Songs like He Was a Good Friend by Francis and the Lights
Based on a tempo of (+/- 10%) and a similar genre
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Francis and the Lights
He Was a Good Friend
85 bpm • D Maj • 03:54 • -6.18db
24% Popularity • 43% Danceability • 54% Energy • 13% Liveness
2% Instrumentalness • 12% Positiveness
24% Popularity • 43% Danceability • 54% Energy • 13% Liveness
2% Instrumentalness • 12% Positiveness
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Valley Maker
Baby, In Your Kingdom
85 bpm • E Maj • 03:46 • -8db
15% Popularity • 36% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 36% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Rostam
I Will See You Again
85 bpm • A# Maj • 01:15 • -11.16db
24% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Vodi
Pressure
86 bpm • A Maj • 04:58 • -10.81db
20% Popularity • 68% Danceability • 37% Energy • 9% Liveness
5% Instrumentalness • 28% Positiveness
20% Popularity • 68% Danceability • 37% Energy • 9% Liveness
5% Instrumentalness • 28% Positiveness
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Fruit Bats
Cazadera
84 bpm • C min • 03:25 • -12db
50% Popularity • 68% Danceability • 31% Energy • 8% Liveness
7% Instrumentalness • 37% Positiveness
50% Popularity • 68% Danceability • 31% Energy • 8% Liveness
7% Instrumentalness • 37% Positiveness
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Motopony
I'm Here Now (Bonus Track)
86 bpm • F Maj • 06:25 • -8.21db
25% Popularity • 63% Danceability • 63% Energy • 7% Liveness
17% Instrumentalness • 48% Positiveness
25% Popularity • 63% Danceability • 63% Energy • 7% Liveness
17% Instrumentalness • 48% Positiveness
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Francis and the Lights
Etc
86 bpm • D# min • 03:26 • -7.94db
31% Popularity • 69% Danceability • 40% Energy • 10% Liveness
19% Instrumentalness • 42% Positiveness
31% Popularity • 69% Danceability • 40% Energy • 10% Liveness
19% Instrumentalness • 42% Positiveness
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Beau
Leave Me Be
84 bpm • C# Maj • 02:58 • -7.27db
12% Popularity • 55% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 55% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Valley Maker
Rise Up
86 bpm • A min • 05:35 • -4.9db
11% Popularity • 60% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 60% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Leif Vollebekk
1921
84 bpm • C# Maj • 04:17 • -18.8db
14% Popularity • 23% Danceability • 14% Energy • 9% Liveness
41% Instrumentalness • 23% Positiveness
14% Popularity • 23% Danceability • 14% Energy • 9% Liveness
41% Instrumentalness • 23% Positiveness
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Bedouine
Back To You
86 bpm • A min • 04:27 • -12.78db
28% Popularity • 47% Danceability • 53% Energy • 33% Liveness
32% Instrumentalness • 39% Positiveness
28% Popularity • 47% Danceability • 53% Energy • 33% Liveness
32% Instrumentalness • 39% Positiveness
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Keenan O'Meara
Might as Well Swim
84 bpm • C Maj • 04:26 • -8.98db
13% Popularity • 41% Danceability • 31% Energy • 56% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 41% Danceability • 31% Energy • 56% Liveness
0% Instrumentalness • 9% Positiveness
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Michael Nau
How You’re so for Real
86 bpm • B Maj • 03:11 • -6.99db
23% Popularity • 56% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 56% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Liz Cooper
Kaleidoscope Eyes
84 bpm • D# Maj • 04:28 • -10db
10% Popularity • 52% Danceability • 64% Energy • 21% Liveness
25% Instrumentalness • 42% Positiveness
10% Popularity • 52% Danceability • 64% Energy • 21% Liveness
25% Instrumentalness • 42% Positiveness
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Sylvan Esso
Rewind - Echo Mountain Sessions
83 bpm • A Maj • 04:50 • -14db
41% Popularity • 42% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
41% Popularity • 42% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Golden Daze
Took A Fall
87 bpm • C# Maj • 03:17 • -10db
25% Popularity • 69% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 69% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Rostam
Warning Intruders
83 bpm • B min • 03:31 • -10.41db
18% Popularity • 58% Danceability • 53% Energy • 55% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 58% Danceability • 53% Energy • 55% Liveness
0% Instrumentalness • 53% Positiveness
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Marty O'Reilly & the Old Soul Orchestra
Firmament
87 bpm • E Maj • 05:39 • -10.24db
16% Popularity • 32% Danceability • 51% Energy • 12% Liveness
12% Instrumentalness • 20% Positiveness
16% Popularity • 32% Danceability • 51% Energy • 12% Liveness
12% Instrumentalness • 20% Positiveness
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Trash Panda
Check Please
83 bpm • B min • 04:16 • -10.08db
26% Popularity • 44% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 28% Positiveness
26% Popularity • 44% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 28% Positiveness
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Liz Cooper
Kaleidoscope Eyes - Audiotree Live Versi...
87 bpm • D# Maj • 04:14 • -12.02db
27% Popularity • 55% Danceability • 60% Energy • 20% Liveness
62% Instrumentalness • 47% Positiveness
27% Popularity • 55% Danceability • 60% Energy • 20% Liveness
62% Instrumentalness • 47% Positiveness
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Runnner
Eggshell
87 bpm • G Maj • 03:24 • -9db
40% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Father John Misty
O I Long to Feel Your Arms Around Me
88 bpm • D Maj • 02:23 • -9db
47% Popularity • 43% Danceability • 45% Energy • 12% Liveness
10% Instrumentalness • 18% Positiveness
47% Popularity • 43% Danceability • 45% Energy • 12% Liveness
10% Instrumentalness • 18% Positiveness
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Soy Christmas
Get Upset
88 bpm • D# Maj • 03:18 • -10.84db
22% Popularity • 68% Danceability • 56% Energy • 14% Liveness
35% Instrumentalness • 19% Positiveness
22% Popularity • 68% Danceability • 56% Energy • 14% Liveness
35% Instrumentalness • 19% Positiveness
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Feist
Baby Be Simple
88 bpm • C Maj • 06:21 • -14.11db
18% Popularity • 54% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 54% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Grapell
No Longer Free
88 bpm • E min • 03:52 • -6.92db
11% Popularity • 62% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 62% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Leif Vollebekk
Photographer Friend
88 bpm • C# Maj • 02:41 • -13.42db
18% Popularity • 42% Danceability • 10% Energy • 12% Liveness
4% Instrumentalness • 21% Positiveness
18% Popularity • 42% Danceability • 10% Energy • 12% Liveness
4% Instrumentalness • 21% Positiveness
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Hamilton Leithauser
Rough Going (I Won't Let Up)
88 bpm • C Maj • 04:15 • -7.27db
29% Popularity • 58% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 58% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Fruit Bats
It Must Be Easy
82 bpm • E min • 02:57 • -8.94db
25% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jack Symes
Cool God
82 bpm • C# Maj • 04:11 • -9db
38% Popularity • 69% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 69% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Bibio
The Art Of Living
88 bpm • B Maj • 03:16 • -11.29db
27% Popularity • 30% Danceability • 42% Energy • 11% Liveness
45% Instrumentalness • 41% Positiveness
27% Popularity • 30% Danceability • 42% Energy • 11% Liveness
45% Instrumentalness • 41% Positiveness
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Abram Shook
Machinery
82 bpm • D Maj • 02:42 • -4.55db
30% Popularity • 70% Danceability • 59% Energy • 25% Liveness
1% Instrumentalness • 64% Positiveness
30% Popularity • 70% Danceability • 59% Energy • 25% Liveness
1% Instrumentalness • 64% Positiveness
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Dirty Projectors
You're The One
88 bpm • A Maj • 02:18 • -7.81db
18% Popularity • 41% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 41% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Westerman
Harvard
82 bpm • F# min • 03:32 • -10.28db
22% Popularity • 60% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 60% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Francis and the Lights
Morning
88 bpm • D# Maj • 01:37 • -10.42db
45% Popularity • 66% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
45% Popularity • 66% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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Shakey Graves
Foot Of Your Bed
82 bpm • F Maj • 04:25 • -13.09db
24% Popularity • 46% Danceability • 34% Energy • 15% Liveness
14% Instrumentalness • 20% Positiveness
24% Popularity • 46% Danceability • 34% Energy • 15% Liveness
14% Instrumentalness • 20% Positiveness
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Valley Maker
Planted In The Tall Weeds
82 bpm • D Maj • 04:51 • -7.6db
10% Popularity • 69% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 69% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Royal Yellow
Hazeldene
81 bpm • D Maj • 04:06 • -8.28db
23% Popularity • 68% Danceability • 49% Energy • 11% Liveness
36% Instrumentalness • 62% Positiveness
23% Popularity • 68% Danceability • 49% Energy • 11% Liveness
36% Instrumentalness • 62% Positiveness
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Whitney
Valleys (My Love)
89 bpm • B Maj • 03:56 • -7.17db
49% Popularity • 57% Danceability • 61% Energy • 10% Liveness
59% Instrumentalness • 50% Positiveness
49% Popularity • 57% Danceability • 61% Energy • 10% Liveness
59% Instrumentalness • 50% Positiveness
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Local Natives
Someday Now
89 bpm • G# min • 05:05 • -5.9db
32% Popularity • 27% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 27% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Andre Bernier
Condo
89 bpm • C# Maj • 01:54 • -17db
30% Popularity • 78% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
30% Popularity • 78% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
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The Barr Brothers
You Would Have to Lose Your Mind
89 bpm • F# min • 06:21 • -8db
42% Popularity • 34% Danceability • 45% Energy • 12% Liveness
72% Instrumentalness • 24% Positiveness
42% Popularity • 34% Danceability • 45% Energy • 12% Liveness
72% Instrumentalness • 24% Positiveness
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Mutual Benefit
Skipping Stones
89 bpm • G Maj • 03:45 • -8.32db
3% Popularity • 18% Danceability • 36% Energy • 67% Liveness
10% Instrumentalness • 8% Positiveness
3% Popularity • 18% Danceability • 36% Energy • 67% Liveness
10% Instrumentalness • 8% Positiveness
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Lyrics Born
Something Better
89 bpm • F min • 03:45 • -7.05db
4% Popularity • 74% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
4% Popularity • 74% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Cape Francis
5 in the Morning
81 bpm • C# Maj • 03:17 • -9.16db
14% Popularity • 58% Danceability • 43% Energy • 8% Liveness
9% Instrumentalness • 22% Positiveness
14% Popularity • 58% Danceability • 43% Energy • 8% Liveness
9% Instrumentalness • 22% Positiveness
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Local Natives
Stella Blue
81 bpm • E Maj • 04:39 • -8db
24% Popularity • 41% Danceability • 60% Energy • 22% Liveness
1% Instrumentalness • 28% Positiveness
24% Popularity • 41% Danceability • 60% Energy • 22% Liveness
1% Instrumentalness • 28% Positiveness
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Allie Crow Buckley
Captive
81 bpm • F Maj • 04:21 • -10.1db
28% Popularity • 54% Danceability • 39% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
28% Popularity • 54% Danceability • 39% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
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Carl Broemel
Sleepy Lagoon
80 bpm • B Maj • 05:55 • -8.83db
23% Popularity • 60% Danceability • 63% Energy • 19% Liveness
48% Instrumentalness • 76% Positiveness
23% Popularity • 60% Danceability • 63% Energy • 19% Liveness
48% Instrumentalness • 76% Positiveness
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Bon Iver
29 #Strafford APTS
81 bpm • E Maj • 04:05 • -14.68db
52% Popularity • 29% Danceability • 23% Energy • 11% Liveness
41% Instrumentalness • 16% Positiveness
52% Popularity • 29% Danceability • 23% Energy • 11% Liveness
41% Instrumentalness • 16% Positiveness
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Fruit Bats
Absolute Loser
90 bpm • G Maj • 03:51 • -10.39db
41% Popularity • 52% Danceability • 51% Energy • 12% Liveness
8% Instrumentalness • 40% Positiveness
41% Popularity • 52% Danceability • 51% Energy • 12% Liveness
8% Instrumentalness • 40% Positiveness
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Francis and the Lights
Strawberries
90 bpm • A# min • 04:28 • -6.34db
16% Popularity • 80% Danceability • 72% Energy • 6% Liveness
8% Instrumentalness • 52% Positiveness
16% Popularity • 80% Danceability • 72% Energy • 6% Liveness
8% Instrumentalness • 52% Positiveness
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Rostam
Rudy
90 bpm • D Maj • 03:53 • -9.03db
25% Popularity • 65% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 65% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Sjowgren
Now & Then
80 bpm • C Maj • 03:25 • -6db
54% Popularity • 54% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 40% Positiveness
54% Popularity • 54% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 40% Positiveness
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DYAN
Ooh Song
90 bpm • D# Maj • 03:52 • -15db
32% Popularity • 71% Danceability • 19% Energy • 8% Liveness
23% Instrumentalness • 31% Positiveness
32% Popularity • 71% Danceability • 19% Energy • 8% Liveness
23% Instrumentalness • 31% Positiveness
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Chris Rubeo
Lover's Spit
80 bpm • A# Maj • 05:48 • -12.36db
18% Popularity • 45% Danceability • 50% Energy • 32% Liveness
44% Instrumentalness • 15% Positiveness
18% Popularity • 45% Danceability • 50% Energy • 32% Liveness
44% Instrumentalness • 15% Positiveness
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Mean Lady
Bop Bop
80 bpm • G Maj • 05:18 • -8.38db
26% Popularity • 48% Danceability • 42% Energy • 9% Liveness
16% Instrumentalness • 29% Positiveness
26% Popularity • 48% Danceability • 42% Energy • 9% Liveness
16% Instrumentalness • 29% Positiveness
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Girlyboi
Good Looks
80 bpm • D Maj • 04:03 • -9.56db
30% Popularity • 54% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 54% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Rostam
Hold You
80 bpm • G Maj • 02:33 • -8.63db
17% Popularity • 46% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 46% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
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Sylvan Esso
Rooftop Dancing
80 bpm • C Maj • 03:03 • -13.46db
44% Popularity • 68% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 68% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Hales Corner
Garden View
80 bpm • G Maj • 02:26 • -15.25db
32% Popularity • 59% Danceability • 29% Energy • 10% Liveness
23% Instrumentalness • 17% Positiveness
32% Popularity • 59% Danceability • 29% Energy • 10% Liveness
23% Instrumentalness • 17% Positiveness
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Octave Lissner
For Drunken Poet
80 bpm • E Maj • 03:31 • -9.78db
21% Popularity • 64% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 64% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Francis and the Lights
May I Have This Dance
90 bpm • G# Maj • 02:52 • -9.57db
49% Popularity • 58% Danceability • 45% Energy • 9% Liveness
4% Instrumentalness • 80% Positiveness
49% Popularity • 58% Danceability • 45% Energy • 9% Liveness
4% Instrumentalness • 80% Positiveness
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ASL
EARLY TO THE PARTY
80 bpm • D Maj • 02:48 • -5.34db
27% Popularity • 52% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 52% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Whitney
Giving Up
91 bpm • F# Maj • 03:10 • -7.27db
42% Popularity • 64% Danceability • 60% Energy • 11% Liveness
53% Instrumentalness • 16% Positiveness
42% Popularity • 64% Danceability • 60% Energy • 11% Liveness
53% Instrumentalness • 16% Positiveness
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Andrew Bird
Truth Lies Low
91 bpm • A# Maj • 05:28 • -11.49db
35% Popularity • 70% Danceability • 45% Energy • 9% Liveness
10% Instrumentalness • 63% Positiveness
35% Popularity • 70% Danceability • 45% Energy • 9% Liveness
10% Instrumentalness • 63% Positiveness
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Quiet Life
Foggy
79 bpm • B min • 07:37 • -8.81db
31% Popularity • 52% Danceability • 40% Energy • 12% Liveness
68% Instrumentalness • 39% Positiveness
31% Popularity • 52% Danceability • 40% Energy • 12% Liveness
68% Instrumentalness • 39% Positiveness
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Rostam
In a River
79 bpm • G Maj • 03:43 • -9.49db
43% Popularity • 47% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 47% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Francis and the Lights
Can't Tell Me Nothing
91 bpm • F min • 02:11 • -8.38db
12% Popularity • 63% Danceability • 76% Energy • 14% Liveness
2% Instrumentalness • 57% Positiveness
12% Popularity • 63% Danceability • 76% Energy • 14% Liveness
2% Instrumentalness • 57% Positiveness
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Ings
Dog Physics
91 bpm • A Maj • 04:20 • -13.17db
25% Popularity • 50% Danceability • 53% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
25% Popularity • 50% Danceability • 53% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
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Cataldo
In Now and Then
79 bpm • F Maj • 03:31 • -7.48db
21% Popularity • 68% Danceability • 52% Energy • 12% Liveness
4% Instrumentalness • 87% Positiveness
21% Popularity • 68% Danceability • 52% Energy • 12% Liveness
4% Instrumentalness • 87% Positiveness
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A.A. Bondy
Killers 3
79 bpm • F Maj • 03:52 • -8.83db
20% Popularity • 48% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
20% Popularity • 48% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Star Parks
Theoretical Girls
92 bpm • D Maj • 03:54 • -7.84db
20% Popularity • 49% Danceability • 41% Energy • 15% Liveness
6% Instrumentalness • 7% Positiveness
20% Popularity • 49% Danceability • 41% Energy • 15% Liveness
6% Instrumentalness • 7% Positiveness
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S. Carey
Yellowstone
79 bpm • A# min • 03:50 • -11db
38% Popularity • 44% Danceability • 52% Energy • 12% Liveness
73% Instrumentalness • 51% Positiveness
38% Popularity • 44% Danceability • 52% Energy • 12% Liveness
73% Instrumentalness • 51% Positiveness
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Vacationer
Minimum
79 bpm • E Maj • 03:27 • -7.01db
17% Popularity • 44% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 44% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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BE GOOD
Nightbus
79 bpm • C Maj • 03:57 • -10.33db
22% Popularity • 61% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 61% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Joshua Burnside
Grapes
92 bpm • D Maj • 04:00 • -17.8db
29% Popularity • 51% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
29% Popularity • 51% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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Big Red Machine
Hymnostic
92 bpm • D# Maj • 03:02 • -8db
32% Popularity • 46% Danceability • 58% Energy • 10% Liveness
14% Instrumentalness • 48% Positiveness
32% Popularity • 46% Danceability • 58% Energy • 10% Liveness
14% Instrumentalness • 48% Positiveness
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Quinn Christopherson
Raedeen
92 bpm • E min • 06:24 • -10.76db
25% Popularity • 68% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 68% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Josh Dillard
Old Ojai
79 bpm • C Maj • 02:29 • -13.25db
26% Popularity • 28% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 28% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Born Ruffians
Love Too Soon
78 bpm • D Maj • 02:41 • -8.91db
11% Popularity • 44% Danceability • 25% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
11% Popularity • 44% Danceability • 25% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
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Wild Child
Follow Me
92 bpm • C Maj • 03:31 • -14db
32% Popularity • 44% Danceability • 38% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
32% Popularity • 44% Danceability • 38% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
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Cut Worms
Like Going Down Sideways
78 bpm • E Maj • 04:41 • -6.87db
25% Popularity • 44% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
25% Popularity • 44% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Father John Misty
Funtimes in Babylon - Spotify Sessions C...
92 bpm • E Maj • 04:16 • -6.71db
17% Popularity • 28% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 28% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Francis and the Lights
Thank You
78 bpm • C# Maj • 01:37 • -10.77db
31% Popularity • 57% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 57% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Rostam
In a River (Acoustic)
78 bpm • G Maj • 03:34 • -11.44db
36% Popularity • 54% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 54% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Dirty Projectors
What Is The Time
78 bpm • F Maj • 03:15 • -4db
25% Popularity • 76% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 76% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Cape Francis
Olly
78 bpm • D Maj • 03:54 • -11db
30% Popularity • 56% Danceability • 68% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
30% Popularity • 56% Danceability • 68% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
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David Ramirez
Twins
78 bpm • E min • 03:38 • -8.53db
26% Popularity • 51% Danceability • 41% Energy • 11% Liveness
32% Instrumentalness • 10% Positiveness
26% Popularity • 51% Danceability • 41% Energy • 11% Liveness
32% Instrumentalness • 10% Positiveness
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Whitney
Forever Turned Around
93 bpm • G# Maj • 03:59 • -9.63db
35% Popularity • 65% Danceability • 39% Energy • 11% Liveness
57% Instrumentalness • 57% Positiveness
35% Popularity • 65% Danceability • 39% Energy • 11% Liveness
57% Instrumentalness • 57% Positiveness
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Nassau
Ain't It Time
78 bpm • D Maj • 04:55 • -10.65db
17% Popularity • 30% Danceability • 40% Energy • 6% Liveness
80% Instrumentalness • 9% Positiveness
17% Popularity • 30% Danceability • 40% Energy • 6% Liveness
80% Instrumentalness • 9% Positiveness
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Rostam
Under Control
78 bpm • C# Maj • 03:17 • -11.33db
31% Popularity • 61% Danceability • 33% Energy • 11% Liveness
17% Instrumentalness • 20% Positiveness
31% Popularity • 61% Danceability • 33% Energy • 11% Liveness
17% Instrumentalness • 20% Positiveness
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Francis and the Lights
Back in Time
93 bpm • F min • 02:27 • -13.24db
24% Popularity • 84% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 52% Positiveness
24% Popularity • 84% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 52% Positiveness
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Big Red Machine
Forest Green
93 bpm • B Maj • 05:49 • -11db
37% Popularity • 62% Danceability • 55% Energy • 9% Liveness
59% Instrumentalness • 35% Positiveness
37% Popularity • 62% Danceability • 55% Energy • 9% Liveness
59% Instrumentalness • 35% Positiveness
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Horse Thief
Million Dollars
77 bpm • F Maj • 02:35 • -13.01db
21% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Vick
Get Well Soon
77 bpm • E Maj • 03:44 • -9.25db
20% Popularity • 53% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 53% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Volcano Choir
Island, IS
93 bpm • G Maj • 04:08 • -12db
32% Popularity • 56% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
32% Popularity • 56% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Buck Meek
Halo Light
77 bpm • C# Maj • 03:50 • -11.75db
18% Popularity • 61% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 61% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Allie Crow Buckley
Cusco
77 bpm • C Maj • 04:17 • -9.53db
35% Popularity • 26% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
35% Popularity • 26% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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Leif Vollebekk
Quebec
93 bpm • F Maj • 04:06 • -12.83db
8% Popularity • 58% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 58% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
