Songs like Harmony by Guy Sweens
Based on a tempo of (+/- 10%) and a similar genre
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Peter Sterling
Moon over Xanadu
82 bpm • G min • 05:38 • -8.97db
20% Popularity • 55% Danceability • 50% Energy • 7% Liveness
23% Instrumentalness • 24% Positiveness
20% Popularity • 55% Danceability • 50% Energy • 7% Liveness
23% Instrumentalness • 24% Positiveness
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Herrin
The Higher Mind
82 bpm • A# Maj • 11:29 • -11.24db
11% Popularity • 35% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
11% Popularity • 35% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Achillea
Amor - Pt. I
82 bpm • C min • 04:58 • -6.28db
34% Popularity • 55% Danceability • 65% Energy • 52% Liveness
89% Instrumentalness • 48% Positiveness
34% Popularity • 55% Danceability • 65% Energy • 52% Liveness
89% Instrumentalness • 48% Positiveness
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Chris Wonderful
Magic Duduk
82 bpm • D min • 03:54 • -9.87db
40% Popularity • 15% Danceability • 31% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 15% Danceability • 31% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Guy Sweens
Gaya Of Wisdom
82 bpm • E min • 05:32 • -11db
19% Popularity • 19% Danceability • 35% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 35% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Indians From North America
Transformation
82 bpm • C# min • 05:06 • -10.11db
19% Popularity • 64% Danceability • 66% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
19% Popularity • 64% Danceability • 66% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
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Midori
Spirits of the Mountain
81 bpm • A# min • 06:26 • -22db
20% Popularity • 23% Danceability • 22% Energy • 14% Liveness
33% Instrumentalness • 14% Positiveness
20% Popularity • 23% Danceability • 22% Energy • 14% Liveness
33% Instrumentalness • 14% Positiveness
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Denean
Angels Calling Me (Segue)
81 bpm • D# Maj • 02:28 • -17db
41% Popularity • 12% Danceability • 22% Energy • 12% Liveness
34% Instrumentalness • 17% Positiveness
41% Popularity • 12% Danceability • 22% Energy • 12% Liveness
34% Instrumentalness • 17% Positiveness
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Lesiem
Una Terra
81 bpm • C Maj • 04:14 • -11.77db
31% Popularity • 26% Danceability • 49% Energy • 9% Liveness
44% Instrumentalness • 38% Positiveness
31% Popularity • 26% Danceability • 49% Energy • 9% Liveness
44% Instrumentalness • 38% Positiveness
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Australis
Barren Lands
83 bpm • B min • 04:33 • -14.51db
24% Popularity • 21% Danceability • 46% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
24% Popularity • 21% Danceability • 46% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Tron Syversen
Safe Journey
83 bpm • D min • 04:32 • -15.98db
42% Popularity • 20% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
42% Popularity • 20% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Marcomé
Memoria
81 bpm • F min • 05:00 • -12.95db
30% Popularity • 15% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
30% Popularity • 15% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Kevin Wood
Father's Love
81 bpm • A Maj • 02:59 • -18.14db
32% Popularity • 22% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Indians
Sunrise Feeling
83 bpm • F Maj • 06:03 • -8db
22% Popularity • 36% Danceability • 62% Energy • 36% Liveness
1% Instrumentalness • 50% Positiveness
22% Popularity • 36% Danceability • 62% Energy • 36% Liveness
1% Instrumentalness • 50% Positiveness
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Frank Steiner Jr.
Ajala
83 bpm • F Maj • 05:48 • -16.87db
32% Popularity • 39% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
32% Popularity • 39% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Frederic Delarue
Prelude to a New Life
81 bpm • A min • 02:42 • -22.03db
32% Popularity • 24% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
32% Popularity • 24% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Isgaard
Anima
83 bpm • G Maj • 03:23 • -9db
42% Popularity • 33% Danceability • 72% Energy • 67% Liveness
2% Instrumentalness • 22% Positiveness
42% Popularity • 33% Danceability • 72% Energy • 67% Liveness
2% Instrumentalness • 22% Positiveness
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Gnomusy
Dolmen Ridge
84 bpm • C min • 05:38 • -9db
17% Popularity • 52% Danceability • 58% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 52% Danceability • 58% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
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Michael Hoppé
Far Away
80 bpm • D# Maj • 05:15 • -21db
29% Popularity • 22% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Tigerforest
Bellefontaine
80 bpm • F min • 05:33 • -14db
36% Popularity • 23% Danceability • 34% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 23% Danceability • 34% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Australis
Turning Point
84 bpm • F min • 05:28 • -12.4db
14% Popularity • 24% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
14% Popularity • 24% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Troika
Kuan Yin
84 bpm • E Maj • 05:24 • -23.84db
31% Popularity • 10% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 10% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Guy Sweens
The Kings Court
84 bpm • A min • 06:04 • -14.28db
1% Popularity • 50% Danceability • 48% Energy • 19% Liveness
7% Instrumentalness • 40% Positiveness
1% Popularity • 50% Danceability • 48% Energy • 19% Liveness
7% Instrumentalness • 40% Positiveness
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Al Conti
Ragnarök
80 bpm • D min • 03:55 • -14.12db
31% Popularity • 34% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
31% Popularity • 34% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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Denean
Dance of the Winged Ones
84 bpm • A min • 08:28 • -11.47db
19% Popularity • 44% Danceability • 43% Energy • 30% Liveness
1% Instrumentalness • 6% Positiveness
19% Popularity • 44% Danceability • 43% Energy • 30% Liveness
1% Instrumentalness • 6% Positiveness
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Mars Lasar
The Blessing
84 bpm • C Maj • 04:41 • -19.8db
32% Popularity • 29% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 29% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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AKOVIANI
Transgressus IV
84 bpm • B Maj • 01:32 • -18.76db
30% Popularity • 13% Danceability • 11% Energy • 8% Liveness
12% Instrumentalness • 3% Positiveness
30% Popularity • 13% Danceability • 11% Energy • 8% Liveness
12% Instrumentalness • 3% Positiveness
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B-Tribe
Wisdom & Courage
80 bpm • F Maj • 05:08 • -13.32db
33% Popularity • 56% Danceability • 44% Energy • 12% Liveness
40% Instrumentalness • 20% Positiveness
33% Popularity • 56% Danceability • 44% Energy • 12% Liveness
40% Instrumentalness • 20% Positiveness
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Guy Sweens
New Beginnings
80 bpm • G# min • 06:48 • -12.8db
6% Popularity • 58% Danceability • 54% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
6% Popularity • 58% Danceability • 54% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Al Conti
Desert Nights
80 bpm • A min • 05:55 • -14.63db
9% Popularity • 46% Danceability • 40% Energy • 8% Liveness
98% Instrumentalness • 44% Positiveness
9% Popularity • 46% Danceability • 40% Energy • 8% Liveness
98% Instrumentalness • 44% Positiveness
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Denean
Passage to the Earth Mother
84 bpm • C min • 05:06 • -12.76db
13% Popularity • 39% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 39% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
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Beautiful World
Evolution
80 bpm • F min • 05:51 • -18.85db
29% Popularity • 56% Danceability • 58% Energy • 11% Liveness
87% Instrumentalness • 84% Positiveness
29% Popularity • 56% Danceability • 58% Energy • 11% Liveness
87% Instrumentalness • 84% Positiveness
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Wayra
Nahoma
80 bpm • A# Maj • 03:29 • -13.89db
30% Popularity • 54% Danceability • 47% Energy • 17% Liveness
58% Instrumentalness • 31% Positiveness
30% Popularity • 54% Danceability • 47% Energy • 17% Liveness
58% Instrumentalness • 31% Positiveness
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B-Tribe
Anika
80 bpm • C# min • 05:02 • -13db
35% Popularity • 49% Danceability • 40% Energy • 19% Liveness
6% Instrumentalness • 22% Positiveness
35% Popularity • 49% Danceability • 40% Energy • 19% Liveness
6% Instrumentalness • 22% Positiveness
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Guy Sweens
Arrival of the Longships
80 bpm • C# Maj • 07:01 • -15.06db
5% Popularity • 54% Danceability • 47% Energy • 39% Liveness
87% Instrumentalness • 23% Positiveness
5% Popularity • 54% Danceability • 47% Energy • 39% Liveness
87% Instrumentalness • 23% Positiveness
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AKOVIANI
Nens De La Terra
80 bpm • G Maj • 04:24 • -9.18db
36% Popularity • 55% Danceability • 65% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
36% Popularity • 55% Danceability • 65% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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John Adorney
Never Alone
80 bpm • D Maj • 05:11 • -9.05db
18% Popularity • 56% Danceability • 53% Energy • 11% Liveness
88% Instrumentalness • 69% Positiveness
18% Popularity • 56% Danceability • 53% Energy • 11% Liveness
88% Instrumentalness • 69% Positiveness
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Edelis
Uniqueness
80 bpm • C min • 04:18 • -8.95db
29% Popularity • 55% Danceability • 64% Energy • 38% Liveness
47% Instrumentalness • 60% Positiveness
29% Popularity • 55% Danceability • 64% Energy • 38% Liveness
47% Instrumentalness • 60% Positiveness
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Chris Wonderful
I Love You
80 bpm • C# Maj • 07:55 • -10db
38% Popularity • 52% Danceability • 56% Energy • 35% Liveness
86% Instrumentalness • 7% Positiveness
38% Popularity • 52% Danceability • 56% Energy • 35% Liveness
86% Instrumentalness • 7% Positiveness
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Back to Earth
Back to Earth
80 bpm • C# Maj • 04:24 • -11.2db
37% Popularity • 63% Danceability • 32% Energy • 5% Liveness
85% Instrumentalness • 66% Positiveness
37% Popularity • 63% Danceability • 32% Energy • 5% Liveness
85% Instrumentalness • 66% Positiveness
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Guy Sweens
Guide Me to Valhalla
80 bpm • D Maj • 06:21 • -14.62db
4% Popularity • 48% Danceability • 40% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
4% Popularity • 48% Danceability • 40% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
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Shanti Chakra Friends
Seven Years in Tibet 2020
80 bpm • A# Maj • 04:53 • -13.39db
33% Popularity • 51% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
33% Popularity • 51% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Aethera
Into Blue
85 bpm • C# Maj • 03:44 • -10.14db
34% Popularity • 14% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 14% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Mars Lasar
Royal Lake
80 bpm • C Maj • 04:02 • -20.64db
30% Popularity • 20% Danceability • 9% Energy • 6% Liveness
89% Instrumentalness • 8% Positiveness
30% Popularity • 20% Danceability • 9% Energy • 6% Liveness
89% Instrumentalness • 8% Positiveness
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Chris Spheeris
Field of Tears
85 bpm • D min • 03:07 • -18.12db
32% Popularity • 31% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
32% Popularity • 31% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
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Catherine Duc
In The Light of Day
85 bpm • C Maj • 04:09 • -15.23db
10% Popularity • 9% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
10% Popularity • 9% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Guy Sweens
Lord Shiva's Heart
80 bpm • B min • 08:40 • -8.65db
9% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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B-Tribe
Intro
85 bpm • C Maj • 02:48 • -16.32db
44% Popularity • 18% Danceability • 20% Energy • 34% Liveness
76% Instrumentalness • 4% Positiveness
44% Popularity • 18% Danceability • 20% Energy • 34% Liveness
76% Instrumentalness • 4% Positiveness
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Sacred Spirit
Intro (Gods And Heroes)
85 bpm • C# Maj • 01:31 • -22db
51% Popularity • 24% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
51% Popularity • 24% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Kitaro
Breath of Light
79 bpm • E min • 06:30 • -20.13db
13% Popularity • 11% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Alexandro Querevalú
Clouds of Sunset
85 bpm • F Maj • 04:49 • -5.24db
28% Popularity • 53% Danceability • 83% Energy • 8% Liveness
19% Instrumentalness • 23% Positiveness
28% Popularity • 53% Danceability • 83% Energy • 8% Liveness
19% Instrumentalness • 23% Positiveness
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Catherine Duc
Essence of Dreams
85 bpm • G min • 04:05 • -12.74db
19% Popularity • 57% Danceability • 65% Energy • 32% Liveness
85% Instrumentalness • 50% Positiveness
19% Popularity • 57% Danceability • 65% Energy • 32% Liveness
85% Instrumentalness • 50% Positiveness
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Guy Sweens
Surrounded by Nymphs
80 bpm • F Maj • 06:41 • -8.68db
9% Popularity • 45% Danceability • 58% Energy • 7% Liveness
87% Instrumentalness • 17% Positiveness
9% Popularity • 45% Danceability • 58% Energy • 7% Liveness
87% Instrumentalness • 17% Positiveness
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B-Tribe
Intro
79 bpm • C# min • 03:02 • -14.41db
46% Popularity • 20% Danceability • 21% Energy • 9% Liveness
37% Instrumentalness • 3% Positiveness
46% Popularity • 20% Danceability • 21% Energy • 9% Liveness
37% Instrumentalness • 3% Positiveness
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Chris Spheeris
Narabi
79 bpm • G Maj • 10:05 • -8.76db
13% Popularity • 51% Danceability • 54% Energy • 5% Liveness
76% Instrumentalness • 23% Positiveness
13% Popularity • 51% Danceability • 54% Energy • 5% Liveness
76% Instrumentalness • 23% Positiveness
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Isgaard
Fold Your Hands And Pray
86 bpm • F min • 04:36 • -10db
47% Popularity • 35% Danceability • 50% Energy • 66% Liveness
1% Instrumentalness • 23% Positiveness
47% Popularity • 35% Danceability • 50% Energy • 66% Liveness
1% Instrumentalness • 23% Positiveness
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Alexandro Querevalú
Metasequoia
85 bpm • E min • 04:47 • -5.91db
19% Popularity • 49% Danceability • 74% Energy • 25% Liveness
80% Instrumentalness • 26% Positiveness
19% Popularity • 49% Danceability • 74% Energy • 25% Liveness
80% Instrumentalness • 26% Positiveness
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Michel Pépé
Fleur de Lys
79 bpm • G min • 05:18 • -17.05db
32% Popularity • 19% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Guy Sweens
Obscure Formula
85 bpm • A min • 06:02 • -14.25db
4% Popularity • 40% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
4% Popularity • 40% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Gary Remal Malkin
The Journey
87 bpm • D Maj • 05:40 • -13.07db
20% Popularity • 30% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 30% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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Vangelis
Songs of the Seas
77 bpm • C Maj • 06:12 • -15.81db
37% Popularity • 24% Danceability • 30% Energy • 41% Liveness
89% Instrumentalness • 7% Positiveness
37% Popularity • 24% Danceability • 30% Energy • 41% Liveness
89% Instrumentalness • 7% Positiveness
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Beautiful World
Love Song
77 bpm • C# Maj • 06:06 • -17db
25% Popularity • 53% Danceability • 50% Energy • 12% Liveness
54% Instrumentalness • 44% Positiveness
25% Popularity • 53% Danceability • 50% Energy • 12% Liveness
54% Instrumentalness • 44% Positiveness
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Rolf Løvland
Lotus
88 bpm • E min • 04:33 • -13.48db
39% Popularity • 21% Danceability • 24% Energy • 26% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 21% Danceability • 24% Energy • 26% Liveness
90% Instrumentalness • 4% Positiveness
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B-Tribe
Ode To Dolores Del Rio
88 bpm • E min • 05:17 • -14db
36% Popularity • 42% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
36% Popularity • 42% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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Guy Sweens
Siddharta's Journey
86 bpm • C min • 09:19 • -13.11db
24% Popularity • 18% Danceability • 34% Energy • 8% Liveness
10% Instrumentalness • 10% Positiveness
24% Popularity • 18% Danceability • 34% Energy • 8% Liveness
10% Instrumentalness • 10% Positiveness
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Australis
Lifegiving
88 bpm • A Maj • 04:02 • -12.26db
24% Popularity • 14% Danceability • 30% Energy • 32% Liveness
92% Instrumentalness • 8% Positiveness
24% Popularity • 14% Danceability • 30% Energy • 32% Liveness
92% Instrumentalness • 8% Positiveness
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John Adorney
Moving On
88 bpm • C min • 06:15 • -17.09db
13% Popularity • 40% Danceability • 25% Energy • 11% Liveness
77% Instrumentalness • 15% Positiveness
13% Popularity • 40% Danceability • 25% Energy • 11% Liveness
77% Instrumentalness • 15% Positiveness
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Rasa
Gauranga Karuna
88 bpm • D min • 08:59 • -11.71db
16% Popularity • 41% Danceability • 53% Energy • 10% Liveness
3% Instrumentalness • 19% Positiveness
16% Popularity • 41% Danceability • 53% Energy • 10% Liveness
3% Instrumentalness • 19% Positiveness
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Kamal Engels
Healing
88 bpm • G min • 09:38 • -27.02db
32% Popularity • 19% Danceability • 8% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 8% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Chris Spheeris
Culture
76 bpm • D min • 05:06 • -14db
28% Popularity • 60% Danceability • 46% Energy • 40% Liveness
40% Instrumentalness • 44% Positiveness
28% Popularity • 60% Danceability • 46% Energy • 40% Liveness
40% Instrumentalness • 44% Positiveness
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Kiran Murti
Joyful Aspiration
76 bpm • D min • 05:34 • -12.92db
30% Popularity • 48% Danceability • 38% Energy • 8% Liveness
88% Instrumentalness • 26% Positiveness
30% Popularity • 48% Danceability • 38% Energy • 8% Liveness
88% Instrumentalness • 26% Positiveness
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Sacred Spirit
The State Of Grace
76 bpm • E min • 04:27 • -17.7db
34% Popularity • 36% Danceability • 28% Energy • 12% Liveness
80% Instrumentalness • 8% Positiveness
34% Popularity • 36% Danceability • 28% Energy • 12% Liveness
80% Instrumentalness • 8% Positiveness
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Praful
A Prayer for Liberation - Short Version
76 bpm • G min • 09:59 • -15.37db
15% Popularity • 30% Danceability • 16% Energy • 10% Liveness
41% Instrumentalness • 6% Positiveness
15% Popularity • 30% Danceability • 16% Energy • 10% Liveness
41% Instrumentalness • 6% Positiveness
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Salasacamanda Shamushpa
Wayrapa Muspuynin
76 bpm • G min • 06:28 • -6.86db
20% Popularity • 53% Danceability • 57% Energy • 8% Liveness
40% Instrumentalness • 73% Positiveness
20% Popularity • 53% Danceability • 57% Energy • 8% Liveness
40% Instrumentalness • 73% Positiveness
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John Adorney
Trees of Gold
89 bpm • F# Maj • 04:43 • -13.49db
9% Popularity • 44% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
9% Popularity • 44% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Guy Sweens
Mongolian Rituals
75 bpm • A min • 07:22 • -8.07db
8% Popularity • 24% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 20% Positiveness
8% Popularity • 24% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 20% Positiveness
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Marcomé
Pace's Lullaby (Radio Edit)
90 bpm • C# min • 05:34 • -14.55db
33% Popularity • 12% Danceability • 28% Energy • 8% Liveness
57% Instrumentalness • 8% Positiveness
33% Popularity • 12% Danceability • 28% Energy • 8% Liveness
57% Instrumentalness • 8% Positiveness
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Green Sun
The First Birth
75 bpm • E Maj • 09:16 • -13.13db
27% Popularity • 51% Danceability • 37% Energy • 9% Liveness
9% Instrumentalness • 42% Positiveness
27% Popularity • 51% Danceability • 37% Energy • 9% Liveness
9% Instrumentalness • 42% Positiveness
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Enam
Arinya
90 bpm • D# Maj • 04:37 • -13.93db
30% Popularity • 37% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
30% Popularity • 37% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
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Frank Steiner Jr.
Lung Ta
90 bpm • C Maj • 08:36 • -12.09db
20% Popularity • 51% Danceability • 33% Energy • 32% Liveness
37% Instrumentalness • 8% Positiveness
20% Popularity • 51% Danceability • 33% Energy • 32% Liveness
37% Instrumentalness • 8% Positiveness
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Magna Canta
Close To Heaven
90 bpm • G min • 04:22 • -8.04db
35% Popularity • 37% Danceability • 73% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
35% Popularity • 37% Danceability • 73% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Chris Spheeris
Lanilei
90 bpm • A min • 05:37 • -11.95db
14% Popularity • 44% Danceability • 46% Energy • 16% Liveness
94% Instrumentalness • 8% Positiveness
14% Popularity • 44% Danceability • 46% Energy • 16% Liveness
94% Instrumentalness • 8% Positiveness
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Catherine Duc
Inishowen Dawn
90 bpm • G# Maj • 03:16 • -12.45db
21% Popularity • 42% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 47% Positiveness
21% Popularity • 42% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 47% Positiveness
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Green Sun
The Second Birth
90 bpm • G Maj • 04:35 • -13.21db
30% Popularity • 15% Danceability • 26% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 26% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Guy Sweens
Viracocha
90 bpm • C Maj • 05:14 • -13.85db
14% Popularity • 60% Danceability • 45% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
14% Popularity • 60% Danceability • 45% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
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James Asher
Red Desert
90 bpm • A# min • 05:40 • -16.11db
17% Popularity • 64% Danceability • 57% Energy • 13% Liveness
84% Instrumentalness • 94% Positiveness
17% Popularity • 64% Danceability • 57% Energy • 13% Liveness
84% Instrumentalness • 94% Positiveness
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Edelis
Talking with Wind
90 bpm • F min • 05:49 • -9db
22% Popularity • 59% Danceability • 79% Energy • 11% Liveness
83% Instrumentalness • 46% Positiveness
22% Popularity • 59% Danceability • 79% Energy • 11% Liveness
83% Instrumentalness • 46% Positiveness
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Asher Quinn
Angel of the South
90 bpm • A# Maj • 08:13 • -17.07db
16% Popularity • 76% Danceability • 35% Energy • 7% Liveness
96% Instrumentalness • 62% Positiveness
16% Popularity • 76% Danceability • 35% Energy • 7% Liveness
96% Instrumentalness • 62% Positiveness
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Australis
The Sound of Hope
90 bpm • B Maj • 04:45 • -12.58db
31% Popularity • 56% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
31% Popularity • 56% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Lesiem
Lesiem
90 bpm • A min • 05:07 • -11.79db
31% Popularity • 63% Danceability • 62% Energy • 7% Liveness
80% Instrumentalness • 35% Positiveness
31% Popularity • 63% Danceability • 62% Energy • 7% Liveness
80% Instrumentalness • 35% Positiveness
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Guy Sweens
Capacocha
90 bpm • E min • 08:25 • -13.56db
4% Popularity • 69% Danceability • 53% Energy • 34% Liveness
79% Instrumentalness • 18% Positiveness
4% Popularity • 69% Danceability • 53% Energy • 34% Liveness
79% Instrumentalness • 18% Positiveness
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Thierry David
Attraction Beckons
90 bpm • F min • 06:13 • -11.26db
11% Popularity • 52% Danceability • 53% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
11% Popularity • 52% Danceability • 53% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
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Magna Canta
Kyrie
90 bpm • A min • 04:05 • -11db
38% Popularity • 48% Danceability • 60% Energy • 10% Liveness
66% Instrumentalness • 19% Positiveness
38% Popularity • 48% Danceability • 60% Energy • 10% Liveness
66% Instrumentalness • 19% Positiveness
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Neil H
Gateway to the Realm of Dreams
90 bpm • D min • 06:05 • -19.2db
9% Popularity • 32% Danceability • 14% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
9% Popularity • 32% Danceability • 14% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Origen
Dance Of The Clouds
75 bpm • C min • 03:20 • -20.22db
48% Popularity • 17% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
48% Popularity • 17% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Australis
Paqta Kutemunqa
90 bpm • G# Maj • 04:29 • -9db
11% Popularity • 49% Danceability • 78% Energy • 26% Liveness
73% Instrumentalness • 26% Positiveness
11% Popularity • 49% Danceability • 78% Energy • 26% Liveness
73% Instrumentalness • 26% Positiveness
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Guy Sweens
Temple at Uppsala
90 bpm • A# min • 05:34 • -12.82db
6% Popularity • 60% Danceability • 48% Energy • 18% Liveness
92% Instrumentalness • 54% Positiveness
6% Popularity • 60% Danceability • 48% Energy • 18% Liveness
92% Instrumentalness • 54% Positiveness
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Enam
Indefinite Flow
74 bpm • F Maj • 02:26 • -19.2db
33% Popularity • 28% Danceability • 18% Energy • 23% Liveness
84% Instrumentalness • 19% Positiveness
33% Popularity • 28% Danceability • 18% Energy • 23% Liveness
84% Instrumentalness • 19% Positiveness
![In Search of Kindred Spirits [Bonus Track from Sacred Album] cover art](https://i.scdn.co/image/ab67616d00001e02d0b5b228293cdcba931316a1)