Songs like Harvest for the World - Remastered by Paul Carrack
Based on a tempo of (+/- 10%) and a similar genre
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Paul Carrack
Harvest for the World - 2014 Remaster
132 bpm • F# min • 03:10 • -9db
42% Popularity • 62% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 62% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Manhattan Jazz Quartett
Isn't She Lovely
132 bpm • C Maj • 05:10 • -8db
42% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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The Isley Brothers
Harvest for the World, Pt. 1 - Single Ve...
132 bpm • G Maj • 03:31 • -9.81db
42% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Emilie Schiøtt
King or Clown
131 bpm • A# Maj • 03:03 • -5.97db
49% Popularity • 68% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 68% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Commodores
Easy
133 bpm • A# min • 04:16 • -15.08db
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Tanita Tikaram
Cathedral Song
131 bpm • A Maj • 02:53 • -16.63db
50% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ida Sand
Here Comes the Rain Again
131 bpm • C Maj • 04:03 • -11.92db
48% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Renee Olstead
Breaking up Is Hard to Do
131 bpm • F Maj • 04:11 • -10.83db
47% Popularity • 45% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 45% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Ray Charles
Fever
134 bpm • B min • 03:30 • -10.21db
56% Popularity • 67% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 67% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Gabin
The Alchemist
134 bpm • C Maj • 04:14 • -8db
40% Popularity • 69% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 69% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Peter Cincotti
Up On The Roof
130 bpm • G Maj • 02:53 • -10.4db
37% Popularity • 57% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 57% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Beth Hart
Let's Get Together
130 bpm • F# Maj • 03:39 • -3db
33% Popularity • 89% Danceability • 86% Energy • 10% Liveness
4% Instrumentalness • 95% Positiveness
33% Popularity • 89% Danceability • 86% Energy • 10% Liveness
4% Instrumentalness • 95% Positiveness
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Paul Carrack
Dedicated - 2014 Remaster
130 bpm • B Maj • 03:43 • -9.47db
29% Popularity • 53% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 53% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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David Benoit
After The Love Has Gone
130 bpm • F# Maj • 04:18 • -9db
46% Popularity • 65% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 65% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Level 42
It's Over - Acoustic
130 bpm • B min • 04:29 • -6.69db
21% Popularity • 63% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 63% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Jeff Cascaro
I Love You Baby
130 bpm • C# Maj • 04:19 • -12.96db
29% Popularity • 75% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 75% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Mike + The Mechanics
Don't Know What Came Over Me
130 bpm • G# Maj • 04:20 • -6.02db
39% Popularity • 61% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 61% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Alison Moyet
Love Letters
130 bpm • A# Maj • 02:50 • -11.06db
44% Popularity • 53% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 53% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Shelby Lynne
You Don't Have To Say You Love Me
130 bpm • A Maj • 04:11 • -16db
45% Popularity • 67% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 67% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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David Pack
When Your Love Was Almost Mine
130 bpm • D Maj • 03:24 • -9.23db
19% Popularity • 44% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 44% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Level 42
It's Over - Unplugged
130 bpm • B min • 04:30 • -7.63db
25% Popularity • 42% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 42% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Sade
Your Love Is King
135 bpm • A Maj • 03:39 • -6.8db
70% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
70% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Curtis Stigers
I Wonder Why
135 bpm • C Maj • 04:27 • -8.97db
44% Popularity • 55% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 55% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 29% Positiveness
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Lisa Stansfield
Someday (I'm Coming Back)
129 bpm • E min • 04:56 • -8.63db
37% Popularity • 76% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
37% Popularity • 76% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Bill Medley
Your Precious Love
136 bpm • G Maj • 04:22 • -8.67db
17% Popularity • 38% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 38% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jeff Golub
Crazy Love
128 bpm • F Maj • 04:26 • -9.05db
31% Popularity • 72% Danceability • 35% Energy • 9% Liveness
30% Instrumentalness • 25% Positiveness
31% Popularity • 72% Danceability • 35% Energy • 9% Liveness
30% Instrumentalness • 25% Positiveness
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Carmen Cuesta-Loeb
While My Guitar Gently Weeps
128 bpm • B min • 04:33 • -9db
30% Popularity • 76% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
30% Popularity • 76% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
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Gregory Porter
Consequence Of Love
127 bpm • A min • 03:20 • -10db
48% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Gino Vannelli
Road To Redemption
136 bpm • C Maj • 03:34 • -8.64db
17% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Level 42
It's Over
127 bpm • A# min • 06:00 • -12db
50% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Mike Francis
Stay With Me
138 bpm • A Maj • 05:12 • -10.27db
20% Popularity • 48% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
20% Popularity • 48% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Viktor Lazlo
Sweet, Soft 'n Lazy
126 bpm • G Maj • 05:15 • -10.14db
28% Popularity • 73% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 73% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Gilbert O'Sullivan
I Guess I'll Always Love You - Remix
126 bpm • C Maj • 03:37 • -7.49db
31% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Paul Carrack
Happy to See You Again - 2014 Remaster
126 bpm • G Maj • 04:30 • -9.04db
10% Popularity • 65% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 65% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Diane Schuur
Louisiana Sunday Afternoon
126 bpm • A min • 04:53 • -13.88db
34% Popularity • 68% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 68% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Tom Gaebel
Don't You Worry Baby
126 bpm • C Maj • 03:21 • -5.05db
27% Popularity • 65% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 65% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Carly Simon
Coming Around Again
139 bpm • F Maj • 03:38 • -14.49db
64% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
64% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Gino Vannelli
I Just Wanna Stop
139 bpm • A Maj • 03:38 • -13.45db
61% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Double
Rangoon Moon
125 bpm • C Maj • 04:02 • -10.37db
31% Popularity • 88% Danceability • 56% Energy • 8% Liveness
33% Instrumentalness • 85% Positiveness
31% Popularity • 88% Danceability • 56% Energy • 8% Liveness
33% Instrumentalness • 85% Positiveness
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Paul Carrack
Baby I Need Your Lovin' - 2014 Remaster
125 bpm • C min • 02:51 • -10.01db
29% Popularity • 70% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 70% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Kandace Springs
Talk To Me
125 bpm • D Maj • 03:50 • -9.59db
32% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Frankie Miller
It Gets Me Blue
139 bpm • D Maj • 03:13 • -7db
26% Popularity • 46% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 46% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Santana
Hold On
125 bpm • G min • 04:21 • -15.98db
53% Popularity • 67% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
53% Popularity • 67% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Phil Carmen
Gone in the Rain
140 bpm • C Maj • 03:50 • -11.31db
32% Popularity • 62% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 62% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Harrison Craig
My Eyes Adored You
140 bpm • C Maj • 03:53 • -6.81db
33% Popularity • 51% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 51% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Shelby Lynne
I Don't Want To Hear It Anymore
140 bpm • C# Maj • 04:36 • -15db
35% Popularity • 73% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 73% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Lauren Wood
Please Don't Leave
124 bpm • D Maj • 03:58 • -13.51db
19% Popularity • 78% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 78% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Carrack
With You in Mind - 2014 Remaster
124 bpm • G Maj • 03:31 • -12.17db
18% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Beautiful South
Livin' Thing - New Version
124 bpm • C Maj • 03:13 • -5.53db
41% Popularity • 72% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 72% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Phil Carmen
No Sweat
140 bpm • F Maj • 04:26 • -10.77db
36% Popularity • 67% Danceability • 67% Energy • 9% Liveness
8% Instrumentalness • 97% Positiveness
36% Popularity • 67% Danceability • 67% Energy • 9% Liveness
8% Instrumentalness • 97% Positiveness
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Lee Ritenour
Papa Was A Rolling Stone
123 bpm • G# Maj • 06:53 • -8.51db
31% Popularity • 77% Danceability • 64% Energy • 68% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 77% Danceability • 64% Energy • 68% Liveness
0% Instrumentalness • 77% Positiveness
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Ace
How Long
123 bpm • C min • 03:24 • -13.95db
64% Popularity • 72% Danceability • 41% Energy • 9% Liveness
10% Instrumentalness • 70% Positiveness
64% Popularity • 72% Danceability • 41% Energy • 9% Liveness
10% Instrumentalness • 70% Positiveness
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Molly Johnson
Messin' Around
123 bpm • F Maj • 03:35 • -8.73db
33% Popularity • 76% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 76% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Paul Carrack
Eyes of Blue - 2014 Remaster
141 bpm • A# Maj • 04:22 • -13.11db
18% Popularity • 42% Danceability • 12% Energy • 74% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 42% Danceability • 12% Energy • 74% Liveness
0% Instrumentalness • 26% Positiveness
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Paul Anka
I Really Miss You
142 bpm • A Maj • 04:43 • -11.12db
23% Popularity • 51% Danceability • 30% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 51% Danceability • 30% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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Phil Carmen
You Said It
124 bpm • E Maj • 04:21 • -16.03db
14% Popularity • 67% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 67% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Jimmy Helms
Gonna Make You An Offer You Can't Refuse...
142 bpm • F Maj • 03:40 • -10db
39% Popularity • 39% Danceability • 50% Energy • 39% Liveness
6% Instrumentalness • 37% Positiveness
39% Popularity • 39% Danceability • 50% Energy • 39% Liveness
6% Instrumentalness • 37% Positiveness
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Lisa Stansfield
All Woman - Remastered
142 bpm • G min • 05:15 • -9.96db
42% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Mario Biondi
Something That Was Beautiful
142 bpm • A# Maj • 03:58 • -10.32db
36% Popularity • 58% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 58% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Paul Carrack
Stepping Stone - Remix
123 bpm • F# min • 03:22 • -6.82db
22% Popularity • 59% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 59% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Janis Ian
At Seventeen
123 bpm • C Maj • 04:08 • -11.31db
36% Popularity • 69% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 69% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Gino Vannelli
Wheels Of Life
123 bpm • G# Maj • 04:14 • -15.03db
36% Popularity • 54% Danceability • 47% Energy • 4% Liveness
1% Instrumentalness • 56% Positiveness
36% Popularity • 54% Danceability • 47% Energy • 4% Liveness
1% Instrumentalness • 56% Positiveness
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Shelby Lynne
Breakfast In Bed
142 bpm • G Maj • 03:21 • -13db
43% Popularity • 70% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
43% Popularity • 70% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
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Michael Blicher
The First One to Know
123 bpm • G Maj • 04:04 • -12.35db
11% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Richard Page
The Truth Is Beautiful
122 bpm • D# min • 03:53 • -12db
31% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Johnny Nash
I Can See Clearly Now - Studio Rio Versi...
122 bpm • D Maj • 03:11 • -5.96db
36% Popularity • 78% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 78% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Andy Gibb
(Our Love) Don't Throw It All Away
143 bpm • F Maj • 04:10 • -13.19db
58% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
58% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
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Gino Vannelli
Hurts to Be In Love
143 bpm • D min • 04:50 • -6.87db
46% Popularity • 41% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 41% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Rob De Nijs
Bont En Blauw
144 bpm • G Maj • 04:27 • -11.36db
6% Popularity • 32% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
6% Popularity • 32% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Johnny Hates Jazz
Shattered Dreams - Remastered 2008
121 bpm • A# Maj • 03:27 • -9.42db
65% Popularity • 66% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
65% Popularity • 66% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Paul Carrack
No Easy Way Out - 2014 Remaster
121 bpm • C min • 05:14 • -9.65db
17% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Huey Lewis & The News
Stuck With You
121 bpm • E min • 04:29 • -11.4db
64% Popularity • 70% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 70% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Denise King
Stuck on You
121 bpm • F Maj • 03:08 • -11.58db
37% Popularity • 73% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 73% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Gino Vannelli
I Just Wanna Stop
122 bpm • D Maj • 04:51 • -5.56db
38% Popularity • 54% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 54% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Kurt Maloo
Loopy Ave.
120 bpm • D min • 03:11 • -12.25db
32% Popularity • 70% Danceability • 56% Energy • 13% Liveness
3% Instrumentalness • 54% Positiveness
32% Popularity • 70% Danceability • 56% Energy • 13% Liveness
3% Instrumentalness • 54% Positiveness
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Dawn Patrol
Bring on the Good Times
120 bpm • A# min • 04:07 • -11.24db
19% Popularity • 69% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 69% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Paul Carrack
Sleep on It
120 bpm • A min • 04:00 • -8.9db
35% Popularity • 78% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 78% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Donald Fagen
I.G.Y.
119 bpm • G# min • 06:03 • -9.37db
56% Popularity • 83% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 83% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Andy Gibb
Will You Love Me Tomorrow
119 bpm • C# min • 04:40 • -7db
36% Popularity • 72% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 72% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Gino Vannelli
Felicia
121 bpm • C min • 03:03 • -16.52db
37% Popularity • 68% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
37% Popularity • 68% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Paul Brown
Moondance
119 bpm • D min • 03:22 • -11.01db
43% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Young Gun Silver Fox
You Can Feel It
119 bpm • G Maj • 03:19 • -7.09db
37% Popularity • 71% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 71% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Paul Carrack
Precious Time
120 bpm • E Maj • 04:27 • -10.39db
24% Popularity • 79% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 79% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Swing Out Sister
You On My Mind
146 bpm • D Maj • 03:32 • -10.63db
44% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Mike + The Mechanics
One Left Standing - Version A
119 bpm • E Maj • 05:10 • -5.58db
10% Popularity • 68% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 68% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Gino Vannelli
People Gotta Move
120 bpm • G Maj • 03:53 • -4.43db
31% Popularity • 62% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 62% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Mark Knopfler
True Love Will Never Fade
118 bpm • C Maj • 04:21 • -11.37db
55% Popularity • 74% Danceability • 40% Energy • 10% Liveness
4% Instrumentalness • 62% Positiveness
55% Popularity • 74% Danceability • 40% Energy • 10% Liveness
4% Instrumentalness • 62% Positiveness
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Michael Franks
The Dream
118 bpm • G# Maj • 05:15 • -12.04db
18% Popularity • 85% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 85% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Paul Carrack
That's How I Feel
120 bpm • D Maj • 03:53 • -12.69db
26% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Jeff Cascaro
Never Can Say Goodbye
118 bpm • G# Maj • 05:03 • -12.31db
33% Popularity • 89% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 89% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Bryan Ferry
Slave To Love
148 bpm • D Maj • 04:26 • -5.9db
69% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
69% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Gino Vannelli
Living Inside Myself
120 bpm • B Maj • 04:23 • -13.2db
47% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Emilie Schiøtt
It May Be You
118 bpm • G# Maj • 03:41 • -13db
57% Popularity • 78% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
57% Popularity • 78% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Marc Jordan
Let's Waste Some Time
118 bpm • F Maj • 04:38 • -11.47db
28% Popularity • 72% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 72% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Carrack
How Long - 2014 Remaster
118 bpm • C min • 03:50 • -9.84db
49% Popularity • 68% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 68% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Robert Palmer
Know by Now
118 bpm • B min • 04:10 • -7.35db
41% Popularity • 74% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 74% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Bonnie Raitt
Nick Of Time
118 bpm • A min • 03:52 • -16.09db
52% Popularity • 89% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 89% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Gino Vannelli
People Gotta Move
117 bpm • G Maj • 03:21 • -13.6db
40% Popularity • 74% Danceability • 62% Energy • 6% Liveness
2% Instrumentalness • 72% Positiveness
40% Popularity • 74% Danceability • 62% Energy • 6% Liveness
2% Instrumentalness • 72% Positiveness