Songs like He Is - Aaron Jeoffrey Album Version by Aaron & Jeoffrey
Based on a tempo of (+/- 10%) and a similar genre
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Terry Clark
I Am Yours
135 bpm • G Maj • 05:04 • -17.78db
19% Popularity • 25% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 25% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Hillary Scott & The Scott Family
Sheltered In The Arms Of God
135 bpm • D# Maj • 04:44 • -8db
27% Popularity • 30% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 30% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Aaron & Jeoffrey
He Is - Aaron Jeoffrey Album Version
135 bpm • F Maj • 07:00 • -7db
28% Popularity • 47% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 47% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Shannon Adducci
Endless Song
135 bpm • C Maj • 05:50 • -8.4db
9% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Babbie Mason
Trust His Heart - Timeless Album Version
135 bpm • E Maj • 05:01 • -13.72db
41% Popularity • 44% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 44% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Dallas Holm
I've Never Seen The Righteous Forsaken
135 bpm • F Maj • 04:18 • -14.3db
16% Popularity • 36% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 36% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Cheri Keaggy
In Remembrance Of Me
135 bpm • B Maj • 03:53 • -10.39db
33% Popularity • 35% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 35% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Marshall Hall
There Is Nothing Greater Than Grace
136 bpm • G# Maj • 04:43 • -12.18db
31% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Aaron & Jeoffrey
Strength For The Journey
134 bpm • A Maj • 04:50 • -11.61db
1% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
1% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Oasis Worship
Amazing Love (You Are My King)
136 bpm • D Maj • 05:53 • -10.77db
27% Popularity • 49% Danceability • 48% Energy • 94% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 49% Danceability • 48% Energy • 94% Liveness
0% Instrumentalness • 19% Positiveness
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Joseph Habedank
Judas
136 bpm • G min • 04:11 • -8.16db
21% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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FFH
Ready To Fly
136 bpm • A min • 04:04 • -3.35db
21% Popularity • 42% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 42% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Matthew Ward
My Redeemer
136 bpm • A# Maj • 03:42 • -22.71db
23% Popularity • 51% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 51% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Hillary Scott & The Scott Family
Untitled Hymn (Come To Jesus)
136 bpm • C# Maj • 03:57 • -9.84db
37% Popularity • 33% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 33% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Michael O'Brien
Safe in the Arms of Jesus
134 bpm • G# Maj • 04:00 • -8.97db
30% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Bob Carlisle
I Will Follow Christ
136 bpm • D Maj • 05:24 • -6.72db
24% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Watermark
My Heart, Your Home
136 bpm • D Maj • 04:31 • -9.63db
25% Popularity • 33% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 33% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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FFH
Come Thou Fount
136 bpm • A Maj • 03:31 • -9.87db
18% Popularity • 64% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 64% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Meredith Andrews
Spirit of the Living God
134 bpm • D Maj • 05:20 • -6.49db
31% Popularity • 44% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 44% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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David Crowder Band
Because He Lives
134 bpm • A Maj • 04:21 • -10.6db
43% Popularity • 39% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 39% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Steve Camp
Living In Laodicea
134 bpm • G Maj • 04:06 • -15db
24% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Noel Richards
We Want To See Jesus Lifted High
136 bpm • G Maj • 05:30 • -6.9db
13% Popularity • 37% Danceability • 95% Energy • 93% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 37% Danceability • 95% Energy • 93% Liveness
0% Instrumentalness • 29% Positiveness
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The Imperials
I Just Came to Praise the Lord
136 bpm • D Maj • 01:58 • -20.2db
30% Popularity • 41% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 41% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Scripture In Song
I Exalt Thee
133 bpm • F Maj • 05:34 • -9.34db
38% Popularity • 30% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 30% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Jason Upton
Glory Come Down
133 bpm • G min • 05:21 • -7.9db
25% Popularity • 36% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 36% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Shannon Adducci
Come Worship the Lord
137 bpm • C Maj • 07:19 • -6.89db
10% Popularity • 29% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 29% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Steve Camp
Stranger To Holiness
133 bpm • A# Maj • 04:22 • -15.53db
26% Popularity • 57% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 57% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Kim Hill
Blessed Be The Name - Renewing The Heart...
132 bpm • G Maj • 03:39 • -8.62db
14% Popularity • 56% Danceability • 87% Energy • 71% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 56% Danceability • 87% Energy • 71% Liveness
0% Instrumentalness • 96% Positiveness
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The Collingsworth Family
Your Ways Are Higher Than Mine
137 bpm • G# Maj • 04:00 • -13.56db
38% Popularity • 33% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 33% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Aaron & Jeoffrey
Beyond - Above The Rain Album Version
132 bpm • D Maj • 04:29 • -10.38db
5% Popularity • 52% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
5% Popularity • 52% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Rich Mullins
The Love Of God
132 bpm • D# Maj • 02:14 • -14.24db
32% Popularity • 40% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 40% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Greg Long
Mercy Said No
138 bpm • C# Maj • 04:46 • -7.07db
16% Popularity • 45% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 45% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Steve Camp
He's All You Need
138 bpm • E Maj • 05:03 • -17.01db
28% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Clay Crosse
When I Lift My Hands
138 bpm • G min • 03:43 • -11.6db
15% Popularity • 47% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 47% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Michael Card
Love Crucified Arose
138 bpm • C Maj • 02:59 • -12.19db
27% Popularity • 40% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 40% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Kristian Stanfill
Always
138 bpm • B Maj • 04:24 • -4db
30% Popularity • 41% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 41% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Worship Together
I Will Rest In You
132 bpm • A# Maj • 03:57 • -8.55db
12% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Greg Long
How Long
132 bpm • C Maj • 04:17 • -6.62db
8% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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FFH
Lord Move, Or Move Me
132 bpm • A# Maj • 04:59 • -8.1db
26% Popularity • 57% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 57% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Scott Krippayne
The Best Is Yet To Come - Autobiography ...
132 bpm • G# Maj • 04:04 • -8.25db
15% Popularity • 40% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 40% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Cheri Keaggy
We Have Come To Worship Him
132 bpm • G Maj • 02:59 • -5.95db
24% Popularity • 57% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 57% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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![[Amazing Love] You Are My King cover art](https://i.scdn.co/image/ab67616d00001e020e851546a66c2d7121fe9d8e)
Rachel Robinson
[Amazing Love] You Are My King
139 bpm • D Maj • 05:09 • -6.48db
39% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Gary Chapman
Man After Your Own Heart
131 bpm • A# Maj • 04:32 • -12db
26% Popularity • 28% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 28% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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The Imperials
Be Still My Soul
131 bpm • E min • 03:52 • -23.42db
24% Popularity • 49% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 49% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Kim Hill
Awesome God - Renewing The Heart Live Al...
139 bpm • E min • 01:24 • -8.66db
36% Popularity • 57% Danceability • 83% Energy • 52% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 57% Danceability • 83% Energy • 52% Liveness
0% Instrumentalness • 46% Positiveness
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Aaron & Amanda Crabb
Take Him to the Place
139 bpm • E Maj • 03:42 • -6.81db
25% Popularity • 41% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 41% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Clay Crosse
The Rock (That Was Rolled Away)
139 bpm • C# Maj • 04:33 • -9.41db
21% Popularity • 60% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 60% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Larnelle Harris
Were You There/Jesus Paid It All
139 bpm • C# Maj • 06:43 • -10.51db
15% Popularity • 25% Danceability • 40% Energy • 92% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 25% Danceability • 40% Energy • 92% Liveness
0% Instrumentalness • 12% Positiveness
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Audrey Assad
Come Thou Fount
131 bpm • C Maj • 04:00 • -10.6db
46% Popularity • 32% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 32% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Wayne Watson
Holiness
130 bpm • C Maj • 03:52 • -20.32db
18% Popularity • 56% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 56% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Aaron & Jeoffrey
Leave A Legacy Legacy
140 bpm • A Maj • 04:07 • -8.98db
4% Popularity • 43% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
4% Popularity • 43% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jeff Deyo
You Are Good
140 bpm • F# min • 03:56 • -7.07db
18% Popularity • 38% Danceability • 37% Energy • 41% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 38% Danceability • 37% Energy • 41% Liveness
0% Instrumentalness • 20% Positiveness
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Bob Bennett
My Redeemer Lives (I Know My Redeemer Li...
131 bpm • D# Maj • 03:16 • -18db
30% Popularity • 39% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 39% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Wes King
The Robe
140 bpm • A# Maj • 04:05 • -14.32db
16% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Michael Card
Come Lift Up Your Sorrows
140 bpm • F Maj • 05:43 • -9.03db
19% Popularity • 53% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 53% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Emu Music
This Life I Live
140 bpm • C Maj • 03:36 • -6.21db
32% Popularity • 44% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 44% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Keith Green
Lord I'm Gonna Love You
140 bpm • D Maj • 02:54 • -15.89db
27% Popularity • 35% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 35% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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The Ball Brothers
It's About the Cross
140 bpm • F Maj • 04:11 • -5.97db
40% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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![With Lifted Hands (Acoustic) [feat. Martin Smith] cover art](https://i.scdn.co/image/ab67616d00001e02e3fa995d1fb65885026cdaaa)
Ryan Stevenson
With Lifted Hands (Acoustic)
140 bpm • D Maj • 03:31 • -10.9db
39% Popularity • 53% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 53% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sonicflood
Holiness
140 bpm • G Maj • 07:12 • -8.37db
23% Popularity • 27% Danceability • 44% Energy • 26% Liveness
3% Instrumentalness • 18% Positiveness
23% Popularity • 27% Danceability • 44% Energy • 26% Liveness
3% Instrumentalness • 18% Positiveness
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Allen Asbury
Somebody's Praying Me Through - (Militar...
130 bpm • C Maj • 04:03 • -10db
13% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Jadon Lavik
Blessed Assurance
140 bpm • E Maj • 04:52 • -7.64db
44% Popularity • 54% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 54% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Larnelle Harris
I've Just Seen Jesus
140 bpm • A Maj • 05:43 • -13.93db
25% Popularity • 23% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 23% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Bryan Duncan
As The Deer
130 bpm • G Maj • 01:43 • -16db
39% Popularity • 35% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 35% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ryan Stevenson
With Lifted Hands
140 bpm • D Maj • 03:37 • -6.97db
46% Popularity • 43% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 43% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Ball Brothers
Just as I Am
130 bpm • A# Maj • 04:25 • -7db
29% Popularity • 50% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 50% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Todd Agnew
Our Great God
140 bpm • F Maj • 05:02 • -6.46db
22% Popularity • 34% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 34% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Out Of Eden
Praise to the Lord, Almighty
130 bpm • G# Maj • 04:19 • -5.48db
10% Popularity • 45% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 45% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Chuck Girard
Psalm 5
130 bpm • F Maj • 04:57 • -16.14db
18% Popularity • 34% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 34% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Michael Card
Heal Our Land (Song For The National Day...
130 bpm • F# Maj • 03:33 • -10.96db
3% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
3% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Mandisa
Not Guilty
130 bpm • F Maj • 04:35 • -4.91db
26% Popularity • 26% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 26% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
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Petra
Take Me In
140 bpm • E min • 04:14 • -11.04db
33% Popularity • 39% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 39% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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The Imperials
Praise the Lord
141 bpm • A Maj • 03:35 • -7db
33% Popularity • 43% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 43% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Aaron & Jeoffrey
The Wisdom Way
141 bpm • G min • 04:21 • -8.5db
1% Popularity • 59% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
1% Popularity • 59% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Joseph Larson
'Til the Storm Passes By
129 bpm • G# Maj • 04:45 • -7.79db
32% Popularity • 48% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 48% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Shannon Adducci
Hail to the King
141 bpm • F Maj • 05:42 • -5.12db
10% Popularity • 46% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 46% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Scott Wesley Brown
Yeshua Ha Mashiach
141 bpm • D# Maj • 04:28 • -11.42db
29% Popularity • 60% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 60% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Larnelle Harris
Were It Not For Grace
141 bpm • C Maj • 04:33 • -14.31db
32% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Dennis Jernigan
I Bless You
129 bpm • D# Maj • 04:27 • -16db
11% Popularity • 51% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 51% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Geoff Moore & The Distance
When All Is Said And Done - Evolution Al...
129 bpm • F Maj • 02:56 • -20.32db
31% Popularity • 41% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 41% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Aaron & Jeoffrey
Healing Flood
129 bpm • G Maj • 04:06 • -7.25db
1% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
1% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Steve Camp
Carry Me
128 bpm • B min • 04:08 • -13.21db
16% Popularity • 31% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 31% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Pocket Full Of Rocks
Come As You Are
142 bpm • C Maj • 03:22 • -7.44db
12% Popularity • 37% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 37% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Zach Williams
Revival
142 bpm • A Maj • 03:24 • -5.17db
39% Popularity • 46% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 46% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Ashton, Becker, Dente
Breathe On Me - Along The Road Album Ver...
142 bpm • C Maj • 04:50 • -13db
17% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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David Meece
Forgiven
128 bpm • D min • 04:08 • -8.25db
18% Popularity • 41% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 41% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Aaron & Jeoffrey
It's Just A Matter Of When - After The R...
128 bpm • C# Maj • 03:59 • -9.78db
2% Popularity • 70% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 70% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Steve Camp
Don't Tell Them Jesus Loves Them
128 bpm • A Maj • 05:21 • -16.11db
15% Popularity • 42% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 42% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Clay Crosse
Sold Out Believer
128 bpm • F Maj • 04:22 • -9.17db
13% Popularity • 57% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 57% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Kathy Troccoli
I Will Choose Christ
143 bpm • G Maj • 04:25 • -10.41db
23% Popularity • 38% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 38% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Terry Clark
Let's Worship
128 bpm • G Maj • 05:11 • -17db
17% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Scott Wesley Brown
Kingdom Of Love
143 bpm • A# Maj • 03:25 • -10.25db
19% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Babbie Mason
Each One, Reach One
127 bpm • C# Maj • 04:16 • -14.17db
21% Popularity • 36% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 36% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Shannon Adducci
Pour Your Spirit Out
127 bpm • E Maj • 07:24 • -6.93db
14% Popularity • 32% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 32% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Clay Crosse
My Place Is With You
127 bpm • E Maj • 03:59 • -8.01db
21% Popularity • 48% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 48% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Kathy Troccoli
Psalm 23
144 bpm • F Maj • 04:51 • -12.36db
9% Popularity • 35% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 35% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Terry Clark
Thank You Jesus
127 bpm • D# Maj • 04:40 • -18db
32% Popularity • 44% Danceability • 29% Energy • 65% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 44% Danceability • 29% Energy • 65% Liveness
0% Instrumentalness • 18% Positiveness
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Jamie Kimmett
Burdens
144 bpm • G Maj • 03:52 • -7.84db
38% Popularity • 52% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 52% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
