Songs like Hasten the Day by Halle Aish
Based on a tempo of (+/- 10%) and a similar genre
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Connie Constance
In The Beginning
89 bpm • G Maj • 01:36 • -13.88db
8% Popularity • 32% Danceability • 47% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 32% Danceability • 47% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
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Laura Misch
Widening Circles
89 bpm • C Maj • 04:30 • -15.58db
25% Popularity • 57% Danceability • 6% Energy • 18% Liveness
1% Instrumentalness • 13% Positiveness
25% Popularity • 57% Danceability • 6% Energy • 18% Liveness
1% Instrumentalness • 13% Positiveness
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Egil Olsen
nothing like the love i have for you
89 bpm • D Maj • 01:47 • -19.8db
7% Popularity • 52% Danceability • 8% Energy • 11% Liveness
27% Instrumentalness • 33% Positiveness
7% Popularity • 52% Danceability • 8% Energy • 11% Liveness
27% Instrumentalness • 33% Positiveness
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Alice Boyd
Oh These Days
90 bpm • C min • 04:05 • -16.64db
12% Popularity • 33% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 33% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Chris Garneau
Millions - Alternate Version
88 bpm • C Maj • 04:12 • -12.81db
9% Popularity • 38% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 38% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Mashrou' Leila
Ashabi - Demo Interlude
88 bpm • G# min • 00:55 • -13.04db
14% Popularity • 39% Danceability • 11% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
14% Popularity • 39% Danceability • 11% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Marya Stark
Only Human
88 bpm • A# min • 03:50 • -9.13db
9% Popularity • 43% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 43% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Halle Aish
Hasten the Day
90 bpm • G Maj • 02:41 • -12.46db
0% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Ksenia Parkhatskaya
Behind My Eyes
90 bpm • G# Maj • 03:19 • -15.69db
15% Popularity • 41% Danceability • 23% Energy • 10% Liveness
6% Instrumentalness • 16% Positiveness
15% Popularity • 41% Danceability • 23% Energy • 10% Liveness
6% Instrumentalness • 16% Positiveness
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Janelle Monáe
57821
90 bpm • C# Maj • 03:16 • -17.89db
29% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Katell
Dépose Les Armes
88 bpm • C Maj • 02:55 • -17.29db
14% Popularity • 48% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
14% Popularity • 48% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
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Ely Guerra
Into the Desert
88 bpm • A# min • 04:00 • -18.46db
11% Popularity • 21% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Ramona Lisa
Walking In The Cemetery
91 bpm • C min • 05:14 • -8.79db
12% Popularity • 38% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 38% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Karsu
Agree to Disagree
87 bpm • A min • 01:57 • -14.27db
33% Popularity • 42% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 42% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Sylvan Esso
What If
87 bpm • C Maj • 01:25 • -13.37db
38% Popularity • 67% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 67% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Corcovado Frequency
Anti-Hero
87 bpm • G# Maj • 03:18 • -12.07db
46% Popularity • 80% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
46% Popularity • 80% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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EllaHarp
Fall Apart
87 bpm • C min • 03:07 • -12.53db
18% Popularity • 76% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 76% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Lor
Patty Boo
91 bpm • D# Maj • 06:10 • -17.41db
18% Popularity • 21% Danceability • 19% Energy • 36% Liveness
79% Instrumentalness • 10% Positiveness
18% Popularity • 21% Danceability • 19% Energy • 36% Liveness
79% Instrumentalness • 10% Positiveness
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Martina Topley-Bird
Ilyah
87 bpm • C min • 03:05 • -12.8db
10% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Bettina Maureenji
Song of Life
92 bpm • C min • 03:11 • -16.62db
32% Popularity • 28% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
32% Popularity • 28% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Rufous Nightjar
Dog Among The Fairies
86 bpm • D Maj • 04:40 • -13.86db
9% Popularity • 37% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 37% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Harp Twins
If I Had a Heart
92 bpm • E min • 03:10 • -12.19db
9% Popularity • 63% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
9% Popularity • 63% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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Emanuela
Five More Minutes
92 bpm • F# min • 03:08 • -19.07db
19% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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ZOLA
Olive Baby
92 bpm • G Maj • 03:27 • -13.24db
5% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
5% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Fewjar
Chalkbird
86 bpm • E min • 03:32 • -12.32db
7% Popularity • 25% Danceability • 28% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
7% Popularity • 25% Danceability • 28% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
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Björk
Pleasure Is All Mine - Live
92 bpm • F min • 03:20 • -14.54db
12% Popularity • 42% Danceability • 18% Energy • 15% Liveness
31% Instrumentalness • 4% Positiveness
12% Popularity • 42% Danceability • 18% Energy • 15% Liveness
31% Instrumentalness • 4% Positiveness
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cabane
By the Sea, Pt.3
92 bpm • F Maj • 01:33 • -16.18db
13% Popularity • 56% Danceability • 25% Energy • 16% Liveness
41% Instrumentalness • 20% Positiveness
13% Popularity • 56% Danceability • 25% Energy • 16% Liveness
41% Instrumentalness • 20% Positiveness
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STORRY
A STORRY
92 bpm • C# Maj • 01:03 • -12.9db
9% Popularity • 40% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 40% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Jeannette Pires
Mama, Mom
92 bpm • F min • 01:30 • -11.25db
18% Popularity • 58% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 58% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Stereolab
Baby Lulu
92 bpm • D# Maj • 05:13 • -12.55db
28% Popularity • 46% Danceability • 56% Energy • 10% Liveness
11% Instrumentalness • 46% Positiveness
28% Popularity • 46% Danceability • 56% Energy • 10% Liveness
11% Instrumentalness • 46% Positiveness
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Luzmila Carpio
Amaotayku Avelino Sinani - Chancha Via C...
93 bpm • D Maj • 02:44 • -10.12db
9% Popularity • 52% Danceability • 30% Energy • 49% Liveness
1% Instrumentalness • 29% Positiveness
9% Popularity • 52% Danceability • 30% Energy • 49% Liveness
1% Instrumentalness • 29% Positiveness
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Lucy Rose
Conversation
92 bpm • D min • 03:49 • -16db
27% Popularity • 24% Danceability • 14% Energy • 17% Liveness
1% Instrumentalness • 6% Positiveness
27% Popularity • 24% Danceability • 14% Energy • 17% Liveness
1% Instrumentalness • 6% Positiveness
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Raine
Incognito
86 bpm • A Maj • 03:26 • -11.79db
7% Popularity • 43% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 43% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Marina Herlop
Bus II
93 bpm • A min • 04:43 • -17.13db
9% Popularity • 26% Danceability • 23% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
9% Popularity • 26% Danceability • 23% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
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Jockstrap
Angst
85 bpm • C min • 03:01 • -14.11db
31% Popularity • 47% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 47% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Ruba Shamshoum
Sununu
85 bpm • D Maj • 03:09 • -9.22db
14% Popularity • 38% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 38% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Johanne Vik
Les Oiseaux
93 bpm • E min • 04:30 • -14.07db
14% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Quyech
Ky Ten
85 bpm • E min • 06:31 • -10.4db
11% Popularity • 33% Danceability • 32% Energy • 19% Liveness
1% Instrumentalness • 10% Positiveness
11% Popularity • 33% Danceability • 32% Energy • 19% Liveness
1% Instrumentalness • 10% Positiveness
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Martha Da'ro
Epilogue - Find Your Way
93 bpm • A min • 02:48 • -14.75db
18% Popularity • 31% Danceability • 18% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
18% Popularity • 31% Danceability • 18% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
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Gidea
Haunted Lullaby
85 bpm • G Maj • 05:39 • -15.03db
29% Popularity • 9% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
29% Popularity • 9% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Shirazi
gardenn.wavv
85 bpm • B min • 03:34 • -11.66db
11% Popularity • 61% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 61% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Lyndsey Scott
Love, Don't Worry
85 bpm • G# Maj • 03:52 • -16.13db
15% Popularity • 27% Danceability • 12% Energy • 15% Liveness
5% Instrumentalness • 4% Positiveness
15% Popularity • 27% Danceability • 12% Energy • 15% Liveness
5% Instrumentalness • 4% Positiveness
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Ellen Winter
Bedside
94 bpm • A# Maj • 03:51 • -15.69db
14% Popularity • 64% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 64% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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B-ahwe
Be True
94 bpm • A Maj • 04:25 • -15.81db
9% Popularity • 22% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 22% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Ngaiire
I Can’t Hear God Anymore
94 bpm • C Maj • 04:24 • -16.11db
11% Popularity • 60% Danceability • 21% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
11% Popularity • 60% Danceability • 21% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
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Christian Camarao
Liquidator's Lament (Appalachian Horror)
84 bpm • D# Maj • 03:54 • -10.6db
16% Popularity • 30% Danceability • 30% Energy • 10% Liveness
10% Instrumentalness • 28% Positiveness
16% Popularity • 30% Danceability • 30% Energy • 10% Liveness
10% Instrumentalness • 28% Positiveness
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Water From Your Eyes
Look Again
94 bpm • D Maj • 01:22 • -19.77db
8% Popularity • 54% Danceability • 7% Energy • 14% Liveness
13% Instrumentalness • 9% Positiveness
8% Popularity • 54% Danceability • 7% Energy • 14% Liveness
13% Instrumentalness • 9% Positiveness
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The Staves
Sprig of Thyme
94 bpm • G Maj • 02:26 • -14.63db
19% Popularity • 28% Danceability • 15% Energy • 23% Liveness
1% Instrumentalness • 38% Positiveness
19% Popularity • 28% Danceability • 15% Energy • 23% Liveness
1% Instrumentalness • 38% Positiveness
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Dua Saleh
angel rock
84 bpm • D min • 03:24 • -9.4db
19% Popularity • 35% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 35% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Josin
We Could Stay
94 bpm • F Maj • 03:37 • -14.7db
30% Popularity • 30% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 30% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Measurement Of Worlds
Blue Eyed Girl
84 bpm • G Maj • 03:03 • -16.23db
16% Popularity • 52% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 52% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Ringdown
Crazy
84 bpm • A# Maj • 02:40 • -9.07db
10% Popularity • 33% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 33% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Anjimile
In Your Eyes (Reflection)
84 bpm • G# min • 03:15 • -9.78db
9% Popularity • 18% Danceability • 32% Energy • 31% Liveness
35% Instrumentalness • 43% Positiveness
9% Popularity • 18% Danceability • 32% Energy • 31% Liveness
35% Instrumentalness • 43% Positiveness
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Gretchen Parlato
Radioactive Earworm
95 bpm • G Maj • 04:12 • -11.88db
24% Popularity • 37% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
24% Popularity • 37% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Serj Tankian
Yes, It's Genocide
84 bpm • G min • 03:15 • -9.45db
22% Popularity • 29% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
22% Popularity • 29% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
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Esperanza Spalding
I Want It Now
95 bpm • F# Maj • 02:51 • -8.56db
14% Popularity • 31% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 31% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jo Patience
Unexpected
83 bpm • A# min • 02:44 • -10.98db
27% Popularity • 62% Danceability • 74% Energy • 22% Liveness
2% Instrumentalness • 75% Positiveness
27% Popularity • 62% Danceability • 74% Energy • 22% Liveness
2% Instrumentalness • 75% Positiveness
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Lou Rhodes
The More I Run
83 bpm • A Maj • 02:39 • -14.65db
24% Popularity • 48% Danceability • 20% Energy • 10% Liveness
4% Instrumentalness • 42% Positiveness
24% Popularity • 48% Danceability • 20% Energy • 10% Liveness
4% Instrumentalness • 42% Positiveness
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Laura Misch
Lagoon - Earth Variation for Saxophone a...
95 bpm • C Maj • 02:31 • -11.7db
18% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Bikôkô
Night
83 bpm • C# Maj • 01:06 • -13.18db
8% Popularity • 32% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 32% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Madilyn Mei
Flesh and Bone
83 bpm • F# Maj • 01:23 • -14.45db
42% Popularity • 62% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 62% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
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Lana Del Rey
Blue Skies
95 bpm • A min • 03:20 • -16.02db
55% Popularity • 43% Danceability • 17% Energy • 10% Liveness
27% Instrumentalness • 34% Positiveness
55% Popularity • 43% Danceability • 17% Energy • 10% Liveness
27% Instrumentalness • 34% Positiveness
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Umitaro Abe
Boots
95 bpm • D min • 04:22 • -15.87db
11% Popularity • 45% Danceability • 5% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
11% Popularity • 45% Danceability • 5% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
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Brigid Mae Power
I Had to Keep My Circle Small
83 bpm • G Maj • 05:18 • -11db
9% Popularity • 42% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 42% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Ex:Re
Liar
83 bpm • A# min • 04:36 • -14.95db
17% Popularity • 40% Danceability • 24% Energy • 7% Liveness
11% Instrumentalness • 18% Positiveness
17% Popularity • 40% Danceability • 24% Energy • 7% Liveness
11% Instrumentalness • 18% Positiveness
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St. Vincent
The Sequel
83 bpm • C min • 01:53 • -14.92db
19% Popularity • 22% Danceability • 15% Energy • 18% Liveness
3% Instrumentalness • 10% Positiveness
19% Popularity • 22% Danceability • 15% Energy • 18% Liveness
3% Instrumentalness • 10% Positiveness
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Braids
Left/Right
83 bpm • C Maj • 05:20 • -15db
10% Popularity • 27% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 27% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Kym
Madrecita Cacao
96 bpm • G# Maj • 03:24 • -10.78db
15% Popularity • 51% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 51% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Rora Sofie
Far Away
83 bpm • A min • 03:34 • -9.78db
11% Popularity • 47% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 47% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Rosa Anschütz
By Gaining Many Somethings
83 bpm • C min • 03:18 • -15.39db
24% Popularity • 22% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 22% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sandra Hüller
In the Trees
82 bpm • F# Maj • 02:12 • -15.58db
14% Popularity • 38% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 38% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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K.Flay
Mean It - Seattle Sessions
96 bpm • G# Maj • 03:13 • -12.16db
16% Popularity • 54% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 54% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Alex Temple
Purple Stain
82 bpm • D Maj • 03:39 • -16db
9% Popularity • 24% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 24% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
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Temachii
born into
82 bpm • D# Maj • 01:39 • -19.94db
18% Popularity • 35% Danceability • 6% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
18% Popularity • 35% Danceability • 6% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Amason
Picture Seas
97 bpm • C# min • 02:27 • -10.9db
31% Popularity • 43% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 43% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Guv
A Drink with Da Vinci
82 bpm • D Maj • 03:13 • -10.53db
11% Popularity • 40% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 40% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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The Woodlands
Bronze - Desert Mix
97 bpm • B min • 03:48 • -9.81db
20% Popularity • 49% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 49% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Lor
where did the sun go?
81 bpm • F# Maj • 01:08 • -17.18db
47% Popularity • 28% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
47% Popularity • 28% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Alex Temple
Science Park
82 bpm • C Maj • 03:25 • -18db
11% Popularity • 23% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 23% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Lauren Jauregui
In Between
97 bpm • F Maj • 02:39 • -15.29db
33% Popularity • 32% Danceability • 49% Energy • 38% Liveness
1% Instrumentalness • 14% Positiveness
33% Popularity • 32% Danceability • 49% Energy • 38% Liveness
1% Instrumentalness • 14% Positiveness
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The Golden Glows
Prayer of Twilight
81 bpm • D min • 01:10 • -18.8db
14% Popularity • 16% Danceability • 6% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
14% Popularity • 16% Danceability • 6% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
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Kat Frankie
Joan Didion
81 bpm • A Maj • 02:48 • -13.67db
33% Popularity • 18% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
33% Popularity • 18% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
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My Brightest Diamond
Gone Away
98 bpm • C min • 04:42 • -11.5db
17% Popularity • 43% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 43% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Lewis Evans
Orange River
81 bpm • F# min • 03:36 • -13.02db
34% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Kat Kit
Hold U
81 bpm • F# Maj • 04:14 • -11.65db
15% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Los
Ravnefjeld
81 bpm • G Maj • 03:28 • -11.92db
20% Popularity • 9% Danceability • 21% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
20% Popularity • 9% Danceability • 21% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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Tracey Thorn
Little Things
98 bpm • F min • 01:26 • -11.98db
9% Popularity • 33% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 33% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Sarah Juers
Roma
98 bpm • C Maj • 02:10 • -12.81db
15% Popularity • 29% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 29% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Pitou
Debt of a Lover
98 bpm • F min • 03:54 • -9.99db
16% Popularity • 47% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 47% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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stories
Cigarettes and Chocolate Milk
98 bpm • F# Maj • 04:47 • -12.35db
20% Popularity • 40% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 40% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Alison Moyet
Other
80 bpm • D min • 03:31 • -18.44db
12% Popularity • 44% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 44% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Laura Misch
Birdseye
80 bpm • D min • 02:24 • -21.1db
28% Popularity • 48% Danceability • 6% Energy • 11% Liveness
17% Instrumentalness • 7% Positiveness
28% Popularity • 48% Danceability • 6% Energy • 11% Liveness
17% Instrumentalness • 7% Positiveness
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Devin Hoff
Go Your Way
99 bpm • C Maj • 05:06 • -20.39db
10% Popularity • 46% Danceability • 7% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
10% Popularity • 46% Danceability • 7% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
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Voice Actor
Beautiful Burglar
80 bpm • D# Maj • 02:18 • -18.09db
30% Popularity • 44% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 44% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Estherellas
Somewhere
80 bpm • A# min • 02:06 • -14.74db
34% Popularity • 66% Danceability • 35% Energy • 10% Liveness
14% Instrumentalness • 14% Positiveness
34% Popularity • 66% Danceability • 35% Energy • 10% Liveness
14% Instrumentalness • 14% Positiveness
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Elektroföb
As Time Goes By
80 bpm • C min • 06:02 • -10.2db
16% Popularity • 50% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 50% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Wende
Sunday Morning
80 bpm • A Maj • 04:21 • -13.39db
7% Popularity • 36% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 36% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 11% Positiveness
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Thomas Azier
Dada Talk On Hell Island
80 bpm • D# Maj • 04:09 • -10.93db
17% Popularity • 37% Danceability • 41% Energy • 11% Liveness
16% Instrumentalness • 14% Positiveness
17% Popularity • 37% Danceability • 41% Energy • 11% Liveness
16% Instrumentalness • 14% Positiveness
