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Harley & Rose
Songs like
Harley & Rose
by
The Black Sorrows
Based on a tempo of (+/- 10%) and a similar genre
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Archie Roach
Beautiful Child
104 bpm • D Maj • 04:01 • -13.64db
21% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Split Enz
Message to My Girl
105 bpm • C# Maj • 04:03 • -7.31db
46% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Noiseworks
Welcome To The World
103 bpm • C# Maj • 04:46 • -12db
23% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Weddings Parties Anything
The Rain In My Heart
103 bpm • F Maj • 03:59 • -14.17db
15% Popularity • 74% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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1927
Don't Forget Me
105 bpm • D Maj • 04:39 • -11.41db
29% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Black Sorrows
Cannonball Cafe
104 bpm • C Maj • 03:55 • -10.32db
7% Popularity • 67% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Jenny Morris
Self Deceiver
105 bpm • C Maj • 03:32 • -9.09db
19% Popularity • 75% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Jo Jo Zep and The Falcons
Hit and Run
106 bpm • C Maj • 04:41 • -3.63db
37% Popularity • 66% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Noiseworks
Miles And Miles
105 bpm • C min • 04:15 • -8.36db
21% Popularity • 52% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Kids In The Kitchen
Current Stand
106 bpm • G Maj • 04:01 • -11.59db
36% Popularity • 56% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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The Black Sorrows
Too Long Gone
104 bpm • D Maj • 04:50 • -8.15db
4% Popularity • 46% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Split Enz
One Step Ahead
102 bpm • A min • 02:51 • -7.85db
37% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Hunters & Collectors
True Tears Of Joy
102 bpm • B min • 04:24 • -6.24db
47% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Radiators
Hit and Run
102 bpm • E Maj • 04:18 • -14db
21% Popularity • 84% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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1927
It Ain't Love
106 bpm • E Maj • 04:05 • -8db
20% Popularity • 56% Danceability • 92% Energy • 36% Liveness
1% Instrumentalness • 75% Positiveness
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Toni Childs
I've Got To Go Now
102 bpm • G Maj • 06:27 • -12.99db
41% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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The Black Sorrows
Small Changes
102 bpm • D Maj • 04:02 • -10.84db
7% Popularity • 45% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Pigram Brothers
Roadtrain
102 bpm • E Maj • 04:14 • -9.37db
29% Popularity • 61% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Noiseworks
No Lies
102 bpm • A Maj • 03:54 • -11db
44% Popularity • 56% Danceability • 83% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
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Little River Band
Help Is On Its Way - Remastered 2022
107 bpm • G Maj • 03:57 • -6.59db
54% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Boom Crash Opera
In The Morning
107 bpm • A Maj • 03:57 • -3.53db
19% Popularity • 49% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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The Screaming Jets
Better
101 bpm • D Maj • 04:37 • -10.16db
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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Jo Jo Zep and The Falcons
Shape I'm In
101 bpm • G min • 03:34 • -12.26db
45% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Noiseworks
No Lies - 2007 Remastered
102 bpm • A Maj • 03:54 • -6.64db
24% Popularity • 55% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
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Skyhooks
Toorak Cowboy - 2009 Remaster
107 bpm • C Maj • 03:47 • -8.95db
24% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Deborah Conway
Will You Miss Me When You're Sober?
101 bpm • C Maj • 04:01 • -11db
22% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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The Black Sorrows
The Crack-Up
108 bpm • D Maj • 03:23 • -11db
26% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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The Party Boys
He's Gonna Step on You Again
108 bpm • D Maj • 04:09 • -10.23db
34% Popularity • 72% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Jo Jo Zep and The Falcons
Shape I'm In
101 bpm • G min • 03:33 • -3.64db
24% Popularity • 67% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Noiseworks
In My Youth
102 bpm • D Maj • 03:35 • -9.95db
28% Popularity • 38% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
35% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Chocolate Starfish
You're so Vain
108 bpm • C Maj • 04:09 • -7db
35% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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The Black Sorrows
The Crack Up - 2007 Remastered
108 bpm • D Maj • 03:22 • -3.95db
10% Popularity • 62% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Alex Lloyd
Amazing
100 bpm • A Maj • 03:23 • -7db
47% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Split Enz
Dirty Creature
108 bpm • E min • 04:02 • -6db
35% Popularity • 61% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Tim Finn
Fraction Too Much Friction
100 bpm • B min • 04:14 • -15db
35% Popularity • 66% Danceability • 49% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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Kate Ceberano
Brave
100 bpm • C Maj • 05:30 • -14.98db
27% Popularity • 60% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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The Black Sorrows
Harley & Rose - Acoustic
100 bpm • G Maj • 03:46 • -6.55db
26% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Shane Howard
Walk On Fire
99 bpm • E min • 04:34 • -10.15db
17% Popularity • 55% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
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Boom Crash Opera
Onionskin
99 bpm • C Maj • 03:27 • -3.04db
42% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Divinyls
I Touch Myself
109 bpm • F Maj • 03:47 • -10.21db
64% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Russell Morris
Hush
109 bpm • G Maj • 03:01 • -7.58db
21% Popularity • 51% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Australian Crawl
Indisposed - Remastered
109 bpm • D Maj • 04:04 • -8db
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Jenny Morris
Street of Love
110 bpm • D Maj • 03:12 • -9db
28% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Black Sorrows
Carried By The Light
110 bpm • A Maj • 04:45 • -10.32db
8% Popularity • 46% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Archie Roach
Took the Children Away
110 bpm • G Maj • 05:24 • -12.88db
36% Popularity • 35% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Split Enz
My Mistake
98 bpm • A# Maj • 03:01 • -6.54db
33% Popularity • 57% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Russell Morris
Rachel
110 bpm • F Maj • 04:20 • -14db
25% Popularity • 30% Danceability • 43% Energy • 42% Liveness
18% Instrumentalness • 39% Positiveness
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Johnny Diesel & The Injectors
Cry In Shame
98 bpm • E Maj • 04:44 • -6.44db
54% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Jenny Morris
Tears
98 bpm • A Maj • 04:04 • -6db
21% Popularity • 51% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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The Black Sorrows
In The Hands Of The Enemy
98 bpm • G Maj • 04:33 • -12.17db
13% Popularity • 57% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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The Angels
Be With You
110 bpm • E Maj • 03:43 • -15.92db
31% Popularity • 61% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Diesel
Tip Of My Tongue
98 bpm • E Maj • 04:14 • -10.09db
53% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
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The Dingoes
Way out West
110 bpm • A Maj • 03:51 • -15.64db
38% Popularity • 75% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
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Australian Crawl
The Boys Light Up - Remastered 2013
98 bpm • G Maj • 04:41 • -7db
60% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Divinyls
Sleeping Beauty
111 bpm • C# Maj • 03:41 • -9.68db
35% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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The Black Sorrows
One Driver
98 bpm • D Maj • 03:17 • -12.14db
6% Popularity • 55% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Shane Howard
Let the Franklin Flow
111 bpm • F Maj • 03:22 • -5.76db
15% Popularity • 72% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Choirboys
Rendezvous
97 bpm • D Maj • 04:09 • -7.59db
24% Popularity • 51% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Hoodoo Gurus
My Girl - Remaster 2005
111 bpm • E Maj • 02:39 • -3.9db
44% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Australian Crawl
Easy On Your Own - Remastered
97 bpm • G Maj • 03:48 • -6.6db
31% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Crowded House
Distant Sun
111 bpm • D# Maj • 03:49 • -7.97db
53% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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The Black Sorrows
Snake Skin Shoes
98 bpm • D Maj • 04:42 • -9db
22% Popularity • 59% Danceability • 72% Energy • 7% Liveness
14% Instrumentalness • 67% Positiveness
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1927
If I Could
97 bpm • E Maj • 03:40 • -4db
47% Popularity • 69% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
40% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Hoodoo Gurus
Death Defying - 2005 Remaster
112 bpm • D Maj • 03:23 • -4db
43% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Johnny Diesel & The Injectors
Thang II
96 bpm • G Maj • 04:52 • -15.08db
13% Popularity • 34% Danceability • 33% Energy • 8% Liveness
75% Instrumentalness • 43% Positiveness
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The Black Sorrows
Holy Man
111 bpm • B min • 03:55 • -5.89db
7% Popularity • 69% Danceability • 83% Energy • 32% Liveness
1% Instrumentalness • 86% Positiveness
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1927
Tell Me A Story
112 bpm • A Maj • 04:13 • -10.05db
29% Popularity • 55% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
33% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Powderfinger
Passenger
96 bpm • B min • 04:21 • -6.99db
46% Popularity • 26% Danceability • 61% Energy • 37% Liveness
5% Instrumentalness • 19% Positiveness
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Models
Barbados
113 bpm • C Maj • 04:15 • -12.6db
47% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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The Party Boys
Hold Your Head Up
95 bpm • A Maj • 03:00 • -8.69db
24% Popularity • 70% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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The Black Sorrows
Love Goes Wild
112 bpm • D Maj • 03:26 • -13.13db
14% Popularity • 60% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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The Cruel Sea
The Honeymoon Is Over
94 bpm • C# Maj • 03:06 • -7.29db
51% Popularity • 46% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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The Badloves
Memphis
113 bpm • A Maj • 05:09 • -18db
24% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Jenny Morris
Little Little
115 bpm • G Maj • 03:55 • -13.67db
20% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Models
I Hear Motion
113 bpm • F Maj • 05:31 • -16.02db
36% Popularity • 73% Danceability • 71% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
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Choirboys
Never Gonna Die
115 bpm • E Maj • 04:01 • -7.91db
28% Popularity • 62% Danceability • 74% Energy • 25% Liveness
2% Instrumentalness • 54% Positiveness
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The Black Sorrows
Mercenary Heart
113 bpm • G Maj • 03:08 • -12.69db
6% Popularity • 56% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Russell Morris
Van Diemen's Land
94 bpm • F Maj • 04:36 • -5.9db
20% Popularity • 59% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Daryl Braithwaite
The Horses
94 bpm • E Maj • 04:16 • -14.82db
59% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Noiseworks
River Of Tears
115 bpm • B Maj • 05:17 • -13.27db
20% Popularity • 40% Danceability • 61% Energy • 5% Liveness
3% Instrumentalness • 34% Positiveness
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Australian Crawl
Daughters Of The Northern Coast - Remast...
115 bpm • D Maj • 04:40 • -6db
41% Popularity • 62% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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James Blundell
Age Of Grace
115 bpm • A Maj • 03:33 • -11.55db
26% Popularity • 66% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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The Black Sorrows
Better Times
114 bpm • A# Maj • 04:54 • -8db
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Brian Cadd
Ginger Man
116 bpm • E Maj • 04:06 • -12.34db
33% Popularity • 40% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Crowded House
Better Be Home Soon
94 bpm • C Maj • 03:07 • -15db
60% Popularity • 44% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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INXS
Burn For You
116 bpm • G Maj • 04:57 • -8.17db
43% Popularity • 80% Danceability • 75% Energy • 8% Liveness
9% Instrumentalness • 37% Positiveness
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Deborah Conway
Under My Skin
116 bpm • D min • 03:34 • -10db
20% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Hunters & Collectors
Edge Of Nowhere
93 bpm • C# min • 05:12 • -5.39db
22% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Black Sorrows
Lazy Slide Guitar
94 bpm • E Maj • 04:06 • -6db
9% Popularity • 71% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Slim Dusty
Duncan
93 bpm • F Maj • 02:35 • -13.55db
46% Popularity • 78% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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1927
Nothing In The Universe
116 bpm • G Maj • 04:06 • -5db
22% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Harley & Rose