Songs like He Led Us Here, Pt. 1 by Johnny Klimek
Based on a tempo of (+/- 10%) and a similar genre
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Rupert Gregson-Williams
Limerick
85 bpm • D min • 02:49 • -25.23db
32% Popularity • 13% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Marco Beltrami
Annette
85 bpm • F# min • 05:23 • -15.78db
8% Popularity • 12% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
8% Popularity • 12% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Jeff Russo
Bemidji, MN (Fargo Series Main Theme)
85 bpm • D min • 02:28 • -16.33db
38% Popularity • 17% Danceability • 10% Energy • 58% Liveness
96% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 10% Energy • 58% Liveness
96% Instrumentalness • 7% Positiveness
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Craig Armstrong
You Kept My Letters
85 bpm • D min • 01:22 • -23.93db
32% Popularity • 10% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 10% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Clint Mansell
The Sower With Setting Sun
85 bpm • G Maj • 04:47 • -17.24db
21% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Carter Burwell
Prickly Ash
85 bpm • G min • 01:52 • -22.15db
10% Popularity • 16% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Éric Serra
I Feel Everything
85 bpm • D min • 02:09 • -27.65db
26% Popularity • 18% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Johnny Klimek
Der Schatz der Sorokins
85 bpm • G min • 04:17 • -18.46db
13% Popularity • 9% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
13% Popularity • 9% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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David Arnold
The East Wind
85 bpm • D min • 04:00 • -18.59db
23% Popularity • 11% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 11% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Craig Armstrong
Dream Violin
85 bpm • C Maj • 03:23 • -17.17db
28% Popularity • 14% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Reinhold Heil
Charlie's Funeral
86 bpm • F Maj • 02:43 • -24.41db
14% Popularity • 14% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Trevor Morris
The Execution Ballet
84 bpm • F Maj • 04:36 • -14.62db
19% Popularity • 8% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
19% Popularity • 8% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Éric Serra
Leeloominai
86 bpm • B min • 01:41 • -24.1db
35% Popularity • 13% Danceability • 13% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 13% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Alan Silvestri
Really Confused
84 bpm • G Maj • 01:18 • -32.63db
24% Popularity • 15% Danceability • 1% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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David Julyan
"Let Me Sleep"
86 bpm • B min • 02:43 • -17db
27% Popularity • 9% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 9% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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David Arnold
Appledore
84 bpm • C Maj • 03:38 • -23.07db
18% Popularity • 25% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 25% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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David Wingo
At The Beach
86 bpm • E min • 02:20 • -10.55db
19% Popularity • 10% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Craig Armstrong
Storm
84 bpm • C min • 03:00 • -9db
31% Popularity • 8% Danceability • 41% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
31% Popularity • 8% Danceability • 41% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Stephan Zacharias
Hoffnung am Ende der Welt
84 bpm • D min • 03:21 • -24.57db
19% Popularity • 15% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Michael Brook
Goodbye Eilis
86 bpm • A# Maj • 05:07 • -12.46db
12% Popularity • 15% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Johnny Klimek
Allein
84 bpm • D# Maj • 03:42 • -15.01db
16% Popularity • 11% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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David Arnold
The Fear
86 bpm • D min • 04:17 • -19db
20% Popularity • 10% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
20% Popularity • 10% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Burkhard Dallwitz
Truman Sets Sail
86 bpm • F min • 01:57 • -16.87db
27% Popularity • 14% Danceability • 19% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
27% Popularity • 14% Danceability • 19% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
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Daniel Hart
Now I'm Ready, I'm Ready Now
83 bpm • F Maj • 04:01 • -15.26db
29% Popularity • 16% Danceability • 27% Energy • 10% Liveness
56% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 27% Energy • 10% Liveness
56% Instrumentalness • 3% Positiveness
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Michael Giacchino
The Constant
87 bpm • F Maj • 03:52 • -20.78db
21% Popularity • 9% Danceability • 9% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 9% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
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Clint Mansell
Xibalba
87 bpm • D min • 05:22 • -23.17db
33% Popularity • 9% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Marcel Barsotti
Pope Joan (Main Theme)
87 bpm • G min • 02:34 • -19.14db
15% Popularity • 12% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
15% Popularity • 12% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Steven Price
Above Earth
87 bpm • G min • 01:50 • -30db
26% Popularity • 9% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
26% Popularity • 9% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Johnny Klimek
Carnival Montage
87 bpm • D Maj • 02:26 • -17.44db
4% Popularity • 58% Danceability • 22% Energy • 7% Liveness
78% Instrumentalness • 60% Positiveness
4% Popularity • 58% Danceability • 22% Energy • 7% Liveness
78% Instrumentalness • 60% Positiveness
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Thomas Wander
Edward's Theme
87 bpm • C min • 01:33 • -25.77db
38% Popularity • 23% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
38% Popularity • 23% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Michael Giacchino
The Gathering
87 bpm • C# Maj • 04:19 • -19.05db
22% Popularity • 10% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 3% Positiveness
22% Popularity • 10% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Earth
87 bpm • E Maj • 02:35 • -22.46db
38% Popularity • 20% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
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Mychael Danna
Back to the World
88 bpm • C min • 08:20 • -27db
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Johnny Klimek
Babylon Berlin
83 bpm • C Maj • 01:00 • -16.68db
29% Popularity • 16% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Craig Armstrong
Armstrong: Opening
82 bpm • C min • 01:31 • -8.26db
30% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
30% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
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Trevor Morris
A Howling Wilderness / The Death Of Jane...
82 bpm • C Maj • 02:45 • -13.33db
33% Popularity • 8% Danceability • 20% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
33% Popularity • 8% Danceability • 20% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Éric Serra
Cute Name
82 bpm • A min • 03:28 • -13.25db
24% Popularity • 9% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
24% Popularity • 9% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Danny Bensi and Saunder Jurriaans
Make History
88 bpm • C Maj • 01:13 • -33.41db
41% Popularity • 20% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 20% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Johnny Klimek
Meeting Trinity
88 bpm • C Maj • 01:49 • -33.62db
15% Popularity • 16% Danceability • 3% Energy • 19% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 19% Liveness
96% Instrumentalness • 4% Positiveness
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Jeff Beal
Mr. President
82 bpm • A# Maj • 08:00 • -19.19db
20% Popularity • 10% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Reinhold Heil
Big Daddy
82 bpm • G Maj • 02:26 • -18.87db
3% Popularity • 18% Danceability • 27% Energy • 5% Liveness
79% Instrumentalness • 4% Positiveness
3% Popularity • 18% Danceability • 27% Energy • 5% Liveness
79% Instrumentalness • 4% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Éric Serra
Human Nature
88 bpm • B min • 02:02 • -26.56db
35% Popularity • 18% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
35% Popularity • 18% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Theodore Shapiro
Stationary Cycle
88 bpm • B min • 02:43 • -16.17db
41% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Antony Partos
A New Day Beckons
88 bpm • B min • 06:26 • -21.94db
9% Popularity • 23% Danceability • 9% Energy • 9% Liveness
77% Instrumentalness • 9% Positiveness
9% Popularity • 23% Danceability • 9% Energy • 9% Liveness
77% Instrumentalness • 9% Positiveness
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Nicholas Britell
Ballade in B-flat Minor: Descent
81 bpm • F# Maj • 02:23 • -17.69db
36% Popularity • 13% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
36% Popularity • 13% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Michael Giacchino
John Carter of Mars
81 bpm • A min • 08:53 • -17db
20% Popularity • 8% Danceability • 11% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 11% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Clint Mansell
"We're Not Programs, GERTY, We're People...
89 bpm • C Maj • 05:10 • -22.73db
38% Popularity • 17% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Clint Eastwood
Jimmy's Anguish
81 bpm • C Maj • 03:09 • -19.98db
12% Popularity • 17% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Carter Burwell
Tree of Memory
89 bpm • D min • 04:01 • -25.44db
12% Popularity • 11% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
12% Popularity • 11% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
Government
81 bpm • D min • 04:06 • -27.76db
32% Popularity • 32% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
32% Popularity • 32% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Selma Mutal
The Vanished Elephant - Main Theme
81 bpm • C min • 02:39 • -12.78db
24% Popularity • 8% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Michael Giacchino
Labor Of Love
89 bpm • D Maj • 02:51 • -18.46db
33% Popularity • 18% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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Sharon Farber
Mathilda
81 bpm • D min • 02:48 • -18.15db
31% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Jeff Beal
Peter And Christina
81 bpm • E min • 03:12 • -15.09db
25% Popularity • 17% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
25% Popularity • 17% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Peter Gregson
What Happened
89 bpm • C min • 02:06 • -22.41db
28% Popularity • 36% Danceability • 30% Energy • 9% Liveness
79% Instrumentalness • 19% Positiveness
28% Popularity • 36% Danceability • 30% Energy • 9% Liveness
79% Instrumentalness • 19% Positiveness
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Johnny Klimek
Allein Reprise
81 bpm • D# Maj • 04:18 • -17.96db
14% Popularity • 15% Danceability • 15% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 15% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
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Burkhard Dallwitz
Flashback
90 bpm • C Maj • 01:20 • -28.35db
27% Popularity • 13% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 13% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Nicholas Britell
Ballade in C# Minor: Coronation
80 bpm • C# Maj • 02:28 • -16.09db
47% Popularity • 20% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
47% Popularity • 20% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Origin Story
80 bpm • G min • 09:48 • -15db
22% Popularity • 34% Danceability • 54% Energy • 7% Liveness
82% Instrumentalness • 21% Positiveness
22% Popularity • 34% Danceability • 54% Energy • 7% Liveness
82% Instrumentalness • 21% Positiveness
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Jeff Beal
Flowers For Claire
90 bpm • F Maj • 02:52 • -20db
25% Popularity • 17% Danceability • 19% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
25% Popularity • 17% Danceability • 19% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Alex Baranowski
A New Beginning
80 bpm • D min • 03:10 • -19.39db
33% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
33% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Atticus Ross
The Purpose
90 bpm • F min • 01:59 • -18.08db
24% Popularity • 15% Danceability • 13% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 13% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Marco Beltrami
The Lane Family
80 bpm • F# min • 02:47 • -11.5db
17% Popularity • 9% Danceability • 27% Energy • 21% Liveness
82% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 27% Energy • 21% Liveness
82% Instrumentalness • 4% Positiveness
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Johnny Klimek
Dunkles Babel
80 bpm • D# Maj • 04:59 • -14.4db
18% Popularity • 32% Danceability • 35% Energy • 36% Liveness
89% Instrumentalness • 19% Positiveness
18% Popularity • 32% Danceability • 35% Energy • 36% Liveness
89% Instrumentalness • 19% Positiveness
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West Dylan Thordson
David & Elijah
80 bpm • C Maj • 01:45 • -25.69db
46% Popularity • 61% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
46% Popularity • 61% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
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Nick Cave & Warren Ellis
What Must Be Done
80 bpm • C min • 01:57 • -15.75db
34% Popularity • 19% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
34% Popularity • 19% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
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Peter Gregson
Sabine
90 bpm • C min • 02:41 • -31.17db
29% Popularity • 33% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 7% Positiveness
29% Popularity • 33% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 7% Positiveness
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Christopher Willis
A Life Well Written
91 bpm • C Maj • 03:17 • -14db
25% Popularity • 30% Danceability • 31% Energy • 5% Liveness
72% Instrumentalness • 16% Positiveness
25% Popularity • 30% Danceability • 31% Energy • 5% Liveness
72% Instrumentalness • 16% Positiveness
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Anne Dudley
American History X
80 bpm • D min • 03:30 • -16db
11% Popularity • 15% Danceability • 12% Energy • 20% Liveness
87% Instrumentalness • 5% Positiveness
11% Popularity • 15% Danceability • 12% Energy • 20% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Johnny Klimek
Berliner Luft
80 bpm • G min • 05:52 • -16.96db
16% Popularity • 32% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 32% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Éric Serra
Protect Life
80 bpm • B min • 02:33 • -22db
37% Popularity • 16% Danceability • 9% Energy • 32% Liveness
39% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 9% Energy • 32% Liveness
39% Instrumentalness • 4% Positiveness
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Jeff Beal
One Bite At A Time
91 bpm • F Maj • 02:30 • -17db
36% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
36% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Rob Simonsen
Adaline Bowman
79 bpm • E min • 01:51 • -19.56db
32% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
32% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Mark Isham
Tribune Tower
91 bpm • A Maj • 03:44 • -24.49db
27% Popularity • 10% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 10% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
46% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
46% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Klaus Badelt
I Don't Belong Here
91 bpm • A Maj • 03:48 • -13db
27% Popularity • 11% Danceability • 37% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
27% Popularity • 11% Danceability • 37% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Johnny Klimek
Agfa Montage
80 bpm • F# Maj • 01:43 • -25.65db
16% Popularity • 43% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 43% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Reinhold Heil
Hearst Enters the Wedding
79 bpm • A Maj • 01:54 • -32.33db
5% Popularity • 7% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
5% Popularity • 7% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Burkhard Dallwitz
Tibet
91 bpm • E min • 05:26 • -16db
29% Popularity • 13% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Stephan Zacharias
Eva Brauns letzter Brief
79 bpm • F min • 03:35 • -24db
14% Popularity • 9% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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The Prestige
The Prestige
79 bpm • A Maj • 01:40 • -14.59db
32% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Johnny Klimek
I Can't Be Her
90 bpm • F min • 02:40 • -19.46db
20% Popularity • 15% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Marco Beltrami
Arthur's Theme
91 bpm • A# min • 02:46 • -14.74db
23% Popularity • 10% Danceability • 18% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
23% Popularity • 10% Danceability • 18% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
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Angelo Badalamenti
Our Soldiers' Letters
79 bpm • A min • 02:43 • -18db
7% Popularity • 7% Danceability • 18% Energy • 20% Liveness
84% Instrumentalness • 3% Positiveness
7% Popularity • 7% Danceability • 18% Energy • 20% Liveness
84% Instrumentalness • 3% Positiveness
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Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Roque Baños
Farewell
79 bpm • F Maj • 02:47 • -23.89db
20% Popularity • 12% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Reinhold Heil
Body Count / Haunted by Our Thoughts
92 bpm • E Maj • 01:50 • -25.7db
10% Popularity • 21% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Jeff Beal
Roll Call
92 bpm • D# Maj • 01:43 • -25.06db
36% Popularity • 40% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
36% Popularity • 40% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Nicholas Britell
Song of Hal: Conclusio in C Minor
92 bpm • C min • 04:50 • -16.58db
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Nathan Barr
Main Title
92 bpm • C min • 01:15 • -10.19db
32% Popularity • 21% Danceability • 57% Energy • 27% Liveness
97% Instrumentalness • 9% Positiveness
32% Popularity • 21% Danceability • 57% Energy • 27% Liveness
97% Instrumentalness • 9% Positiveness
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John Frizzell
Resolution
92 bpm • C min • 02:29 • -21db
14% Popularity • 32% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 32% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Roque Baños
Abandon Ship
92 bpm • F min • 06:09 • -15.38db
32% Popularity • 14% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Johnny Klimek
Peaceful Paddling
78 bpm • A Maj • 01:09 • -22.5db
3% Popularity • 20% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
3% Popularity • 20% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness