceability • 76% Energy • 43% Liveness
7% Instrumentalness • 78% Positiveness
16% Popularity • 60% Danceability • 76% Energy • 43% Liveness
7% Instrumentalness • 78% Positiveness
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Joe Tossini
Wild Dream
125 bpm • D min • 04:25 • -11.84db
14% Popularity • 79% Danceability • 32% Energy • 16% Liveness
5% Instrumentalness • 64% Positiveness
14% Popularity • 79% Danceability • 32% Energy • 16% Liveness
5% Instrumentalness • 64% Positiveness
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Swamp Children
You've Got Me Beat
111 bpm • E min • 04:54 • -17db
17% Popularity • 61% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 61% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Silver Apples
Velvet Cave
125 bpm • E Maj • 03:26 • -8.25db
25% Popularity • 54% Danceability • 91% Energy • 61% Liveness
30% Instrumentalness • 76% Positiveness
25% Popularity • 54% Danceability • 91% Energy • 61% Liveness
30% Instrumentalness • 76% Positiveness
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Au Pairs
We're so Cool
111 bpm • E min • 03:38 • -12.76db
22% Popularity • 60% Danceability • 43% Energy • 5% Liveness
67% Instrumentalness • 73% Positiveness
22% Popularity • 60% Danceability • 43% Energy • 5% Liveness
67% Instrumentalness • 73% Positiveness
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Lizzy Mercier Descloux
Herpex Simplex - Charlus de La Salle Rem...
125 bpm • A Maj • 04:51 • -5.62db
10% Popularity • 76% Danceability • 76% Energy • 50% Liveness
41% Instrumentalness • 62% Positiveness
10% Popularity • 76% Danceability • 76% Energy • 50% Liveness
41% Instrumentalness • 62% Positiveness
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The Cleaners From Venus
The Artichoke That Loved Me
125 bpm • G min • 03:12 • -9db
42% Popularity • 65% Danceability • 61% Energy • 10% Liveness
54% Instrumentalness • 76% Positiveness
42% Popularity • 65% Danceability • 61% Energy • 10% Liveness
54% Instrumentalness • 76% Positiveness
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The Honeymoon Killers
Histoire a suivre
125 bpm • C Maj • 03:05 • -8.33db
11% Popularity • 94% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
11% Popularity • 94% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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ESG
Chistelle
111 bpm • A min • 01:56 • -12.37db
30% Popularity • 48% Danceability • 81% Energy • 13% Liveness
83% Instrumentalness • 74% Positiveness
30% Popularity • 48% Danceability • 81% Energy • 13% Liveness
83% Instrumentalness • 74% Positiveness
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Silver Apples
Seagreen Serenades
125 bpm • F# Maj • 02:52 • -9.59db
28% Popularity • 39% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 39% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Algebra Suicide
Amusing One's Self
111 bpm • A Maj • 02:26 • -19.38db
19% Popularity • 75% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 85% Positiveness
19% Popularity • 75% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 85% Positiveness
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Arthur Russell
Get Around To It
125 bpm • F min • 04:58 • -12db
31% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Medium Medium
Hungry, So Angry
126 bpm • E Maj • 03:59 • -10.18db
33% Popularity • 81% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 81% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Solid Space
Contemplation
125 bpm • E min • 03:15 • -6.3db
22% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Mamman Sani
Dangay Kotyo
111 bpm • D min • 04:16 • -12.33db
16% Popularity • 58% Danceability • 56% Energy • 17% Liveness
94% Instrumentalness • 20% Positiveness
16% Popularity • 58% Danceability • 56% Energy • 17% Liveness
94% Instrumentalness • 20% Positiveness