Songs like Harp Concerto in B-Flat Major: II. Larghetto by Marion Hofmann
Based on a tempo of (+/- 10%) and a similar genre
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Heitor Villa-Lobos
Cello Concerto No. 1, Op. 50, W095: II. ...
73 bpm • C min • 06:56 • -22.85db
10% Popularity • 15% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
10% Popularity • 15% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Vortex Beat
Inner Chaos
73 bpm • C min • 03:34 • -18.13db
14% Popularity • 28% Danceability • 6% Energy • 19% Liveness
94% Instrumentalness • 37% Positiveness
14% Popularity • 28% Danceability • 6% Energy • 19% Liveness
94% Instrumentalness • 37% Positiveness
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Elias Parish Alvars
Introduction & Variations on Favorite Ai...
73 bpm • D# Maj • 01:42 • -29.12db
19% Popularity • 31% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
19% Popularity • 31% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Ferdinando Carulli
Duetto for Flute and Guitar in A Major, ...
73 bpm • C Maj • 02:15 • -12.76db
13% Popularity • 47% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 98% Positiveness
13% Popularity • 47% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 98% Positiveness
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Takashi Yoshimatsu
4 Little Dream Songs: Winter: Lullaby
73 bpm • E Maj • 01:59 • -21.19db
10% Popularity • 23% Danceability • 5% Energy • 25% Liveness
21% Instrumentalness • 25% Positiveness
10% Popularity • 23% Danceability • 5% Energy • 25% Liveness
21% Instrumentalness • 25% Positiveness
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Johannes Brahms
Fünf Lieder, Op. 105: No. 2, Immer leis...
73 bpm • C# min • 03:21 • -27.18db
10% Popularity • 11% Danceability • 2% Energy • 9% Liveness
42% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 2% Energy • 9% Liveness
42% Instrumentalness • 4% Positiveness
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Charles Koechlin
Épitaphe de Jean Harlow, Op. 164
73 bpm • D# Maj • 03:47 • -19.54db
10% Popularity • 18% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Six Moments musicaux Op. 16: No. 5, Adag...
73 bpm • C# Maj • 04:06 • -34.31db
19% Popularity • 27% Danceability • 0% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 0% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Eduardo Piedra González
Día de niebla
73 bpm • A# min • 03:18 • -23.72db
27% Popularity • 14% Danceability • 6% Energy • 18% Liveness
94% Instrumentalness • 31% Positiveness
27% Popularity • 14% Danceability • 6% Energy • 18% Liveness
94% Instrumentalness • 31% Positiveness
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Elena Kats-Chernin
Fleeting Encounters
73 bpm • G min • 04:15 • -25.66db
10% Popularity • 50% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
10% Popularity • 50% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Antonio Maria Nava
Theme and Variations on S. Vigano's ball...
73 bpm • G Maj • 01:52 • -22.89db
21% Popularity • 36% Danceability • 4% Energy • 17% Liveness
95% Instrumentalness • 40% Positiveness
21% Popularity • 36% Danceability • 4% Energy • 17% Liveness
95% Instrumentalness • 40% Positiveness
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Anna Bon
Flute Sonata in G Major No. 6, Op. 1: IX...
73 bpm • A# Maj • 01:02 • -10.61db
12% Popularity • 46% Danceability • 30% Energy • 15% Liveness
94% Instrumentalness • 98% Positiveness
12% Popularity • 46% Danceability • 30% Energy • 15% Liveness
94% Instrumentalness • 98% Positiveness
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Fiona Ubong
Feet in the Clouds
73 bpm • F# Maj • 01:54 • -18.15db
15% Popularity • 36% Danceability • 14% Energy • 17% Liveness
98% Instrumentalness • 76% Positiveness
15% Popularity • 36% Danceability • 14% Energy • 17% Liveness
98% Instrumentalness • 76% Positiveness
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Johannes Brahms
Sapphische Ode
74 bpm • D Maj • 01:55 • -20.2db
18% Popularity • 25% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
18% Popularity • 25% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Antoine Reicha
L'Art de varier, Op. 57: Variation 35
74 bpm • F Maj • 01:09 • -34.3db
18% Popularity • 52% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 44% Positiveness
18% Popularity • 52% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 44% Positiveness
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Ferdinando Carulli
Duetto for Flute and Guitar in A Major, ...
72 bpm • G Maj • 04:52 • -11.87db
12% Popularity • 49% Danceability • 21% Energy • 15% Liveness
89% Instrumentalness • 95% Positiveness
12% Popularity • 49% Danceability • 21% Energy • 15% Liveness
89% Instrumentalness • 95% Positiveness
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Louis Spohr
Sonata for Violin & Harp, Op. 113 (Versi...
72 bpm • A Maj • 03:47 • -24.31db
10% Popularity • 36% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
10% Popularity • 36% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Giuseppe Tartini
Sonata in G Minor "Didone abbandonata", ...
74 bpm • G min • 02:34 • -12.45db
8% Popularity • 53% Danceability • 27% Energy • 13% Liveness
84% Instrumentalness • 96% Positiveness
8% Popularity • 53% Danceability • 27% Energy • 13% Liveness
84% Instrumentalness • 96% Positiveness
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Francesco Lecce
Sonate e Partite: No. 2, Andante (Recomp...
72 bpm • F Maj • 01:45 • -12.62db
21% Popularity • 57% Danceability • 25% Energy • 6% Liveness
90% Instrumentalness • 98% Positiveness
21% Popularity • 57% Danceability • 25% Energy • 6% Liveness
90% Instrumentalness • 98% Positiveness
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Anonymous
Serenade (arr. for cello and guitar)
74 bpm • A# Maj • 03:02 • -19.58db
13% Popularity • 18% Danceability • 12% Energy • 14% Liveness
89% Instrumentalness • 17% Positiveness
13% Popularity • 18% Danceability • 12% Energy • 14% Liveness
89% Instrumentalness • 17% Positiveness
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Mikalojus Konstantinas Čiurlionis
Preliudai (Preludes): Preludias: Andante
72 bpm • F Maj • 01:29 • -24.55db
21% Popularity • 14% Danceability • 7% Energy • 14% Liveness
70% Instrumentalness • 16% Positiveness
21% Popularity • 14% Danceability • 7% Energy • 14% Liveness
70% Instrumentalness • 16% Positiveness
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Robert Schumann
6 Studien in kanonischer Form, Op. 56: I...
74 bpm • C Maj • 02:18 • -22.68db
7% Popularity • 18% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
7% Popularity • 18% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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Luiz Costa
Canção De Maio
74 bpm • G Maj • 01:47 • -28db
15% Popularity • 18% Danceability • 3% Energy • 6% Liveness
65% Instrumentalness • 13% Positiveness
15% Popularity • 18% Danceability • 3% Energy • 6% Liveness
65% Instrumentalness • 13% Positiveness
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Nikolai Rimsky-Korsakov
Concert Phantasy on 'Le coq d'or': The T...
72 bpm • G# Maj • 01:11 • -22db
14% Popularity • 32% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness
14% Popularity • 32% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness
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Vitezslava Kaprálová
Tales of a Small Flute for Piccolo & Pia...
72 bpm • G Maj • 01:08 • -27db
20% Popularity • 17% Danceability • 3% Energy • 35% Liveness
10% Instrumentalness • 7% Positiveness
20% Popularity • 17% Danceability • 3% Energy • 35% Liveness
10% Instrumentalness • 7% Positiveness
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Su Shien-Ta
Rimsky-Korsakov: Song of India
74 bpm • C Maj • 03:08 • -15.98db
9% Popularity • 23% Danceability • 16% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
9% Popularity • 23% Danceability • 16% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Lieder Ohne Worte, Viertes Heft, Op. 53 ...
74 bpm • C Maj • 02:06 • -15.96db
16% Popularity • 20% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 20% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Robert Schumann
Kinderszenen (Scenes of Childhood), Op. ...
74 bpm • F Maj • 02:50 • -26.15db
11% Popularity • 33% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
11% Popularity • 33% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Ralph Vaughan Williams
The Lark Ascending: II. Allegretto tranq...
74 bpm • A min • 03:04 • -19.92db
6% Popularity • 23% Danceability • 13% Energy • 18% Liveness
35% Instrumentalness • 12% Positiveness
6% Popularity • 23% Danceability • 13% Energy • 18% Liveness
35% Instrumentalness • 12% Positiveness
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Louis Spohr
Sonata for Violin & Harp in C Minor, WoO...
72 bpm • C min • 06:04 • -23.92db
3% Popularity • 32% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
3% Popularity • 32% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Reynaldo Hahn
Pour bercer un convalescent pour deux pi...
72 bpm • A# Maj • 01:37 • -36.6db
15% Popularity • 45% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
15% Popularity • 45% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: The Montagues ...
75 bpm • D Maj • 02:20 • -21.32db
20% Popularity • 16% Danceability • 9% Energy • 10% Liveness
51% Instrumentalness • 18% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 10% Liveness
51% Instrumentalness • 18% Positiveness
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Janos Balint
Violin Sonatina in G Major, Op. 100, B. ...
75 bpm • G min • 04:12 • -25.33db
17% Popularity • 25% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 10% Positiveness
17% Popularity • 25% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 10% Positiveness
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Francesco Lecce
Sonate e Partite: No. 18, Presto (Recomp...
71 bpm • F Maj • 02:54 • -12.19db
20% Popularity • 50% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 97% Positiveness
20% Popularity • 50% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 97% Positiveness
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Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr...
75 bpm • G Maj • 01:48 • -34.14db
17% Popularity • 10% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
17% Popularity • 10% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Nino Rota
5 Pezzi facili: No. 3. Pavana
71 bpm • G min • 02:11 • -29.87db
20% Popularity • 25% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
20% Popularity • 25% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Mauro Giuliani
Serenata in sol maggiore, Op. 127 (Trans...
75 bpm • C Maj • 01:30 • -12db
12% Popularity • 46% Danceability • 24% Energy • 10% Liveness
80% Instrumentalness • 97% Positiveness
12% Popularity • 46% Danceability • 24% Energy • 10% Liveness
80% Instrumentalness • 97% Positiveness
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Alan Hovhaness
Suite for Flute & Harp, Op. 245 "The Gar...
71 bpm • G min • 01:27 • -24.66db
11% Popularity • 32% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 7% Positiveness
11% Popularity • 32% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 7% Positiveness
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Paul Kochanski
7 Canciones populares espanolas (arr. P....
71 bpm • G Maj • 01:22 • -23db
13% Popularity • 56% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 56% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Georg Christoph Wagenseil
Harp Concerto in G Major: I. Allegro
75 bpm • G Maj • 04:06 • -27.05db
18% Popularity • 36% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
18% Popularity • 36% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
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Johannes Brahms
Clarinet Sonata in F Minor, Op. 120 No. ...
71 bpm • G# Maj • 05:02 • -28.34db
12% Popularity • 21% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
12% Popularity • 21% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Nino Rota
5 Pezzi facili: No. 1. La passeggiata de...
75 bpm • C Maj • 01:59 • -29.95db
14% Popularity • 27% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
14% Popularity • 27% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Francesco Lecce
Sonate e Partite: No. 3, Moderato (Recom...
71 bpm • C Maj • 01:31 • -11.06db
21% Popularity • 59% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 98% Positiveness
21% Popularity • 59% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 98% Positiveness
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Gustav Mahler
Des Knaben Wunderhorn: Rheinlegendchen
71 bpm • A Maj • 03:03 • -22db
14% Popularity • 39% Danceability • 9% Energy • 22% Liveness
84% Instrumentalness • 19% Positiveness
14% Popularity • 39% Danceability • 9% Energy • 22% Liveness
84% Instrumentalness • 19% Positiveness
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Samuel Barber
Souvenirs, Op. 28: III. Pas de deux
75 bpm • C Maj • 03:35 • -29.58db
20% Popularity • 36% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
20% Popularity • 36% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Jules Massenet
Poëme pastoral: V. Crépuscule (Arr. Ho...
71 bpm • A Maj • 02:00 • -40.75db
14% Popularity • 36% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
14% Popularity • 36% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Niño Tiro
Fantasy and Elegy for Violin and Piano: ...
75 bpm • F Maj • 03:23 • -14.74db
13% Popularity • 22% Danceability • 19% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
13% Popularity • 22% Danceability • 19% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Johann Joachim Quantz
28 Variazions on Aria “ I Was Sleeping...
71 bpm • G Maj • 00:57 • -14.7db
12% Popularity • 51% Danceability • 14% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
12% Popularity • 51% Danceability • 14% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
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Francesco Lecce
Sonate e Partite: No. 10, Allegretto (Re...
71 bpm • D Maj • 01:55 • -10.78db
20% Popularity • 43% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 97% Positiveness
20% Popularity • 43% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 97% Positiveness
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Lyle Chan
The Perfumed Calyx
71 bpm • A Maj • 07:32 • -15.63db
8% Popularity • 20% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
8% Popularity • 20% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
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Anna Bon
Flute Sonata in F Major, Op.1 No. 2: III...
71 bpm • F Maj • 03:42 • -12.11db
18% Popularity • 53% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 97% Positiveness
18% Popularity • 53% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 97% Positiveness
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Ferdinando Carulli
Duetto for Flute and Guitar in A Major, ...
71 bpm • F Maj • 04:17 • -13.43db
13% Popularity • 40% Danceability • 12% Energy • 6% Liveness
93% Instrumentalness • 91% Positiveness
13% Popularity • 40% Danceability • 12% Energy • 6% Liveness
93% Instrumentalness • 91% Positiveness
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Althea Talbot-Howard
The Church at Errislannan
76 bpm • G min • 01:20 • -21.37db
10% Popularity • 26% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
10% Popularity • 26% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Felix Mendelssohn
Lieder Ohne Worte, Drittes Heft, Op. 38 ...
75 bpm • D Maj • 04:08 • -20.28db
8% Popularity • 15% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 17% Positiveness
8% Popularity • 15% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 17% Positiveness
► Preview
Francesco Lecce
Sonate e Partite: No. 11, Presto (Recomp...
70 bpm • A# Maj • 02:16 • -11.77db
21% Popularity • 47% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 93% Positiveness
21% Popularity • 47% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 93% Positiveness
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Carl Albert Loeschhorn
Children's Pieces Op. 182 Nr. 4 for flut...
70 bpm • A min • 00:53 • -31.57db
18% Popularity • 19% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
18% Popularity • 19% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Gaspard Fritz
Grande Sonata in D Major, Op. 2: VIII. V...
71 bpm • C Maj • 02:03 • -10.94db
19% Popularity • 50% Danceability • 18% Energy • 7% Liveness
94% Instrumentalness • 98% Positiveness
19% Popularity • 50% Danceability • 18% Energy • 7% Liveness
94% Instrumentalness • 98% Positiveness
► Preview
Ferdinando Carulli
Duetto for Flute and Guitar in A Major, ...
71 bpm • F Maj • 03:58 • -13.48db
11% Popularity • 37% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 96% Positiveness
11% Popularity • 37% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 96% Positiveness
► Preview
Alexander Glazunov
Les Saisons, Op. 67 (Arr. Solo Piano by ...
70 bpm • A# Maj • 03:44 • -21.63db
15% Popularity • 28% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
15% Popularity • 28% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
► Preview
Ferenc Farkas
Danses hongroises du 17ème Siècle: III...
76 bpm • A min • 02:51 • -27.78db
10% Popularity • 33% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
10% Popularity • 33% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
► Preview
Johann Joachim Quantz
28 Variazions on Aria “ I Was Sleeping...
70 bpm • G Maj • 01:02 • -12.06db
19% Popularity • 54% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 97% Positiveness
19% Popularity • 54% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 97% Positiveness
► Preview
Samuel Coleridge-Taylor
Suite for Violin and Piano, Op. 3: II. C...
76 bpm • D Maj • 03:26 • -20.58db
34% Popularity • 26% Danceability • 11% Energy • 9% Liveness
14% Instrumentalness • 15% Positiveness
34% Popularity • 26% Danceability • 11% Energy • 9% Liveness
14% Instrumentalness • 15% Positiveness
► Preview
Leonardo Vinci
Grande Sonata in D Major: II. Allegro (R...
70 bpm • F Maj • 03:22 • -11.35db
19% Popularity • 45% Danceability • 23% Energy • 8% Liveness
89% Instrumentalness • 97% Positiveness
19% Popularity • 45% Danceability • 23% Energy • 8% Liveness
89% Instrumentalness • 97% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS / Arr. Paillard: Bleib bei uns,...
70 bpm • A# Maj • 04:19 • -19.63db
0% Popularity • 24% Danceability • 11% Energy • 15% Liveness
96% Instrumentalness • 46% Positiveness
0% Popularity • 24% Danceability • 11% Energy • 15% Liveness
96% Instrumentalness • 46% Positiveness
► Preview
Giya Kancheli
18 Miniatures for Violin and Piano: No. ...
70 bpm • C Maj • 02:19 • -34db
7% Popularity • 12% Danceability • 0% Energy • 8% Liveness
86% Instrumentalness • 15% Positiveness
7% Popularity • 12% Danceability • 0% Energy • 8% Liveness
86% Instrumentalness • 15% Positiveness
► Preview
Robert Schumann
Violin Concerto in D Minor, WoO 1: III. ...
76 bpm • D Maj • 01:29 • -21.64db
23% Popularity • 26% Danceability • 16% Energy • 24% Liveness
94% Instrumentalness • 48% Positiveness
23% Popularity • 26% Danceability • 16% Energy • 24% Liveness
94% Instrumentalness • 48% Positiveness
► Preview
Maximo Diego Pujol
Suite Mágica: I. Preludio
76 bpm • A min • 02:13 • -25.56db
14% Popularity • 37% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
14% Popularity • 37% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Teemu Halmkrona
The Journey to the Top of the Hill
76 bpm • C Maj • 04:08 • -25.1db
15% Popularity • 20% Danceability • 4% Energy • 19% Liveness
50% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 4% Energy • 19% Liveness
50% Instrumentalness • 4% Positiveness
► Preview
Anna Bon
Flute Sonata in D Major, Op.1 No. 4: I. ...
70 bpm • F Maj • 06:35 • -12.14db
18% Popularity • 45% Danceability • 20% Energy • 13% Liveness
90% Instrumentalness • 97% Positiveness
18% Popularity • 45% Danceability • 20% Energy • 13% Liveness
90% Instrumentalness • 97% Positiveness
► Preview
Antonín Dvořák
Cello Concerto in B Minor, Op. 104: III....
77 bpm • B Maj • 01:31 • -22.02db
19% Popularity • 12% Danceability • 3% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 3% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Giya Kancheli
33 Miniatures for Piano (Excerpts): No. ...
76 bpm • E min • 01:43 • -31.34db
22% Popularity • 53% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
22% Popularity • 53% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
► Preview
Winfred Jeremiah
I Love The Portrait
77 bpm • A# Maj • 03:05 • -15.98db
26% Popularity • 14% Danceability • 15% Energy • 33% Liveness
66% Instrumentalness • 10% Positiveness
26% Popularity • 14% Danceability • 15% Energy • 33% Liveness
66% Instrumentalness • 10% Positiveness
► Preview
Anonymous
Bachianas brasileiras No. 5 (arr. for fl...
77 bpm • D min • 04:57 • -28.78db
9% Popularity • 15% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Christian Sinding
6 Charakterstücke, Op. 33: No. 4, Stän...
69 bpm • G# Maj • 01:41 • -40.23db
9% Popularity • 16% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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George Gershwin
Ten songs: But not for me
77 bpm • D# Maj • 03:12 • -27.44db
8% Popularity • 18% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Philippe Gaubert
Invocation (based on Mozart’s Le nozze...
77 bpm • C Maj • 02:15 • -24.64db
16% Popularity • 26% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
16% Popularity • 26% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
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Ferdinando Carulli
Duetto for Flute and Guitar in A Major, ...
69 bpm • C Maj • 02:28 • -11.63db
12% Popularity • 56% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 97% Positiveness
12% Popularity • 56% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 97% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 7 in A Major (...
77 bpm • A Maj • 00:53 • -37.52db
6% Popularity • 48% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 15% Positiveness
6% Popularity • 48% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 15% Positiveness
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Jacques Georges Charles Duvernoy
Quartet No. 1: II. Lento
69 bpm • C# Maj • 02:03 • -26.63db
9% Popularity • 6% Danceability • 0% Energy • 13% Liveness
73% Instrumentalness • 10% Positiveness
9% Popularity • 6% Danceability • 0% Energy • 13% Liveness
73% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Violin Sonata No. 2 in A Minor, BWV 1003...
69 bpm • C Maj • 04:57 • -26.81db
10% Popularity • 48% Danceability • 6% Energy • 9% Liveness
50% Instrumentalness • 16% Positiveness
10% Popularity • 48% Danceability • 6% Energy • 9% Liveness
50% Instrumentalness • 16% Positiveness
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Yoko Ara
Ave Maria "Tanti anni prima"
77 bpm • C Maj • 05:32 • -22.02db
2% Popularity • 17% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
2% Popularity • 17% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Gaspard Fritz
Grande Sonata in D Major, Op. 2: II. Viv...
69 bpm • C Maj • 05:41 • -11.8db
18% Popularity • 46% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 97% Positiveness
18% Popularity • 46% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 97% Positiveness
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Robert Schumann
Fünf Stücke im Volkston, Op. 102: II. ...
69 bpm • F Maj • 02:38 • -27.99db
14% Popularity • 12% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
14% Popularity • 12% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Igor Stravinsky
Pulcinella Suite: II. Serenata. Larghett...
77 bpm • C min • 03:11 • -28.49db
10% Popularity • 12% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Mazurkas, Op. 17, B. 77: No. 4 in A Mino...
77 bpm • A min • 04:24 • -24.46db
9% Popularity • 22% Danceability • 4% Energy • 11% Liveness
61% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 4% Energy • 11% Liveness
61% Instrumentalness • 5% Positiveness
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Milo Paulus
The Men's Project: III. Sky Illusions
69 bpm • D# Maj • 01:09 • -26.34db
21% Popularity • 9% Danceability • 14% Energy • 22% Liveness
52% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 14% Energy • 22% Liveness
52% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Venezianisches Gondellied
69 bpm • G min • 03:01 • -20.09db
11% Popularity • 27% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
11% Popularity • 27% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Variation ...
78 bpm • E min • 04:35 • -32.04db
8% Popularity • 26% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Anna Bon
Flute Sonata in F Major, Op.1 No. 2: II....
68 bpm • F Maj • 03:39 • -11.04db
18% Popularity • 42% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 98% Positiveness
18% Popularity • 42% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 98% Positiveness
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Johannes Brahms
5 Lieder, Op. 105 (Excerpts Arr. K.H. Sc...
68 bpm • A Maj • 02:49 • -29.04db
18% Popularity • 24% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
18% Popularity • 24% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Fanny Mendelssohn
Mendelssohn: 6 Lieder, Op. 1: No. 3 Waru...
68 bpm • F Maj • 02:06 • -21.87db
14% Popularity • 18% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Carlo Corazza
Suite Modale: IV. Adagio - Allegro Decis...
78 bpm • B min • 04:21 • -14.75db
8% Popularity • 36% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 23% Positiveness
8% Popularity • 36% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 23% Positiveness
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Gottlieb Muffat
Ciacona in sol maggiore con 40 variazion...
68 bpm • C Maj • 01:33 • -11.64db
10% Popularity • 60% Danceability • 30% Energy • 10% Liveness
94% Instrumentalness • 71% Positiveness
10% Popularity • 60% Danceability • 30% Energy • 10% Liveness
94% Instrumentalness • 71% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97: Prelude (Arr. Atovmy...
78 bpm • B min • 01:59 • -33.18db
17% Popularity • 11% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
17% Popularity • 11% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz. 56 (Arr. A. Le...
68 bpm • A Maj • 01:40 • -22.67db
10% Popularity • 27% Danceability • 4% Energy • 26% Liveness
94% Instrumentalness • 26% Positiveness
10% Popularity • 27% Danceability • 4% Energy • 26% Liveness
94% Instrumentalness • 26% Positiveness
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Giovanni Battista Viotti
Serenade in A Major, Op. 23, No. 1, G. 1...
68 bpm • A# Maj • 01:25 • -27.48db
23% Popularity • 42% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 57% Positiveness
23% Popularity • 42% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 57% Positiveness
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Felix Mendelssohn
Mendelssohn: Sonata in F Major, MWV Q26:...
68 bpm • A Maj • 06:35 • -21.92db
11% Popularity • 31% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 31% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Francesco Lecce
Sonate e Partite: No. 17, Allegretto (Re...
68 bpm • F Maj • 02:18 • -14.63db
20% Popularity • 42% Danceability • 19% Energy • 6% Liveness
92% Instrumentalness • 97% Positiveness
20% Popularity • 42% Danceability • 19% Energy • 6% Liveness
92% Instrumentalness • 97% Positiveness
