Songs like Hasse: La clemenza di Tito: "Se mai senti" (Sextus) by Johann Adolf Hasse
Based on a tempo of (+/- 10%) and a similar genre
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André Campra
Campra: Messe de Requiem: II. Kyrie elei...
86 bpm • D# min • 03:57 • -19.88db
7% Popularity • 14% Danceability • 14% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
7% Popularity • 14% Danceability • 14% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Le Carnaval du Parnasse, Prologue Scene ...
86 bpm • G min • 04:07 • -15.94db
11% Popularity • 26% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 26% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Henry Purcell
Oedipus, Z.583: Music for a While
86 bpm • B min • 03:41 • -27.74db
4% Popularity • 23% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
4% Popularity • 23% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Johann Adolf Hasse
Siroe, Re di Persia - Dresden Version, 1...
86 bpm • B Maj • 02:34 • -16.87db
0% Popularity • 46% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 46% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act II, Scene...
86 bpm • F# Maj • 06:21 • -24db
15% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
86 bpm • A Maj • 01:19 • -15.06db
27% Popularity • 38% Danceability • 31% Energy • 13% Liveness
58% Instrumentalness • 80% Positiveness
27% Popularity • 38% Danceability • 31% Energy • 13% Liveness
58% Instrumentalness • 80% Positiveness
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Charles Avison
Concerto Grosso No. 3 in D Minor (after ...
87 bpm • C# min • 03:06 • -21db
18% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Alessandro Scarlatti
Scarlatti, A / Orch Courbier & Delaforge...
85 bpm • E min • 03:04 • -16db
7% Popularity • 35% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
7% Popularity • 35% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Agnus Dei (Alt...
87 bpm • B min • 05:25 • -27.9db
24% Popularity • 11% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 5% Positiveness
24% Popularity • 11% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 5% Positiveness
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Johann Adolf Hasse
Siroe, Re di Persia - Dresden Version, 1...
86 bpm • B Maj • 01:49 • -14.84db
0% Popularity • 58% Danceability • 26% Energy • 73% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 58% Danceability • 26% Energy • 73% Liveness
0% Instrumentalness • 29% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629, Act III: If Lov...
87 bpm • G min • 02:08 • -16db
17% Popularity • 44% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 44% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Francesco Geminiani
Trio Sonata in D minor, Op. 1 no.2: 1st ...
87 bpm • C# min • 01:50 • -19.5db
12% Popularity • 26% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 26% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Christoph Willibald Gluck
Gluck: Il re pastore, Act 3: "Sol può d...
85 bpm • G# min • 06:46 • -15.4db
15% Popularity • 27% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 27% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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Baldassare Galuppi
Concerto primo in G Major: III. Allegro ...
88 bpm • G Maj • 01:11 • -17.09db
16% Popularity • 38% Danceability • 9% Energy • 13% Liveness
84% Instrumentalness • 66% Positiveness
16% Popularity • 38% Danceability • 9% Energy • 13% Liveness
84% Instrumentalness • 66% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville: In exitu Israel: I. (b) Ch�...
88 bpm • F min • 01:14 • -21.05db
20% Popularity • 32% Danceability • 10% Energy • 19% Liveness
41% Instrumentalness • 25% Positiveness
20% Popularity • 32% Danceability • 10% Energy • 19% Liveness
41% Instrumentalness • 25% Positiveness
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Johann Adolf Hasse
L'Olimpiade: Consola il genitore
87 bpm • C Maj • 03:51 • -24.12db
9% Popularity • 30% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 22% Positiveness
9% Popularity • 30% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 22% Positiveness
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Henry Purcell
Oedipus: Music For A While, Z583
85 bpm • E min • 04:13 • -18db
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
84 bpm • B min • 06:28 • -22.04db
13% Popularity • 28% Danceability • 8% Energy • 32% Liveness
2% Instrumentalness • 10% Positiveness
13% Popularity • 28% Danceability • 8% Energy • 32% Liveness
2% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Ich habe genug, BWV 82: I. Ich habe genu...
88 bpm • D# min • 06:59 • -11.56db
8% Popularity • 18% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 18% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Josef Mysliveček
Myslieček: Demetrio: "Nacqui agli affan...
88 bpm • C min • 07:09 • -19.99db
10% Popularity • 27% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 27% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville: In exitu Israel: I. (a) Int...
88 bpm • F min • 01:09 • -22.23db
13% Popularity • 55% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 72% Positiveness
13% Popularity • 55% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 72% Positiveness
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Johann Adolf Hasse
Miserere in C Minor: III. Ecce enim
88 bpm • D Maj • 05:16 • -20.71db
3% Popularity • 23% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
3% Popularity • 23% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Henry Purcell
An Evening Hymn, Z 193
84 bpm • C# Maj • 04:33 • -20db
8% Popularity • 22% Danceability • 9% Energy • 15% Liveness
33% Instrumentalness • 18% Positiveness
8% Popularity • 22% Danceability • 9% Energy • 15% Liveness
33% Instrumentalness • 18% Positiveness
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Jan Dismas Zelenka
Litaniae Omnium Sanctorum, ZWV 153: Prop...
89 bpm • B min • 01:58 • -25.76db
20% Popularity • 16% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Jean-Marie Leclair
Violin Concerto in C Major, Op. 7 No. 3:...
83 bpm • B Maj • 06:26 • -18db
14% Popularity • 38% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 64% Positiveness
14% Popularity • 38% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 64% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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Barbara Strozzi
"Lagrime mie" (Lamento), Op. 7
83 bpm • D# min • 08:43 • -24db
8% Popularity • 30% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 30% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Adolf Hasse
Symphonie à quatre No. 6 en sol mineur,...
87 bpm • D Maj • 02:14 • -29.29db
2% Popularity • 26% Danceability • 2% Energy • 14% Liveness
9% Instrumentalness • 17% Positiveness
2% Popularity • 26% Danceability • 2% Energy • 14% Liveness
9% Instrumentalness • 17% Positiveness
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Nicola Porpora
Porpora: Meride e Selinunte, Act II: "To...
83 bpm • D# min • 07:49 • -18db
15% Popularity • 34% Danceability • 16% Energy • 25% Liveness
1% Instrumentalness • 25% Positiveness
15% Popularity • 34% Danceability • 16% Energy • 25% Liveness
1% Instrumentalness • 25% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 1:...
89 bpm • B min • 02:46 • -17db
13% Popularity • 21% Danceability • 16% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 16% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Klag Lied in D Minor, BuxWV 76: II. Cont...
83 bpm • E min • 05:16 • -19.92db
8% Popularity • 13% Danceability • 6% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 6% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: Jauchzet Gott in allen Landen,...
89 bpm • B Maj • 04:29 • -15db
14% Popularity • 39% Danceability • 36% Energy • 39% Liveness
5% Instrumentalness • 73% Positiveness
14% Popularity • 39% Danceability • 36% Energy • 39% Liveness
5% Instrumentalness • 73% Positiveness
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Antonio Caldara
Stabat Mater: XI. Christe, cum sit hinc ...
83 bpm • D Maj • 01:36 • -21.7db
28% Popularity • 12% Danceability • 4% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 4% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
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Johann Adolf Hasse
Cello Sonata in C Major: I. Adagio
87 bpm • B Maj • 01:25 • -24.72db
0% Popularity • 12% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 12% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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André Campra
Messe de requiem: I. Requiem
82 bpm • D# Maj • 06:27 • -18db
13% Popularity • 12% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
13% Popularity • 12% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Agostino Steffani
Stabat Mater: Stabat Mater dolorosa
82 bpm • F# min • 01:56 • -26db
15% Popularity • 15% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Le Carnaval du Parnasse, Prologue Scene ...
82 bpm • G Maj • 00:49 • -15.49db
9% Popularity • 34% Danceability • 19% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 34% Danceability • 19% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
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Francesco Nicola Fago
Fago: Confitebor tibi Domine: V. "Initiu...
82 bpm • C# min • 01:18 • -22db
29% Popularity • 27% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 27% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: XII. Per singulos dies ...
90 bpm • A# Maj • 02:54 • -9.71db
14% Popularity • 26% Danceability • 52% Energy • 24% Liveness
4% Instrumentalness • 66% Positiveness
14% Popularity • 26% Danceability • 52% Energy • 24% Liveness
4% Instrumentalness • 66% Positiveness
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Johann Adolf Hasse
Pallido il volto (Cantata): I. Pallido i...
85 bpm • G# Maj • 02:00 • -19.44db
0% Popularity • 31% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 31% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Ludwig Wenzel Lachnith
Les Mystères d'Isis, Act I Scene 4: O g...
82 bpm • A Maj • 03:10 • -12.34db
7% Popularity • 25% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 25% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: Erbarme dich
90 bpm • F# Maj • 06:31 • -23.89db
6% Popularity • 16% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
6% Popularity • 16% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 18 Ari...
82 bpm • F# min • 06:25 • -18.04db
11% Popularity • 22% Danceability • 7% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
11% Popularity • 22% Danceability • 7% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
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Francesco Nicola Fago
Fago: Confitebor tibi Domine: I. "Confit...
90 bpm • F# Maj • 03:11 • -15.05db
21% Popularity • 38% Danceability • 18% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 38% Danceability • 18% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Francesco Maria Veracini
Ouverture No. 2 in F Major (c 1715): VI....
82 bpm • E Maj • 01:01 • -18.75db
23% Popularity • 50% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 26% Positiveness
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Johann Adolf Hasse
Artaserse, Act I: O comando! O partenza!...
85 bpm • G# Maj • 01:42 • -29.74db
0% Popularity • 52% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 52% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: II. Pleni sunt coeli et...
82 bpm • A# Maj • 03:08 • -9.97db
18% Popularity • 18% Danceability • 56% Energy • 14% Liveness
2% Instrumentalness • 52% Positiveness
18% Popularity • 18% Danceability • 56% Energy • 14% Liveness
2% Instrumentalness • 52% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 2:...
91 bpm • F# min • 01:04 • -22db
32% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": V. A...
91 bpm • F# min • 01:32 • -19db
29% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
29% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: II. ...
81 bpm • A min • 08:53 • -19.47db
7% Popularity • 17% Danceability • 18% Energy • 12% Liveness
25% Instrumentalness • 11% Positiveness
7% Popularity • 17% Danceability • 18% Energy • 12% Liveness
25% Instrumentalness • 11% Positiveness
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Jan Dismas Zelenka
Zelenka: Gesù al Calvario, ZWV 62: "S'u...
91 bpm • B min • 11:05 • -18.49db
18% Popularity • 21% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 12% Positiveness
18% Popularity • 21% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 12% Positiveness
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Johann Adolf Hasse
Confitebor tibi
85 bpm • C# min • 05:15 • -11.64db
2% Popularity • 38% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
2% Popularity • 38% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Trio Sonata No. 5 in D Major, Op. 2, Tri...
81 bpm • D# min • 03:14 • -18.65db
11% Popularity • 17% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 17% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Stamitz
Symphony in E-Flat Major, Op. 3 No. 4, W...
81 bpm • B min • 02:30 • -23.82db
20% Popularity • 25% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
20% Popularity • 25% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Michelangelo Falvetti
Nabucco: Prologo / Siamo a riva
80 bpm • C Maj • 02:16 • -30.21db
17% Popularity • 33% Danceability • 7% Energy • 7% Liveness
60% Instrumentalness • 21% Positiveness
17% Popularity • 33% Danceability • 7% Energy • 7% Liveness
60% Instrumentalness • 21% Positiveness
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Henry Purcell
The Fairy Queen / Act 2: One Charming Ni...
80 bpm • B min • 02:24 • -22db
26% Popularity • 29% Danceability • 7% Energy • 16% Liveness
40% Instrumentalness • 25% Positiveness
26% Popularity • 29% Danceability • 7% Energy • 16% Liveness
40% Instrumentalness • 25% Positiveness
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Alessandro Scarlatti
Scarlatti, A / Orch Orfeo 55: L'honestà...
92 bpm • C# Maj • 01:54 • -12db
10% Popularity • 46% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 46% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Johann Adolf Hasse
Concerto in F Major: IV. Allegretto ma p...
85 bpm • E Maj • 03:47 • -25.57db
1% Popularity • 33% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 47% Positiveness
1% Popularity • 33% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 47% Positiveness
► Preview
Jean-Baptiste Lully
Te deum, LWV 55: Te deum laudamus
92 bpm • A# Maj • 03:57 • -12.92db
10% Popularity • 21% Danceability • 40% Energy • 18% Liveness
92% Instrumentalness • 37% Positiveness
10% Popularity • 21% Danceability • 40% Energy • 18% Liveness
92% Instrumentalness • 37% Positiveness
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Michel Richard Delalande
Recueil d’airs détachés et d’airs ...
92 bpm • F# min • 01:35 • -16.64db
10% Popularity • 55% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 85% Positiveness
10% Popularity • 55% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 85% Positiveness
► Preview
François Couperin
Deuxième Livre de pièces de clavecin, ...
80 bpm • G# Maj • 02:38 • -26.98db
13% Popularity • 12% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 52% Positiveness
13% Popularity • 12% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 52% Positiveness
► Preview
Jean-Joseph Cassanéa De Mondonville
Mondonville : In exitu Israel : V
92 bpm • D# Maj • 01:02 • -19.45db
11% Popularity • 32% Danceability • 14% Energy • 16% Liveness
2% Instrumentalness • 21% Positiveness
11% Popularity • 32% Danceability • 14% Energy • 16% Liveness
2% Instrumentalness • 21% Positiveness
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Francesco Cavalli
Delizie contente
92 bpm • F min • 03:02 • -24db
19% Popularity • 36% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
19% Popularity • 36% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
► Preview
Johann Adolf Hasse
Salve Regina A-dur(in a-major): 2. Adagi...
85 bpm • D# Maj • 04:10 • -21.02db
1% Popularity • 26% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 26% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Francesco Nicola Fago
Fago: Il Faraone sommerso: "Alla gente a...
92 bpm • E Maj • 04:45 • -21db
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Marc-Antoine Charpentier
Médée, H. 491, Prologue: Canaries
93 bpm • G min • 01:06 • -21.09db
16% Popularity • 33% Danceability • 7% Energy • 58% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 33% Danceability • 7% Energy • 58% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Antonio Caldara
Maddalena ai piedi di Cristo: No. 6 Aria...
80 bpm • E Maj • 02:53 • -19db
10% Popularity • 40% Danceability • 17% Energy • 31% Liveness
2% Instrumentalness • 45% Positiveness
10% Popularity • 40% Danceability • 17% Energy • 31% Liveness
2% Instrumentalness • 45% Positiveness
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Leonardo Leo
Beatus vir qui timet in F Major: VI. Glo...
93 bpm • E Maj • 01:05 • -26.92db
21% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Jean-Marie Leclair
Scylla et Glaucus, Op. 11: Prologue. Pou...
93 bpm • C# Maj • 01:00 • -16.71db
12% Popularity • 40% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 40% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Johann Adolf Hasse
Motette "Chori angelici laetantes": 1. A...
85 bpm • B Maj • 06:20 • -18.23db
0% Popularity • 40% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 40% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Jean-Philippe Rameau
Rameau: Castor et Pollux: "Tristes appr�...
93 bpm • D Maj • 05:05 • -24db
15% Popularity • 17% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Jan Dismas Zelenka
Missa Paschalis, ZWV7: Agnus Dei
79 bpm • C# Maj • 02:14 • -23.68db
8% Popularity • 8% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 3% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
93 bpm • D min • 04:48 • -26.26db
10% Popularity • 20% Danceability • 7% Energy • 11% Liveness
24% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 7% Energy • 11% Liveness
24% Instrumentalness • 5% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: I. Te Deum
79 bpm • A# Maj • 05:39 • -9.92db
20% Popularity • 23% Danceability • 51% Energy • 24% Liveness
24% Instrumentalness • 46% Positiveness
20% Popularity • 23% Danceability • 51% Energy • 24% Liveness
24% Instrumentalness • 46% Positiveness
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Joose Vähäsöyrinki
Aaria, Herrani, Oletko
93 bpm • C# min • 03:14 • -20.84db
8% Popularity • 22% Danceability • 12% Energy • 11% Liveness
56% Instrumentalness • 6% Positiveness
8% Popularity • 22% Danceability • 12% Energy • 11% Liveness
56% Instrumentalness • 6% Positiveness
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Johann Adolf Hasse
Artaserse, Act I: Coraggio o miei pensie...
88 bpm • C# Maj • 02:01 • -32.48db
0% Popularity • 52% Danceability • 12% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 52% Danceability • 12% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
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Jean-Philippe Rameau
Rameau: Les Indes Galantes: Chaconne
79 bpm • C# Maj • 05:34 • -17.26db
8% Popularity • 22% Danceability • 21% Energy • 24% Liveness
87% Instrumentalness • 26% Positiveness
8% Popularity • 22% Danceability • 21% Energy • 24% Liveness
87% Instrumentalness • 26% Positiveness
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Alessandro Scarlatti
Recorder Concerto No. 9 in A Minor: I. A...
93 bpm • G# min • 01:54 • -20.43db
13% Popularity • 44% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 44% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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John Rutter
弦楽のための組曲: 第4楽章: Da...
79 bpm • D Maj • 02:25 • -17.11db
10% Popularity • 33% Danceability • 31% Energy • 7% Liveness
89% Instrumentalness • 57% Positiveness
10% Popularity • 33% Danceability • 31% Energy • 7% Liveness
89% Instrumentalness • 57% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 3 in C Major, Wq. 1...
79 bpm • F# Maj • 04:49 • -17.56db
9% Popularity • 36% Danceability • 10% Energy • 17% Liveness
24% Instrumentalness • 20% Positiveness
9% Popularity • 36% Danceability • 10% Energy • 17% Liveness
24% Instrumentalness • 20% Positiveness
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Nicola Porpora
Il trionfo della divina Giustizia ne' to...
94 bpm • D# Maj • 04:15 • -19.8db
15% Popularity • 39% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 39% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Johann Adolf Hasse
Miserere mei, Deus (Chorus)
83 bpm • E min • 03:51 • -22.77db
1% Popularity • 11% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
1% Popularity • 11% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue Sc�...
94 bpm • F# Maj • 03:24 • -23.56db
15% Popularity • 32% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 32% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Henry Purcell
Dido & Aeneas: Dido & Aeneas: Act I, Ove...
94 bpm • B min • 02:36 • -29.35db
13% Popularity • 41% Danceability • 22% Energy • 34% Liveness
34% Instrumentalness • 18% Positiveness
13% Popularity • 41% Danceability • 22% Energy • 34% Liveness
34% Instrumentalness • 18% Positiveness
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Francesco Bartolomeo Conti
Missa Sancti Pauli: No. 18, Crucifixus
94 bpm • D Maj • 01:29 • -22.45db
20% Popularity • 16% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
31% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
31% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 2 Aria...
78 bpm • C# Maj • 02:00 • -23.45db
12% Popularity • 27% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 27% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Adolf Hasse
Tigrane (Excerpts): Strappami pure il se...
83 bpm • E Maj • 03:14 • -19.91db
0% Popularity • 52% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 52% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Leonardo Vinci
Oratorio a 4 voci: “Chi mi priega”
78 bpm • F# Maj • 08:14 • -22.47db
15% Popularity • 17% Danceability • 7% Energy • 13% Liveness
3% Instrumentalness • 14% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 13% Liveness
3% Instrumentalness • 14% Positiveness
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Alessandro Scarlatti
San Casimiro, re di Polonia: Al serto le...
95 bpm • A Maj • 02:58 • -25db
14% Popularity • 37% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 37% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: III. Ad...
78 bpm • A Maj • 01:12 • -16.83db
26% Popularity • 23% Danceability • 14% Energy • 40% Liveness
96% Instrumentalness • 22% Positiveness
26% Popularity • 23% Danceability • 14% Energy • 40% Liveness
96% Instrumentalness • 22% Positiveness
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Jean-Philippe Rameau
Suite Les Indes Galantes / Prologue: 3. ...
95 bpm • F min • 01:32 • -16.81db
20% Popularity • 58% Danceability • 19% Energy • 25% Liveness
90% Instrumentalness • 71% Positiveness
20% Popularity • 58% Danceability • 19% Energy • 25% Liveness
90% Instrumentalness • 71% Positiveness
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Giuseppe Torelli
Trumpet Concerto in D Major, G. 28: I. A...
95 bpm • G# Maj • 02:07 • -13db
37% Popularity • 55% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
37% Popularity • 55% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
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Johann Adolf Hasse
Miserere In E Minor: IV. Libera me
83 bpm • A Maj • 03:34 • -30.63db
2% Popularity • 23% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
2% Popularity • 23% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Charles Avison
Concerto Grosso No. 3 in D Minor (after ...
96 bpm • C# Maj • 01:40 • -21.22db
15% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Georg Pisendel
Sonata in C Minor, Jung III.2.B: I. Larg...
96 bpm • B min • 02:41 • -22db
19% Popularity • 14% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
19% Popularity • 14% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Élisabeth Jacquet de La Guerre
Céphale et Procris, Act III Scene 3: Pa...
78 bpm • C Maj • 02:44 • -16.53db
18% Popularity • 24% Danceability • 25% Energy • 38% Liveness
1% Instrumentalness • 46% Positiveness
18% Popularity • 24% Danceability • 25% Energy • 38% Liveness
1% Instrumentalness • 46% Positiveness
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Agostino Steffani
Stabat Mater: Quis est homo qui non fler...
77 bpm • G min • 02:48 • -21db
14% Popularity • 17% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 6% Positiveness
14% Popularity • 17% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 6% Positiveness
