Songs like Harry's Game by Phil Coulter
Based on a tempo of (+/- 10%) and a similar genre
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Ernesto Cortazar
Soleado (When a Child Is Born)
99 bpm • F Maj • 03:09 • -11.32db
45% Popularity • 22% Danceability • 36% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
45% Popularity • 22% Danceability • 36% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
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Saint-Preux
Le Piano D'abigaïl 1
99 bpm • G Maj • 02:15 • -15.47db
49% Popularity • 18% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
49% Popularity • 18% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Johnny McEvoy
The Rose of Mooncoin
99 bpm • G Maj • 03:03 • -11.71db
22% Popularity • 48% Danceability • 44% Energy • 96% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 48% Danceability • 44% Energy • 96% Liveness
0% Instrumentalness • 34% Positiveness
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Frank Chacksfield
You Don't Bring Me Flowers - Remastered
98 bpm • C Maj • 02:55 • -10db
28% Popularity • 16% Danceability • 36% Energy • 14% Liveness
79% Instrumentalness • 7% Positiveness
28% Popularity • 16% Danceability • 36% Energy • 14% Liveness
79% Instrumentalness • 7% Positiveness
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Nikos Ignatiadis
The Beginning
100 bpm • D Maj • 03:33 • -15db
44% Popularity • 25% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
44% Popularity • 25% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Eleanor Shanley
My Angel
100 bpm • D Maj • 03:02 • -13.59db
28% Popularity • 36% Danceability • 21% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
28% Popularity • 36% Danceability • 21% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
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Petra Berger
In perfetta armonia
100 bpm • C Maj • 02:50 • -10.67db
25% Popularity • 33% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 33% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Frank Mills
Interlude
100 bpm • C Maj • 01:29 • -13.04db
39% Popularity • 40% Danceability • 33% Energy • 14% Liveness
69% Instrumentalness • 21% Positiveness
39% Popularity • 40% Danceability • 33% Energy • 14% Liveness
69% Instrumentalness • 21% Positiveness
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Phil Coulter
The Isle Of Innisfree
100 bpm • A Maj • 03:06 • -14.39db
15% Popularity • 54% Danceability • 28% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
15% Popularity • 54% Danceability • 28% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Johnny McEvoy
Nora
100 bpm • D Maj • 03:48 • -22.57db
22% Popularity • 37% Danceability • 12% Energy • 11% Liveness
15% Instrumentalness • 27% Positiveness
22% Popularity • 37% Danceability • 12% Energy • 11% Liveness
15% Instrumentalness • 27% Positiveness
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Nikos Ignatiadis
Still In Love With You
100 bpm • C# Maj • 03:00 • -15.72db
27% Popularity • 42% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
27% Popularity • 42% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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Joe Lynch
The Banks of My Own Lovely Lee
98 bpm • B Maj • 02:47 • -11db
29% Popularity • 49% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 49% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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RTE Concert Orchestra
The Last of the Summer
98 bpm • E Maj • 04:43 • -21.83db
10% Popularity • 21% Danceability • 7% Energy • 40% Liveness
67% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 7% Energy • 40% Liveness
67% Instrumentalness • 4% Positiveness
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Lisa Kelly
Home and the Heartland: From Riverdance
100 bpm • G Maj • 03:23 • -10.42db
28% Popularity • 40% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 40% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Anne Trenning
Beautiful Song
98 bpm • D Maj • 03:16 • -12.22db
31% Popularity • 29% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
31% Popularity • 29% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
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Mary Duff
The Fields of Athenry
98 bpm • C Maj • 04:50 • -10.01db
22% Popularity • 42% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 42% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Joanie Madden
Women of Ireland
97 bpm • G Maj • 04:19 • -10.16db
36% Popularity • 27% Danceability • 23% Energy • 20% Liveness
2% Instrumentalness • 19% Positiveness
36% Popularity • 27% Danceability • 23% Energy • 20% Liveness
2% Instrumentalness • 19% Positiveness
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Nicolas de Angelis
Ô Seigneur, je viens vers toi
101 bpm • D Maj • 03:05 • -10.04db
35% Popularity • 67% Danceability • 35% Energy • 12% Liveness
83% Instrumentalness • 57% Positiveness
35% Popularity • 67% Danceability • 35% Energy • 12% Liveness
83% Instrumentalness • 57% Positiveness
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Mason Williams
Country Idyll
97 bpm • C Maj • 02:17 • -14db
27% Popularity • 69% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
27% Popularity • 69% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
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Dolores Keane
Caledonia
97 bpm • C Maj • 04:38 • -16db
38% Popularity • 69% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 69% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Stacey Hersh
Waltz for Christine
101 bpm • B Maj • 02:11 • -15db
50% Popularity • 22% Danceability • 22% Energy • 13% Liveness
27% Instrumentalness • 29% Positiveness
50% Popularity • 22% Danceability • 22% Energy • 13% Liveness
27% Instrumentalness • 29% Positiveness
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Méav
Since You and I Were True
97 bpm • D Maj • 03:34 • -13db
21% Popularity • 32% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 32% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Frances Black
You're Still the Only One
101 bpm • C Maj • 04:24 • -14.13db
27% Popularity • 70% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 70% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Barleycorn
Cavan Girl
101 bpm • E Maj • 03:18 • -13.09db
24% Popularity • 53% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 53% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ernesto Cortazar
Bridge of Sighs
101 bpm • D Maj • 03:11 • -12.19db
41% Popularity • 33% Danceability • 27% Energy • 15% Liveness
2% Instrumentalness • 10% Positiveness
41% Popularity • 33% Danceability • 27% Energy • 15% Liveness
2% Instrumentalness • 10% Positiveness
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Phil Coulter
Grace
97 bpm • D Maj • 05:17 • -11db
6% Popularity • 37% Danceability • 32% Energy • 17% Liveness
93% Instrumentalness • 21% Positiveness
6% Popularity • 37% Danceability • 32% Energy • 17% Liveness
93% Instrumentalness • 21% Positiveness
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Nicolas de Angelis
Dans le soleil ou le brouillard
97 bpm • E min • 02:44 • -9.11db
33% Popularity • 74% Danceability • 42% Energy • 11% Liveness
59% Instrumentalness • 46% Positiveness
33% Popularity • 74% Danceability • 42% Energy • 11% Liveness
59% Instrumentalness • 46% Positiveness
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Enya
Pilgrim
97 bpm • G Maj • 03:12 • -14.78db
48% Popularity • 22% Danceability • 20% Energy • 13% Liveness
1% Instrumentalness • 9% Positiveness
48% Popularity • 22% Danceability • 20% Energy • 13% Liveness
1% Instrumentalness • 9% Positiveness
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Frances Black
Wall Of Tears
97 bpm • G# Maj • 04:04 • -10db
31% Popularity • 57% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 57% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Barleycorn
A Song for Ireland
101 bpm • G Maj • 04:29 • -13.02db
19% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Vladimir Cosma
Springtime in Dublin
97 bpm • G min • 03:35 • -9.65db
21% Popularity • 28% Danceability • 32% Energy • 14% Liveness
91% Instrumentalness • 12% Positiveness
21% Popularity • 28% Danceability • 32% Energy • 14% Liveness
91% Instrumentalness • 12% Positiveness
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Bill Martin
City to City
102 bpm • C Maj • 01:13 • -13.47db
6% Popularity • 56% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
6% Popularity • 56% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Joanie Madden
Bantry Girls Lament
102 bpm • A Maj • 05:12 • -12.94db
15% Popularity • 33% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 33% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Phil Coulter
The Town I Loved So Well
102 bpm • C Maj • 02:52 • -26.34db
20% Popularity • 47% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
20% Popularity • 47% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Living Strings
Faraway Places
96 bpm • A# Maj • 09:02 • -19db
24% Popularity • 14% Danceability • 23% Energy • 39% Liveness
80% Instrumentalness • 8% Positiveness
24% Popularity • 14% Danceability • 23% Energy • 39% Liveness
80% Instrumentalness • 8% Positiveness
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Raoul
Picnic At Hanging Rock
96 bpm • G Maj • 03:46 • -19.87db
10% Popularity • 26% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 26% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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羽田健太郎
恋は水色
102 bpm • G Maj • 02:43 • -11db
31% Popularity • 47% Danceability • 48% Energy • 22% Liveness
92% Instrumentalness • 31% Positiveness
31% Popularity • 47% Danceability • 48% Energy • 22% Liveness
92% Instrumentalness • 31% Positiveness
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Martin Lane
Sounds of Silence
96 bpm • F# Maj • 02:46 • -18.72db
20% Popularity • 64% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 28% Positiveness
20% Popularity • 64% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 28% Positiveness
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Lisa Lynne
Fields of Gold
102 bpm • B min • 04:35 • -8.73db
20% Popularity • 56% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 31% Positiveness
20% Popularity • 56% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 31% Positiveness
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Phil Coulter
Steal Away
102 bpm • A Maj • 03:08 • -22.97db
25% Popularity • 53% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
25% Popularity • 53% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Paul Machlis
At the Wooden Bridge
96 bpm • G Maj • 04:44 • -10.03db
23% Popularity • 27% Danceability • 24% Energy • 8% Liveness
15% Instrumentalness • 15% Positiveness
23% Popularity • 27% Danceability • 24% Energy • 8% Liveness
15% Instrumentalness • 15% Positiveness
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Alasdair Fraser & Paul Machlis
A Nochd Gur Faoin Mo Chadal
96 bpm • G Maj • 02:53 • -23.51db
13% Popularity • 22% Danceability • 7% Energy • 15% Liveness
5% Instrumentalness • 18% Positiveness
13% Popularity • 22% Danceability • 7% Energy • 15% Liveness
5% Instrumentalness • 18% Positiveness
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Aoife Ni Fhearraigh
Ansacht Na nAnsacht
102 bpm • A# Maj • 04:01 • -11.86db
23% Popularity • 53% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 53% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Tim Janis
The Sea On Every Side
102 bpm • D Maj • 03:08 • -11.34db
35% Popularity • 18% Danceability • 35% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 35% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Tol & Tol
Reprise
96 bpm • G Maj • 01:52 • -17.44db
26% Popularity • 43% Danceability • 16% Energy • 12% Liveness
85% Instrumentalness • 31% Positiveness
26% Popularity • 43% Danceability • 16% Energy • 12% Liveness
85% Instrumentalness • 31% Positiveness
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Phil Coulter
The Old Man
102 bpm • C Maj • 03:01 • -27.21db
14% Popularity • 38% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 7% Positiveness
14% Popularity • 38% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 7% Positiveness
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Rolf Løvland
Adagio from the Secret Garden
103 bpm • G min • 03:19 • -29db
24% Popularity • 21% Danceability • 4% Energy • 11% Liveness
59% Instrumentalness • 5% Positiveness
24% Popularity • 21% Danceability • 4% Energy • 11% Liveness
59% Instrumentalness • 5% Positiveness
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All Angels
Burgon: Ave Verum Corpus (Theme From Bri...
95 bpm • C Maj • 03:31 • -8.69db
22% Popularity • 35% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 35% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Dolores Keane
Faraway in Australia
103 bpm • F Maj • 02:55 • -8.85db
41% Popularity • 54% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 54% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Nikos Ignatiadis
I Love You
103 bpm • B Maj • 02:46 • -17.39db
26% Popularity • 53% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
26% Popularity • 53% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Christy Moore
The Time Has Come
103 bpm • C Maj • 03:19 • -24.48db
31% Popularity • 44% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 44% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Phil Coulter
The Spinning Wheel
96 bpm • D Maj • 03:30 • -22db
20% Popularity • 55% Danceability • 13% Energy • 9% Liveness
96% Instrumentalness • 36% Positiveness
20% Popularity • 55% Danceability • 13% Energy • 9% Liveness
96% Instrumentalness • 36% Positiveness
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Tol & Tol
Kentucky Lament
95 bpm • D Maj • 03:49 • -15.21db
16% Popularity • 12% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
16% Popularity • 12% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Blair Douglas
Angels from the Ashes
95 bpm • D# Maj • 05:00 • -12db
22% Popularity • 14% Danceability • 29% Energy • 13% Liveness
41% Instrumentalness • 13% Positiveness
22% Popularity • 14% Danceability • 29% Energy • 13% Liveness
41% Instrumentalness • 13% Positiveness
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All Angels
Traditional: Pokarekare Ana
103 bpm • A Maj • 03:15 • -9.65db
18% Popularity • 20% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 20% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Frank Mills
Plaisir D'Amour
103 bpm • G Maj • 03:30 • -29.23db
24% Popularity • 28% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
24% Popularity • 28% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Sally Maer
O Waly Waly (Arr. Jessica Wells and Sall...
104 bpm • A Maj • 03:08 • -20.17db
10% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
10% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Phil Coulter
Song For The Mira
95 bpm • D Maj • 03:24 • -17.86db
15% Popularity • 50% Danceability • 18% Energy • 16% Liveness
84% Instrumentalness • 26% Positiveness
15% Popularity • 50% Danceability • 18% Energy • 16% Liveness
84% Instrumentalness • 26% Positiveness
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Bridie Gallagher
Moonlight In Mayo
95 bpm • G Maj • 02:56 • -8.65db
10% Popularity • 31% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 31% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Johnny McEvoy
Michael
104 bpm • F# Maj • 05:37 • -10.23db
27% Popularity • 55% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 55% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Frances Black
All the Lies That You Told Me
95 bpm • E Maj • 04:22 • -14db
37% Popularity • 59% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 59% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Jan Mulder
Ballade
104 bpm • A min • 04:05 • -17.59db
20% Popularity • 27% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
20% Popularity • 27% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Anne Trenning
The Welcome Song
104 bpm • D Maj • 03:35 • -15.49db
36% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
36% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
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Phil Coulter
I'll Tell Me Ma
103 bpm • G# Maj • 02:05 • -11.69db
11% Popularity • 56% Danceability • 38% Energy • 12% Liveness
56% Instrumentalness • 38% Positiveness
11% Popularity • 56% Danceability • 38% Energy • 12% Liveness
56% Instrumentalness • 38% Positiveness
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Rick Wakeman
I Vow To Thee My Country
94 bpm • C Maj • 02:56 • -19.74db
20% Popularity • 22% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 41% Positiveness
20% Popularity • 22% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 41% Positiveness
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Hagood Hardy
The Homecoming/Jennifer's Song
94 bpm • C Maj • 05:00 • -24.12db
30% Popularity • 24% Danceability • 5% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
30% Popularity • 24% Danceability • 5% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
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Barleycorn
Grace
104 bpm • C Maj • 04:37 • -16.73db
16% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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The Seekers
Plaisir D'Amour - Stereo; 2009 Remaster
93 bpm • D Maj • 02:50 • -19db
32% Popularity • 43% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 43% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Military Wives
With Or Without You
105 bpm • C# Maj • 03:59 • -14.99db
45% Popularity • 29% Danceability • 15% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
45% Popularity • 29% Danceability • 15% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
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Tol & Tol
Far Beyond The Skies Of Blue
105 bpm • E Maj • 03:17 • -14.05db
22% Popularity • 49% Danceability • 22% Energy • 11% Liveness
18% Instrumentalness • 33% Positiveness
22% Popularity • 49% Danceability • 22% Energy • 11% Liveness
18% Instrumentalness • 33% Positiveness
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Alasdair Fraser
Tonight My Sleep Will Be Restless
93 bpm • G Maj • 02:54 • -11.62db
35% Popularity • 21% Danceability • 28% Energy • 13% Liveness
3% Instrumentalness • 20% Positiveness
35% Popularity • 21% Danceability • 28% Energy • 13% Liveness
3% Instrumentalness • 20% Positiveness
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Brian Kennedy
Carrickfergus
93 bpm • D Maj • 04:59 • -14.4db
28% Popularity • 35% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 35% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Ernesto Cortazar
Et Maintenant
105 bpm • F Maj • 03:16 • -11.75db
43% Popularity • 22% Danceability • 29% Energy • 9% Liveness
71% Instrumentalness • 10% Positiveness
43% Popularity • 22% Danceability • 29% Energy • 9% Liveness
71% Instrumentalness • 10% Positiveness
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Tony Hatch
Memories of Summer
93 bpm • D Maj • 03:10 • -12.62db
37% Popularity • 44% Danceability • 31% Energy • 18% Liveness
86% Instrumentalness • 36% Positiveness
37% Popularity • 44% Danceability • 31% Energy • 18% Liveness
86% Instrumentalness • 36% Positiveness
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Military Wives
You've Got A Friend
93 bpm • A Maj • 04:21 • -16db
32% Popularity • 48% Danceability • 24% Energy • 14% Liveness
4% Instrumentalness • 26% Positiveness
32% Popularity • 48% Danceability • 24% Energy • 14% Liveness
4% Instrumentalness • 26% Positiveness
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Bill Douglas
The Gardens of Loch Nair
106 bpm • A min • 04:08 • -17.05db
14% Popularity • 37% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
14% Popularity • 37% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Mick McAuley
A Daisy in December
93 bpm • D min • 03:37 • -8.34db
29% Popularity • 33% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 33% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Christian Desire Langlade
Divertissement
92 bpm • G Maj • 02:16 • -14.57db
49% Popularity • 38% Danceability • 32% Energy • 21% Liveness
94% Instrumentalness • 61% Positiveness
49% Popularity • 38% Danceability • 32% Energy • 21% Liveness
94% Instrumentalness • 61% Positiveness
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Phil Coulter
The Mountains Of Mourne
92 bpm • C Maj • 03:39 • -17.84db
7% Popularity • 39% Danceability • 16% Energy • 16% Liveness
84% Instrumentalness • 22% Positiveness
7% Popularity • 39% Danceability • 16% Energy • 16% Liveness
84% Instrumentalness • 22% Positiveness
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Ernesto Cortazar
Affair to Remember / Unchained Melody / ...
92 bpm • E Maj • 05:14 • -15.26db
43% Popularity • 13% Danceability • 22% Energy • 45% Liveness
31% Instrumentalness • 6% Positiveness
43% Popularity • 13% Danceability • 22% Energy • 45% Liveness
31% Instrumentalness • 6% Positiveness
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Military Wives
Get Here
106 bpm • C min • 03:36 • -15.71db
20% Popularity • 32% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
20% Popularity • 32% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
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John Doan
Farewell
92 bpm • E Maj • 04:01 • -15.32db
28% Popularity • 31% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
28% Popularity • 31% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Sean Dunphy
Danny Boy
92 bpm • G# Maj • 03:21 • -18.94db
25% Popularity • 25% Danceability • 14% Energy • 29% Liveness
7% Instrumentalness • 21% Positiveness
25% Popularity • 25% Danceability • 14% Energy • 29% Liveness
7% Instrumentalness • 21% Positiveness
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Cliar
The Nameless Clan
106 bpm • D Maj • 04:10 • -17.55db
6% Popularity • 18% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 14% Positiveness
6% Popularity • 18% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 14% Positiveness
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Phil Coulter
The Voyage
107 bpm • C Maj • 05:41 • -12.58db
5% Popularity • 36% Danceability • 32% Energy • 35% Liveness
94% Instrumentalness • 9% Positiveness
5% Popularity • 36% Danceability • 32% Energy • 35% Liveness
94% Instrumentalness • 9% Positiveness
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Bill Martin
I Gotta Get the World off My Back
107 bpm • E Maj • 01:45 • -10.43db
7% Popularity • 56% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 56% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Enya
How Can I Keep from Singing? - 2009 Rema...
107 bpm • D Maj • 04:25 • -16.94db
53% Popularity • 27% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
53% Popularity • 27% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Geoff Love & His Orchestra
Theme from 'Elvira Madigan'
92 bpm • C Maj • 03:28 • -17.17db
29% Popularity • 46% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
29% Popularity • 46% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Seán Ó Riada
Rogha Thraiceanna - Mise Éire: Múscail...
92 bpm • G Maj • 01:52 • -14.1db
17% Popularity • 15% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
17% Popularity • 15% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Brier
The Fields Of Athenry
107 bpm • E Maj • 04:15 • -17db
24% Popularity • 49% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 49% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Arlene Faith
East of River Shannon
107 bpm • G Maj • 04:15 • -18db
20% Popularity • 18% Danceability • 20% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
20% Popularity • 18% Danceability • 20% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
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Méav
Im a Doun
107 bpm • G Maj • 03:05 • -10db
17% Popularity • 35% Danceability • 42% Energy • 8% Liveness
45% Instrumentalness • 16% Positiveness
17% Popularity • 35% Danceability • 42% Energy • 8% Liveness
45% Instrumentalness • 16% Positiveness
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Phil Coulter
Carrickfergus
107 bpm • F Maj • 03:24 • -10.77db
13% Popularity • 52% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 16% Positiveness
13% Popularity • 52% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 16% Positiveness
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Dolores Keane
The Island
92 bpm • A Maj • 04:56 • -14.9db
30% Popularity • 64% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 64% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Joanie Madden
Come By the Hills
91 bpm • G Maj • 02:22 • -15.32db
29% Popularity • 16% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
29% Popularity • 16% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Frank Mills
The Peter Piper Theme
107 bpm • C Maj • 02:42 • -26.15db
30% Popularity • 46% Danceability • 14% Energy • 11% Liveness
69% Instrumentalness • 81% Positiveness
30% Popularity • 46% Danceability • 14% Energy • 11% Liveness
69% Instrumentalness • 81% Positiveness
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Military Wives
Right Here Waiting
91 bpm • D# Maj • 04:08 • -13.61db
31% Popularity • 33% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 10% Positiveness
31% Popularity • 33% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 10% Positiveness
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Miriam Stockley
Alla Notte - Adagio
91 bpm • C min • 05:28 • -11db
33% Popularity • 15% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
33% Popularity • 15% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
