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Harry in Winter
Songs like
Harry in Winter
by
Patrick Doyle
Based on a tempo of (+/- 10%) and a similar genre
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Patrick Doyle
Papa!
110 bpm • D Maj • 02:32 • -12.1db
17% Popularity • 26% Danceability • 23% Energy • 29% Liveness
94% Instrumentalness • 11% Positiveness
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Craig Armstrong
Saddest Part Of Day
110 bpm • C Maj • 01:13 • -21.57db
51% Popularity • 17% Danceability • 11% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Alan Menken
Enchanted Suite
110 bpm • G Maj • 04:32 • -9.57db
43% Popularity • 26% Danceability • 40% Energy • 10% Liveness
63% Instrumentalness • 18% Positiveness
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Harald Kloser
The Day After Tomorrow
110 bpm • C Maj • 03:27 • -20.47db
48% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Kris Bowers
A Grand Finish
109 bpm • G# Maj • 03:33 • -16.71db
50% Popularity • 30% Danceability • 37% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Zbigniew Preisner
Taking Colin To The Garden
109 bpm • A Maj • 01:12 • -18.4db
27% Popularity • 22% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Patrick Doyle
Harry in Winter
110 bpm • B min • 02:54 • -16.71db
57% Popularity • 18% Danceability • 25% Energy • 19% Liveness
97% Instrumentalness • 4% Positiveness
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Philip Glass
Truman Sleeps
109 bpm • G# Maj • 01:51 • -18.04db
54% Popularity • 38% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Nicholas Hooper
Ginny
111 bpm • E min • 01:30 • -27.74db
47% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Regency Players
Sense and Sensibility [BBC 2008 Adaptat...
112 bpm • D Maj • 01:38 • -9.46db
24% Popularity • 22% Danceability • 46% Energy • 20% Liveness
94% Instrumentalness • 6% Positiveness
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Kris Bowers
We Could Form An Attachment
109 bpm • D Maj • 03:07 • -13.14db
55% Popularity • 27% Danceability • 52% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
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Michael Giacchino
Free Skating
109 bpm • A min • 00:59 • -23.57db
52% Popularity • 37% Danceability • 3% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
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Zbigniew Preisner
Shows Dickon Garden
111 bpm • B min • 01:06 • -24.61db
42% Popularity • 48% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
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Patrick Doyle
Jaffa to Stamboul
109 bpm • F Maj • 01:27 • -11.94db
22% Popularity • 16% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Daniel Pemberton
Tewkesbury's Trail
108 bpm • C Maj • 01:41 • -20db
48% Popularity • 29% Danceability • 9% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Winter Has Come
112 bpm • G# Maj • 03:14 • -13.49db
45% Popularity • 21% Danceability • 41% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Carlos Rafael Rivera
Sygrayem (Let's Play)
112 bpm • C Maj • 02:11 • -21.46db
50% Popularity • 52% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
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Alan Menken
Grandmother Willow
108 bpm • C Maj • 01:27 • -29db
44% Popularity • 28% Danceability • 3% Energy • 15% Liveness
82% Instrumentalness • 10% Positiveness
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Jan A.P. Kaczmarek
War and Peace - Main Title
107 bpm • B Maj • 02:34 • -13.06db
44% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Michael Kamen
Parapluie - Instrumental
113 bpm • G min • 02:17 • -13.5db
23% Popularity • 20% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Henry Jackman
First Class
113 bpm • A# Maj • 03:20 • -11db
52% Popularity • 53% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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John Powell
Coming Back Around
113 bpm • E Maj • 02:51 • -7.5db
51% Popularity • 35% Danceability • 81% Energy • 5% Liveness
87% Instrumentalness • 12% Positiveness
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Daniel Pemberton
Ha!
107 bpm • C Maj • 01:16 • -10.36db
26% Popularity • 51% Danceability • 61% Energy • 15% Liveness
95% Instrumentalness • 34% Positiveness
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Alan Menken
Transformation
113 bpm • F Maj • 05:49 • -17.07db
42% Popularity • 21% Danceability • 20% Energy • 7% Liveness
31% Instrumentalness • 7% Positiveness
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John Williams
A Window to the Past
107 bpm • A min • 03:54 • -24.6db
56% Popularity • 21% Danceability • 4% Energy • 10% Liveness
54% Instrumentalness • 14% Positiveness
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Jan A.P. Kaczmarek
The Play And The Flight - Finding Neverl...
114 bpm • C Maj • 01:21 • -16.37db
36% Popularity • 29% Danceability • 14% Energy • 24% Liveness
63% Instrumentalness • 7% Positiveness
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Nicholas Hooper
Flight of the Order of the Phoenix
106 bpm • D Maj • 01:31 • -16db
48% Popularity • 28% Danceability • 53% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Pinar Toprak
Captain Marvel
105 bpm • C Maj • 02:15 • -14.81db
45% Popularity • 37% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Philip Glass
The Orange Tree
105 bpm • G min • 01:47 • -17.34db
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
66% Instrumentalness • 8% Positiveness
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Alan Menken
Farewell
105 bpm • D# Maj • 04:47 • -18.89db
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Anne Dudley
Daring to Hope
116 bpm • C# min • 01:38 • -18.26db
31% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Kevin Kiner
Jedi Eulogy
116 bpm • D# Maj • 01:08 • -9db
52% Popularity • 17% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Dumbledore's Farewell
115 bpm • A min • 02:22 • -22.18db
64% Popularity • 24% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
One Man At A Time
116 bpm • D Maj • 02:30 • -13db
50% Popularity • 21% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Jerry Goldsmith
A Useful Servant
116 bpm • E min • 01:18 • -20.58db
40% Popularity • 18% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
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Howard Shore
Concerning Hobbits
104 bpm • D Maj • 02:55 • -21.52db
65% Popularity • 49% Danceability • 6% Energy • 13% Liveness
41% Instrumentalness • 18% Positiveness
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John Paesano
Finale
116 bpm • A Maj • 04:17 • -16.3db
42% Popularity • 22% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Trevor Jones
Dinotopia Main Theme
116 bpm • D Maj • 03:25 • -16db
35% Popularity • 17% Danceability • 22% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Guy Farley
Love Theme
116 bpm • C# Maj • 02:45 • -29db
44% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Martin Phipps
Charles
117 bpm • D min • 02:23 • -24.55db
39% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Jóhann Jóhannsson
The Theory of Everything
104 bpm • D Maj • 01:08 • -17.7db
68% Popularity • 42% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Ramin Djawadi
The North Remembers
117 bpm • D# Maj • 02:33 • -26.12db
41% Popularity • 17% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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John Powell
Romantic Flight
104 bpm • F# Maj • 01:56 • -11.83db
62% Popularity • 22% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
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David Newman
Baby Walks
118 bpm • G Maj • 01:34 • -14db
38% Popularity • 20% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 9% Positiveness
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Klaus Badelt
Godspeed
118 bpm • A min • 05:19 • -14db
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
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Patrick Doyle
Kites In The Sky
103 bpm • G Maj • 02:26 • -25.91db
17% Popularity • 16% Danceability • 9% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Eden Lost
102 bpm • D# Maj • 01:46 • -24.49db
46% Popularity • 17% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
A Game of Croquet
118 bpm • E min • 02:45 • -28.73db
61% Popularity • 22% Danceability • 4% Energy • 6% Liveness
40% Instrumentalness • 11% Positiveness
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Isobel Waller-Bridge
Emma Suite
119 bpm • C Maj • 06:07 • -14.99db
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
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Trevor Rabin
Ben
119 bpm • C Maj • 04:03 • -18.05db
41% Popularity • 17% Danceability • 15% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Cracking The Chrysanthemums Cypher
102 bpm • D min • 02:35 • -16.15db
28% Popularity • 49% Danceability • 22% Energy • 7% Liveness
86% Instrumentalness • 46% Positiveness
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Craig Armstrong
Didn't You Love Anything
119 bpm • C Maj • 01:44 • -22.67db
40% Popularity • 28% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
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Michael Price
SHERlocked
101 bpm • A min • 03:44 • -21.5db
40% Popularity • 14% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
The Whirling Ways of Stars that Pass
102 bpm • E min • 01:52 • -26.72db
52% Popularity • 45% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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David Newman
Giving Back The Baby
119 bpm • E min • 06:26 • -14db
31% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Martin Phipps
Simple Harp Variation No. 1
101 bpm • G# min • 02:33 • -22.13db
43% Popularity • 35% Danceability • 12% Energy • 7% Liveness
95% Instrumentalness • 13% Positiveness
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Steven Price
Emma
120 bpm • D min • 02:35 • -15db
50% Popularity • 41% Danceability • 43% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
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Guy Farley
Family
120 bpm • A min • 01:47 • -17.68db
48% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Justin Hurwitz
The Armstrongs
120 bpm • G min • 02:25 • -27.44db
54% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
Duck Shoot
120 bpm • D min • 04:07 • -18.79db
50% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Trevor Rabin
Page 47
120 bpm • D min • 02:39 • -11.81db
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
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Carlos Rafael Rivera
Ceiling Games
120 bpm • F Maj • 02:17 • -13db
51% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Ramin Djawadi
The Last of the Starks
120 bpm • C min • 04:52 • -14.64db
50% Popularity • 17% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Steven Price
Norman
120 bpm • A# Maj • 02:50 • -16.45db
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Jan A.P. Kaczmarek
Neverland - Piano Variation In Blue - Fi...
121 bpm • C Maj • 04:29 • -22.6db
38% Popularity • 34% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 14% Positiveness
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Rupert Gregson-Williams
In This Together
120 bpm • G min • 05:59 • -20db
33% Popularity • 18% Danceability • 12% Energy • 5% Liveness
90% Instrumentalness • 3% Positiveness
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Geoff Zanelli
Through the Tree
100 bpm • A min • 01:25 • -24db
38% Popularity • 52% Danceability • 10% Energy • 64% Liveness
43% Instrumentalness • 16% Positiveness
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Michael Giacchino
Crossing the Marigold Bridge
100 bpm • C Maj • 01:48 • -12.05db
40% Popularity • 30% Danceability • 20% Energy • 14% Liveness
91% Instrumentalness • 10% Positiveness
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Dario Marianelli
Epilogue
100 bpm • E min • 05:11 • -21db
44% Popularity • 19% Danceability • 7% Energy • 7% Liveness
11% Instrumentalness • 8% Positiveness
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Nicholas Hooper
Fireworks
100 bpm • D Maj • 01:45 • -14db
51% Popularity • 49% Danceability • 50% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Jan A.P. Kaczmarek
Peter - Finding Neverland/Soundtrack Ver...
100 bpm • C Maj • 02:20 • -21db
48% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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John Powell
Flying with Mother
100 bpm • C Maj • 02:48 • -14.01db
46% Popularity • 43% Danceability • 37% Energy • 33% Liveness
32% Instrumentalness • 49% Positiveness
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Rupert Gregson-Williams
Sagana
120 bpm • D min • 04:32 • -28.13db
33% Popularity • 17% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Christian Henson
Maria's Room
122 bpm • B Maj • 01:30 • -21.13db
50% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Regency Players
Persuasion [BBC 2007 Adaptation]
100 bpm • C Maj • 01:52 • -18db
29% Popularity • 29% Danceability • 12% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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David Arnold
Opening Titles
99 bpm • C min • 01:07 • -20.05db
48% Popularity • 22% Danceability • 14% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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John Debney
Mia Invites Lilly To The Ball - Score
122 bpm • A Maj • 01:08 • -32db
49% Popularity • 25% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Marc Streitenfeld
Charge
99 bpm • E min • 01:18 • -18db
62% Popularity • 18% Danceability • 52% Energy • 63% Liveness
78% Instrumentalness • 10% Positiveness
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Rupert Gregson-Williams
Future King
120 bpm • A# min • 02:21 • -16.2db
45% Popularity • 33% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Kris Bowers
Flawless My Dear
98 bpm • D Maj • 01:43 • -17.14db
54% Popularity • 44% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
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John Powell
See You Tomorrow
123 bpm • G Maj • 03:53 • -10db
49% Popularity • 43% Danceability • 58% Energy • 12% Liveness
85% Instrumentalness • 22% Positiveness
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Jan A.P. Kaczmarek
Dancing With The Bear - Finding Neverlan...
123 bpm • C min • 02:03 • -16db
28% Popularity • 47% Danceability • 13% Energy • 13% Liveness
14% Instrumentalness • 32% Positiveness
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John Debney
Harp Interlude - Score
99 bpm • G Maj • 01:24 • -36db
32% Popularity • 36% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Patrick Doyle
The Armstrong Case
98 bpm • D Maj • 01:21 • -23.4db
42% Popularity • 41% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
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Trevor Rabin
National Treasure Suite
98 bpm • A# min • 03:17 • -17.57db
38% Popularity • 63% Danceability • 39% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
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Rupert Gregson-Williams
No Man's Land
98 bpm • E min • 08:52 • -14.33db
38% Popularity • 18% Danceability • 48% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
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John Powell
This Is Berk
123 bpm • D# Maj • 04:10 • -9.46db
57% Popularity • 26% Danceability • 49% Energy • 23% Liveness
81% Instrumentalness • 30% Positiveness
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Zbigniew Preisner
Entering The Garden
124 bpm • F Maj • 01:00 • -19db
37% Popularity • 40% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Mychael Danna
Dad
98 bpm • C# min • 02:52 • -14db
28% Popularity • 19% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Geoff Zanelli
What Is Going on Here?
124 bpm • D Maj • 04:31 • -18.5db
16% Popularity • 22% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Kris Bowers
Love is A Choice
98 bpm • G Maj • 02:20 • -18.38db
52% Popularity • 24% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 21% Positiveness
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Patrick Doyle
The Story Continues
124 bpm • C Maj • 01:29 • -16.32db
44% Popularity • 23% Danceability • 29% Energy • 49% Liveness
93% Instrumentalness • 12% Positiveness
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Steven Price
This Is Our Planet
97 bpm • A# Maj • 03:43 • -16db
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
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John Powell
Dragon Racing
125 bpm • G# Maj • 04:34 • -10.31db
44% Popularity • 28% Danceability • 59% Energy • 6% Liveness
87% Instrumentalness • 22% Positiveness
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Jan A.P. Kaczmarek
The Peter Pan Overture - Finding Neverla...
125 bpm • C Maj • 01:17 • -16db
27% Popularity • 35% Danceability • 15% Energy • 21% Liveness
83% Instrumentalness • 25% Positiveness
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William Ross
Once Upon a Time
125 bpm • F Maj • 02:30 • -19.82db
24% Popularity • 17% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Christopher Willis
Adventures of a London Gentleman
125 bpm • E Maj • 03:49 • -12.79db
32% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
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Patrick Doyle
Sons of Odin
126 bpm • F Maj • 01:48 • -16.56db
44% Popularity • 48% Danceability • 50% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
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David Arnold
Addicted to a Certain Lifestyle
125 bpm • A min • 03:50 • -21.65db
31% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Variation 15
96 bpm • D# Maj • 05:51 • -17db
46% Popularity • 12% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Harry in Winter