Songs like Have You Ever Seen the Rain by Cæcilie Norby
Based on a tempo of (+/- 10%) and a similar genre
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Ruth Cameron
Again
114 bpm • C Maj • 04:53 • -18db
11% Popularity • 45% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
11% Popularity • 45% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Heather Rigdon
Not Quite
114 bpm • G Maj • 04:08 • -14db
52% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Anna Maria Jopek
Don't Speak
114 bpm • E min • 04:43 • -12db
28% Popularity • 68% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 68% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Cæcilie Norby
Have You Ever Seen the Rain
114 bpm • A# Maj • 04:08 • -11.79db
10% Popularity • 37% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
10% Popularity • 37% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Gordon Haskell
Al Capone
114 bpm • A min • 05:09 • -10.57db
12% Popularity • 69% Danceability • 46% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
12% Popularity • 69% Danceability • 46% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
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Charlie Haden Quartet West
Let's Call It A Day
114 bpm • C Maj • 05:52 • -10.75db
14% Popularity • 33% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 33% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Nils Landgren Funk Unit
Thank You for the Music
114 bpm • G Maj • 03:29 • -12.05db
32% Popularity • 73% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
32% Popularity • 73% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
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Lars Danielsson
Libera Me
114 bpm • D min • 07:19 • -17.07db
8% Popularity • 25% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
8% Popularity • 25% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
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Anna Nygren
I Wanna Be Loved by You
113 bpm • A min • 02:39 • -15db
23% Popularity • 75% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 75% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Ruth Cameron
Give Me Time
113 bpm • B min • 06:05 • -18db
14% Popularity • 50% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 50% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Beady Belle
Runaway Mind
115 bpm • G min • 03:53 • -9.7db
12% Popularity • 78% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 78% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Erin Boheme
Don't Be Something You Ain't
113 bpm • A min • 04:10 • -15.25db
30% Popularity • 54% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 54% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
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Robin Mckelle
Do You Believe
115 bpm • G min • 03:27 • -11.97db
32% Popularity • 76% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 76% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Sara Gazarek
Let's Try This Again
115 bpm • G# Maj • 03:42 • -13db
38% Popularity • 73% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 73% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Térez Montcalm
Sorry Seems To Be The Hardest Word
113 bpm • A min • 05:46 • -11.67db
15% Popularity • 51% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 51% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jaimee Paul
That's All
115 bpm • D# Maj • 04:07 • -16db
16% Popularity • 52% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 52% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Salena Jones
YOU DON'T BRING ME FLOWERS
116 bpm • F Maj • 03:35 • -13.93db
21% Popularity • 56% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 56% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Erin Boheme
Everyone But Me
115 bpm • C Maj • 03:21 • -7.32db
12% Popularity • 71% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 71% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Emma Smith
Easy Living
112 bpm • G Maj • 03:39 • -14.24db
24% Popularity • 53% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 53% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Cæcilie Norby
Calling You
116 bpm • F min • 05:24 • -14.15db
24% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Abbey Lincoln
Throw It Away - 2007 Abbey sings Abbey V...
116 bpm • A# min • 05:17 • -12db
29% Popularity • 51% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 51% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Kevin Mahogany
Don't Let Me Be Lonely Tonight
116 bpm • A min • 04:13 • -17.27db
34% Popularity • 55% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 18% Positiveness
34% Popularity • 55% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 18% Positiveness
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Ellen Andersson
Gloomy Sunday
116 bpm • F# min • 06:47 • -10.06db
10% Popularity • 44% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 44% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Erin Boheme
One More Try
115 bpm • G Maj • 03:44 • -7.9db
19% Popularity • 71% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 71% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Roberta Gambarini
Crazy
116 bpm • A# Maj • 05:00 • -16db
16% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Cæcilie Norby
Big Time
112 bpm • G Maj • 03:51 • -7.54db
17% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Nils Landgren
Don't Let Me Be Lonely Tonight
116 bpm • D# Maj • 04:39 • -14.17db
27% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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윈터플레이
Hey Bob
112 bpm • G# Maj • 03:35 • -9.03db
22% Popularity • 89% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 89% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Tierney Sutton
Don't Go to Strangers
112 bpm • D# Maj • 05:54 • -15.67db
22% Popularity • 49% Danceability • 11% Energy • 11% Liveness
59% Instrumentalness • 16% Positiveness
22% Popularity • 49% Danceability • 11% Energy • 11% Liveness
59% Instrumentalness • 16% Positiveness
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Anette Askvik
Under the Tallest Tree
112 bpm • D min • 04:32 • -15.84db
21% Popularity • 66% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
21% Popularity • 66% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Ulf Wakenius
Message in a Bottle
112 bpm • G min • 06:16 • -14.91db
25% Popularity • 43% Danceability • 21% Energy • 7% Liveness
2% Instrumentalness • 21% Positiveness
25% Popularity • 43% Danceability • 21% Energy • 7% Liveness
2% Instrumentalness • 21% Positiveness
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Cæcilie Norby
Liberetto Cantabile
112 bpm • A min • 04:28 • -19.43db
9% Popularity • 59% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 41% Positiveness
9% Popularity • 59% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 41% Positiveness
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Lars Danielsson
Traveller's Defense
112 bpm • G min • 04:23 • -20.75db
16% Popularity • 56% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
16% Popularity • 56% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Erin Boheme
He Isn't You
112 bpm • B Maj • 03:18 • -8.62db
31% Popularity • 75% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 75% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Nils Landgren
Another Kind of Blue
116 bpm • F# min • 03:21 • -14.19db
36% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ellen Andersson
I'll Be Seeing You
116 bpm • C# Maj • 06:07 • -11db
40% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Sinne Eeg
What a Little Moonlight Can Do
116 bpm • C# min • 05:21 • -10.66db
20% Popularity • 86% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 86% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Norah Jones
Sleeping Wild
112 bpm • E min • 03:07 • -20db
36% Popularity • 66% Danceability • 13% Energy • 10% Liveness
52% Instrumentalness • 23% Positiveness
36% Popularity • 66% Danceability • 13% Energy • 10% Liveness
52% Instrumentalness • 23% Positiveness
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Susie Arioli
My Funny Valentine
117 bpm • G# Maj • 04:03 • -12.67db
27% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Sara Gazarek
Yours
117 bpm • G Maj • 04:02 • -12.35db
28% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Kari Bremnes
Day
111 bpm • D Maj • 05:34 • -15.26db
8% Popularity • 47% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 47% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Roberta Gambarini
Smoke Gets In Your Eyes/All the Things Y...
117 bpm • D Maj • 05:52 • -15.53db
32% Popularity • 50% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 50% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Nicki Parrott
I Walk A Little Faster
117 bpm • F Maj • 03:53 • -14db
39% Popularity • 49% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 49% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Jaimee Paul
Fever
117 bpm • D min • 04:42 • -13.46db
25% Popularity • 64% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 64% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Nils Landgren
Get Here
111 bpm • D Maj • 04:20 • -14.29db
25% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Greta Panettieri
Goodbye Stranger
111 bpm • G Maj • 06:08 • -10.29db
36% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Susie Arioli
Come Rain or Come Shine
117 bpm • F min • 02:36 • -15db
28% Popularity • 51% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 51% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jill Barber
If You're Going to Break My Heart
111 bpm • D Maj • 02:34 • -16.42db
24% Popularity • 62% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 62% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Anne Bisson
Little Black Lake
117 bpm • A# Maj • 04:16 • -19.98db
19% Popularity • 53% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 53% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Bria Skonberg
Que Sera Sera (Whatever Will Be Will Be)
111 bpm • G# Maj • 04:13 • -14db
36% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Lars Danielsson
Innocence 91
117 bpm • F# Maj • 03:35 • -25.34db
6% Popularity • 41% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
6% Popularity • 41% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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Laverne Butler
Isn't It a Pity
111 bpm • C min • 04:20 • -30.94db
6% Popularity • 43% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
6% Popularity • 43% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Ellen Andersson
I Get Along Without You Very Well
111 bpm • C# Maj • 03:32 • -18db
39% Popularity • 47% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 47% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Nils Landgren
For Your Love (Quem Me Dera)
111 bpm • D Maj • 04:41 • -12.49db
19% Popularity • 62% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 62% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Suss von Ahn
Night and Day
118 bpm • C Maj • 02:27 • -10.73db
25% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Viktoria Tolstoy
Waltz for the Lonely Ones
110 bpm • G Maj • 04:07 • -12.79db
12% Popularity • 50% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 50% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Erin Boheme
I Love Being Here With You
110 bpm • G# Maj • 03:28 • -12db
31% Popularity • 66% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 66% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Leszek Możdżer
Praying - Live
118 bpm • B min • 05:24 • -17.94db
7% Popularity • 42% Danceability • 27% Energy • 68% Liveness
92% Instrumentalness • 28% Positiveness
7% Popularity • 42% Danceability • 27% Energy • 68% Liveness
92% Instrumentalness • 28% Positiveness
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Hailey Tuck
When It's Sleepytime Down South
110 bpm • A# Maj • 05:03 • -14db
39% Popularity • 52% Danceability • 13% Energy • 31% Liveness
1% Instrumentalness • 14% Positiveness
39% Popularity • 52% Danceability • 13% Energy • 31% Liveness
1% Instrumentalness • 14% Positiveness
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Nguyên Lê
Baraka
110 bpm • A# Maj • 04:43 • -10.57db
4% Popularity • 51% Danceability • 67% Energy • 7% Liveness
73% Instrumentalness • 74% Positiveness
4% Popularity • 51% Danceability • 67% Energy • 7% Liveness
73% Instrumentalness • 74% Positiveness
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Cæcilie Norby
Hurt
118 bpm • G# min • 04:46 • -16.04db
7% Popularity • 44% Danceability • 26% Energy • 10% Liveness
39% Instrumentalness • 13% Positiveness
7% Popularity • 44% Danceability • 26% Energy • 10% Liveness
39% Instrumentalness • 13% Positiveness
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Lars Danielsson
Asta
118 bpm • B min • 05:38 • -15.09db
10% Popularity • 57% Danceability • 32% Energy • 10% Liveness
84% Instrumentalness • 26% Positiveness
10% Popularity • 57% Danceability • 32% Energy • 10% Liveness
84% Instrumentalness • 26% Positiveness
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Jaimee Paul
I Still Haven't Found What I'm Looking F...
118 bpm • A# Maj • 03:48 • -12.42db
14% Popularity • 79% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 79% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Nils Landgren
She's Always a Woman
118 bpm • C Maj • 05:42 • -18.74db
27% Popularity • 47% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 47% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Youn Sun Nah
Waiting
118 bpm • F# min • 03:30 • -21.25db
16% Popularity • 59% Danceability • 4% Energy • 11% Liveness
35% Instrumentalness • 34% Positiveness
16% Popularity • 59% Danceability • 4% Energy • 11% Liveness
35% Instrumentalness • 34% Positiveness
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Ruth Cameron
All About Ronnie
118 bpm • C min • 04:21 • -17.6db
13% Popularity • 47% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 47% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Cæcilie Norby
How Deep Is Your Love
118 bpm • G Maj • 03:51 • -8.19db
10% Popularity • 63% Danceability • 59% Energy • 96% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 63% Danceability • 59% Energy • 96% Liveness
0% Instrumentalness • 62% Positiveness
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Lars Danielsson
1000 Ways
118 bpm • C# Maj • 04:32 • -18.25db
5% Popularity • 48% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
5% Popularity • 48% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Kari Bremnes
Montreal
110 bpm • C min • 05:44 • -15.41db
14% Popularity • 68% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 68% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Sasha Dobson
If Not for Dreams
119 bpm • C# min • 02:44 • -17.06db
36% Popularity • 70% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
36% Popularity • 70% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
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Youn Sun Nah
Soundless Bye
119 bpm • C min • 03:44 • -20.47db
11% Popularity • 42% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
11% Popularity • 42% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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Katrine Madsen
Early in the Autumn
119 bpm • E min • 05:09 • -17.98db
25% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Cæcilie Norby
What Do You See in Her
119 bpm • C# Maj • 03:10 • -11.12db
7% Popularity • 44% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 44% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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Lars Danielsson
Cornelia
110 bpm • D min • 06:48 • -17.23db
4% Popularity • 20% Danceability • 22% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
4% Popularity • 20% Danceability • 22% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Rebecca Pidgeon
Spanish Harlem
109 bpm • G Maj • 03:44 • -19.84db
26% Popularity • 45% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 45% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Erin Boheme
Give Me One Reason
109 bpm • A# min • 04:35 • -15db
17% Popularity • 69% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
17% Popularity • 69% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
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Roberta Gambarini
Only Trust Your Heart
120 bpm • F Maj • 04:10 • -14.65db
19% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Tierney Sutton
April in Paris / Free Man in Paris
120 bpm • A# Maj • 05:36 • -16.81db
15% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Cæcilie Norby
Sorry Seems To Be The hardest Word
119 bpm • G min • 04:09 • -11.91db
10% Popularity • 42% Danceability • 38% Energy • 70% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 42% Danceability • 38% Energy • 70% Liveness
0% Instrumentalness • 20% Positiveness
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Lars Danielsson
Melody On Wood
120 bpm • C Maj • 05:47 • -21.75db
8% Popularity • 39% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
8% Popularity • 39% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Raffaele Casarano
La libertà
120 bpm • D Maj • 01:17 • -18db
23% Popularity • 56% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
23% Popularity • 56% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
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Sara Gazarek
Blackbird - Bye Bye Blackbird
108 bpm • G# min • 05:55 • -15db
29% Popularity • 40% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 22% Positiveness
29% Popularity • 40% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 22% Positiveness
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Nils Landgren
Just the Way You Are
120 bpm • C Maj • 04:00 • -15db
33% Popularity • 68% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 68% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Tierney Sutton
Estate
108 bpm • G Maj • 05:19 • -19.91db
13% Popularity • 57% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
13% Popularity • 57% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Jacqui Naylor
How Deep Is Your Love
108 bpm • F# Maj • 03:27 • -9.01db
23% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Lars Danielsson
Jag lyfter ögat mot himmelen
118 bpm • B min • 04:04 • -24.67db
16% Popularity • 42% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
16% Popularity • 42% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Cæcilie Norby
Same Old Smile
120 bpm • D# Maj • 04:04 • -11.48db
21% Popularity • 42% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 42% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Lisa Bassenge Trio
There Must Be An Angel (Playing With My ...
120 bpm • D# Maj • 03:37 • -18.31db
22% Popularity • 64% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 64% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Malene Mortensen
Girl from Ipanema
120 bpm • F Maj • 04:03 • -13db
41% Popularity • 79% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 79% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Gordon Haskell
All in the Scheme of Things
120 bpm • E min • 04:51 • -10.12db
17% Popularity • 61% Danceability • 50% Energy • 29% Liveness
1% Instrumentalness • 23% Positiveness
17% Popularity • 61% Danceability • 50% Energy • 29% Liveness
1% Instrumentalness • 23% Positiveness
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Ian Shaw
My Brother
120 bpm • F Maj • 04:34 • -15db
21% Popularity • 76% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 38% Positiveness
21% Popularity • 76% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 38% Positiveness
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Lars Danielsson
Traveller's Wife
120 bpm • G min • 02:47 • -19.87db
7% Popularity • 27% Danceability • 11% Energy • 18% Liveness
57% Instrumentalness • 28% Positiveness
7% Popularity • 27% Danceability • 11% Energy • 18% Liveness
57% Instrumentalness • 28% Positiveness
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Nils Landgren
Broken Wings
108 bpm • E min • 04:08 • -13.47db
23% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Cæcilie Norby
Life on Mars
120 bpm • G Maj • 03:37 • -12.96db
22% Popularity • 59% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 59% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Malene Mortensen
Sea of Lies
120 bpm • G# Maj • 04:58 • -11.82db
7% Popularity • 67% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 67% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Hailey Tuck
Close to You
108 bpm • G Maj • 04:35 • -10.42db
52% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Caroline Henderson
Unchained Melody
108 bpm • C# Maj • 03:03 • -11db
12% Popularity • 50% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 34% Positiveness
12% Popularity • 50% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 34% Positiveness
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Lars Danielsson
Pegasus
120 bpm • B min • 03:29 • -16.85db
19% Popularity • 46% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
19% Popularity • 46% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
