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Hazard
Songs like
Hazard
by
Richard Marx
Based on a tempo of (+/- 10%) and a similar genre
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Richard Marx
Hazard
125 bpm • G min • 04:59 • -6.8db
25% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Cutting Crew
(I Just) Died In Your Arms - Extended Or...
125 bpm • B min • 08:09 • -4.17db
33% Popularity • 47% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Suzanne Vega
Luka
125 bpm • F# Maj • 03:51 • -10.65db
64% Popularity • 63% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Patrick Swayze
She's Like the Wind
125 bpm • E min • 03:52 • -14.68db
68% Popularity • 59% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Pet Shop Boys
Always on My Mind
125 bpm • G Maj • 03:54 • -10.61db
72% Popularity • 53% Danceability • 78% Energy • 19% Liveness
6% Instrumentalness • 73% Positiveness
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Level 42
Running In The Family - 7" Version
125 bpm • D Maj • 03:58 • -5.57db
55% Popularity • 82% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Richard Marx
Whatever We Started
125 bpm • B min • 03:52 • -7.15db
33% Popularity • 55% Danceability • 68% Energy • 21% Liveness
1% Instrumentalness • 28% Positiveness
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Cutting Crew
(I Just) Died In Your Arms
125 bpm • B min • 04:40 • -11.4db
79% Popularity • 62% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Faith No More
Easy
125 bpm • A# min • 03:06 • -6.74db
65% Popularity • 51% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Duran Duran
A View to a Kill
125 bpm • C# Maj • 03:37 • -5.41db
62% Popularity • 71% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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R.E.M.
Losing My Religion
126 bpm • A min • 04:28 • -5.05db
83% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Beverley Craven
Promise Me
124 bpm • G# Maj • 03:37 • -14.73db
56% Popularity • 46% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Richard Marx
Hazard
125 bpm • G min • 05:17 • -10.35db
61% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Boston
Amanda
125 bpm • G Maj • 04:16 • -14.06db
61% Popularity • 45% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Peter Cetera
One Good Woman
124 bpm • G Maj • 04:37 • -9db
44% Popularity • 76% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Foreigner
Say You Will
126 bpm • D# min • 04:15 • -7.38db
54% Popularity • 72% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Matt Nathanson
Surrender
126 bpm • A Maj • 03:44 • -8.08db
7% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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F.R. David
Words - Original Version 1983
124 bpm • A# min • 03:28 • -5.58db
73% Popularity • 54% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Richard Marx
Nothing To Hide
124 bpm • G Maj • 04:25 • -4.92db
18% Popularity • 63% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Talk Talk
It's My Life - 1997 Remaster
126 bpm • C Maj • 03:52 • -8db
70% Popularity • 63% Danceability • 80% Energy • 40% Liveness
78% Instrumentalness • 87% Positiveness
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a-ha
The Sun Always Shines on T.V.
126 bpm • A min • 05:02 • -8.79db
64% Popularity • 49% Danceability • 84% Energy • 25% Liveness
7% Instrumentalness • 22% Positiveness
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Wilson Phillips
Daniel
126 bpm • D Maj • 04:02 • -10db
36% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kenny Rogers
We've Got Tonight
124 bpm • G# Maj • 03:54 • -11.25db
65% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Culture Club
Victims - Remastered 2002
126 bpm • G# Maj • 04:56 • -10.01db
43% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Richard Marx
Eternity
126 bpm • A min • 05:23 • -8.49db
8% Popularity • 67% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Corrs
Breathless
127 bpm • B Maj • 03:27 • -7.75db
70% Popularity • 61% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Irene Cara
Flashdance...What a Feeling - Radio Edit
122 bpm • G min • 03:57 • -7.03db
77% Popularity • 57% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Dire Straits
Your Latest Trick - Remastered 1996
122 bpm • E Maj • 06:29 • -13.53db
65% Popularity • 51% Danceability • 40% Energy • 23% Liveness
11% Instrumentalness • 27% Positiveness
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Tears For Fears
Advice For The Young At Heart
122 bpm • F Maj • 04:50 • -8.77db
58% Popularity • 66% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Kenny G
Sorry Seems To Be The Hardest Word
128 bpm • G min • 03:54 • -12.9db
31% Popularity • 37% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Starship
Set the Night to Music
128 bpm • F# Maj • 04:47 • -8db
36% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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George Michael
Praying for Time - Remastered
128 bpm • A# Maj • 04:40 • -14.37db
52% Popularity • 58% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Billy Ocean
When the Going Gets Tough, The Tough Get...
122 bpm • E Maj • 04:08 • -6.32db
60% Popularity • 76% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Lionel Richie
Say You, Say Me
128 bpm • G# Maj • 04:01 • -11.11db
72% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Cock Robin
Just Around the Corner
122 bpm • C# Maj • 04:16 • -10.38db
54% Popularity • 65% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Rita Coolidge
We're All Alone
128 bpm • G Maj • 03:40 • -8.38db
61% Popularity • 33% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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The Corrs
Radio - MTV Unplugged Version; Edit
122 bpm • F# min • 04:47 • -6.61db
42% Popularity • 57% Danceability • 77% Energy • 98% Liveness
0% Instrumentalness • 37% Positiveness
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Irene Cara
What A Feeling
122 bpm • A# Maj • 04:04 • -6.84db
69% Popularity • 53% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Mariah Carey
Without You
122 bpm • F# Maj • 03:35 • -11.67db
70% Popularity • 60% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
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Orchestral Manoeuvres In The Dark
Pandora's Box
122 bpm • A min • 04:09 • -12.13db
54% Popularity • 60% Danceability • 93% Energy • 29% Liveness
8% Instrumentalness • 82% Positiveness
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Sheena Easton
Morning Train (Nine to Five) - Edit
122 bpm • F min • 03:20 • -8.87db
59% Popularity • 76% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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George Michael
Amazing
128 bpm • A# min • 04:25 • -6.83db
59% Popularity • 80% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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LeAnn Rimes
How Do I Live
128 bpm • D Maj • 04:26 • -7.99db
68% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Roxy Music
More Than This
129 bpm • F# Maj • 04:30 • -7.81db
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
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Breathe
Hands To Heaven
129 bpm • G# Maj • 04:19 • -15.02db
53% Popularity • 54% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Genesis
Home by the Sea - 2007 Remaster
129 bpm • E min • 05:07 • -7.71db
57% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Johnny Hates Jazz
Shattered Dreams - Remastered 2008
121 bpm • A# Maj • 03:27 • -9.42db
64% Popularity • 66% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Aerosmith
I Don't Want To Miss A Thing
121 bpm • D Maj • 04:59 • -5.16db
75% Popularity • 39% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Inker & Hamilton
Poetry in Motion
121 bpm • D Maj • 03:54 • -7.46db
37% Popularity • 64% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Steve Winwood
While You See A Chance
129 bpm • D Maj • 05:12 • -8.29db
56% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Journey
Faithfully (2023 Remaster)
130 bpm • B Maj • 04:26 • -7.33db
69% Popularity • 42% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Huey Lewis & The News
Stuck With You
121 bpm • E min • 04:29 • -11.4db
64% Popularity • 70% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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INXS
Beautiful Girl
121 bpm • B Maj • 03:27 • -6.6db
65% Popularity • 66% Danceability • 65% Energy • 11% Liveness
54% Instrumentalness • 44% Positiveness
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Def Leppard
Love Bites - Remastered 2017
130 bpm • C min • 05:46 • -7.08db
65% Popularity • 59% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Martika
Toy Soldiers
130 bpm • C# min • 04:19 • -6.29db
40% Popularity • 55% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Marx
Nothin' You Can Do About It
120 bpm • C Maj • 04:44 • -10.26db
23% Popularity • 64% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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John Farnham
Age of Reason
120 bpm • B min • 05:06 • -11.87db
41% Popularity • 64% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Sinéad O'Connor
Nothing Compares 2 U
120 bpm • F Maj • 04:40 • -7.02db
75% Popularity • 51% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Air Supply
Goodbye
131 bpm • D# Maj • 04:02 • -6.99db
67% Popularity • 40% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Martika
Toy Soldiers
130 bpm • C# min • 04:47 • -6.41db
61% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Linda Ronstadt
Don't Know Much
130 bpm • B Maj • 03:31 • -11.01db
64% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Richard Marx
Calling You
120 bpm • E min • 04:42 • -9.36db
20% Popularity • 60% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Cetera
Even a Fool Can See
120 bpm • C min • 04:30 • -10db
39% Popularity • 77% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Dan Hill
Sometimes When We Touch
119 bpm • D Maj • 04:12 • -11.01db
64% Popularity • 59% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Cyndi Lauper
I Drove All Night
131 bpm • G# Maj • 04:11 • -10.64db
61% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Genesis
Invisible Touch - 2007 Remaster
131 bpm • C Maj • 03:28 • -6.85db
71% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Journey
Don't Stop Believin' (2022 Remaster)
119 bpm • E Maj • 04:09 • -7.44db
83% Popularity • 50% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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a-ha
Cry Wolf
131 bpm • A min • 04:06 • -7.45db
50% Popularity • 65% Danceability • 77% Energy • 7% Liveness
67% Instrumentalness • 78% Positiveness
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Bryan Adams
(Everything I Do) I Do It For You
131 bpm • C# Maj • 06:33 • -12.63db
75% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Whitney Houston
Greatest Love of All
131 bpm • A Maj • 04:51 • -16.01db
68% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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George Michael
One More Try - Remastered
119 bpm • F Maj • 05:50 • -12.54db
58% Popularity • 55% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Ronan Keating
Life Is A Rollercoaster
119 bpm • C Maj • 03:54 • -8.92db
59% Popularity • 66% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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38 Special
Second Chance
119 bpm • A# Maj • 05:04 • -12.85db
56% Popularity • 66% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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a-ha
I've Been Losing You
119 bpm • G Maj • 04:25 • -4.58db
54% Popularity • 65% Danceability • 93% Energy • 14% Liveness
3% Instrumentalness • 42% Positiveness
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Lionel Richie
Stuck On You
132 bpm • F Maj • 03:12 • -16.06db
71% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Shania Twain
You've Got A Way
132 bpm • A Maj • 03:31 • -8.63db
57% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Richard Marx
Ready To Fly
132 bpm • G Maj • 04:39 • -7db
32% Popularity • 45% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Peter Cetera
The Next Time I Fall
118 bpm • G# Maj • 03:46 • -10.18db
60% Popularity • 64% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Don Henley
New York Minute
132 bpm • G# min • 06:35 • -12.21db
56% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 12% Positiveness
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Agnetha Fältskog
I Wasn't the One (Who Said Goodbye)
118 bpm • C min • 04:12 • -14.66db
37% Popularity • 61% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Marillion
Beautiful
132 bpm • C min • 05:12 • -8db
47% Popularity • 44% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Robert Palmer
Know by Now
118 bpm • B min • 04:10 • -7.35db
41% Popularity • 74% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Soul Asylum
Runaway Train (2022 Remaster)
117 bpm • C Maj • 04:26 • -7.96db
70% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Police
Every Breath You Take
117 bpm • C# Maj • 04:13 • -9.8db
88% Popularity • 82% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Eric Carmen
I Wanna Hear It From Your Lips
117 bpm • C Maj • 03:17 • -9.95db
40% Popularity • 70% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Billy Ocean
Get Outta My Dreams, Get Into My Car
117 bpm • E Maj • 04:44 • -6.46db
58% Popularity • 67% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Lionel Richie
Dancing On The Ceiling
133 bpm • C Maj • 04:30 • -9db
68% Popularity • 70% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Kenny Loggins
Meet Me Half Way
117 bpm • E Maj • 03:39 • -13.01db
59% Popularity • 64% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Cock Robin
The Promise You Made
117 bpm • C Maj • 03:55 • -11.45db
56% Popularity • 71% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Shania Twain
You're Still The One
134 bpm • D# Maj • 03:32 • -6.78db
73% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Alison Moyet
Is This Love?
117 bpm • A Maj • 04:00 • -7db
51% Popularity • 74% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Kim Carnes
Bette Davis Eyes
117 bpm • F Maj • 03:48 • -10.27db
78% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Don Henley
The End Of The Innocence
117 bpm • G# Maj • 05:15 • -13db
60% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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a-ha
Hunting High and Low
117 bpm • A min • 03:48 • -6.15db
63% Popularity • 51% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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4 Non Blondes
What's Up?
134 bpm • D Maj • 04:55 • -10.04db
80% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Steve Winwood
Valerie
116 bpm • A Maj • 04:06 • -10.78db
67% Popularity • 72% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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Tina Turner
Private Dancer - Single Edit
116 bpm • E min • 04:02 • -8.07db
44% Popularity • 64% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Eric Carmen
All By Myself
116 bpm • G min • 07:10 • -9.18db
63% Popularity • 38% Danceability • 37% Energy • 15% Liveness
83% Instrumentalness • 11% Positiveness
► Preview
Danny Wilson
Mary's Prayer
135 bpm • C Maj • 03:54 • -13.14db
55% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Hazard