Songs like He Can Take It by Brian Free & Assurance
Based on a tempo of (+/- 10%) and a similar genre
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The McKameys
There Is Jesus
75 bpm • F Maj • 03:51 • -5db
23% Popularity • 68% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 68% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Brian Free & Assurance
He Can Take It
75 bpm • G# Maj • 03:49 • -8.16db
18% Popularity • 53% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 53% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Perry Sisters
Ressurection Morn
75 bpm • C# Maj • 04:03 • -7.81db
12% Popularity • 46% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 46% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Jordan Family Band
My God Is so Good to Me
74 bpm • A# Maj • 02:42 • -5db
36% Popularity • 27% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 27% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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11th Hour
He Welcomes the Beggar
76 bpm • A Maj • 04:13 • -8db
19% Popularity • 26% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 26% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Jared and Nick Fields
Let the Worshippers Arise
76 bpm • C Maj • 02:39 • -8db
27% Popularity • 43% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 43% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Jim & Melissa Brady
Homesick for Heaven
74 bpm • D Maj • 03:51 • -7.87db
12% Popularity • 18% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 18% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Brian Free & Assurance
It Is Well
74 bpm • C# Maj • 04:32 • -7db
18% Popularity • 35% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 35% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Cross 4 Crowns
We Are Almost Home
76 bpm • G Maj • 02:42 • -8db
15% Popularity • 67% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 67% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Down East Boys
Your Sins are Forgiven
76 bpm • C Maj • 03:27 • -7.8db
16% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Joseph Habedank
Child of the King
76 bpm • C Maj • 03:28 • -6.5db
17% Popularity • 58% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 58% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Adam Crabb
Sometimes God Allows
76 bpm • G Maj • 03:54 • -7db
15% Popularity • 54% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 54% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Mike & Kelly Bowling
The Call
74 bpm • E Maj • 03:14 • -7db
16% Popularity • 48% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 48% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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The LeFevre Quartet
My Jesus
76 bpm • C Maj • 03:59 • -6.33db
22% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Cana's Voice
Holy Spirit Come Fill This Place
76 bpm • A Maj • 05:28 • -8.77db
12% Popularity • 22% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 22% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Mike Bowling
That I Could Still Go Free
76 bpm • C Maj • 04:42 • -8db
25% Popularity • 34% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 34% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Janet Paschal
Washed In The Blood Of The Lamb
76 bpm • A# Maj • 04:11 • -7.25db
28% Popularity • 56% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 56% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Rochester/Matthews Tradition
Did I Mention
76 bpm • B Maj • 03:38 • -6.24db
27% Popularity • 61% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 61% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Mark Bishop
Remember Who He Is, Remember What He Doe...
76 bpm • G# Maj • 02:30 • -6db
33% Popularity • 57% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 57% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Bill Gaither
The Longer I Serve Him
77 bpm • D Maj • 03:46 • -9.34db
25% Popularity • 44% Danceability • 36% Energy • 12% Liveness
3% Instrumentalness • 20% Positiveness
25% Popularity • 44% Danceability • 36% Energy • 12% Liveness
3% Instrumentalness • 20% Positiveness
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Brian Free & Assurance
Just A Little Talk With Jesus
77 bpm • A# Maj • 03:31 • -7.33db
19% Popularity • 33% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 33% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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The Taylors
Worship You Again
77 bpm • D# Maj • 04:35 • -6.64db
15% Popularity • 24% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 24% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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11th Hour
Room With A View
77 bpm • C# Maj • 05:03 • -9.18db
23% Popularity • 28% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 28% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Blackwood Brothers Quartet
If That Isn't Love
77 bpm • C# Maj • 04:08 • -9.71db
19% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Bowling Family
That I Could Still Go Free
77 bpm • B Maj • 04:52 • -8.24db
11% Popularity • 50% Danceability • 54% Energy • 71% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 50% Danceability • 54% Energy • 71% Liveness
0% Instrumentalness • 30% Positiveness
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The Freemans
He's Have to Walk Through the Blood
78 bpm • E Maj • 04:18 • -6.55db
23% Popularity • 29% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 29% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Liberty Quartet
Peace Like a River
72 bpm • G Maj • 03:02 • -13db
27% Popularity • 51% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 51% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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The Taylors
The Day I Lay My Isaac Down
73 bpm • G# min • 04:14 • -6.9db
10% Popularity • 23% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 23% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Kingsmen
Church of the Great I Am
78 bpm • A# Maj • 03:14 • -4.05db
21% Popularity • 53% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 53% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Mike & Kelly Bowling
I've Never Walked Alone
72 bpm • F# Maj • 04:41 • -9db
16% Popularity • 58% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 58% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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The Greenes
In the Twinkling of an Eye
78 bpm • D# Maj • 03:54 • -11.9db
14% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Brian Free & Assurance
Oh What A Savior
72 bpm • F# Maj • 04:34 • -10.71db
18% Popularity • 40% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 40% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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The Whisnants
Won't It Be Wonderful There
78 bpm • D Maj • 02:20 • -6.49db
27% Popularity • 55% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 55% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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The Williamsons
Every Moment, Every Mountain, Every Mile
78 bpm • D# Maj • 03:57 • -5.18db
25% Popularity • 27% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 27% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Janet Paschal
Written In Red
79 bpm • D# Maj • 04:26 • -11.56db
27% Popularity • 29% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 29% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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11th Hour
He Will Roll You Over The Tide (Live)
71 bpm • G Maj • 03:44 • -4.26db
17% Popularity • 46% Danceability • 52% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 46% Danceability • 52% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
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Liberty Quartet
'tis so Sweet to Trust in Jesus
79 bpm • G# Maj • 01:32 • -10.23db
36% Popularity • 40% Danceability • 6% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 40% Danceability • 6% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
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Ct Townsend
Because I Said So
79 bpm • C Maj • 03:54 • -5.57db
21% Popularity • 47% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 47% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Old Paths
I've Missed Out
80 bpm • A# Maj • 03:53 • -6.11db
13% Popularity • 38% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 38% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Whisnants
Grace Greater Than Our Sin
80 bpm • F Maj • 04:29 • -8.04db
23% Popularity • 33% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 33% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Southbound
Address Change Notification
80 bpm • C Maj • 04:10 • -5.28db
23% Popularity • 23% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 23% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ivan Parker
A Little More Like You
80 bpm • A Maj • 04:29 • -9.83db
18% Popularity • 46% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 46% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Mark Trammell Quartet
Ransomed and Redeemed
80 bpm • F# Maj • 03:02 • -5.29db
16% Popularity • 70% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 70% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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The Bowling Family
The People That God Gives You
80 bpm • G Maj • 04:31 • -9db
38% Popularity • 45% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 45% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Redeemed Quartet
Thank You Lord, For Your Blessings on Me
70 bpm • E Maj • 03:40 • -8.71db
24% Popularity • 68% Danceability • 22% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 68% Danceability • 22% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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The Cathedrals
O What A Savior
70 bpm • F Maj • 04:34 • -11.98db
25% Popularity • 23% Danceability • 21% Energy • 79% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 23% Danceability • 21% Energy • 79% Liveness
0% Instrumentalness • 22% Positiveness
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Gold City
I Cast My Bread Upon the Water
81 bpm • A# Maj • 03:53 • -5db
35% Popularity • 62% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 62% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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The Old Paths
How Good the Good News Feels
81 bpm • E Maj • 03:22 • -6.31db
23% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Rochesters
I'll Stick With the Old Stuff
82 bpm • A Maj • 03:25 • -13.61db
28% Popularity • 53% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 53% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Legacy Five
God's Been Good
82 bpm • D# Maj • 04:19 • -10.14db
37% Popularity • 39% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 39% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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The Mylon Hayes Family
I Want to Live for Jesus
82 bpm • D# Maj • 03:19 • -9.31db
22% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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CrossWay
Oh My, My
82 bpm • G Maj • 03:07 • -3.31db
36% Popularity • 59% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 59% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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The LeFevre Quartet
Between The Prayer And The Answer
82 bpm • C# Maj • 04:08 • -5.06db
23% Popularity • 55% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 55% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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The Guardians
Uncommon Praise
82 bpm • A# Maj • 03:25 • -6.18db
26% Popularity • 26% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 26% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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The Ruppes
Under His Wings - Make Us One Album Vers...
68 bpm • C Maj • 03:49 • -8.56db
28% Popularity • 20% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 20% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Old Paths
Good God Almighty
82 bpm • D Maj • 03:29 • -6.6db
17% Popularity • 64% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 64% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Mylon Hayes Family
We Come in Jesus' name
82 bpm • G# Maj • 03:59 • -7.34db
22% Popularity • 46% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 46% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Booth Brothers
He Saw It All
83 bpm • F Maj • 03:24 • -4.87db
37% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Brian Free & Assurance
When Mercy Looks At Me
68 bpm • F# Maj • 03:35 • -7.73db
8% Popularity • 34% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 34% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Wisecarvers
Don't You Think You Ought To Worship Me
83 bpm • C# Maj • 03:41 • -10.4db
20% Popularity • 34% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 34% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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The Blythe Family
Don't Let the Battle Steal Your Praise
83 bpm • A# min • 03:14 • -3.67db
15% Popularity • 53% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 53% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The Cathedrals
Thanks To Calvary
83 bpm • G Maj • 03:31 • -12.19db
27% Popularity • 49% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 49% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 29% Positiveness
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The Old Paths
God's Great
83 bpm • A# Maj • 03:51 • -5db
36% Popularity • 57% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 57% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Crist Family
The Anchor Holds
83 bpm • C Maj • 04:37 • -9db
32% Popularity • 48% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 48% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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The New Hinsons
Speak The Word, Lord
84 bpm • D# Maj • 03:48 • -13db
32% Popularity • 54% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 54% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Ivan Parker
Rise Again
67 bpm • G Maj • 04:26 • -9.82db
25% Popularity • 37% Danceability • 46% Energy • 74% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 37% Danceability • 46% Energy • 74% Liveness
0% Instrumentalness • 22% Positiveness
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The Morrison Sisters
Little Is Much When God Is in It
86 bpm • C Maj • 02:34 • -6.54db
30% Popularity • 51% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 51% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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The Cathedrals
Champion of Love
67 bpm • G# Maj • 03:59 • -7db
31% Popularity • 28% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 28% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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The LeFevre Quartet
I've Come Too Far To Look Back
85 bpm • A# Maj • 02:02 • -9.64db
33% Popularity • 40% Danceability • 55% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 40% Danceability • 55% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
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Parsons
Didn't I Walk on the Water
87 bpm • C Maj • 04:03 • -10.29db
20% Popularity • 37% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 37% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Sound
Great God Almighty
86 bpm • D Maj • 02:47 • -5.81db
18% Popularity • 53% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 53% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
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The Dunaways
Don't Start Doubting Now
88 bpm • D Maj • 03:19 • -2.78db
22% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The McKameys
When Faith Steps In
89 bpm • A# Maj • 04:31 • -8db
28% Popularity • 61% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 61% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Adam Crabb
There is a Healer
88 bpm • E Maj • 04:12 • -6.97db
10% Popularity • 26% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 26% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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The Whisnants
Be Not Afraid
90 bpm • D Maj • 03:19 • -5.82db
18% Popularity • 47% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 47% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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The LeFevre Quartet
Something
90 bpm • G# Maj • 02:54 • -9.04db
19% Popularity • 55% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 55% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Mark Bishop
Can I Pray For You?
91 bpm • G# Maj • 04:18 • -9.79db
28% Popularity • 47% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 47% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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The Inspirations
I Have God to Thank for Everything
92 bpm • F Maj • 02:48 • -8.58db
26% Popularity • 74% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 74% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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The McKameys
The Shepherd's Point of View
91 bpm • C# Maj • 04:04 • -5db
27% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ivan Parker
Then He Said, "Sing"
92 bpm • C Maj • 03:28 • -9.84db
16% Popularity • 65% Danceability • 64% Energy • 87% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 65% Danceability • 64% Energy • 87% Liveness
0% Instrumentalness • 69% Positiveness
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The Erwins
Favorite Song of All
92 bpm • D# Maj • 04:30 • -5.71db
20% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The LeFevre Quartet
Put It Right There
90 bpm • G Maj • 03:54 • -6.68db
38% Popularity • 71% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 71% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Mark Bishop
I Can Rejoice
91 bpm • G Maj • 03:31 • -7.26db
26% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Marshall Hall
I Just Feel Like Something Good Is About...
92 bpm • F Maj • 03:43 • -8.12db
11% Popularity • 69% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 69% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Goodman Revival
The Sweetest Song I Know
92 bpm • C# Maj • 03:13 • -7db
43% Popularity • 58% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 58% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Candy Christmas
Master Of The Wind - Joy In The Camp Alb...
93 bpm • C Maj • 05:22 • -12db
28% Popularity • 33% Danceability • 30% Energy • 63% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 33% Danceability • 30% Energy • 63% Liveness
0% Instrumentalness • 29% Positiveness
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Ct Townsend
If I Shout
93 bpm • C Maj • 04:05 • -8.4db
23% Popularity • 63% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 63% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Brian Free & Assurance
This Storm (REMASTERED)
94 bpm • D# Maj • 03:19 • -5.53db
16% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Mark Lowry
I Can't Even Walk (Without You Holding M...
94 bpm • G Maj • 03:20 • -8.16db
16% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Bowling Family
One Glorious Moment of Faith
95 bpm • D# Maj • 03:26 • -0.72db
24% Popularity • 43% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 43% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Goodman Revival
I Hold A Clear Title To A Mansion
94 bpm • C# Maj • 03:22 • -8db
37% Popularity • 57% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 57% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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The McKameys
This Valley Is For Me
95 bpm • G Maj • 03:27 • -10db
24% Popularity • 62% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 62% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Three Bridges
Not The Great I Was
95 bpm • G# Maj • 03:07 • -7db
23% Popularity • 68% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 68% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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The Talleys
The People in the Line
95 bpm • A# Maj • 04:00 • -11.04db
23% Popularity • 56% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 56% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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The Booth Brothers
Faith Keeps Walking
95 bpm • F Maj • 03:29 • -9db
33% Popularity • 67% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 67% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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The Old Paths
I Got the Grace, He Gets the Glory
95 bpm • F Maj • 03:22 • -8.04db
20% Popularity • 59% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 59% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Pastor Tommy Bates
Two Coats
95 bpm • D Maj • 05:29 • -6db
19% Popularity • 46% Danceability • 92% Energy • 79% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 46% Danceability • 92% Energy • 79% Liveness
0% Instrumentalness • 77% Positiveness
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The Tate Family
Jehovah Jireh
96 bpm • A# Maj • 03:17 • -5.31db
23% Popularity • 63% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 63% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness